Full orchestra

SKU: LO.30-3406L

Composed by Mary McDonald. Arranged by Ed Hogan. Choral. Sacred Anthem, Ascension, General, Lent. Orchestral score and parts. Lorenz Publishing Company #30/3406L. Published by Lorenz Publishing Company (LO.30-3406L).

UPC: 000308145601.

Mary McDonald provides a charming setting that encourages believers to keep Jesus close to their hearts. The subdued yet passionate beginning leads to a powerful conclusion filled with praise for our Savior. Jesus, Jesus, precious, holy name! Jesus, joy of heaven, praise His holy name!.

Full orchestra

SKU: LO.30-3407L

Composed by Mary McDonald. Arranged by Ed Hogan. Choral. Sacred Anthem, Ascension, General, Lent. Orchestral score and CD with printable parts. Lorenz Publishing Company #30/3407L. Published by Lorenz Publishing Company (LO.30-3407L).

UPC: 000308145618.

Mary McDonald provides a charming setting that encourages believers to keep Jesus close to their hearts. The subdued yet passionate beginning leads to a powerful conclusion filled with praise for our Savior. Jesus, Jesus, precious, holy name! Jesus, joy of heaven, praise His holy name!.

Orchestra (Fl1, Fl2 (Fl-picc), Ob1(EnglHn), Ob2 , 2 clarinet, 2 bassoon, 4Hn, 2 Trp, 3trombone, Tb, timpani, 2 Violin, Viola, Cello,KB)

SKU: BA.BA10418

Composed by Antonin Dvorak. Edited by Jonathan Del Mar. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 88. Duration 12 hours. Baerenreiter Verlag #BA10418_00. Published by Baerenreiter Verlag (BA.BA10418).

ISBN 9790006564644. 32.5 x 25.5 cm inches. Key: G major. Preface: Jonathan Del Mar.

The performance material available up till now for Dvorákâ??s sun-filled cheerful Symphony no. 8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the editor Jonathan Del Mar. He has taken into account the engraverâ??s copy, which was actually discovered in a trash bin at Novelloâ??s in 1964. Its title page bears the words â??Copied from my original manuscriptâ? in Dvorákâ??s hand. This source proves that many of the readings contained in the first edition and faithfully adopted in all subsequent editions, were simply slips of the copyistâ??s pen.

This new edition with score and orchestral parts in an enlarged format is accompanied by a detailed Critical Commentary on the sources and alternative readings. It also contains important facsimile pages to clarify problematical readings.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra

SKU: BR.PB-5432

Composed by Helmut Lachenmann. Orchestra; stapled. Partitur-Bibliothek (Score Library).

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

New music (post-2000). Full score. Composed 2016/17/20. 48 pages. Duration 8'. Breitkopf and Haertel #PB 5432. Published by Breitkopf and Haertel (BR.PB-5432).

ISBN 9790004212790. 10 x 12.5 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.

Orchestra (2 Soprano Voice Solo, 2 Bass Voice Solo, 2 Ob, 2 clarinet, 2 bassoon, 2 Hn, 2 Trp, 2 V, Va, Basso, Continuo)

SKU: BA.BA08811

Divertimento teatrale in one act. Operetta for four voices. Composed by Antonio Salieri. Edited by Adrian La Salvia and Thomas Betzwieser. This edition: Edition of selected works, Urtext edition. Linen. Spectrum of European Music Theatre in Separate Editions 1. Edition of selected works, Score, Critical commentary, USB flash drive. Duration 1 hour, 15 minutes. Baerenreiter Verlag #BA08811_00. Published by Baerenreiter Verlag (BA.BA08811).

ISBN 9790006539840. 33.1 x 26.5 cm inches. Text Language: Italian. Preface: Betzwieser, Thomas. Text: Giambattista Casti.

