Hommage a Satie. (For Small Orchestra - Full Score). By David Diamond. Orchestra. For Flute I, Flute II, Oboe, Clarinet, Bassoon, Horn I, Horn II, Timpani, Cymbal, Harp, Violin I, Violin II, Viola, Cello, Contrabass. Full score (large). Standard notation. 32 pages. Published by Carl Fischer

(For Orchestraa). By Roger Huntington Sessions (1896-1985). Orchestra. For Piccolo, Flute, Oboe, English Horn, Clarinet, Bass Clarinet, Bassoon, Contra Bassoon, Horn, Trumpet, Trombone (3rd with F Extension), Tuba, Timpani, Percussion, Chinese Drum, Snare Drum, Tambourine, Tambourine, Bass Drum, Whip, Triangle, Cymbal, Maracas, . This edition: Score. Classical. Full Score - Large. Standard notation. Composed 1970. 48 pages. Published by Theodore Presser Company

Evanescence, Complete Scores by Mary Schneider. Edited by Fred Sturm. For Orchestra. Standard notation. Published by Universal Edition

Composed by Camille Saint-Saens (1835-1921), arranged by Merle J. Isaac, edited by George Megaw. Full score and set of performance parts for full orchestra. Medium. With full score notation and standard notation. 176 pages. Published by Alfred Publishing.

(For Orchestra). By Johann Pachelbel (1653-1706). Arranged by Philip Gordon. Orchestra. For Flute, Oboe, Clarinet I, Clarinet II, Alto Saxophone, Tenor Saxophone, Bassoon, Horn I, Horn II, Trumpet I, Trumpet II, Tenor, Tuba, Timpani, Piano and Conductor, Flute, Oboe, Clarinet I, Clarinet II, Alto Saxophone, Tenor Saxophone, Bassoon, Horn I, Horn I. Baroque. Score and parts. Standard notation. 12 pages. Duration 2:45

Atmospheres, S.S., (Engraved E by Gyorgy Ligeti (1923-2006). For Orchestra. Full score (study). Standard notation. Duration 9 minutes. Published by Universal Edition

Orchestra (2.2(cor ang).2.A-sax.2 - 4.2.2CaP.3.0 - timp.perc - hp/pno - str)

SKU: BR.EOS-20828

Urtext. Composed by Georges Bizet. Edited by Lesley A. Wright. Orchestra; Softcover. Eulenburg Orchestral Series.

The world premiere of the play L'Arlesienne with the incidental music by Georges Bizet was a notable failure not only for the playwright Alphonse Daudet, but also for the composer.

Suite; Romantic. Full score. 60 pages. Duration 17'. Breitkopf and Haertel #EOS 20828. Published by Breitkopf and Haertel (BR.EOS-20828).

ISBN 9790004784693. 10 x 12.5 inches.

The two four-movement orchestral suites, in turn, are still thrilling concert-goers all over the world, ever since their first performances in 1872 and 1880 respectively. In 1998 and 2001, Lesley A. Wright presented the score and orchestral parts of the two repertoire pieces in an Urtext edition prepared for the first time on the basis of all relevant sources. Thus not only will the yellow Urtext angel be gracing the conducting score and orchestral parts, but, next to the standardized large format and new layout of the parts, there are other user-friendly improvements, such as practical page-turns, page-turn aids and intelligent cue notes.

Orchestra (Study Score)

SKU: HL.49004865

Score. Composed by Werner Egk. Edition Schott. Classical. Book with Audio-Online. Composed 1952. 132 pages. Schott Music #ED4408. Published by Schott Music (HL.49004865).

ISBN 9781423413134. UPC: 073999276947. 6.0x9.0x0.366 inches.

Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations


< br>With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.



The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.

Dicti on lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations


< br>With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.



The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.

Dicti on lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations


< br>With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.



The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.

Dicti on lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations


< br>With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.



The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.

Dicti on lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations


< br>With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen, any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it, showing flow of the language and the mood. The second version is a slow, deliberate lesson, allowing time for the student to repeat each line. These experienced language coachesadapt the “R” in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.



The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian, Pierre Vallet for French, Irene Spiegelmanfor German, Kathryn LaBouff for English, Yveta Synek Graff for Czech, and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.

Orchestra (2va.2vagb.vc.db - bc)

SKU: BR.PB-4068

Urtext. Composed by Johann Sebastian Bach. Edited by Werner Felix. Orchestra; Softcover. Partitur-Bibliothek (Score Library).

