P/A CD and Split-Track SKU: HP.C6204C Performance/Accompanim ent CD wi...(+)
P/A CD and Split-Track
SKU: HP.C6204C
Performance/Accompanim
ent CD with Split
Tracks. Composed by
Joel Raney. Orchestra.
Choral
Performance/Accompaniment
CDs. Hope Publishing
Company #C6204C.
Published by Hope
Publishing Company
(HP.C6204C).
Splitting Orchestre SATB, Orchestre [Conducteur] Lemoine, Henry
Orchestra SKU: LM.26616 Composed by Jose-Luis Campana. Classical: 20th Ce...(+)
Orchestra
SKU:
LM.26616
Composed by
Jose-Luis Campana.
Classical: 20th Century
(Contemporary). Score.
Editions Henry Lemoine
#26616. Published by
Editions Henry Lemoine
(LM.26616).
Orchestra (Score) - advanced to difficult SKU: HL.49002054 Full Score<...(+)
Orchestra (Score) -
advanced to difficult
SKU: HL.49002054
Full Score.
Composed by Carl Philipp
Emanuel Bach. Edited by
Guenter Kehr. This
edition: Saddle
stitching. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Score. 40 pages. Duration
12'. Schott Music #CON6.
Published by Schott Music
(HL.49002054).
ISBN
9790001020992. UPC:
884088058791.
9.0x12.0x0.181
inches.
In this
symphony, C.Ph.E. Bach
appears as pioneer of the
Viennese Classicism. Just
in the first movement, we
encounter a theme of
individual form, a
seven-bar (!) combination
of syncopated tone
repetition with
smallsegmented triad
splitting. The fact that
the material of the whole
movement is won from
that, is a principle
which was often used in
the classical period.
Orchestra - advanced to difficult SKU: HL.49002055 Set of Parts. C...(+)
Orchestra - advanced to
difficult
SKU:
HL.49002055
Set of
Parts. Composed by
Carl Philipp Emanuel
Bach. Edited by Guenter
Kehr. This edition:
Folder. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Set of Parts. 142 pages.
Duration 12'. Schott
Music #CON 6-50.
Published by Schott Music
(HL.49002055).
ISBN
9790001021005.
8.5x11.75x0.332
inches.
In this
symphony, C.Ph.E. Bach
appears as pioneer of the
Viennese Classicism. Just
in the first movement, we
encounter a theme of
individual form, a
seven-bar (!) combination
of syncopated tone
repetition with
smallsegmented triad
splitting. The fact that
the material of the whole
movement is won from
that, is a principle
which was often used in
the classical period.
Orchestra - Grade 4 SKU: AP.45871S Composed by Richard Meyer. Performance...(+)
Orchestra - Grade 4
SKU: AP.45871S
Composed by Richard
Meyer. Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Multicultural.
Score. 40 pages.
Highland/Etling
#00-45871S. Published by
Highland/Etling
(AP.45871S).
UPC:
038081529608.
English.
This
multi-cultural piece
explores world music
using a unique and
exciting format. Two
side-by-side orchestras
share one conductor, with
one group performing
traditional American
songs and the other
playing folk songs from
the Middle East. A total
of eight songs are
presented as each section
from the two orchestras
is featured. As the piece
unfolds, what emerges is
not only a tapestry of
beautiful music, but an
intense commentary on the
power of music to unite
diverse cultures. Whether
you split your orchestra
in two or combine with
another orchestra,
Hemispheres by Richard
Meyer is sure to educate
your students and your
audience.
A
suggested seating chart
is included. Also
playable by one orchestra
in a traditional
set-up.
Orchestra SKU: HL.14042598 Composed by Poul Ruders. Music Sales America. ...(+)
Orchestra
SKU:
HL.14042598
Composed
by Poul Ruders. Music
Sales America. Classical.
Softcover. Composed 2013.
Edition Wilhelm Hansen
#WH31776. Published by
Edition Wilhelm Hansen
(HL.14042598).
ISBN
9788759827482.
Prog
ramme Note Poul Ruders
WIND-DRUMMING
WIND-DRUMMING was written
in 1979 on a commission
from The Danish
Percussion Ensemble. The
piece is a clash of two
kinds of
sound-associations, the
mystic, exotic impact of
Latin-American drumming,
and the more well dressed
reputation of Western
concert-instruments, in
this case a wind-quintet
(w. electric flute). The
two instrumental camps
either melt into one soft
humming ritual or are
split wide apart, the
winds tearing their way
through the undergrowth
of rainforest-drumming.
There is more than one
way of getting on to
WIND-DRUMMING: obviously
it is about the
confrontation of two
incongruent ways of
living, a lament on the
damage done tothe
tropical rainforests of
the world by modern
civilisation. One can
hear it plainly as a
direct rhythm-show, a
downright number or a
joyous homage to the most
exiting kind of
folkloristic music at
all: the carnal spell of
the Brazilian Samba. Poul
Ruders.