Orchestra (Full Score) SKU: HL.238319 (2008). Composed by Michael ...(+)
Orchestra (Full Score)
SKU: HL.238319
(2008). Composed
by Michael Nyman. Music
Sales America. Classical.
Softcover. Composed 2017.
324 pages. Chester Music
#CH74756. Published by
Chester Music
(HL.238319).
UPC:
888680888442. 9x12
inches.
Somethin
g Connected with
Energy was composed
in 2008 and was
commissioned by the
Festival Della Scienza
2008, Genova, Italy with
financial support by
ERG.
Scored for
Flute/Piccolo,
Clarinet/Bass Clarinet,
Alto/Tenor Saxophone,
Horn, Trumpet,
Vibraphone, Piano and
Strings. Duration is
approximately: 48
minutes.
Full
Score. Composed by
Per Norgard. Music Sales
America. 20Th Century,
Classical. Softcover. 188
pages. Edition Wilhelm
Hansen #KP00865.
Published by Edition
Wilhelm Hansen
(HL.14032192).
ISBN
9788759858394.
12.0x16.5x0.78 inches.
International (more than
one
language).
Symphony
No. 6 for orchestra,
1997-99. Preface /
Program Note:... with the
Lord a day is like a
thousand years, and a
thousand years is like a
day(New Testament, 2
Peter 3:8)My SYMPHONY NO.
6 was commissioned by the
Danish National Radio
Symphony Orchestra, the
Gteborg Symphony
Orchestra and the Oslo
Philharmonic Orchestra,
to be premiered at the
millenium 2000.The
subtitle AT THE END OF
THE DAY can be understood
literally or it can mean
when all is added up.
However, in my opinion,
nothing ever quite adds
up, there is always
something missing, any
ending will be
provisional ...This
symphony appears to end
only a few minutes into
the first movement, the
first passage, as the
music fades away to
almost-silence, after a
start of flying colours.
But then there is still
something, a small motive
(first heard in the
initial sound-waves)
which reappears,
hesitant, but persistent,
and this embryo is what
leads on the musical
progression. An agitated
section of many
instrumental voices comes
next, until all the
voices become obsessed
with the same phrase, a
see-saw motive based on
thirds. This section
evolves into almost
martial ferocity, when
broken off by a tutti
descent into an extreme
bass-world (a bass-world
which actually permeates
the whole symphony,
emplyoing instruments
that I have never used
before: double-bass tuba,
double-bass trombone,
double-bass clarinet, and
bass flute).The second
movement, the second
passage, apparently takes
off where the first
passage ended, but now
the events are more
ambiguous, and the same
music may be perceived as
fast-moving one moment
and slow-moving the next.
This section is a kind of
passacaglia, the
characteristic baroque
bass-variation.Without a
break follows the third
and last passage, in a
contrasting high
register. The music is
rhythmically knotty as
well as freely flowing.
As in the beginning of
the symphony, a
never-ending descent or
fall breaks off the
events, and at the very
end a delta of new
beginnings, of other
worlds, is revealed
....The symphony is
dedicated to Helle, my
wife. - Per Norgard.
Orchestra SKU: FG.55011-588-0 Composed by Einojuhani Rautavaara. Score. F...(+)
Orchestra
SKU:
FG.55011-588-0
Composed by Einojuhani
Rautavaara. Score.
Fennica Gehrman
#55011-588-0. Published
by Fennica Gehrman
(FG.55011-588-0).
ISBN
9790550115880.
I
wrote my First Symphony
while studying in the
United States in 1955,
but the work has since
undergone two substantial
changes. The original
four-movement structure
changed into a
two-movement structure in
1988, with an expansive,
Romantic and pathos-laden
principal movement
followed by a grotesque
and ironic scherzo. This
version seems to owe
something to Dmitri
Shostakovich, one of the
idols of 1950s Modernism
in Finland. Later I found
that the structure was
out of balance, and in
2003 I added a lyrical
slow movement (Poetico)
between the two existing
ones. In order to
preserve the 1950s spirit
of the original work, I
based the slow movement
on solo song written
around the same time
(third movement from the
song cycle Die
Liebenden).
Full orchestra SKU: LO.30-3707MD Composed by Marty Parks. Choral. Sacred ...(+)
Full orchestra
SKU:
LO.30-3707MD
Composed
by Marty Parks. Choral.