The aim of this combined scholarly and practical edition of the Brandenburg Concerto is to offer a state of the art performance material of this standard work of Baroque music literature, which satisfies the practical needs of performing artists.

Baroque period. Full score. 44 pages. Duration 19'. Breitkopf and Haertel #PB 4068. Published by Breitkopf and Haertel (BR.PB-4068).

ISBN 9790004202449. 9 x 12 inches.

The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.These new editions were based on surviving autographic source material - some of which, for the Fifth Concerto for example, has been taken into account for the first time - and the 'Neue Bach-Ausgabe' (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.(from the joint preface to the Six Brandenburg Concertos by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)

T he aim of this combined scholarly and practical edition of the Brandenburg Concerto is to offer a state of the art performance material of this standard work of Baroque music literature, which satisfies the practical needs of performing artists.

Orchestra (Soli MsTB, Coro SATB (divisi), Semicoro SATB (divisi), 2 Fl, Pic, 2 Ob, Eh, 2 Clt, Clt basso, 2 Fg, Cfg, 4 Cor, 3 Tr, 3 Trb, Tuba, Timp, Perc, 2 Arpe, Org, 2 Vl, Va, Vc, Cb) - 5

SKU: CA.2300400

Composed by Edward Elgar. Edited by Barbara Mohn. Carus digital: Extra digital products. Full Score. Composed 1900. Op. 38. Duration 100 minutes. Carus Verlag #2300400. Published by Carus Verlag (CA.2300400).

ISBN 9790007240783. English/German. Text: Newman, John Henry.

This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar's moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of the listeners, a musical image of the soul is created which flies past mocking demons to God with its protecting angel at its side, is allowed to look at God briefly, then faces the purgatory confident and comforted. The work is a real rarity in the history of oratorio, and for large choirs it is a thrilling alternative to the established repertoire of Requiem settings. Its popularity is thanks to the suggestive, often sensuous power of the music, the great choral scenes of the demons and the angels, and the three impressive solo parts.All previous editions were reprints based on the historic first printed materials, which are inconsistent. By contrast, Carus has produced a modern, newly-engraved edition, compatible in all sections, which takes all the sources into consideration and evaluates the autograph manuscript in detail. For this edition the complete orchestral material is available on sale, and the vocal score and full score contain both English and German singing texts. The full score is also available digitally.*,A milestone of late Romantic choral music, and a standard work in Great Britain*,First modern score with a full Critical Report and complete performance material- English and german singing texts

Orchestra (Soli MsTB, Coro SATB (divisi), Semicoro SATB (divisi), 2 Fl, Pic, 2 Ob, Eh, 2 Clt, Clt basso, 2 Fg, Cfg, 4 Cor, 3 Tr, 3 Trb, Tuba, Timp, Perc, 2 Arpe, Org, 2 Vl, Va, Vc, Cb) - 5

SKU: CA.2300403

Composed by Edward Elgar. Edited by Barbara Mohn. Vocal score. Composed 1900. Op. 38. Duration 100 minutes. Carus Verlag #2300403. Published by Carus Verlag (CA.2300403).

ISBN 9790007240790. English/German. Text: Newman, John Henry.

This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar's moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of the listeners, a musical image of the soul is created which flies past mocking demons to God with its protecting angel at its side, is allowed to look at God briefly, then faces the purgatory confident and comforted. The work is a real rarity in the history of oratorio, and for large choirs it is a thrilling alternative to the established repertoire of Requiem settings. Its popularity is thanks to the suggestive, often sensuous power of the music, the great choral scenes of the demons and the angels, and the three impressive solo parts.All previous editions were reprints based on the historic first printed materials, which are inconsistent. By contrast, Carus has produced a modern, newly-engraved edition, compatible in all sections, which takes all the sources into consideration and evaluates the autograph manuscript in detail. For this edition the complete orchestral material is available on sale, and the vocal score and full score contain both English and German singing texts. The full score is also available digitally.*,A milestone of late Romantic choral music, and a standard work in Great Britain*,First modern score with a full Critical Report and complete performance material- English and german singing texts

Orchestra - Grade 3

SKU: AP.38447

As recorded by Glenn Miller. Composed by Carl Sigman. Arranged by Andrew H. Dabczynski. Performance Music Ensemble; Single Titles; String Orchestra. Pop Concert String Orchestra. Jazz; Light Concert; Standard. Score and Part(s). 130 pages. Alfred Music #00-38447. Published by Alfred Music (AP.38447).

