Orchestra (Score) - intermediate SKU: HL.49001983 Full Score. Comp...(+)
Orchestra (Score) -
intermediate
SKU:
HL.49001983
Full
Score. Composed by
Joseph Bodin de
Boismortier. Edited by
Hugo Ruf. This edition:
Saddle stitching. Sheet
music. Concertino
(Chamber Orchestra).
Classical. Score. Op.
34/6. 24 pages. Duration
6'. Schott Music #CON 31.
Published by Schott Music
(HL.49001983).
ISBN
9790001021531. UPC:
073999567076.
9.0x12.0x0.119
inches.
Boismortier
is considered to be one
of the most popular and
most hard-working
composers of his time.
The original title of
this sonata in A Minor
indicates flutes, violins
and other instruments as
well suited for
performance. The composer
arranged the first melody
part in such a way that
it can be played by an
alto recorder without any
changes. Scored for
string chorus, the sonata
achieves a very good
tonal effect. With
soloistic scoring, three
equal instruments (e.g.
three violins) or three
completely different
instruments (e.g. flute,
violin, oboe) are best
suited for the
performance of the upper
parts.
Orchestra - Grade 4 SKU: AP.41225S Movement 1. Composed by Felix B...(+)
Orchestra - Grade 4
SKU: AP.41225S
Movement 1.
Composed by Felix
Bartholdy Mendelssohn.
Arranged by Kirk Moss.
MakeMusic Cloud;
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Concert String
Orchestra. Masterwork
Arrangement; Romantic.
Score. 48 pages. Belwin
Music #00-41225S.
Published by Belwin Music
(AP.41225S).
UPC:
038081478876.
English.
A slow and
somber Grave introduction
leads to a light-hearted
Allegro, presenting an
ideal piece to teach
sonata form to your
students. The clearly
marked bowings and
artist-level fingerings
will save precious
rehearsal minutes and
contribute to a
professional sound. This
arrangement re-scores the
first movement of
Sinfonia No. 9 from six
voices, requiring two
separate viola parts, to
the traditional
five-voice string
orchestra. Consistent
with selected
professional performances
of the work, the first of
two recapitulations has
been seamlessly omitted
to create a more balanced
form, eliminate
redundancies akin to
counterpoint exercises,
and showcase the young
composer's emerging
creativity by emphasizing
his striking use of the
key of A-major before
reaffirming the home key.
The elimination of a
repeat reduces the
duration to 8:30. (11:30)
This title is available
in MakeMusic Cloud.
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano SKU: AP....(+)
Orchestra 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Piano
SKU:
AP.36-A134501
Composed by Johannes
Brahms. Arranged by
Clinton Nieweg and Robert
Sutherland. This edition:
Kalmus Orchestra Library.
Full Orchestra;
Performance Music
Ensemble; Single Titles.
Kalmus Orchestra Library.
Score. LudwigMasters
Publications #36-A134501.
Published by
LudwigMasters
Publications
(AP.36-A134501).
ISBN
9781638878902. UPC:
735816433864.
English.
Johannes
Brahms (1833-1897)
composed his Piano
Concerto No. 1 in 1858
and performed the work's
debut in Hanover,
Germany, in 1859, to
mixed reviews. The work
initially began as a
sonata for two pianos,
then a four-movement
symphony. Under the
counsel of friends Julius
Otto Grimm and violinist
Joseph Joachim, Brahms
landed on a
three-movement piano
concerto. After its fifth
performance in December
1861, with Clara Schumann
as piano soloist, the
work still received mixed
audience reception. It
has since grown in
popularity and has been
recognized as a
masterpiece.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Piano.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano SKU: AP....(+)
Orchestra 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Piano
SKU:
AP.36-A134502
Composed by Johannes
Brahms. Arranged by
Clinton Nieweg and Robert
Sutherland. This edition:
Kalmus Orchestra Library.
Full Orchestra;
Performance Music
Ensemble; Single Titles.
Kalmus Orchestra Library.
Score and Part(s).
LudwigMasters
Publications #36-A134502.
Published by
LudwigMasters
Publications
(AP.36-A134502).
UPC:
735816433567.
English.