Sacred Anthem, Advent,
Christmas. Orchestral
score and CD with
printable parts.
Medallion Music
#30/3707MD. Published by
Medallion Music
(LO.30-3707MD).
UPC:
000308154122.
Orche
stral Score and CD with
Printable Parts for
10/5315MD Only a Silent
Night is a lovely,
tranquil arrangement from
beloved composer, Marty
Parks. The music is
outstanding, but the true
beauty of this Christmas
ballad lies in Marty's
original text: And only
the song of the herald
angels could offer the
earth something glorious
with only three words
that could change the
world: God with us!
Invite God’s
presence into your
worship with this moving
anthem.
Orchestra SKU: BR.SON-633 Composed by Jean Sibelius. Orchestra; Linen. Co...(+)
Orchestra
SKU:
BR.SON-633
Composed
by Jean Sibelius.
Orchestra; Linen.
Complete Works.
Late-romantic; Early
modern. Complete Works.
156 pages. Breitkopf and
Haertel #SON 633.
Published by Breitkopf
and Haertel (BR.SON-633).
ISBN 9790004803684. 10
x 12.5
inches.
Symphony,
symphonic poem, fantasy,
or something else
entirely different? For a
long time while working
on the Sixth Symphony,
Sibelius was not certain
what his new orchestral
work was now about to
become or what to call
it. He had to interrupt
work on the symphony time
and again during the
Finnish civil war and
because of financial
difficulties that forced
him to earn a living with
little things. So, it is
not surprising that many
small ideas for other
works repeatedly
culminated in the Sixth.
In a letter to a friend,
he describes his early
ideas for the work: The
6th symphony is wild and
turbulent in character.
Gloomy with pastoral
contrasts. Probably in 4
movements with a
conclusion growing into a
dark orchestral shower in
which the main theme
drowns. The editor Kai
Lindberg now presents the
definitive version within
the context of the
Sibelius Complete
Edition.
Orchestra (Study Score) SKU: HL.49046988 Lyric Trilogy After Maurice M...(+)
Orchestra (Study Score)
SKU: HL.49046988
Lyric Trilogy After
Maurice Maeterlinck Study
Score, French.
Composed by Aribert
Reimann. Edition Schott.
Classical. Softcover. 280
pages. Duration 5400
seconds. Schott Music
#ED23491. Published by
Schott Music
(HL.49046988).
ISBN
9781705174333. UPC:
842819115281.
8.25x11.75x0.695
inches.
SYNOPSIS
Aribert Reimann's
'Trilogie lyrique' is
based on three plays by
Maurice Maeterlinck: In
L'Intruse, a family is
sitting at the table with
their blind grandfather.
They are waiting for the
doctor to arrive and tend
to his daughter who is
lying ill in bed after
having given birth: her
new-born son has not yet
made a single sound. The
old man senses that
something is wrong due to
the uneasy atmosphere in
the room. Who is sitting
in our midst? he asks. He
is the only one who
cansee the presence of
death. Interieur: Once
again a family is
gathered round the table
in the evening, but this
time we observe the
action from outside,
looking through the
window with the
grandfather and a
stranger: no sound can be
heard. Outside the house,
the stranger reports that
the eldest daughter has
drowned and that he has
pulled her out of the
river. Although the
corpse is already being
carried through the
village to the family,
the grandfather cannot
bring himself to destroy
this idyll. La Mort de
Tintagiles: The young
Tintagiles is told a
story about a mysterious
castle and the aged queen
who has all potential
heirsto the throne
murdered. His siblings
sense that Tintagiles has
been summoned to the
castle to be murdered,
but nobody openly
expresses this fact. It
is the sinister
messengers of death from
the interludes, now
visible as the queens
servants, who ful?l her
demand and snatch the
sleeping boy from his
sisters'arms. Commentary
'In comparison with his
Medea for example with
its stormy outbreaks of
emotion and violence,
Reimann's score is worked
in an impressive
refinement of sound. It
begins with rumbling,
hesitating and expressive
music in the first
section, demanding highly
ingenious sound effects
from the lower strings
including tapping and
faltering glissandos in
its noisy expression of
mortal fear. Inthe second
part, the woodwind
formation plays at times
almost in chamber music
fashion and is then
suddenly painfully
shrill. The third part
luxuriates and rages in
its rich, full
orchestration. The manner
in which Reimann displays
his mastery in textural
shading, the invention of
sounds welling up and
fading away, the rhythmic
and melodic capacity of
suffering and the music's
inner violence are all
utterly
compelling.'(Wolfgang
Schreiber, Opernwelt,
November 2017).
