New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432).
ISBN
9790004212790. 10 x 12.5
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
Lemminkainen palaa
kotitienoille - Urtext
based on the Complete
Edition Jean Sibelius
Works (JSW). Composed
by Jean Sibelius. Edited
by Tuija Wicklund.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem; Suite;
Late-romantic; Early
modern. Full score. 68
pages. Duration 7'.
Breitkopf and Haertel #PB
5585. Published by
Breitkopf and Haertel
(BR.PB-5585).
ISBN
9790004213957. 10 x 12.5
inches.
Little is
known about the actual
composition process of
Lemminkainen and the
performance and
publication history is
rather complex, resulting
in a first complete
printing of all the four
movements en suite
through the complete
edition of Jean Sibelius
Works only in 2013.In
summer 1894 Sibelius went
to Central Europe,
carrying among others a
plan for an opera freely
based on the Kalevala in
his mind. But during this
trip he reassessed his
composing: I think I have
found my old self again,
musically speaking. I
think I really am a tone
painter and a poet. As a
result he abandoned his
opera plans, but musical
material may have found
its way into the
Lemminkainen pieces which
he started composing
during that time.
Lemminkainen became
popular from the
beginning and has
attained a fixed position
in the concert
repertoire.On
Lemminkainen's Return
Sibelius commented: I
would like to see more
pride in us Finns. Why
should we be ashamed?
This is the underlying
thought in Lemminkainen's
Return. Lemminkainen is
just as good as the
noblest of earls. He is
an aristocrat, without
question an
aristocrat!.
For
orchestra. Composed
by Ryan Wigglesworth.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Softcover. Composed 2010.
60 pages. Duration 9'.
Schott Music #ED13471.
Published by Schott Music
(HL.49019158).
ISBN
9790220133206.
8.25x11.75x0.222
inches.
Written in
2010 for the Royal
Liverpool Philharmonic,
Wigglesworth's
nine-minute work explores
the idea of perpetuum
mobile (continuous
movement) in seven
connected, miniature
inventions. A regular
pulse forms the work's
core, with elaborations
of the central musical
idea shifting constantly
around it in jagged
rhythms and sumptuous
orchestration. The
composer writes, The
seven sections can very
briefly be described
thus: 1) an active,
miniature 'theme and
variations'; 2) the
juxtaposition of various
fragmentary two-part
inventions; 3) a tremolo
string ostinato with
woodwind interjections,
building towards the
first climax; 4) an
ostinato passing between
horns and muted trumpets
together with a dialogue
for high woodwind and low
strings; 5) a very slow
canon for string
harmonics and pizzicato
double basses; 6) a fast,
one-part invention
beginning with solo
piccolo, and gradually
leading to the second
climax; 7) chorale.This
is a lively orchestral
miniature which gives the
impression of a
kaleidoscope, with short
musical ideas cutting
across each other in
quick succession.
Chamber orchestra (Orchestra) SKU: BA.BA05355 Composed by Wolfgang Amadeu...(+)
Chamber orchestra
(Orchestra)
SKU:
BA.BA05355
Composed
by Wolfgang Amadeus
Mozart. Edited by Gerhard
Allroggen. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Score. K. 45, No. 7. 22
pages. Duration 13
minutes. Baerenreiter
Verlag #BA05355_00.
Published by Baerenreiter
Verlag (BA.BA05355).
ISBN 9790006468935. 31
x 24.3 cm inches. Key: D
major.
Urtext der
Neuen Mozart-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (Orchestra) SKU: BA.TP00167 Composed by George Frideric Handel....(+)
Orchestra (Orchestra)
SKU: BA.TP00167
Composed by George
Frideric Handel. Edited
by Adolf Hoffmann and
Hans Ferdinand Redlich.
This edition: urtext
edition. Stapled.
Barenreiter Urtext. Study
score. Opus 6/7, HWV 325.
Baerenreiter Verlag
#TP00167_00. Published by
Baerenreiter Verlag
(BA.TP00167).
ISBN
9790006201457. 18.5 x
13.3 cm inches. Key:
B-flat
major.