UPC: 038081437446. English.

Here's a great 1940s Glenn Miller standard that will get any string orchestra swinging! The tunes, rhythms, and harmonies of the big-band era all come alive in this clever arrangement. All the string sections have opportunities to shine, and optional piano and vocal percussion parts add to the groove. And everybody gets to join in the classic Pennsylvania 6-5-0-0-0 chant! This is a chart that will truly bring the crowd swinging to their feet!

SKU: SU.00120043

Orchestra. CD Set (PDF Scores). CD Sheet Music #00120043. Published by CD Sheet Music (SU.00120043).

AVAILABLE FOR SALE TO U.S. CUSTOMERS ONLY Complete set of Harp, Keyboard (Piano, Organ, etc.) and auxiliary parts for The Orchestra Musician's CD-ROM Library�, Volumes 1-5, 7-12 [11 CD-ROMs]. Parts for over 700 orchestral works in thestandard repertoire from the 18th through early 20th centuries. If these parts were purchased separately, this collection could cost several thousand dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Visit for more information

Ple ase note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.

Orchestra

SKU: LO.30-3449MD

Composed by Jay Rouse. Choral. Sacred Anthem. Orchestral score and parts. Medallion Music #30/3449MD. Published by Medallion Music (LO.30-3449MD).

UPC: 000308146516.

This exciting song is a high-energy, lively, toe-tapping Southern gospel tune with a nod to the old gospel standard The Sweet By and By. A true celebration of the promise of our eternal home, this song will be loved by your choir and congregation alike!

Orchestra

SKU: LO.30-2781L

Composed by Mark Hayes. Choral. Sacred Anthem, Eastertide. Orchestral score and parts. Lorenz Publishing Company #30/2781L. Published by Lorenz Publishing Company (LO.30-2781L).

UPC: 000308130683.

This regal Easter anthem from Mark Hayes brings a spectacular Baroque flavor while incorporating the famous Handel chorus from Judas Maccabeus. Opening with a thrilling choral fanfare that is followed by a strong homophonic section and an enjoyable fugue, Christ Is Risen! Alleluia! is sure to become an Easter standard! Instrumentation: Fl, Ob, 2 Cl, Bsn, 2 Hn, 2 Tpt, 2 Tbn, Timp, Perc, Harp, Pno, 2 Vln, Vla, Cello, Bass.

Orchestra Orchestra

SKU: CF.CY1871F

Composed by Joelle Wallach. Full score. With Standard notation. 24 pages. Carl Fischer Music #CY1871F. Published by Carl Fischer Music (CF.CY1871F).

ISBN 9780825895289. UPC: 798408095284. 11 x 14 inches.

With degrees from Sarah Lawrence College and Columbia University, Wallach went on to receive the first ever doctorate in composition from the Manhattan School of Music. She has won first prize in the Inter-American Music Awards, has had her String Quartet nominated for a Pulitzer Prize, and was commissioned for a 200-voice oratorio by the New York Choral Society for its 35th Anniversary season. Wallach also serves as pre-concert lecturer for the New York Philharmonic. Her works have been published by E.C. Schirmer, C.F. Peters, and others. The aptly named Glimpses (1981), a series of brief vignettes for orchestra, shows her developing style and command of orchestral forces. Performance materials available on rental.

By Peter Mennin (1923-1983). Orchestra. For orchestra. Carl Fischer Study Score Series Orchestral Works - Chamber Music. Study Score (8.5 x 11 ). Standard notation

Orchestra (Study Score)

SKU: HL.48024144

Study Score. Composed by Aram Ilyich Khachaturian. Boosey & Hawkes Scores/Books. Classical. Softcover. 80 pages. Boosey & Hawkes #M060129995. Published by Boosey & Hawkes (HL.48024144).

ISBN 9781784540845. UPC: 888680712136. 5.25x7.5x0.259 inches.

30-minute suite for orchestral with female chorus from Khachaturian's celebrated ballet, Spartacus (1955). Scene 9 presents the culmination of the drama, to music strongly reminiscent of Khachaturian's Cello Concerto: Spartacus – among treacherous pirates – faces the apparent collapse of the rebellion, and his death is followed by a powerful yet relatively restrained Requiem with chorus, followed by a stirring apotheosis. Performance materials available on hire. Suitable for advanced standard performers.