Orchestra full orchestra - Grade 5 SKU: KJ.JO2002C Composed by Jack Stamp...(+)
Orchestra full orchestra
- Grade 5
SKU:
KJ.JO2002C
Composed
by Jack Stamp. Score and
parts. Neil A. Kjos Music
Company #JO2002C.
Published by Neil A. Kjos
Music Company
(KJ.JO2002C).
It was with
great pleasure that
received a commission
from my good friends at
the Johnstown
(Pennsylvania) Symphony
Orchestra, Istvan Jaray,
music director and
conductor, to write a
work for the opening of
their 1996-1997 season.
My intention was to write
a lively work which
highlighted the strengths
of this musical
organization while being
accessible and appealing
to their loyal audience
members. In trying to tie
something unique about
Johnstown to the work,
came up with the title,
Iridium, which is a term
that deals with the
production of metal.
During the writing of the
work, my friend,
colleague, and former
teacher, Hugh Johnson
passed away. Dr. Johnson,
faculty emeritus at
Indiana University of
Pennsylvania, was a
terrific musician who was
always enthusiastic about
orchestral music! It is
this enthusiasm and
energy that have tried to
capture in this new work,
which is dedicated to Dr.
Johnson's memory.
Finally, would like to
thank Maestro Jaray and
Tony Blackner for their
interest in my work. With
Iridium comes my best
wishes to Maestro Jaray
and the orchestra for a
fantastic new season of
music-making. -Jack Stamp
(August, 1996).
Orchestra - Grade 1.5 SKU: AP.47429 Composed by Patrick Roszell. Performa...(+)
Orchestra - Grade 1.5
SKU: AP.47429
Composed by Patrick
Roszell. Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Beginning String
Orchestra. Score and
Part(s). 76 pages. Belwin
Music #00-47429.
Published by Belwin Music
(AP.47429).
UPC:
038081541969.
English.
This
exciting work for younger
orchestras evokes the
point at which someone or
something bursts suddenly
into action or being.
Students will have an
opportunity to learn
contrasting bow strokes
including legato and
staccato. This piece is a
great opener or closer
for any concert or
festival performance!
Orchestra SKU: HL.14003801 Composed by Anders Nordentoft. Music Sales Ame...(+)
Orchestra
SKU:
HL.14003801
Composed
by Anders Nordentoft.
Music Sales America.
Score. Music Sales
#KP00916. Published by
Music Sales
(HL.14003801).
ISBN
9788759882498.
Danish.
'Beggars'
Palace' is the name of a
fictive railway station,
a metaphor that can evoke
many associations, for
example as a place from
which one journeys on,
where one is forced to
stay for a short or long
period, or a place where
one simply gets stuck and
must watch others journey
on. The fictive station
has something worn-out
and shabby about it, but
the worn and shabby can
have its own poetry and
beauty. At the end the
music stands still for a
minute or two, while a
voice talks about
Beggars' Palace.
'Beggars' Palace' was
composed in January 2000
for the Aarhus Symphony
Orchestra. Anders
Nordentoft.
Orchestra - Grade 1.5 SKU: AP.47429S Composed by Patrick Roszell. Perform...(+)
Orchestra - Grade 1.5
SKU: AP.47429S
Composed by Patrick
Roszell. Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Beginning String
Orchestra. Score. 12
pages. Belwin Music
#00-47429S. Published by
Belwin Music (AP.47429S).
UPC: 038081541976.
English.
This
exciting work for younger
orchestras evokes the
point at which someone or
something bursts suddenly
into action or being.
Students will have an
opportunity to learn
contrasting bow strokes
including legato and
staccato. This piece is a
great opener or closer
for any concert or
festival performance!
