| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.416415760 For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760). UPC:
680160636532. 9 x 12
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $39.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.41641576L For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L). UPC:
680160636549. 11 x 17
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 4-Aug-64 Orchestre Theodore Presser Co.
Orchestra SKU: PR.44641242L Composed by Steven Stucky. With Standard nota...(+)
Orchestra SKU:
PR.44641242L Composed
by Steven Stucky. With
Standard notation.
Duration 1 hour, 10
minutes. Theodore Presser
Company #446-41242L.
Published by Theodore
Presser Company
(PR.44641242L). UPC:
680160617531. Augus
t 4, 1964 was
commissioned by the
Dallas Symphony for the
2008 celebration of
President Lyndon B.
Johnson’s
centennial year. The
75-minute oratorio
focuses on two events
that came to a head on
August 4, 1964, events
that defined LBJ’s
presidency: the discovery
of the bodies of three
slain civil rights
workers in Mississippi,
and the bombing of North
Vietnam, which
accelerated U.S.
involvement in the
Vietnam war. Gene
Scheer’s
thoroughly-researched
libretto includes actual
transcripts of White
House phone conversations
and government documents,
as well as letters from
the mothers of the slain
civil rights workers. $425.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Haroun and the Sea of Stories Orchestre Peters
Orchestra soloists, chorus, orchestra SKU: PE.EP67890 An Opera in Two ...(+)
Orchestra soloists,
chorus, orchestra SKU:
PE.EP67890 An
Opera in Two Acts Based
on the Novel by Salman
Rushdie. Composed by
Charles Wuorinen. Full
Orchestra; Single Titles.
Edition Peters. 20th
Century. Full score. 782
pages. Duration 02:00:00.
Edition Peters
#98-EP67890. Published by
Edition Peters
(PE.EP67890). ISBN
9790300747613. 297 x
420mm inches.
English. Librett
o by James Fenton In a
make-believe world, based
loosely on Bombay and
Kashmir, the story of
Haroun is a tale of a
fight between the free
imagination and the
powers that oppose it.
Haroun's father, Rashid,
the Shah of Blah, is a
professional and gifted
story-teller, a popular
figure much in demand at
public events. Feeling
neglected, his wife is
persuaded to leave him
and run away with a
neighbor. After this,
Rashid loses confidence
in his powers of
story-tellling, haunted
by his son's question:
'What's the use of
stories that aren't even
there?' Rashid is due to
speak at a political
rally to be held by the
sinister politician,
Snooty Buttoo. He is told
that if he does not come
up with his usual fund of
tales, his tongue will be
cut out. As Rashid
despairs, Haroun
determines to rescue his
father's talent - a
project in which he
learns that the Ocean of
the Sea of Stories, the
source of all stories, is
being polluted by the
enemy of all stories, the
evil Khattam Shud. In a
series of brilliant
imagined adventures,
Haroun succeeds in
defeating the powers of
darkness, and restoring
happiness to his family,
and to the city where he
lives. Salman
Ruishdie's children's
book, written in the
aftermath of the fatwa,
has an effervescent style
which is full of rhymes
and wordplay. The
libretto stays very close
to the spirit of the
original, conjuring up a
fantasy world in which,
nonetheless, one never
loses sight of harsh
political reality and the
great issues of freedom
of speech and
imagination. -- James
Fenton, 1998 $650.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Slava Slava Orchestre Schott
Orchestra (Full Score) SKU: HL.49008436 A festive ringing of bells...(+)
Orchestra (Full Score)
SKU: HL.49008436
A festive ringing of
bells. Composed by
Schedrin. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Study Score.
Composed 1997. 20 pages.
Duration 5'. Schott Music
#ED 9529. Published by
Schott Music
(HL.49008436). ISBN
9790001133500.
8.25x11.75x0.122
inches. A special
tribute is paid to the
great musician
Rostropovich with bells
ringing out in
celebration, as indicated
in the subtitle to the
score, and with the fact
that in the bombastic
final section of this
one-movement piece all
the musicians * apart
from the wind players *
are supposed to play and
sing at the same
time. $20.99 - Voir plus => Acheter | | |
| New York, New York Orchestre [Conducteur et Parties séparées] Jazz Lines Publications
Recorded by Frank Sinatra. Edited by Rob DuBoff, Jeffrey Sultanof, and Dy...(+)
Recorded by Frank
Sinatra. Edited by
Rob DuBoff, Jeffrey
Sultanof, and Dylan
Canterbury. Arranged by
Don Costa. Jazz, Swing.
Score and parts.
Published by Jazz Lines
Publications
(JL.JLP-9510).
$65.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Grande Processional for an Academic Occasion Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Felix Alexandre Guilmant (1837-1911). Arranged by Rick England. Orchestra. Fu...(+)
By Felix Alexandre
Guilmant (1837-1911).
Arranged by Rick England.
Orchestra. Full
Orchestra; Masterworks.
Highland Full Orchestra.
Form: Transcription.
Masterwork Arrangement;
Romantic. Grade 3.
Conductor Score and
Parts. 198 pages.
Published by Alfred Music
Publishing
$68.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Grande Processional for an Academic Occasion Orchestre - Intermédiaire Highland/Etling
Orchestra - Grade 3 SKU: AP.31613S Composed by Felix Alexandre Guilmant. ...(+)
Orchestra - Grade 3
SKU: AP.31613S
Composed by Felix
Alexandre Guilmant.