(Ukrainian Christmas Carol - Full Score and Parts). By Peter Wilhousky. Arranged by Richard Hayman. Orchestra. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, Clarinet I, Clarinet II, Bassoon I, Bassoon II, Horn I, Horn II, Horn III, Horn IV, Trumpet I, Trumpet II, Trumpet III, Tenor I, Tenor II, Tenor III, Tuba, Timpani, Glockenspiel, Chimes, Swiss Hand Bells, Suspe. Carl Fischer Orchestra Edition. Score and part(s). Standard notation. 29 pages. Published by Carl Fischer

Orchestra - Grade 3

SKU: DS.SA7005

Composed by Munster Gesangbuch. Arranged by David S. Winkler. Large Ensemble for Orchestra. Easter. Psalm 150 #SA7005. Published by Psalm 150 (DS.SA7005).

Standard orchestral instrumentation unlike SA7004 where organ is a necessity).

Orchestra

SKU: PR.UE026294

Composed by Matthias Ruegg. With Standard notation. Universal Edition #UE026294. Published by Universal Edition (PR.UE026294).

UPC: 803452061809.

Celeb rating Rüegg’s life as an amazingly prolific jazz arranger and orchestrator, Universal Edition has just released A Centenary Journey, a compilation of the great charts by Rüegg in notated score form. A rarity in published music, these jazz scores “unlock the secrets” to phenomenal performances, echoing the evolution of jazz itself along the way. Students of the art (of any age) can now follow along with the written page, and see the music behind the experience, to study the process from concept to reality. The score includes an audio CD recording of select compositions, as well, performed by the Vienna Art Orchestra. An excellent overview of the development of jazz from 1900 to its present form(s).

By Karl Kohn. Chamber orchestra. Carl Fischer Study Score Series Orchestral Works - Chamber Music. First Performance January 22, 1967 in Claremont, California by Pomona College Symphony Orchestra Kenneth Fiske, Conductor. This performance conducted by the composer.. Classical. Full score (study). Standard notation. 47 pages. Duration 12 minutes. Published by Carl Fischer

By Johann Sebastian Bach. Band/Orchestra. Size 9 x 12. 273 pages. Published by Dover Publications.

(Orchestral Score). By Steven Stucky (1949-). Orchestra. For 3 Flutes (3. Doubles Piccolo), 3 Oboes (3. Doubles English Horn), 3 Clarinets in Bb (3. Doubles Bass Clarinet), 2 Bassoons, Contrabassoon, 4 Horns in F, 3 Trumpets in C, 3 Trombones, Tuba, Percussion (3 Players):, Crotales, Chimes, Glockenspiel, Xylophone. World Premiere: Los Angeles Philharmonic Orchestra, conducted by Esa-Pekka Salonen, Walt Disney Concert Hall, Los Angeles, CA.. Contemporary. Full score (study). Standard notation. Composed JANUARY 23 2007. 55 pages. Duration 17 minutes. Published by Theodore Presser Company

String Orchestra standard string orchestra (88555) - 4.5

SKU: KN.KEN10083

Composed by Modest Petrovich Mussorgsky. Arranged by Deborah Baker Monday. Solo or Ensemble. Apex String Orchestra. Score and set of parts. Duration 5 minutes, 15 seconds. Kendor Music Inc #KEN10083. Published by Kendor Music Inc (KN.KEN10083).

UPC: 822795100839.

This powerful arrangement of the popular tone poem by Moussorgsky makes for a great festival selection. Different string articulations are employed to achieve orchestral color, and all parts share melodic material and chromatic passages. Duration 5:15.

Composed by Ludwig van Beethoven (1770-1827). Edited by Jens Dufner. For Orchestra (Study Score). Henle Study Scores. Softcover. 130 pages. G. Henle #HN9813. Published by G. Henle

Orchestra (Study Score)

SKU: HL.48024143

Study Score. Composed by Aram Ilyich Khachaturian. Boosey & Hawkes Scores/Books. Classical. Softcover. 80 pages. Boosey & Hawkes #M060130021. Published by Boosey & Hawkes (HL.48024143).

ISBN 9781784540852. UPC: 888680712143. 5.25x7.5x0.27 inches.

30-minute orchestral suite from Khachaturian's celebrated ballet, Spartacus (1955). Scenes 4 and 5 present the dramatic turning point where Spartacus is galvanised into leading the slave rebellion, opening with a mournful elegy for the death of a gladiatorial friend. It also includes a lively and charming central interlude, the Dance of the Shepherd and Shepherdess. Performance materials available on hire. Suitable for advanced standard performers.