Full orchestra SKU: LO.30-3406L Composed by Mary McDonald. Arranged by Ed...(+)
Full orchestra
SKU:
LO.30-3406L
Composed
by Mary McDonald.
Arranged by Ed Hogan.
Choral. Sacred Anthem,
Ascension, General, Lent.
Orchestral score and
parts. Lorenz Publishing
Company #30/3406L.
Published by Lorenz
Publishing Company
(LO.30-3406L).
UPC:
000308145601.
Mary
McDonald provides a
charming setting that
encourages believers to
keep Jesus close to their
hearts. The subdued yet
passionate beginning
leads to a powerful
conclusion filled with
praise for our Savior.
Jesus, Jesus, precious,
holy name! Jesus, joy of
heaven, praise His holy
name!.
Full orchestra SKU: LO.30-3407L Composed by Mary McDonald. Arranged by Ed...(+)
Full orchestra
SKU:
LO.30-3407L
Composed
by Mary McDonald.
Arranged by Ed Hogan.
Choral. Sacred Anthem,
Ascension, General, Lent.
Orchestral score and CD
with printable parts.
Lorenz Publishing Company
#30/3407L. Published by
Lorenz Publishing Company
(LO.30-3407L).
UPC:
000308145618.
Mary
McDonald provides a
charming setting that
encourages believers to
keep Jesus close to their
hearts. The subdued yet
passionate beginning
leads to a powerful
conclusion filled with
praise for our Savior.
Jesus, Jesus, precious,
holy name! Jesus, joy of
heaven, praise His holy
name!.
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 88.
Duration 12 hours.
Baerenreiter Verlag
#BA10418_00. Published by
Baerenreiter Verlag
(BA.BA10418).
ISBN
9790006564644. 32.5 x
25.5 cm inches. Key: G
major. Preface: Jonathan
Del Mar.
The
performance material
available up till now for
Dvorákâ??s sun-filled
cheerful Symphony no. 8
has been notorious for
its myriad mistakes. The
challenge of correcting
it has now been taken
over by the editor
Jonathan Del Mar. He has
taken into account the
engraverâ??s copy, which
was actually discovered
in a trash bin at
Novelloâ??s in 1964. Its
title page bears the
words â??Copied from my
original manuscriptâ?
in Dvorákâ??s hand.
This source proves that
many of the readings
contained in the first
edition and faithfully
adopted in all subsequent
editions, were simply
slips of the copyistâ??s
pen.
This new
edition with score and
orchestral parts in an
enlarged format is
accompanied by a detailed
Critical Commentary on
the sources and
alternative readings. It
also contains important
facsimile pages to
clarify problematical
readings.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra - Grade 1.5 SKU: AP.48071S Featuring Themes from Take Me Out...(+)
Orchestra - Grade 1.5
SKU: AP.48071S
Featuring Themes from
Take Me Out to the Ball
Game and the Ninth
Symphonies of Franz
Shubert, AntonÃn
Dvorák, and Ludwig van
Beethoven. Composed
by Albert Von Tilzer,
Antonin Dvorak, Franz
Shubert, and Ludwig van
Beethoven. Arranged by
Bob Phillips. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra. Sound
Innovations for String
Orchestra. Masterwork
Arrangement. Score. 8
pages. Duration 2:30.
Alfred Music #00-48071S.
Published by Alfred Music
(AP.48071S).
UPC:
038081557601.
English.
This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
Tongue-in-cheek
and beautiful, Bottom of
the Ninths is the perfect
way to delve into these
masterworks with young
players in a fun context!
All sections remain in
1st position, in the key
of D major, with no high
3's or low 1's as the
melodies are passed
throughout the orchestra.
Easy to play and
showcasing the beauty of
these great composers,
this piece, arranged by
Bob Phillips, would shine
at a festival or contest.
The medley features Take
Me Out to the Ball Game;
the opening theme from
Schubert's Symphony No. 9
which is, of course, at
the beginning of that
work; the famous Going
Home theme from the
middle of Dvorák's
Symphony No. 9; and the
Ode to Joy theme from
Beethoven's Symphony No.
9, which is at the end,
or the bottom, of the
9th. Correlated to Sound
Innovations for String
Orchestra, Book 1, Level
5. (2:30) This title
available in MakeMusic
Cloud.