Cantos Sagrados Orchestre [Conducteur d'étude / Miniature] Boosey and Hawkes
Choral; Orchestra (STUDY SCORE) SKU: HL.48024524 SATB and Orchestra St...(+)
Choral; Orchestra (STUDY
SCORE)
SKU:
HL.48024524
SATB
and Orchestra Study
Score. Composed by
James Macmillan. Boosey &
Hawkes Scores/Books.
Classical. Softcover. 68
pages. Duration 1320
seconds. Boosey & Hawkes
#M060132964. Published by
Boosey & Hawkes
(HL.48024524).
ISBN
9781784542566. UPC:
888680925741.
8.25x11.75x0.212
inches.
Composer's
Notes: “In writing
this work I wanted to
compose something which
was both timeless and
contemporary, both sacred
and secular. The title
(Sacred Songs) is
therefore slightly
misleading as the three
poems are concerned with
political repression in
Latin America and are
deliberately coupled with
traditional religious
texts to emphasise a
deeper solidarity with
the poor of that
sub-continent. It was my
interest in Liberation
Theology which made me
combine the poems of the
Mothers of the Plaza de
Mayo in Argentina with
the texts of the Latin
mass in Búsqueda (an
earlier music-theatre
work) and has now led me
to attempt a similar
synthesis of ideas in
Cantos Sagrados. The
voices in Ariel Dorfman's
poems belong to those who
suffer a particular type
of political repression:
the 'disappearance' of
political prisoners. Ana
Maria Mendoza's poem
about the Virgin of
Guadeloupe tackles the
same problem by asking a
more fundamental cultural
and historical
question.â€.
Orchestra (Study Score) SKU: HL.48024642 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.48024642
Orchestra Study
Score. Composed by
Sergei Prokofiev. Boosey
& Hawkes Scores/Books.
Classical, Russian.
Softcover. 68 pages.
Duration 780 seconds.
Boosey & Hawkes
#M060133053. Published by
Boosey & Hawkes
(HL.48024642).
ISBN
9781784542658. UPC:
888680949068.
7.25x10.25x0.241
inches.
New edition
of this enigmatic,
single-movement work for
full orchestra lasting 13
minutes and dating from
the early-1930s. In his
preface, Gerard McBurney
comments that, Despite
the music's modernist
surface, the Chant
symphonique's 'three
closely integrated
movements' correspond
rather neatly to a
traditional sonata-form
exposition, development
and recapitulation. There
is even an overall
tonality of sorts - D
major. But 'parts',
'moods', keys and
cadences are all
subjected in this unusual
work to tremendous
pressure and distortion,
so that we quickly begin
to suspect that something
other, different and more
mysterious, is really
going on here..
Orchestra - Grade 1.5 SKU: AP.43751S Arranged by Michael Kamuf. Performan...(+)
Orchestra - Grade 1.5
SKU: AP.43751S
Arranged by Michael
Kamuf. Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Christmas;
Folk; Light Concert;
Secular; Winter. Score. 8
pages. Duration 2:10.
Belwin Music #00-43751S.
Published by Belwin Music
(AP.43751S).
UPC:
038081496207. English.
Hungarian Folk
Song.
Think snow!
Here's a great winter
concert tune when you are
looking for something
new! The melody comes
from a Hungarian folk
song. All sections play
the melody! (2:10).
Full Orchestra SKU: SU.32040110 For Full Orchestra. Composed by Am...(+)
Full Orchestra
SKU:
SU.32040110
For
Full Orchestra.
Composed by Amy Riebs
Mills. Orchestra. Full
Score. Subito Music
Corporation #32040110.
Published by Subito Music
Corporation
(SU.32040110).
2,1 2,1 2,1 2;
4331; timp, 2perc, cel;
stgs Duration: 8'
Composed: 2012 Published
by: Amy Mills Music, LLC
Creative setting of 3
carols: O Come O Come
Emanuel intertwined with
Ma Navu Ding Dong Merrily
on High with bells,
glock, chimes Angels We
Have Heard on High with
charming mixed meter
Majestic recap of Rejoice
section of O Come O Come
Emanuel Maestro Harvey
Felder, after the
premiere with the Tacoma
Symphony: The thing that
I really appreciated
about your Christmas
Angels and Bells was the
skillful and artistic
writing. As you know,
holiday music typically
offers little or no
musical depth, which
leads to a less than
enthusiastic reaction
from the orchestra. Your
piece offered a level of
musical sophistication
worthy of a professional
symphony while still
creating a festive
holiday spirit. The
orchestra and I enjoyed
having the opportunity to
dig into something
substantive yet fun on
our holiday concert. See
composer website for
audio sample. Performance
materials available on
rental only:.
