Bach to Rock Orchestre - Intermédiaire Alfred Publishing
Orchestra - Grade 3.5 SKU: AP.49053 Composed by Mark Wood. Performance Mu...(+)
Orchestra - Grade 3.5
SKU: AP.49053
Composed by Mark Wood.
Performance Music
Ensemble; Single Titles;
String Orchestra. Mark
Wood Series. Pop/Rock;
Rock. Score and Part(s).
Duration 3:10. Alfred
Music #00-49053.
Published by Alfred Music
(AP.49053).
Wood's Bolero Orchestre - Intermédiaire Alfred Publishing
Orchestra - Grade 2-4 SKU: AP.49064 Composed by Mark Wood. MakeMusic Clou...(+)
Orchestra - Grade 2-4
SKU: AP.49064
Composed by Mark Wood.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Mark
Wood Series. Pop/Rock;
Rock. Score and Part(s).
Duration 4:30. Alfred
Music #00-49064.
Published by Alfred Music
(AP.49064).
ISBN
9781470647841. UPC:
038081567068.
English.
This
multi-level piece
includes a full set of
parts for grade 2 as well
as a full set for grade 4
ensembles. Mix and match
the parts as you
need---perfect for
mixed-ability ensembles!
Bach to Rock Orchestre [Conducteur] - Intermédiaire Alfred Publishing
Orchestra - Grade 3.5 SKU: AP.49053S Composed by Mark Wood. Performance M...(+)
Orchestra - Grade 3.5
SKU: AP.49053S
Composed by Mark Wood.
Performance Music
Ensemble; Single Titles;
String Orchestra. Mark
Wood Series. Pop/Rock;
Rock. Score. Duration
3:10. Alfred Music
#00-49053S. Published by
Alfred Music (AP.49053S).
Wood's Bolero Orchestre [Conducteur] - Intermédiaire Alfred Publishing
Orchestra - Grade 2-4 SKU: AP.49064S Composed by Mark Wood. MakeMusic Clo...(+)
Orchestra - Grade 2-4
SKU: AP.49064S
Composed by Mark Wood.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Mark
Wood Series. Pop/Rock;
Rock. Score. Duration
4:30. Alfred Music
#00-49064S. Published by
Alfred Music (AP.49064S).
ISBN 9781470647858.
UPC: 038081567075.
English.
This
multi-level piece
includes a full set of
parts for grade 2 as well
as a full set for grade 4
ensembles. Mix and match
the parts as you
need---perfect for
mixed-ability ensembles!
Orchestra SKU: BT.MUSM570366699 Composed by Ed Hughes. Score Only. 62 pag...(+)
Orchestra
SKU:
BT.MUSM570366699
Composed by Ed Hughes.
Score Only. 62 pages.
University of York Music
Press #MUSM570366699.
Published by University
of York Music Press
(BT.MUSM570366699).
English.
Le
Voyage Dans La Lune is a
continuous orchestral
score of approximately 14
minutes comprising two
outer fast sections and a
slower inner section of a
dream-like character. The
work is directly inspired
by the film Le Voyage
Dans La Lune (1902),
written and directed by
the pioneering French
film-maker, Georges
Méliès. Méliès was
influenced by 19th
century interests in
science and discoveries,
as well as the science
fiction of Jules Verne.
At the same time his work
seems fantastic, surreal
and satirical. Some
critics point out an
underlying critique of
colonial adventuring. The
plot centres on a group
of astronomers who decide
to launch a rocket to the
moon containing a handful
of their number. They
reach the moon (famously
landing on the moon’s
face) and then encounter
a strange race of aliens,
whom they battle and
destroy. The return to
earth involves a dramatic
descent, a plunge into
the ocean and then
celebratory dancing. The
film inhabits a surreal
and dream-like space, and
uses an idiosyncratic
visual language which
transforms reality. This
inspired an active
musical response in my
own score, which is by
turns abrupt, smooth,
lyrical and violent, and
expresses something of
the strange shifting
surfaces and multiple and
layered tempos evident in
the film. The canons in
the horns in the first
scene reflect the intense
arguments of the
astronomers as they
consider the project. The
slower inner section is
inspired by the scenes of
the industrial City
viewed from its rooftops
by the astronomers. It
also expresses the wonder
of the astronomers as
they see the earth rise
from the perspective of
the moon after their
arrival there. The music
of the final section is
in places conflicted,
reflecting the violent
encounters with the
moon’s inhabitants. It
moves into a more
harmonious phase at the
close to match the
celebrations upon the
astronomers’ return
from their adventuring.
The music could be
considered to be a
surreal mini-opera
without voices, voicing
instead the characters of
the silent screen. - Ed
Hughes.
Orchestra SKU: BT.MUSM570366712 Composed by Ed Hughes. Classical. Study S...(+)
Orchestra
SKU:
BT.MUSM570366712
Composed by Ed Hughes.
Classical. Study Score.
62 pages. University of
York Music Press
#MUSM570366712. Published
by University of York
Music Press
(BT.MUSM570366712).
English.
Le
Voyage Dans La Lune is a
continuous orchestral
score of approximately 14
minutes comprising two
outer fast sections and a
slower inner section of a
dream-like character. The
work is directly inspired
by the film Le Voyage
Dans La Lune (1902),
written and directed by
the pioneering French
film-maker, Georges
Méliès. Méliès was
influenced by 19th
century interests in
science and discoveries,
as well as the science
fiction of Jules Verne.
At the same time his work
seems fantastic, surreal
and satirical. Some
critics point out an
underlying critique of
colonial adventuring. The
plot centres on a group
of astronomers who decide
to launch a rocket to the
moon containing a handful
of their number. They
reach the moon (famously
landing on the moon’s
face) and then encounter
a strange race of aliens,
whom they battle and
destroy. The return to
earth involves a dramatic
descent, a plunge into
the ocean and then
celebratory dancing. The
film inhabits a surreal
and dream-like space, and
uses an idiosyncratic
visual language which
transforms reality. This
inspired an active
musical response in my
own score, which is by
turns abrupt, smooth,
lyrical and violent, and
expresses something of
the strange shifting
surfaces and multiple and
layered tempos evident in
the film. The canons in
the horns in the first
scene reflect the intense
arguments of the
astronomers as they
consider the project. The
slower inner section is
inspired by the scenes of
the industrial City
viewed from its rooftops
by the astronomers. It
also expresses the wonder
of the astronomers as
they see the earth rise
from the perspective of
the moon after their
arrival there. The music
of the final section is
in places conflicted,
reflecting the violent
encounters with the
moon’s inhabitants. It
moves into a more
harmonious phase at the
close to match the
celebrations upon the
astronomers’ return
from their adventuring.
The music could be
considered to be a
surreal mini-opera
without voices, voicing
instead the characters of
the silent screen. - Ed
Hughes.