Orchestra - Grade 1.5 SKU: AP.48071 Featuring Themes from Take Me Out ...(+)
Orchestra - Grade 1.5
SKU: AP.48071
Featuring Themes from
Take Me Out to the Ball
Game and the Ninth
Symphonies of Franz
Shubert, AntonÃn
Dvorák, and Ludwig van
Beethoven. Composed
by Albert Von Tilzer,
Antonin Dvorak, Franz
Shubert, and Ludwig van
Beethoven. Arranged by
Bob Phillips. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra. Sound
Innovations for String
Orchestra. Masterwork
Arrangement. Score and
Part(s). 76 pages.
Duration 2:30. Alfred
Music #00-48071.
Published by Alfred Music
(AP.48071).
UPC:
038081557595.
English.
This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
Tongue-in-cheek
and beautiful, Bottom of
the Ninths is the perfect
way to delve into these
masterworks with young
players in a fun context!
All sections remain in
1st position, in the key
of D major, with no high
3's or low 1's as the
melodies are passed
throughout the orchestra.
Easy to play and
showcasing the beauty of
these great composers,
this piece, arranged by
Bob Phillips, would shine
at a festival or contest.
The medley features Take
Me Out to the Ball Game;
the opening theme from
Schubert's Symphony No. 9
which is, of course, at
the beginning of that
work; the famous Going
Home theme from the
middle of Dvorák's
Symphony No. 9; and the
Ode to Joy theme from
Beethoven's Symphony No.
9, which is at the end,
or the bottom, of the
9th. Correlated to Sound
Innovations for String
Orchestra, Book 1, Level
5. (2:30) This title is
available in MakeMusic
Cloud.
New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432).
ISBN
9790004212790. 10 x 12.5
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
Divertimento teatrale
in one act. Operetta for
four voices. Composed
by Antonio Salieri.
Edited by Adrian La
Salvia and Thomas
Betzwieser. This edition:
Edition of selected
works, Urtext edition.
Linen. Spectrum of
European Music Theatre in
Separate Editions 1.
Edition of selected
works, Score, Critical
commentary, USB flash
drive. Duration 1 hour,
15 minutes. Baerenreiter
Verlag #BA08811_00.
Published by Baerenreiter
Verlag (BA.BA08811).
ISBN 9790006539840.
33.1 x 26.5 cm inches.
Text Language: Italian.
Preface: Betzwieser,
Thomas. Text:
Giambattista
Casti.
A memorable
musical competition
commissioned by the
emperor Joseph II took
place on 7 February 1786
as part of a festival in
the orangery of the
Schönbrunn palace. A
German Singspiel ensemble
performed Mozart’s
“Schauspieldirektor
†whilst Antonio
Salieri’s
“Prima la musica e
poi le parole†was
performed by the Italian
court singers and
musicians. This charming
opera satire belongs to
the genre of
“metamelodrammaâ
in which the opera
itself becomes the
subject of the action.
The people who are part
of an opera production,
for example the
librettist, composer and
prima donna, appear as
characters on the stage
and are presented in a
humorous self-reflection.
In this ‘theatre
about theatre’
Salieri parodies the
music from Giuseppe
Sarti’s
“Giulio
Sabino†in his
insert arias, thus
playing on the music
which was totally
familiar with the
audience of the time. By
reflecting on the
musical-dramatic style of
that period and
discussing whether
‘the word’
or ‘the
music’ should take
priority, this
masterpiece is considered
to be an early forerunner
to Richard
Strauss’s
“Capriccioâ€.<
br> The new edition of
the score is published as
part of “opera
– Spectrum of
European Music Theatre in
Separate Editionsâ€.
There are several
alterations regarding the
libretto text, stage
directions, articulation,
ornamentation, etc. which
have been incorporated
into this newly engraved
vocal score. Furthermore,
all appendix numbers from
the score which concern
the quotations from
Giuseppe Sarti’s
“Giulio
Sabino†have also
been
incorporated.