Overture to the
Dramatic Poem Manfred by
Lord Byron - Urtext.
Composed by Robert
Schumann. Edited by
Christian Rudolf Riedel.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Overture; Romantic. Study
Score. 60 pages. Duration
11'. Breitkopf and
Haertel #PB 5546-07.
Published by Breitkopf
and Haertel
(BR.PB-5546-07).
ISBN
9790004213568. 6.5 x 9
inches.
Spiritual
AffinitiesSchumann had
already worked on Byron's
Manfred as a law student,
and the topic fascinated
him from that time on.
Perhaps he discovered a
spiritual affinity to
himself in the romantic
hero's inner conflict? In
any event, he decided on
a stage rendition of the
drama with incidental
music, an entirely new
genre that he had been
dreaming of for some time
already. He conducted the
overture - it dates from
1848 - for the first time
as a separate piece in
March 1852. In addition,
he followed the
preparations for the
first edition of the
complete performance
material very closely,
which was published by
Breitkopf in Leipzig that
same year. The Breitkopf
Urtext edition of the
Manfred Overture is based
on this first print of
the score and parts
revised by Schumann. At
the same time, this
edition also marks a new
chapter in the expansion
of the collection of
Schumann overtures that
have already been
published by Breitkopf
(to Hermann und Dorothea
op. 136, Szenen aus
Goethes Faust WoO 3 and
Genoveva op.
81).
Audiences
should be ready for
something new and unheard
of, wrote Robert Schumann
to Franz Liszt in late
1851, referring to the
world premiere of his
Dramatic Poem
Manfred.
String Orchestra (Full Score) SKU: HL.244903 Full Score. Composed ...(+)
String Orchestra (Full
Score)
SKU:
HL.244903
Full
Score. Composed by
Bryce Dessner. Music
Sales America. Classical.
Softcover. Composed 2017.
32 pages. Duration 900
seconds. Chester Music
#CH86713. Published by
Chester Music
(HL.244903).
8.5x12.0x0.103
inches.
Bryce
Dessner's Lachrimae was
commissioned by the
Amsterdam Sinfonietta,
the Scottish Ensemble,
and the Norwegian Chamber
Orchestra. Composer's
Note: Lachrimae is a
direct reference to John
Dowland's work of the
same name. I had played
that that piece in school
on guitar and decided
that I wanted to base
something on it. Dowland
himself adapted the piece
several times into
different versions and
there's also a Benjamin
Britten composition based
on the same piece of
music, so that was part
of my inspiration. When I
wrote my work I
waslistening to string
orchestra music and I
think Bartok's
Divertimento is the
pinnacle of string
writing. So the piece is
kind of equally inspired
by Dowland's Rennaissance
Lachrimae and by Bartok's
Divertimento.
(Note-for-Note Transcriptions of the Brass, Woodwind, Strings and More). By The ...(+)
(Note-for-Note
Transcriptions of the
Brass, Woodwind, Strings
and More). By The
Beatles. For Orchestra.
Transcribed. Softcover.
192 pages. Published by
Hal Leonard
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). The
Slavonic Dances Op. 46,
which began to conquer
the world's concert halls
in 1878, made a major
contribution to Dvorak's
international
breakthrough. The Urtext
edition is based on the
main sources, mainly on
the autograph score and
the first edition.
Dances/marches; Romantic.
Full score. 296 pages.
Duration 35'. Breitkopf
and Haertel #PB 5273.
Published by Breitkopf
and Haertel (BR.PB-5273).
ISBN 9790004210079. 10
x 12.5 inches.
In
his Slavonic Dances Op.
46, Dvorak did not draw
on pre-existent music,
but created something
original and new,
projecting his own
compositional will into
the creative process.
What we hear are Dvoraks
melodies,and that it is
due to his creative will
that he cast them as in
Dance 3, for example in
the form of a melodic
four-tone model which is
common to many folk songs
and childrens songs.