Johannes
Brahms (1833-1897)
composed his Piano
Concerto No. 1 in 1858
and performed the work's
debut in Hanover,
Germany, in 1859, to
mixed reviews. The work
initially began as a
sonata for two pianos,
then a four-movement
symphony. Under the
counsel of friends Julius
Otto Grimm and violinist
Joseph Joachim, Brahms
landed on a
three-movement piano
concerto. After its fifth
performance in December
1861, with Clara Schumann
as piano soloist, the
work still received mixed
audience reception. It
has since grown in
popularity and has been
recognized as a
masterpiece.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Piano.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra - intermediate to advanced SKU: HL.49001681 Set of Parts...(+)
Orchestra - intermediate
to advanced
SKU:
HL.49001681
Set of
Parts. Composed by
George Muffat. Edited by
Guenter Kehr. Sheet
music. Concertino
(Chamber Orchestra).
Classical. Set of choral
parts. 86 pages. Duration
10'. Schott Music #CON
107-70. Published by
Schott Music
(HL.49001681).
ISBN
9790001023115.
9.0x12.0x0.196
inches.
Muffat,
pupil of Lully and
Corelli, composed his
concerto 'Victoria
Maesta' ('Sad Victory')
in 1689 as organist and
chamber musician in the
court of the archbishop
of Salzburg. The title
refers to the taking of
Belgrad during which the
archbishop's brother was
killed in 1688; therefore
the piece begins with a
solemn funeral march in C
minor, in elaborate and
artistic contrapuntal
technique in the sense of
Corelli's adagio
type.
Orchestra - intermediate SKU: HL.49001985 Set of Solo Parts. Compo...(+)
Orchestra - intermediate
SKU: HL.49001985
Set of Solo Parts.
Composed by Joseph Bodin
de Boismortier. Edited by
Hugo Ruf. This edition:
CON31-71. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Set of solo parts. Op.
34/6. 18 pages. Duration
6'. Schott Music #CON
31-71. Published by
Schott Music
(HL.49001985).
ISBN
9790001021555. UPC:
073999778748.
9.0x12.0x0.131
inches.
3 melodic
instruments (flutes,
violins, oboes) or string
orchestra and basso
continuo; harpsichord
(piano), violoncello
(viola da gamba, bassoon)
ad lib.
Orchestra - intermediate SKU: HL.49001984 Set of Parts. Composed b...(+)
Orchestra - intermediate
SKU: HL.49001984
Set of Parts.
Composed by Joseph Bodin
de Boismortier. Edited by
Hugo Ruf. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Set of choral parts. Op.
34/6. 50 pages. Duration
6'. Schott Music #CON
31-70. Published by
Schott Music
(HL.49001984).
ISBN
9790001021548.
8.5x11.75x0.122
inches.
3 melodic
instruments (flutes,
violins, oboes) or string
orchestra and basso
continuo; harpsichord
(piano), violoncello
(viola da gamba, bassoon)
ad lib.
Orchestra SKU: HL.49019910 Composed by John Casken. This edition: Saddle ...(+)
Orchestra
SKU:
HL.49019910
Composed
by John Casken. This
edition: Saddle
stitching. Sheet music.
Study Score. Softcover.
Composed 2007. 76 pages.
Duration 20'. Schott
Music #ED13617. Published
by Schott Music
(HL.49019910).
ISBN
9790220134395. UPC:
888680089528.
8.25x11.75x0.25
inches.
My Concerto
for Orchestra (2007) is a
twenty-minute work in
which different sections
of the orchestra, as well
as individual solos and
duos from within the
orchestra, are
highlighted as the music
unfolds. The work
continues my interest in
two-movement forms that
began with my Cello
Concerto (1991), and was
later developed in
Sortilege (1996) and
Symphony (Broken Consort)
(2004). In these works,
and in the Concerto for
Orchestra, each movement
is given equal weight and
importance with the
second developing earlier
material and taking it in
new directions.The
two-movement form of the
Concerto for Orchestra
derives from a symphonic
sonata structure,
reshaping the traditional
four-movement form and
combining this with
aspects of sonata form, a
tradition that goes back
to Liszt, Schoenberg and
Sibelius:1st movement (i)
exposition of ideas -
dramatic and sudden (ii)
scherzo and development 1
- resolute2nd movement
(iii) adagio - calm and
unhurried (iv)
development 2 with
recapitulation - intense
and energeticThe Concerto
for Orchestra was
commissioned by the
Musikalische Akademie des
Nationaltheatre-Orchester
s Mannheim with the
support of Die Landesbank
Baden-Wurttemberg for its
first two performances on
31st March and 1st April
2008 conducted by
Friedemann Layer. The
score is dedicated in
friendship and admiration
to Ronald Zollman.John
Casken
Orchestra (Study Score) SKU: HL.48024642 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.48024642
Orchestra Study
Score. Composed by
Sergei Prokofiev. Boosey
& Hawkes Scores/Books.
Classical, Russian.
Softcover. 68 pages.