â
¢ Urtext vocal score
based on the
historical-critical
hybrid score published as
part of “opera
– Spectrum of
European Music Theatre in
Separate Editionsâ€
edited by Thomas
Betzwieser (music
edition) and Adrian La
Salvia (text
edition). •
Original Italian libretto
with singable German
translation •
Comprehensive bilingual
foreword (Ger/Eng) on the
genesis and reception of
the work, on
metamelodramma and
intertextuality
etc. • Includes
an extensive appendix to
the quotations taken from
Giuseppe Sarti’s
“Giulio
Sabino†•
Idiomatic piano
reduction
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra - Grade 3 SKU: AP.29664 Composed by Robert D. Gardner. Performa...(+)
Orchestra - Grade 3
SKU: AP.29664
Composed by Robert D.
Gardner. Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Intermediate
String Orchestra. Score
and Part(s). 144 pages.
Duration 3:40. Belwin
Music #00-29664.
Published by Belwin Music
(AP.29664).
UPC:
038081321578.
English.
Young
string musicians will
enjoy performing this
heavy rock style piece
because it utilizes an
aggressive style and
mixed tonality similar to
'their' music that they
listen to for fun. The
concept behind the title
of this piece is that,
although we sometimes
move dully through our
daily routines, it is
good to take time to
appreciate the individual
moments that make up our
lives, like a child does
the first time they
experience something. All
parts are in first
position with few
accidentals or difficult
bowing patterns. At the
same time, this piece
will challenge your group
with its independent
voicings and syncopated,
interlocking rhythms.
This piece would add
variety to any school
concert, and would fit
nicely in a festival
program, especially one
that utilized several
different genres.
(3:40).
Orchestra String Orchestra SKU: PE.EP14581 For String Orchestra. C...(+)
Orchestra String
Orchestra
SKU:
PE.EP14581
For
String Orchestra.
Composed by Clara
Iannotta. String
Orchestra. Peters
Contemporary Library.
Classical; Contemporary.
Book. 36 pages. Edition
Peters #98-EP14581.
Published by Edition
Peters (PE.EP14581).
ISBN
9790014137175.
<
em>Memory jolts. Flashes
of pink in the
brain. by Clara
Iannotta is a 17-minute
work for string
orchestra. Written for
the non bthvn project of
the Cologne Philharmonic,
the work reflects
Beethoven's hearing loss
and the unbearable
condition when his ears
began to buzz and roar.
The title describes the
memory jolts that take
place in the inner
ear.
Memory
jolts. Flashes of pink in
the brain. was
premiered by Ensemble
Resonanz on 31 October
2021 at the Philharmonic
Hall Cologne.
The
full score (EP 14581) is
available for sale as
part of the Peters
Contemporary Library. The
performance material can
be hired.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite
retailer.
Orchestra (Study Score) SKU: HL.49044525 Opera in One Act - Study Scor...(+)
Orchestra (Study Score)
SKU: HL.49044525
Opera in One Act -
Study Score. Composed
by Huw Watkins. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Wenn wir den
Ausgangspunkt von Thomas
Hardy Geschichte
betrachten, fuhlen wir
uns in die Gegenwart, zu
einem heutigen Blick auf
die Novelle
transportiert. Diese
Sicht verdeutlicht,
welche Macht der
menschliche Geist uber
die Handlungen einer
Person hat. E. Classical,
Contemporary, Opera.
Softcover. Composed
2011-2012. 156 pages.
Duration 45'. Schott
Music #ED13780. Published
by Schott Music
(HL.49044525).
ISBN
9790220135569. UPC:
888680080495.
8.25x11.75x0.388 inches.
English.
Taking
Thomas Hardy's short
story as its starting
point, we are transported
to the present for a
contemporary take on the
novella which explores
the power the mind can
have over that person's
actions. A closed door
sparks an obsession so
strong that the
boundaries between
reality and fantasy begin
to blur.Ella and her
high-finance husband
Stephen rent a room in a
holiday home on the
coast, owned by Susan.
Ella discovers that a
locked room in the house
is rented by a poet - Ben
Pascoe - whose work holds
a deep fascination for
her. The room is held for
Pascoe, though he visits
rarely.Ella's obsession
with Pascoe grows in
parallel with the
progress of Stephen's
biggest City deal. She
begins by imagining the
poet's voice as she reads
his work, but this
quickly grows to
fantasised encounters
with Pascoe in his locked
room. Stephen returns
from the City and makes
love to Ella, but it is
not him she wishes for.