Finally, it is his
rhythmic invention and
shaping of the musical
character of each dance
that breathe life into
the elements of Slavonic
dance music.
The
Slavonic Dances Op. 46,
which began to conquer
the world's concert halls
in 1878, made a major
contribution to Dvorak's
international
breakthrough. The Urtext
edition is based on the
main sources, mainly on
the autograph score and
the first edition.
Full orchestra SKU: LO.30-3489MD Composed by Jay Rouse. Choral, cantatas....(+)
Full orchestra
SKU:
LO.30-3489MD
Composed
by Jay Rouse. Choral,
cantatas. Advent,
Christmas, Sacred. Full
score and parts, plus CD
with printable parts.
Medallion Music
#30/3489MD. Published by
Medallion Music
(LO.30-3489MD).
UPC:
000308147704.
And
It Came to Pass,
Emmanuel: A compelling
musical triumph that
invites the listener on a
journey that ultimately
leads to worship of the
Christ Child. The text of
the Christmas story
blends seamlessly with
original narrative and
exquisite lyric writing
from Rose Aspinall, and
Jay Rouse's incredible
ability to fashion
original melodies and
arrange Christmas
favorites with nuance and
passion is on full
display. The musical
opens with an ethereal
underscore that leads
effortlessly into a 6/8
interpretation of Adeste
Fideles, followed
directly by the theme
song and anchor ballad
for the musical, And It
Came to Pass. Also
included are a song
written specifically for
this work that gives
voice to Joseph's fears
and longings; a
traditional gospel
setting of the all-time
favorite Jesus, What a
Wonderful Child; a
syncopated, upbeat angel
and shepherd announcement
song titled Fire in the
Sky; and a tender worship
moment at the manger
called Jesus, Prince of
Peace. With a little
something for everyone,
this creative work is
sure to be an important
part of your Christmas
season.
Orchestra - Grade 3 SKU: AP.29664 Composed by Robert D. Gardner. Performa...(+)
Orchestra - Grade 3
SKU: AP.29664
Composed by Robert D.
Gardner. Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Intermediate
String Orchestra. Score
and Part(s). 144 pages.
Duration 3:40. Belwin
Music #00-29664.
Published by Belwin Music
(AP.29664).
UPC:
038081321578.
English.
Young
string musicians will
enjoy performing this
heavy rock style piece
because it utilizes an
aggressive style and
mixed tonality similar to
'their' music that they
listen to for fun. The
concept behind the title
of this piece is that,
although we sometimes
move dully through our
daily routines, it is
good to take time to
appreciate the individual
moments that make up our
lives, like a child does
the first time they
experience something. All
parts are in first
position with few
accidentals or difficult
bowing patterns. At the
same time, this piece
will challenge your group
with its independent
voicings and syncopated,
interlocking rhythms.
This piece would add
variety to any school
concert, and would fit
nicely in a festival
program, especially one
that utilized several
different genres.
(3:40).
Orchestra (Full Score) SKU: HL.215243 The Works of Mieczyslaw Karlowic...(+)
Orchestra (Full Score)
SKU: HL.215243
The Works of
Mieczyslaw Karlowicz -
Volume VIII. Composed
by Mieczystaw Karlowicz.
PWM. Classical.
Hardcover. 59 pages.
Polskie Wydawnictwo
Muzyczne #11596010.
Published by Polskie
Wydawnictwo Muzyczne
(HL.215243).
9.5x12.25x0.493
inches.
Hardcover
full score. Introductory
texts presented in
English, German, and
Polish. The Lithuanian
Rhapsody (Rapsodia
litewska), Op. 11 is the
third - after Returning
Waves and Eternal Songs -
of the six symphonic
poems by Mieczyslaw
Karlowicz. Composition
was probably taking shape
during the summer months
of 1906 in Warsaw.
Lithuanian Rhapsody
differs significantly
from the other parts of
'programme cycle' which
Mieczyslaw Karlowicz's
symphonic poems may be
regarded as forming. This
is a work based primarily
on thematic material
derived from folk output
(something that would
never again occur in the
composer's brief
biography), compared with
the earlier score of
Eternal Songs or the
later Stanislaw and Anna
Oswiecim it displays much
greater stylistic
independence of the
German music embodied
around the turn of the
twentieth century.