A memorable musical competition commissioned by the emperor Joseph II took place on 7 February 1786 as part of a festival in the orangery of the Schönbrunn palace. A German Singspiel ensemble performed Mozart’s “Schauspieldirektor ” whilst Antonio Salieri’s “Prima la musica e poi le parole” was performed by the Italian court singers and musicians. This charming opera satire belongs to the genre of “metamelodrammaâ� � in which the opera itself becomes the subject of the action. The people who are part of an opera production, for example the librettist, composer and prima donna, appear as characters on the stage and are presented in a humorous self-reflection. In this ‘theatre about theatre’ Salieri parodies the music from Giuseppe Sarti’s “Giulio Sabino” in his insert arias, thus playing on the music which was totally familiar with the audience of the time. By reflecting on the musical-dramatic style of that period and discussing whether ‘the word’ or ‘the music’ should take priority, this masterpiece is considered to be an early forerunner to Richard Strauss’s “Capriccio”.< br>
The new edition of the score is published as part of “opera – Spectrum of European Music Theatre in Separate Editions”. There are several alterations regarding the libretto text, stage directions, articulation, ornamentation, etc. which have been incorporated into this newly engraved vocal score. Furthermore, all appendix numbers from the score which concern the quotations from Giuseppe Sarti’s “Giulio Sabino” have also been incorporated.

â� �¢ Urtext vocal score based on the historical-critical hybrid score published as part of “opera – Spectrum of European Music Theatre in Separate Editions” edited by Thomas Betzwieser (music edition) and Adrian La Salvia (text edition).
• Original Italian libretto with singable German translation
• Comprehensive bilingual foreword (Ger/Eng) on the genesis and reception of the work, on metamelodramma and intertextuality etc.
• Includes an extensive appendix to the quotations taken from Giuseppe Sarti’s “Giulio Sabino”
• Idiomatic piano reduction

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra - Grade 3

SKU: AP.29664

Composed by Robert D. Gardner. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Score and Part(s). 144 pages. Duration 3:40. Belwin Music #00-29664. Published by Belwin Music (AP.29664).

UPC: 038081321578. English.

Young string musicians will enjoy performing this heavy rock style piece because it utilizes an aggressive style and mixed tonality similar to 'their' music that they listen to for fun. The concept behind the title of this piece is that, although we sometimes move dully through our daily routines, it is good to take time to appreciate the individual moments that make up our lives, like a child does the first time they experience something. All parts are in first position with few accidentals or difficult bowing patterns. At the same time, this piece will challenge your group with its independent voicings and syncopated, interlocking rhythms. This piece would add variety to any school concert, and would fit nicely in a festival program, especially one that utilized several different genres. (3:40).

Orchestra String Orchestra

SKU: PE.EP14581

For String Orchestra. Composed by Clara Iannotta. String Orchestra. Peters Contemporary Library. Classical; Contemporary. Book. 36 pages. Edition Peters #98-EP14581. Published by Edition Peters (PE.EP14581).

ISBN 9790014137175.

< em>Memory jolts. Flashes of pink in the brain. by Clara Iannotta is a 17-minute work for string orchestra. Written for the non bthvn project of the Cologne Philharmonic, the work reflects Beethoven's hearing loss and the unbearable condition when his ears began to buzz and roar. The title describes the memory jolts that take place in the inner ear.

Memory jolts. Flashes of pink in the brain. was premiered by Ensemble Resonanz on 31 October 2021 at the Philharmonic Hall Cologne.

The full score (EP 14581) is available for sale as part of the Peters Contemporary Library. The performance material can be hired.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

Orchestra (2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-5238

Urtext. Composed by Ludwig van Beethoven. Edited by Peter Hauschild. Orchestra; Softcover. Partitur-Bibliothek (Score Library).

Hauschild combines source criticism with the demands of performance practice, while keeping the Critical Notes brief (it goes without saying that they are in the score). His editorial emendations can thus be checked immediately.

Symphony; Classical. Full score. 80 pages. Duration 27'. Breitkopf and Haertel #PB 5238. Published by Breitkopf and Haertel (BR.PB-5238).

ISBN 9790004210000. 10 x 12.5 inches.

