Orchestra SKU: HL.14033079 Composed by Per Norgard. Music Sales America. ...(+)
Orchestra
SKU:
HL.14033079
Composed
by Per Norgard. Music
Sales America. Classical.
Score. 164 pages. Music
Sales #KP01073. Published
by Music Sales
(HL.14033079).
ISBN
9788759858332.
Danish.
There were
wild oatsAnd the soil was
blackBut sparkledWhen the
sun was outThe air sharp
in the nostrilsHard to
defineSomewhere between
knife and coal andAcid
and that special light
and sweetWhiteness
thornbushes exhaleIt was
nothing specialBecause
everything was
special...Thus the
opening line of the poem
TERRAINS VAGUES by Klaus
Rifbjerg, the Danish
Poet. I chose to adopt
this title for my
orchestral work, because
of its closeness in
associations: an
indeterminable, often
polarized, state of
rhythmic and tonal
ambiguity.The expression
seems created by the
Franch author, Victor
Hugo:And here lies the
fascination: in the kinds
of terrains vagues, which
are simultaniously
bizarre and ugly, as if
created by two alien
species of nature. To
watch the suburb is like
observing and amphibium:
trees vanish, roofs
appear, grass vanish,
cobble stones appear,
ploughing fields vanish,
shops appear, beaten
tracks vanish - passions
appear; the murmur of
Nature Divine ends, the
noise of Mankind takes
over. (Victor Hugo)Still,
the atmosphere as well as
the material of TERRAINS
VAGUES have its origin,
in my SYMPHONY NO. 6
(1999), the last minute
of which, cut up rough,
appears as the start of
my new work. The music of
TERRAINS VAGUES
subdivides itself,
without breaks, into
three sections, or
shades:I: TERRAINS - II:
VAGUES (Waves) III:
TERRAINS VAGUES.Per
Norgard, March 2001.
Orchestra SKU: FG.55011-315-2 Composed by Kalevi Aho. Study score. Fennic...(+)
Orchestra
SKU:
FG.55011-315-2
Composed by Kalevi Aho.
Study score. Fennica
Gehrman #55011-315-2.
Published by Fennica
Gehrman (FG.55011-315-2).
ISBN
9790550113152.
The
Sieidi concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normal
ly, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time.
The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell.
The Sieidi
concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normally, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time.
The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell.
The Sieidi
concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normally, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time.
The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell.
The Sieidi
concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normally, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time.
The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Cliff
Eisen. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Symphony; Classical. Full
score. 24 pages. Duration
14'. Breitkopf and
Haertel #PB 5372.
Published by Breitkopf
and Haertel (BR.PB-5372).
ISBN 9790004210956. 10
x 12.5 inches.
With
the Symphony K. 112,
Cliff Eisen, Professor at
the renowned Kings
College and one of the
leading Mozart
specialists of the
younger generation,
continues the series of
new editions of Mozarts
orchestral works which
began with the Prague
Symphony. Here too, the
editorial principles
follow the guidelines of
Urtext. In his work, he
takes particular care in
bringing his expert
knowledge of contemporary
performance practice into
play when evaluating
authentic part material.
Eisen comes to surprising
conclusions in a number
of cases. At the very
least, the Symphony K.
112 will sound different
in these passages with
the new material.
Prague Symphony -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Cliff Eisen.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
The
Prague Symphony will
sound different with the
new Breitkopf Urtext
material.
Symphony;
Classical. Study Score.
64 pages. Duration 30'.
Breitkopf and Haertel #PB
5513-07. Published by
Breitkopf and Haertel
(BR.PB-5513-07).
ISBN
9790004211656. 6.5 x 9
inches.
The present
edition is the first
since 1932 to be based on
Mozarts autograph score.
It reflects the
conviction that his
autograph scores
represent not only the
substance of his works,
but also actual
performances. A Fassung
letzter Hand is scarcely
possible.Cliff Eisen, one
of the leading Mozart
specialists of his
generation, takes
particular care in
bringing his expert
knowledge of contemporary
performance practice into
play when evaluating
authentic part material.
In the Prague Symphony,
Eisen comes to surprising
conclusions in a number
of cases, such as the
delicate matter of the
division of the bassoons
led col basso. Which of
the low strings are they
intended to play along
with? When read properly,
the sources provided a
clear-cut
answer.
The Prague
Symphony will sound
different with the new
Breitkopf Urtext
material.
Orchestra; Score (Study Score) Overture. Composed by Ludwig van Beethoven (1770-...(+)
Orchestra; Score (Study
Score)
Overture. Composed by
Ludwig van Beethoven
(1770-1827). Edited by
Max Unger. Arranged by
Max Unger. This edition:
Saddle stitching. Sheet
music. Eulenburg
Taschenpartituren (Pocket
Scores). Classical. Study
Score. Op. 124. 84 pages.