Arranged by Rick England.
Full Orchestra;
Masterworks; Performance
Music Ensemble; Single
Titles. Highland/Etling
Full Orchestra. Form:
Transcription. Masterwork
Arrangement; Romantic.
Score. 24 pages.
Highland/Etling
#00-31613S. Published by
Highland/Etling
(AP.31613S). UPC:
038081354750.
English. Are you
looking for a big,
bombastic opener or
closer for your next
symphony orchestra
concert? Do you need a
contrasting piece to a
delicate Debussy
impression and want to
stay French? Are you too
pooped to Pomp? This
composition, in a bold
march style with a short
fugal exposition in the
middle, will work for
you. Your students will
enjoy the opportunity for
their sections to shine
and your audience will
remember the energetic
build to the final
climactic chords. $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Floss Der Medusa Study Score Orchestre [Conducteur] Schott
Soprano, baritone, spoken voice, mixed choir (SSSSAAAATTTTBBBB, and 9 boys' voic...(+)
Soprano, baritone, spoken
voice, mixed choir
(SSSSAAAATTTTBBBB, and 9
boys' voices, S/A) and
orchestra (Score) -
difficult SKU:
HL.49006187 (The
Raft of the Medusa).
Composed by Hans Werner
Henze. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed
1968/1990. 168 pages.
Duration 70'. Schott
Music #ED6326. Published
by Schott Music
(HL.49006187). ISBN
9790001067270. UPC:
884088099282.
8.25x11.75x0.41 inches.
German - English. 4
(1., 2. auch Picc., 3.,
4. auch Altfl.) * 1 * Ob.
d'am. * Engl. Hr. *
Heckelphon * Es-Klar. * 1
* Altklar. (oder
Bassetthr.) * Bassklar. *
Sopransax. * Tenorsax. *
2 * Kfg. - 4 * Picc.-Trp.
* 2 * Basstrp. * Altpos.
* 1 * Basspos. *
Alt-Ofikleide (oder
Bombardino) *
Bass-Ofikleide (oder Pos.
mit Quartventil) *
Bombardino (oder Tb. in
F) * Wagnertb. * 1 *
Kb.-Tb. - P. S. (3 Trgl.
* 3 hg. Beck. *
Beckenpaar * 3 Gongs *
Kuhgl. * 5 Tamt. * Tamb.
* Mil. Tr. * 3 Bong. *
Tabla * orient. Woodbl. *
gr. Tr. * 2 Tempelbl. *
Metallbl. * Woodbl. *
Mar. * Guiro *
Bambusbundel * 3
Metallplatten *
Shell-Chimes * Vibr. *
Marimba * Rohrengl.) (12
Spieler) - E-Git. *
E-Bassgit. * 2 Hfn. *
Klav. * E-Org. - Str. (12
* 0 * 8 * 6 * 4). $51.00 - Voir plus => Acheter | | |
| Complete Works (JSW) Orchestre Breitkopf & Härtel
Orchestra SKU: BR.SON-626 Luonnotar Faksimile. Composed by Jean Si...(+)
Orchestra SKU:
BR.SON-626
Luonnotar
Faksimile. Composed
by Jean Sibelius. Linen.
Complete Works.
Late-romantic; Early
modern. Complete Works.
88 pages. Breitkopf and
Haertel #SON 626.
Published by Breitkopf
and Haertel (BR.SON-626).
ISBN 9790004803288. 10
x 12.5 inches. A
main work by Sibelius as
facsimile edition The
large orchestral song
Luonnotar is considered
as one of the boldest
works of Jean Sibelius.
This alone would be
reason enough to print
the autograph sources
(full score and piano
reduction) as a color
facsimile for the
Sibelius Anniversary Year
2015. In addition, the
autograph score also has
a special significance
for the transmission: it
ensured the survival of
the entire work after
World War II; the source
material for the printer
compiled by Breitkopf &
Hartel had been destroyed
in an air-raid bombing in
1943. The meticulously
elucidated volume is the
first complete facsimile
edition of an orchestral
work by Jean Sibelius - a
milestone in Sibelius
editorial history that
meaningfully supplements
the complete edition Jean
Sibelius Werke as a truly
special volume. $160.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Esprit de Corps Orchestre - Avancé Edward B. Marks Music Company
Full Orchestra - Grade 5 SKU: HL.4491221 Score and Parts. Composed...(+)
Full Orchestra - Grade 5
SKU: HL.4491221
Score and Parts.
Composed by Robert Jager.
Symphony Pops. Patriotic.
Conductor Score (Full
Score) and Parts.
Published by Edward B.
Marks Music (HL.4491221).
UPC: 884088872649.
10.5x14
inches. Performa
nce time - ca.
4:30
Originall
y written for concert
band (and commissioned by
the U.S. Marine Band),
Esprit de Corps is
a fantasy-march that
serves as a tribute to
both the Marine Corps and
the Marine Band. Composed
immediately after the
1983 bombing of the
Marine barracks in
Beirut, Lebanon, the
composer chose to forego
an elegiac tribute in
favor of a work that
reflects the positive
spirit of the Corps, full
of energy and dynamism.
Even the tempo marking,
?Tempo di Bourgeois,?
reflects the dramatic and
spirited conducting of
Col. John R. Bourgeois,
conductor of the Marine
Band at the time of
composition. $195.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
1 |