Ludwig van Beethoven composed his Eighth Symphony op. 93 in 1811/1812. As a consequence of the wartime upheavals of those years, the world premiere of the work did not take place until 27 February 1814 in Vienna under the composer's direction.Hauschilds new edition is based on all the major primary sources. With masterful expertise, Hauschild combines source criticism with the demands of performance practice, while keeping the Critical Notes brief (it goes without saying that they are in the score). His editorial emendations can thus be checked immediately. Whoever seeks more about how the Breitkopf new edition differs from other available editions will also find this information quickly and easily.

Hauschild combines source criticism with the demands of performance practice, while keeping the Critical Notes brief (it goes without saying that they are in the score). His editorial emendations can thus be checked immediately.

Orchestra - Grade 4

SKU: AP.48091

Composed by Richard Meyer. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score and Part(s). 124 pages. Duration 6:00. Highland/Etling #00-48091. Published by Highland/Etling (AP.48091).

ISBN 9781470654382. UPC: 038081554679. English.

Century One Tusonic by Richard Meyer will take your students on an amazing journey. This celebratory and futuristic-sounding overture is the perfect opener or closer for any concert. Tuneful, energetic, and highly emotional, the piece presents a sonic kaleidoscope of playing styles that will challenge every section of the advanced string orchestra. The unexpected harmonies and exotic rhythms give this selection a cinematic sound that is sure to intrigue your students and your audience. Brief solos for violin and cello are included. (6:00).

Orchestra - Grade 4

SKU: AP.48091S

Composed by Richard Meyer. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. 32 pages. Duration 6:00. Highland/Etling #00-48091S. Published by Highland/Etling (AP.48091S).

ISBN 9781470654399. UPC: 038081554686. English.

Century One Tusonic by Richard Meyer will take your students on an amazing journey. This celebratory and futuristic-sounding overture is the perfect opener or closer for any concert. Tuneful, energetic, and highly emotional, the piece presents a sonic kaleidoscope of playing styles that will challenge every section of the advanced string orchestra. The unexpected harmonies and exotic rhythms give this selection a cinematic sound that is sure to intrigue your students and your audience. Brief solos for violin and cello are included. (6:00).

Orchestra - Grade 2

SKU: AP.35977S

Composed by Archangelo Corelli. Arranged by Ruth Siegler. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Form: Prelude; Transcription. Baroque; Masterwork Arrangement. Score. 8 pages. Highland/Etling #00-35977S. Published by Highland/Etling (AP.35977S).

UPC: 038081414836. English.

Students will enjoy the musical conversations that take place when they perform this trio sonata from the 17th century. The stately Preludio in C major is accompanied by a soaring bass line that is an excellent introduction to the art of Baroque continuo playing. Following the Allegro, the first theme returns to close out this classy, elegant piece of music. All parts remain in 1st position.

Orchestra - Grade 3

SKU: AP.49936

Composed by Richard Meyer. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score and Part(s). Duration 4:40. Highland/Etling #00-49936. Published by Highland/Etling (AP.49936).

ISBN 9781470657741. UPC: 038081575605. English.

Give your young string orchestra a chance to learn the all-important skills needed to accompany a soloist with this compact, one-movement work that features a soloist playing ANY string or band instrument: oboe, viola, tuba---you name it! A Chameleon Concerto, by Richard Meyer, has catchy melodies that explore various moods. The constant give-and-take between the soloist and strings keeps every section of your group active. There is even a short cadenza toward the end of the piece to offer everyone on stage a complete concerto learning experience. (4:40).

Orchestra - Grade 2

SKU: AP.33653S

Composed by Ludwig van Beethoven. Arranged by Tim McCarrick. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Beginning String Orchestra. Classical; Masterwork Arrangement; Romantic. Score. 8 pages. Belwin Music #00-33653S. Published by Belwin Music (AP.33653S).

UPC: 038081381350. English.

A simple folk-style song that works wonderfully for strings and depicts a traveling troubadour and his trained pet entertaining for their food. The broken-chord accompaniment imitates the organ grinder as he sings while the marmot performs tricks for the listeners. It is a beautiful melody that moves between A minor and C major. Both upper strings and cellos take turns on the melody!

