For Orchestra.
Composed by Nancy
Galbraith. Orchestra.
Study Score. Composed
2002. Duration 20'.
Subito Music Corporation
#90810110. Published by
Subito Music Corporation
(SU.90810110).
Instrumentation
: 3fl(picc), 2ob, 2cl,
2bn; 4hn, 3tpt, 3tbn(bs),
tba; timp, 3perc, hrp,
pno; strings Duration:
20' Full Score & Parts:
available on rental
Composed in 2002.
Published by: Subito
Music Publishing
Composer's Note: De
profundis ad lucem (out
of the depths towards
light) opens with an
atmosphere of stillness,
out of which two main
sections emerge, one
reflecting hope and the
other struggle. Hope is
expressed with a
recurring theme that
gradually layers upon
itself, imparting a
feeling of birth. This
section suddenly gives
way to struggle,
represented with loud
brass, biting accents,
and thundering timpani
figures. Following an
extended musical
landscape, these two
sections return, only in
reverse, with struggle
resolving into hope. The
work ends in tranquillity
as it began. --N.G.
Orchestra SKU: LO.30-2893L Composed by Phill McHugh. Arranged by Greg Nel...(+)
Orchestra
SKU:
LO.30-2893L
Composed
by Phill McHugh. Arranged
by Greg Nelson. Choral.
Sacred Anthem, General,
Holy Week, Lent,
Palm/Palm-Passion Sunday.
Orchestral score and
parts. Lorenz Publishing
Company #30/2893L.
Published by Lorenz
Publishing Company
(LO.30-2893L).
UPC:
000308132908.
This
contemporary Christian
classic, made popular in
the 1980s by singer Steve
Green, receives a
brilliant setting by Mary
McDonald. We are reminded
by the lyrics that the
love shown by Christ on
the cross still reaches
out to those in need
today. Orchestration by
Michael Lawrence for 2
Fl, Ob, 2 Cl, Bsn, 2 Hn,
3 Tpt, 2 Tbn, Tuba, Harp,
Pno, Perc, Timp, 2 Vln,
Vla, Cello, Bass.
Orchestra SKU: LO.30-2894L Composed by Phill McHugh. Arranged by Greg Nel...(+)
Orchestra
SKU:
LO.30-2894L
Composed
by Phill McHugh. Arranged
by Greg Nelson. Choral.
Sacred Anthem, General,
Holy Week, Lent,
Palm/Palm-Passion Sunday.
Orchestral score and CD
with printable parts.
Lorenz Publishing Company
#30/2894L. Published by
Lorenz Publishing Company
(LO.30-2894L).
UPC:
000308132915.
This
contemporary Christian
classic, made popular in
the 1980s by singer Steve
Green, receives a
brilliant setting by This
contemporary Christian
classic, made popular in
the 1980s by singer Steve
Green, receives a
brilliant setting by Mary
McDonald. We are reminded
by the lyrics that the
love shown by Christ on
the cross still reaches
out to those in need
today. Orchestration by
Michael Lawrence for 2
Fl, Ob, 2 Cl, Bsn, 2 Hn,
3 Tpt, 2 Tbn, Tuba, Harp,
Pno, Perc, Timp, 2 Vln,
Vla, Cello, Bass.
Double Bass; Orchestra (STUDY SCORE) SKU: HL.51487451 Study Score....(+)
Double Bass; Orchestra
(STUDY SCORE)
SKU:
HL.51487451
Study
Score. Composed by
Serge Koussevitzky.
Edited by Tobias Glö
and ckler. Henle Study
Scores. Classical.
Softcover. 92 pages. G.
Henle #HN7451. Published
by G. Henle
(HL.51487451).
UPC:
196288158110.
6.75x9.5x0.294
inches.
Thanks to
its skilful combination
of Romantic melody and
sparkling virtuosity,
KoussevitzkyÂ’s Double
Bass Concerto op. 3 has
been one of the most
popular works of its
genre since its Moscow
premiere in 1905. No
wonder, for the virtuoso
double bass player
Koussevitzky had composed
it for his very own
instrument. As early as
1906/07 a first piano
reduction was published
in Moscow, followed by a
second in 1910 in
Leipzig. However, both
contain so many mistakes
in the solo part that
there is still
uncertainty about the
correct musical text in
many passages to this
day. The double bass
player Tobias Glöckler
has therefore prepared
his Urtext edition using
several sources: as well
as the manuscript
performance material and
the piano reductions
published during the
composer's lifetime, he
has also studied
recordings with
Koussevitzky as soloist -
thereby finally producing
a
thoroughly-researchedUrte
xt edition of the
orchestral score and
piano reduction of this
classic of the double
bass literature. As with
all double bass concertos
published by Henle
Publishers, this edition
also contains the piano
reduction by Christoph
Sobanski in two keys (E
minor and F sharp minor)
for performance with solo
or orchestral tuning.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra SKU: HL.14033079 Composed by Per Norgard. Music Sales America. ...(+)
Orchestra
SKU:
HL.14033079
Composed
by Per Norgard. Music
Sales America. Classical.
Score. 164 pages. Music
Sales #KP01073. Published
by Music Sales
(HL.14033079).
ISBN
9788759858332.
Danish.
There were
wild oatsAnd the soil was
blackBut sparkledWhen the
sun was outThe air sharp
in the nostrilsHard to
defineSomewhere between
knife and coal andAcid
and that special light
and sweetWhiteness
thornbushes exhaleIt was
nothing specialBecause
everything was
special...Thus the
opening line of the poem
TERRAINS VAGUES by Klaus
Rifbjerg, the Danish
Poet. I chose to adopt
this title for my
orchestral work, because
of its closeness in
associations: an
indeterminable, often
polarized, state of
rhythmic and tonal
ambiguity.The expression
seems created by the
Franch author, Victor
Hugo:And here lies the
fascination: in the kinds
of terrains vagues, which
are simultaniously
bizarre and ugly, as if
created by two alien
species of nature. To
watch the suburb is like
observing and amphibium:
trees vanish, roofs
appear, grass vanish,
cobble stones appear,
ploughing fields vanish,
shops appear, beaten
tracks vanish - passions
appear; the murmur of
Nature Divine ends, the
noise of Mankind takes
over. (Victor Hugo)Still,
the atmosphere as well as
the material of TERRAINS
VAGUES have its origin,
in my SYMPHONY NO. 6
(1999), the last minute
of which, cut up rough,
appears as the start of
my new work. The music of
TERRAINS VAGUES
subdivides itself,
without breaks, into
three sections, or
shades:I: TERRAINS - II:
VAGUES (Waves) III:
TERRAINS VAGUES.Per
Norgard, March 2001.