Duration 780 seconds.
Boosey & Hawkes
#M060133053. Published by
Boosey & Hawkes
(HL.48024642).
ISBN
9781784542658. UPC:
888680949068.
7.25x10.25x0.241
inches.
New edition
of this enigmatic,
single-movement work for
full orchestra lasting 13
minutes and dating from
the early-1930s. In his
preface, Gerard McBurney
comments that, Despite
the music's modernist
surface, the Chant
symphonique's 'three
closely integrated
movements' correspond
rather neatly to a
traditional sonata-form
exposition, development
and recapitulation. There
is even an overall
tonality of sorts - D
major. But 'parts',
'moods', keys and
cadences are all
subjected in this unusual
work to tremendous
pressure and distortion,
so that we quickly begin
to suspect that something
other, different and more
mysterious, is really
going on here..
Composed by Poul Ruders.
Music Sales America.
Classical. Set. 86 pages.
Edition Wilhelm Hansen
#WH29830. Published by
Edition Wilhelm Hansen
(HL.14027994).
ISBN
9788759864593.
New
York is the city which
fascinates and inspires
Ruders. Time and again he
goes back there to work.
'Manhattan Abstraction'
(1982) subtitles - a
symphonic skyline for
large orchestra - was
conceived there. Ruders'
Brittish colleague Oliver
Knussen defines the piece
as: - a performance of an
extraordinary
Morden-Times-like
construction. It is a
sort of symphonic
sculpture, which in the
composer's own words
words propels forth from
one particular
inspiration: the New York
profile, as seen from
Liberty Island, one icy
cold January day with
it's open, clear sky and
dazzling sun light.
'Manhatten Abstraction'
appears as an amalgam of
some of the
compositorical habits
found in present pieces.
For instance, are present
here compositorical ideas
and melodic loans from
'Capriccio Pian'e Forte',
2nd String Quartet(1979),
'Four Compositions'
(1980), and 2nd Piano
Sonata(1982). The
question at hand is
mainly concerned with the
enhanced elaboration of
Ruders' use of the
classic English
change-ringing system: a
permuting method
pre-determining the order
of tone-appearances and
/or tone groups; a serial
technique in other words.
In spite of the rigidly
fixed material, Ruders
somehow manages to chisel
out a personal expression
by way of emphasising
contrasting elements
already existing within
the material itself. The
spiky, repetitive
sections form a
counterpart to a more
human violin-solo. This
dialectical tension is -
as hinted by the title -
a symphonic abstraction
of a fascinating
metropolis; the most
beautiful and the
ugliest. The subtitle: a
symphonic skyline
reflects the musical
erection of the Manhattan
profile, which under the
clear sky, materializes
into the most powerful
and compelling man-made
sculpture on earth. Thus
'Manhattan Abstraction'
is a homage to, as well
as a vision of, this
giant contraption of
concrete, glass, and
chrome.
Overture No. 2 to the
Opera. Composed by
Ludwig van Beethoven.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Overture; Classical. Full
score. 68 pages. Duration
13'. Breitkopf and
Haertel #PB 5142.
Published by Breitkopf
and Haertel (BR.PB-5142).
ISBN 9790004208878. 10
x 12.5
inches.
Despite the
numbering, the overture
Leonore No. 2 was
Beethoven's first effort
to precede his only opera
with an adequate
introduction. It had been
composed last minute and
in between the rehearsals
for the premiere of the
opera Leonore oder Der
Triumph der ehelichen
Liebe (Leonore, or The
Triumph of Marital Love)
on 20 November 1805 at
the Theater an der Wien.
This comprehensive,
programmatic work was met
with incomprehension at
first performances just
like the opera itself.
Beethoven felt compelled
to re-write Leonore
completely and presented
it under its new title
Fidelio. In 1806 he
revised the overture to
such an extent that a
symphonic sonata movement
emerged; with another
incorrect numbering,
Leonore No. 3 has gone
down in music history and
above all it has achieved
a regular place in
concert repertory. And in
order to complete the
confusion: written in
1806/07, only Overture
No. 1 is Beethoven's
chronologically last
effort to write an
overture for Leonore,
before he - many years
later - put an end to
this infinite subject
with the so-called
Fidelio overture for the
third version of the
opera. After all, thanks
to the search after a
dramaturgically
convincing beginning of
the opera, the music
world has been enriched
by four quite different
orchestra scores.The
music text of the present
score is based on Volume
11 of the Supplements to
the Complete Edition. The
performance material of
the Fidelio and Leonore
No. 3 overtures is
available in Breitkopf
Urtext editions..