Eulenburg Edition
#ETP627. Published by
Eulenburg Edition
Orchestra SKU: BR.SON-626 Luonnotar Faksimile. Composed by Jean Si...(+)
Orchestra
SKU:
BR.SON-626
Luonnotar
Faksimile. Composed
by Jean Sibelius. Linen.
Complete Works.
Late-romantic; Early
modern. Complete Works.
88 pages. Breitkopf and
Haertel #SON 626.
Published by Breitkopf
and Haertel (BR.SON-626).
ISBN 9790004803288. 10
x 12.5 inches.
A
main work by Sibelius as
facsimile edition The
large orchestral song
Luonnotar is considered
as one of the boldest
works of Jean Sibelius.
This alone would be
reason enough to print
the autograph sources
(full score and piano
reduction) as a color
facsimile for the
Sibelius Anniversary Year
2015. In addition, the
autograph score also has
a special significance
for the transmission: it
ensured the survival of
the entire work after
World War II; the source
material for the printer
compiled by Breitkopf &
Hartel had been destroyed
in an air-raid bombing in
1943. The meticulously
elucidated volume is the
first complete facsimile
edition of an orchestral
work by Jean Sibelius - a
milestone in Sibelius
editorial history that
meaningfully supplements
the complete edition Jean
Sibelius Werke as a truly
special volume.
Orchestra (Study Score) SKU: HL.50606858 In A Major, Op. 141. Comp...(+)
Orchestra (Study Score)
SKU: HL.50606858
In A Major, Op.
141. Composed by
Dmitri Shostakovich.
Study Score. Classical.
Softcover. Sikorski
#SIK2515. Published by
Sikorski (HL.50606858).
UPC:
196288194552.
Weake
ned by a series of
chronic illnesses and
aware of his impending
death, Shostakovich looks
back on his life in
Symphony No.15 inA major,
op.141. The work opens
with cheerful
reminiscences from his
youth, featuring
quotations from his early
works and allusions to
Rossini. But already by
the second movement, a
funeral march rich with
self-quotation, the mood
changes. In the cantabile
movement which follows,
one hears the murmuring
ghosts of the past. With
echoes of Richard Wagner,
the eerie finale
ultimately instructs the
listener to remain
fearful through its
crumbling tonality. This
volume is part of the
revised and corrected new
edition of all 15
symphonies by Dmitri
Shostakovich published by
Boosey & Hawkes and
Sikorski as large format
study scores for optimal
legibility. All scores
and the related
orchestral parts have
been newly computer
typeset, and the
orchestral parts are also
compatible for
performance use with
scores in “The New
Collected Works of
DmitriShostakovichâ€
.
Special
Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a special
import title, it will be
shipped from our overseas
warehouse. The shipment
time will be slower than
items shipped directly
from our US warehouse and
may be subject to
delays.
Orchestra (Study Score) Waltz for Orchestra. Composed by Johann Strauss. Edited ...(+)
Orchestra (Study Score)
Waltz for Orchestra.
Composed by Johann
Strauss. Edited by Viktor
Keldorfer. Arranged by
Viktor Keldorfer. This
edition: Saddle
stitching. Sheet music.
Eulenburg
Taschenpartituren (Pocket
Scores). Classical,
Romantic. Study Score.
Composed 1885. Op. 410.
48 pages. Duration 7'.
Eulenburg Edition
#ETP869. Published by
Eulenburg Edition
Orchestra (Study Score) SKU: HL.49045788 Suite for Orchestra 1919 Edit...(+)
Orchestra (Study Score)
SKU: HL.49045788
Suite for Orchestra
1919 Edition Eulenburg
No. 1475. Composed by
Igor Stravinsky. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Writing music to
heighten dramatic
situations, such as
battle and crisis, was a
speciality of Igor
Stravinsky. In his
ballet, The Firebird,
premiered in 1910, the 27
year old composer
surpassed many of today's
film composers by
depicting a breathtaking
ba. Classical. Softcover.
Composed 1919. 124 pages.
Duration 1200 seconds.
Schott Music #ETP1475.
Published by Schott Music
(HL.49045788).
ISBN
9783795714567. UPC:
888680747985.
6.0x8.75x0.309 inches.
Edition Eulenburg No.
1475.
Igor
Stravinsky's musical
setting of the Slavic
fable The Firebird is one
of the most
ground-breaking
orchestral works of the
early 20th century. The
reviews of the world
premiere of the ballet at
the Theatre National de
l'Opera in Paris lauded
Stravinsky's 'dazzling
music in all shades of
colour'; as a
consequence, he composed
two orchestral suites of
his ballet. The version
of 1919 is now published
as a new edition with a
modern notation and new
orchestral material.
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