We see the real Pascoe
only once, with Susan.As
Stephen's financial
dreams are realised and
Ella's fantasy consumes
her, she learns of
Pascoe's death. Despite
her changed
circumstances, Ella
chooses to stay in her
new world.
Urtext. Composed
by Ludwig van Beethoven.
Edited by Peter
Hauschild. Orchestra;
Softcover.
Partitur-Bibliothek
(Score Library).
Hauschild combines
source criticism with the
demands of performance
practice, while keeping
the Critical Notes brief
(it goes without saying
that they are in the
score). His editorial
emendations can thus be
checked immediately.
Symphony; Classical. Full
score. 80 pages. Duration
27'. Breitkopf and
Haertel #PB 5238.
Published by Breitkopf
and Haertel (BR.PB-5238).
ISBN 9790004210000. 10
x 12.5
inches.
Ludwig van
Beethoven composed his
Eighth Symphony op. 93 in
1811/1812. As a
consequence of the
wartime upheavals of
those years, the world
premiere of the work did
not take place until 27
February 1814 in Vienna
under the composer's
direction.Hauschilds new
edition is based on all
the major primary
sources. With masterful
expertise, Hauschild
combines source criticism
with the demands of
performance practice,
while keeping the
Critical Notes brief (it
goes without saying that
they are in the score).
His editorial emendations
can thus be checked
immediately. Whoever
seeks more about how the
Breitkopf new edition
differs from other
available editions will
also find this
information quickly and
easily.
Hauschild
combines source criticism
with the demands of
performance practice,
while keeping the
Critical Notes brief (it
goes without saying that
they are in the score).
His editorial emendations
can thus be checked
immediately.
Orchestra - Grade 4 SKU: AP.48091 Composed by Richard Meyer. MakeMusic Cl...(+)
Orchestra - Grade 4
SKU: AP.48091
Composed by Richard
Meyer. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score and
Part(s). 124 pages.
Duration 6:00.
Highland/Etling
#00-48091. Published by
Highland/Etling
(AP.48091).
ISBN
9781470654382. UPC:
038081554679.
English.
Century
One Tusonic by Richard
Meyer will take your
students on an amazing
journey. This celebratory
and futuristic-sounding
overture is the perfect
opener or closer for any
concert. Tuneful,
energetic, and highly
emotional, the piece
presents a sonic
kaleidoscope of playing
styles that will
challenge every section
of the advanced string
orchestra. The unexpected
harmonies and exotic
rhythms give this
selection a cinematic
sound that is sure to
intrigue your students
and your audience. Brief
solos for violin and
cello are included.
(6:00).
Orchestra - Grade 4 SKU: AP.48091S Composed by Richard Meyer. Performance...(+)
Orchestra - Grade 4
SKU: AP.48091S
Composed by Richard
Meyer. Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score. 32
pages. Duration 6:00.
Highland/Etling
#00-48091S. Published by
Highland/Etling
(AP.48091S).
ISBN
9781470654399. UPC:
038081554686.
English.
Century
One Tusonic by Richard
Meyer will take your
students on an amazing
journey. This celebratory
and futuristic-sounding
overture is the perfect
opener or closer for any
concert. Tuneful,
energetic, and highly
emotional, the piece
presents a sonic
kaleidoscope of playing
styles that will
challenge every section
of the advanced string
orchestra. The unexpected
harmonies and exotic
rhythms give this
selection a cinematic
sound that is sure to
intrigue your students
and your audience. Brief
solos for violin and
cello are included.
(6:00).
Composed by Archangelo
Corelli. Arranged by Ruth
Siegler. Masterworks;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Form: Prelude;
Transcription. Baroque;
Masterwork Arrangement.
Score. 8 pages.
Highland/Etling
#00-35977S. Published by
Highland/Etling
(AP.35977S).
UPC:
038081414836.
English.
Students
will enjoy the musical
conversations that take
place when they perform
this trio sonata from the
17th century. The stately
Preludio in C major is
accompanied by a soaring
bass line that is an
excellent introduction to
the art of Baroque
continuo playing.
Following the Allegro,
the first theme returns
to close out this classy,
elegant piece of music.
All parts remain in 1st
position.