Urtext der
Hallischen
Handel-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. This edition...(+)
Composed by Antonin
Dvorak (1841-1904).
Edited by Jonathan Del
Mar. This edition: urtext
edition. Stapled. Set of
winds. Opus 70, No. 7.
220 pages. Duration 38
minutes. Published by
Baerenreiter Verlag
(BA.BA10417-65).
Composed by Franz Schubert (1797-1828). Edited by Arnold Feil; Douglas Woodfull-...(+)
Composed by Franz
Schubert (1797-1828).
Edited by Arnold Feil;
Douglas Woodfull-Harris.
This edition: urtext
edition. Stapled. Set of
wind parts. D 417, No. 4.
11/8/8/8/7/8/10/8/4/5/4/5
/3/4 pages pages.
Duration 30 minutes.
Published by Baerenreiter
Verlag (BA.BA5604-65).
Orchestra (2.Picc.2.2.2-2.2.0.0-Tim p-Str (No Vla)) SKU: KU.OCT-10014 Com...(+)
Orchestra
(2.Picc.2.2.2-2.2.0.0-Tim
p-Str (No Vla))
SKU:
KU.OCT-10014
Composed
by Ludwig van Beethoven.
Edited by Franz Beyer.
Letter format (190 x
270). Woo 7. Staple
Bound. Full score. 22
pages. Edition Kunzelmann
#OCT-10014. Published by
Edition Kunzelmann
(KU.OCT-10014).
Composed
by Rudolf Kelterborn.
Stapled. Barenreiter
Study Scores. Study
score. Composed
1966/1967. Duration 2
hours, 15 minutes.
Baerenreiter Verlag
#TP00123_00. Published by
Baerenreiter Verlag
(BA.TP00123).
Overture to Scenes
from Goethe's Faust WoO 3
- Urtext. Composed by
Robert Schumann. Edited
by Christian Rudolf
Riedel. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). The
Faust Overture in its
First Urtext Edition.
Overture; Romantic. Study
Score. 36 pages. Duration
7'. Breitkopf and Haertel
#PB 5545-07. Published by
Breitkopf and Haertel
(BR.PB-5545-07).
ISBN
9790004213551. 6.5 x 9
inches.
The
question Why add music to
such perfect poetry?
preoccupied Schumann long
and intensively. His
first compositional
approach to Goethes Faust
began in 1844, but it was
not until 1851 that he
finally completed the
Scenes. At Liszts
suggestion, Schumann
added an overture in
1853, a symphonic
instrumental introduction
which atmospherically
evokes the action of the
Scenes but has no direct
thematic reference to
them. As an independent
overture, the work has
been played relatively
rarely in concert halls
to this day; the general
prejudice towards
Schumanns late works was
no doubt partly
responsible for this. The
first Urtext edition of
the overture was based on
the autograph score that
was revised by Schumann
and served as the
principal source. It
should give new impulses
to the future reception
of this work which Paul
Dukas hailed as a
miracle, from beginning
to end.
Composed by Franz Joseph
Haydn. Edited by Hubert
Unverricht. This edition:
urtext edition. Stapled.
Set of wind parts. Hob. I
:104.
11/11/10/8/7/7/12/12/8/8/
7/7/7 pages. Baerenreiter
Verlag #BA04668_65.
Published by Baerenreiter
Verlag (BA.BA04668-65).
ISBN 9790006452804.
32.5 x 25.5 cm inches.
Key: D
major.
Urtext from
the G. Henle Complete
Edition of the Works of
Joseph Haydn.
No. 5
in F minor (transp.> g
minor), No. 6 in Db major
(transp.> D major), No. 7
in F major. Composed
by Johannes Brahms.
Arranged by Martin
Schmeling. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
Dances/marches; Romantic.
Full score. 32 pages.
Duration 8'. Breitkopf
and Haertel #PB 3215.
Published by Breitkopf
and Haertel (BR.PB-3215).
Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by John Michael Coop...(+)
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
John Michael Cooper. For
orchestra (2 flutes/2
oboes/2 clarinets/2
bassoons/4 horns/2
trumpets/3
trombones/timpani). This
edition: Urtext edition.