A Beginner's Guide for Group or Private Instruction. Modern Band. Method, Teacher Resource. Softcover. 256 pages. Published by Little Kids Rock

Orchestra - Grade 3

SKU: AP.49936S

Composed by Richard Meyer. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. Duration 4:40. Highland/Etling #00-49936S. Published by Highland/Etling (AP.49936S).

ISBN 9781470657758. UPC: 038081575612. English.

Give your young string orchestra a chance to learn the all-important skills needed to accompany a soloist with this compact, one-movement work that features a soloist playing ANY string or band instrument: oboe, viola, tuba---you name it! A Chameleon Concerto, by Richard Meyer, has catchy melodies that explore various moods. The constant give-and-take between the soloist and strings keeps every section of your group active. There is even a short cadenza toward the end of the piece to offer everyone on stage a complete concerto learning experience. (4:40).

Orchestral Fantasia. By Igor Stravinsky. (Study Score). Schott. 39 pages. Published by Eulenburg Germany (Schott).

Orchestra

SKU: BA.BA06861

Sinfonie (1923-1928). Composed by Leos Janacek. Arranged by Leoš Faltus and Miloš Štedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek H/3. Complete edition, Score, Set of parts. Duration 40 minutes. Baerenreiter Verlag #BA06861_00. Published by Baerenreiter Verlag (BA.BA06861).

ISBN 9790260104211. 34.3 x 27 cm inches.

Leoš Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanova”. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.

“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.” Thus Leoš Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony” entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers Miloš Štedron and Leoš Faltus closely follows the original manuscript.

A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola” by the Czech writer Sonja Špálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube” to the inconclusive ending.

To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forces”. The third movement is said to characterise the city of Vienna in the form of a woman.

It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj” – and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpani”, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.

One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of love”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

For Orchestra - Study Score. By Maurice Ravel. Schott. Size 5.25x7.5 inches. 34 pages. Published by Eulenburg.

Full orchestra

SKU: LO.30-3538L

Composed by Mary McDonald. Choral, cantatas. Eastertide, Holy Week. Full score and parts, plus CD with printable parts. Lorenz Publishing Company #30/3538L. Published by Lorenz Publishing Company (LO.30-3538L).

UPC: 000308148961.

The resurrection of Jesus changed the world and continues to change the world today. Jesus! The Resurrection of the Messiah tells the intimate story of the grief, the fear, the hope, the love, the tenderness, and the longing of God for His children expressed through the life, death, and resurrection of Jesus. Mary McDonald and Rose Aspinall combined their talents to create a compelling musical that will take you through the emotions of the Triumphal Entry, the raising of Lazarus, the Last Supper, the moment in the garden when Jesus is arrested, the Crucifixion, and finally to the joyous Resurrection. This work may be programmed in its entirety or presented in segments during Palm Sunday, Holy Week, and Resurrection Sunday worship settings. It may be done with choir and piano alone or can include the optional orchestrations created by Michael Lawrence and Ed Hogan. This powerful worship tool is an inspiring reminder of the life-changing impact of this Deliverer, Redeemer, and Savior….Jesus!

By Robert Schumann. (Study Score). Schott. Size 5.25x7.5 inches. 72 pages. Published by Eulenburg.

Study Score. By Wolfgang Amadeus Mozart. Schott. 72 pages. Published by Eulenburg.

Symphonic Poem No. 4 - Study Score. By Franz Liszt. Schott. Size 5.5x7.5 inches. 54 pages. Published by Eulenburg London (Schott).

Overture. By Christoph Willibald von Gluck. Arranged by Richard Wagner. (Study Score). Schott. Size 5.25x7.5 inches. 80 pages. Published by Eulenburg.

By Peter Ilyich Tchaikovsky. (Study Score). Schott. Size 5.25x7.5 inches. 96 pages. Published by Eulenburg.

Composed by Marty Parks. Modern Christian: Sacred. Orchestration (Set of parts). Published by Word Music (WD.080689102080).