Orchestra - Grade 3 SKU: AP.49936 Composed by Richard Meyer. MakeMusic Cl...(+)
Orchestra - Grade 3
SKU: AP.49936
Composed by Richard
Meyer. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score and
Part(s). Duration 4:40.
Highland/Etling
#00-49936. Published by
Highland/Etling
(AP.49936).
ISBN
9781470657741. UPC:
038081575605.
English.
Give your
young string orchestra a
chance to learn the
all-important skills
needed to accompany a
soloist with this
compact, one-movement
work that features a
soloist playing ANY
string or band
instrument: oboe, viola,
tuba---you name it! A
Chameleon Concerto, by
Richard Meyer, has catchy
melodies that explore
various moods. The
constant give-and-take
between the soloist and
strings keeps every
section of your group
active. There is even a
short cadenza toward the
end of the piece to offer
everyone on stage a
complete concerto
learning experience.
(4:40).
Orchestra - Grade 2 SKU: AP.33653S Composed by Ludwig van Beethoven. Arra...(+)
Orchestra - Grade 2
SKU: AP.33653S
Composed by Ludwig van
Beethoven. Arranged by
Tim McCarrick.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Beginning String
Orchestra. Classical;
Masterwork Arrangement;
Romantic. Score. 8 pages.
Belwin Music #00-33653S.
Published by Belwin Music
(AP.33653S).
UPC:
038081381350.
English.
A simple
folk-style song that
works wonderfully for
strings and depicts a
traveling troubadour and
his trained pet
entertaining for their
food. The broken-chord
accompaniment imitates
the organ grinder as he
sings while the marmot
performs tricks for the
listeners. It is a
beautiful melody that
moves between A minor and
C major. Both upper
strings and cellos take
turns on the melody!
Orchestra - Grade 3 SKU: AP.49936S Composed by Richard Meyer. Performance...(+)
Orchestra - Grade 3
SKU: AP.49936S
Composed by Richard
Meyer. Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score.
Duration 4:40.
Highland/Etling
#00-49936S. Published by
Highland/Etling
(AP.49936S).
ISBN
9781470657758. UPC:
038081575612.
English.
Give your
young string orchestra a
chance to learn the
all-important skills
needed to accompany a
soloist with this
compact, one-movement
work that features a
soloist playing ANY
string or band
instrument: oboe, viola,
tuba---you name it! A
Chameleon Concerto, by
Richard Meyer, has catchy
melodies that explore
various moods. The
constant give-and-take
between the soloist and
strings keeps every
section of your group
active. There is even a
short cadenza toward the
end of the piece to offer
everyone on stage a
complete concerto
learning experience.
(4:40).
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra
SKU:
BA.BA06861
Sinfonie
(1923-1928). Composed
by Leos Janacek. Arranged
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek H/3.
Complete edition, Score,
Set of parts. Duration 40
minutes. Baerenreiter
Verlag #BA06861_00.
Published by Baerenreiter
Verlag (BA.BA06861).
ISBN 9790260104211.
34.3 x 27 cm
inches.
Leoš
Janácek’s
symphonic fragment Dunaj
(The Danube) dates from
the period of the
composition of
“Katya
Kabanovaâ€. The
composer was not
concerned with a
musical-picturesque
description of a river
landscape, but with the
mythical link between
women’s destinies
and
water.
“Pale
green waves of the
Danube! There are so many
of you, and one followed
by another. You remain
interlocked in a
continuous flow. You
surprise yourselves where
you ended up – on
the Czech shores! Look
back downstream and you
will have an impression
of what you have left
behind in your haste. It
pleases you here. Here I
will rest with my
symphony.†Thus
Leoš Janácek
described the idea behind
the composition project
which occupied him in
1923/24. However, after
further work, it remained
incomplete in 1926. His
“symphonyâ€
entitled Dunaj has
survived as a
continuously-notated,
four-movement bundle of
sketches in score form.
It is one of the works
which occupied him until
his death. The scholarly
reconstruction by the two
Brno composers Miloš
Štedron and Leoš
Faltus closely follows
the original
manuscript.
A
whole conglomeration of
motifs stands behind the
incomplete work. What at
first seems like a
counterpart to
Smetana’s Vltava,
in fact doesn’t
turn out to be a musical
depiction of the Danube.