Stapled. Set of winds.
Opus 42.
7/7/7/6/7/7/7/7/5/5/5/5/3
/3/3/3/3/3 pages.
Published by Baerenreiter
Verlag
No.
1 in G minor, No. 3 in F
major, No. 10 in F major
- Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms. Stapled.
Partitur-Bibliothek
(Score Library). Have a
look into PB 3214.
Dances/marches; Romantic.
Study Score. 28 pages.
Duration 7'. Breitkopf
and Haertel #PB 5116-07.
Published by Breitkopf
and Haertel
(BR.PB-5116-07).
ISBN
9790004210086. 6.5 x 9
inches.
From among
Brahms' 21 Hungarian
Dances, the composer
orchestrated three of
them himself and
conducted them in this
version. These three had
not been available as
study scores to this
day.
Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Hermann Beck. This ed...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Edited by
Hermann Beck. This
edition: urtext edition.
Stapled. Set of wind
parts. No. 31, KV 297
(300a).
7/5/7/6/5/5/8/7/7/7/4/4/4
pages pages. Duration 17
minutes. Published by
Baerenreiter Verlag
(BA.BA4727-65).
Composed by Franz Joseph
Haydn and Johann Peter
Salomon. Edited by Horst
Walter. This edition:
urtext edition. Stapled.
Set of wind parts. Hob.
I:100.
8/8/8/8/3/3/8/8/7/7/7/7/7
/8/8/8 pages.
Baerenreiter Verlag
#BA04637_65. Published by
Baerenreiter Verlag
(BA.BA04637-65).
ISBN
9790006535620. 32.5 x
25.5 cm inches. Key: G
major.
Urtext from
the G. Henle Complete
Edition of the Works of
Joseph Haydn.
Composed by Gabriel Faure (1845-1924). Edited by Robin Tait. For orchestra. This...(+)
Composed by Gabriel Faure
(1845-1924). Edited by
Robin Tait. For
orchestra. This edition:
Urtext edition. Stapled.
Score. Text Language:
English/French/German.
Opus 50. Duration 7
minutes. Published by
Baerenreiter Verlag
Composed by Bedrich Smetana (1824-1884). Edited by Hugh MacDonald. This edition:...(+)
Composed by Bedrich
Smetana (1824-1884).
Edited by Hugh MacDonald.
This edition: urtext
edition. Stapled. Set of
wind parts.
3/7/7/4/4/6/6/7/5/4/4/4/4
/4/4/4/4/4/4/3/5/6 pages
pages. Published by
Baerenreiter Verlag
(BA.BA9558-65).
Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Friedrich Schnapp. Fo...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Edited by
Friedrich Schnapp. For
orchestra (2 flutes/2
oboes/2 bassoons/2
horns/2
trumpets/timpani). This
edition: Urtext edition.
Stapled. Set of wind
parts. KV 338, No. 34.
5/5/7/7/5/5/5/5/5 pages.
Published by Baerenreiter
Verlag
Overture - Urtext
based on the new Complete
Edition (G. Henle
Verlag). Composed by
Ludwig van Beethoven.
Edited by Hans-werner
Kuthen. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Overture;
Classical. Full score. 48
pages. Duration 7'.
Breitkopf and Haertel #PB
14510. Published by
Breitkopf and Haertel
(BR.PB-14510).
Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen. This...(+)
Composed by Franz Joseph
Haydn (1732-1809). Edited
by Andreas Friesenhagen.
This edition: urtext
edition. Stapled. Double
bass part. Hob. I:88. 7
pages. Duration 23
minutes. Published by
Baerenreiter Verlag
(BA.BA10980-85).
Orchestra (2.2.2.2 -
4.2.3.0 - timp.perc - hp
- str)
SKU:
BR.PB-3286
Waltz. Composed by
Johann Strauss Jr.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Dances/marches; Romantic.
Full score. 40 pages.
Duration 7'. Breitkopf
and Haertel #PB 3286.
Published by Breitkopf
and Haertel (BR.PB-3286).