On the contrary, the
fateful link between the
destiny of women, water
and death permeates the
range of motifs found in
the work. It seems to be
no coincidence that
Janácek, whilst
working on the opera
Katya Kabanova, in which
the Volga, as the river
bringing death plays an
almost mythical role,
planned a Danube
symphony, and that its
content was linked with
the destiny of women: in
the sketches, two poems
were found which may have
provided the stimulus for
several movements of the
symphony. He copied a
poem by Pavla
Kriciková into the
second movement, in which
a girl remarks that
whilst bathing in a pond,
she was observed by a
man. Filled with shame,
the young naked woman
jumps into the water and
drowns. The outer
movements likewise draw
on the poem
“Lola†by the
Czech writer Sonja
Špálová,
published under the
pseudonym Alexander
Insarov. This is about a
prostitute who asks for
her heart’s
desire: she is given a
palace, but then goes on
a long search for it and
is finally no longer
wanted by anyone. She
suffers, feels cold and
just wants a warm fire.
Janácek adds his
remark “she jumps
into the Danube†to
the inconclusive
ending.
To these
tangible literary models
is added Adolf
Veselý’s verbal
account which reports
that the composer wanted
to portray “in the
Danube, the female sex
with all its passions and
driving forcesâ€.
The third movement is
said to characterise the
city of Vienna in the
form of a
woman.
It is
evident that in his
composition, Janácek
was not striving for a
simple, natural lyricism.
The River Danube is
masculine in the Slavic
language –
“ten Dunajâ€
– and assumes an
almost mythical
significance in the
national character,
indeed often also a role
bringing death. The four
movements are motivically
conceived. Elements of
sound painting, small
wave-like figures in the
first movement, motoric,
driving movements in the
third are obvious
evocations of water. And
the content and the
literary level are easy
to discover. The
“tremolo of the
four timpaniâ€,
which was amongst
Janácek’s first
inspirations, appears in
the second movement. It
is not difficult to
retrace in it the fate of
the drowning bather. The
oboe enters lamentoso
towards the end of the
movement over timpani
playing tremolo, its
descending figure is
taken over by the flute,
then upper strings and
intensified considerably.
The motif of drowning
– Lola’s
despair – returns
again in the fourth
movement in the clarinet,
before the work ends
abruptly and
dramatically.
One
special effect is the use
of a soprano voice in the
motor-driven third
movement. The singer
vocalises mainly in
parallel with the solo
oboe, but also in
dialogue with other parts
such as the viola
d’amore, which
Janácek used in
several late works as a
sort of “voice of
loveâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
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MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (Viola) SKU: BA.BA08841-79 Composed by Claude Debussy. Edited b...(+)
Orchestra (Viola)
SKU:
BA.BA08841-79
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_79. Published by
Baerenreiter Verlag
(BA.BA08841-79).
ISBN
9790006541232. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Full orchestra SKU: LO.30-3538L Composed by Mary McDonald. Choral, cantat...(+)
Full orchestra
SKU:
LO.30-3538L
Composed
by Mary McDonald. Choral,
cantatas. Eastertide,
Holy Week. Full score and
parts, plus CD with
printable parts. Lorenz
Publishing Company
#30/3538L. Published by
Lorenz Publishing Company
(LO.30-3538L).
UPC:
000308148961.
The
resurrection of Jesus
changed the world and
continues to change the
world today. Jesus! The
Resurrection of the
Messiah tells the
intimate story of the
grief, the fear, the
hope, the love, the
tenderness, and the
longing of God for His
children expressed
through the life, death,
and resurrection of
Jesus. Mary McDonald and
Rose Aspinall combined
their talents to create a
compelling musical that
will take you through the
emotions of the Triumphal
Entry, the raising of
Lazarus, the Last Supper,
the moment in the garden
when Jesus is arrested,
the Crucifixion, and
finally to the joyous
Resurrection. This work
may be programmed in its
entirety or presented in
segments during Palm
Sunday, Holy Week, and
Resurrection Sunday
worship settings. It may
be done with choir and
piano alone or can
include the optional
orchestrations created by
Michael Lawrence and Ed
Hogan. This powerful
worship tool is an
inspiring reminder of the
life-changing impact of
this Deliverer, Redeemer,
and
Savior….Jesus!