(Featuring: Opening Overture / Mine Escape / Pirates vs. Natives vs. Heroes vs. ...(+)
(Featuring: Opening
Overture / Mine Escape /
Pirates vs. Natives vs.
Heroes vs. Chickens /
Transfiguration /
Fetching the Boys).
Composed by John Powell.
Arranged by Douglas E.
Wagner. Orchestra. Full
Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Movie. Grade
3. 214 pages. Published
by Alfred Music
Featuring: Opening Overture / Mine Escape / Pirates vs. Natives vs. Heroes vs...(+)
Featuring: Opening
Overture / Mine Escape /
Pirates vs. Natives vs.
Heroes vs. Chickens /
Transfiguration /
Fetching the Boys.
Composed by John Powell.
Arranged by Douglas E.
Wagner. Full Orchestra;
Score. Pop Concert Full
Orchestra. Movie. 24
pages. Published by
Alfred Music (AP.44807S).
Orchestra - Grade 2.5 SKU: AP.47458S Featuring: Silent Night / Joy to ...(+)
Orchestra - Grade 2.5
SKU: AP.47458S
Featuring: Silent
Night / Joy to the
World. Arranged by
Chris M. Bernotas.
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Christmas;
Traditional. Score. 12
pages. Alfred Music
#00-47458S. Published by
Alfred Music (AP.47458S).
UPC: 038081545004.
English.
This piece
will get you ready to
saddle up for the
Christmas rush. Two
familiar tunes, Silent
Night and Joy to the
World, are set with a
fun, western flair.
Silent Night features the
use of portamento as a
special effect, bringing
the cowboy swagger to
your string orchestra.
The excitement picks up
with a faster tempo and
upbeat rhythms for the
hoedown treatment of Joy
to the World. Once your
students play this one
they will want to sit by
the fireplace and swap
their favorite Christmas
stories! (Correlates with
Sound Innovations for
String Orchestra, Book 2,
level 2).
Orchestra - Grade 2.5 SKU: AP.47458 Featuring: Silent Night / Joy to t...(+)
Orchestra - Grade 2.5
SKU: AP.47458
Featuring: Silent
Night / Joy to the
World. Arranged by
Chris M. Bernotas.
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Christmas;
Traditional. Score and
Part(s). 164 pages.
Alfred Music #00-47458.
Published by Alfred Music
(AP.47458).
UPC:
038081544991.
English.
This piece
will get you ready to
saddle up for the
Christmas rush. Two
familiar tunes, Silent
Night and Joy to the
World, are set with a
fun, western flair.
Silent Night features the
use of portamento as a
special effect, bringing
the cowboy swagger to
your string orchestra.
The excitement picks up
with a faster tempo and
upbeat rhythms for the
hoedown treatment of Joy
to the World. Once your
students play this one
they will want to sit by
the fireplace and swap
their favorite Christmas
stories! (Correlates with
Sound Innovations for
String Orchestra, Book 2,
level 2).
Dreams for the Earth Orchestre [Conducteur et Parties séparées] University Of York Music Press
Orchestra SKU: BT.MUSM570200672 Composed by Anne Boyd. Set (Score & Parts...(+)
Orchestra
SKU:
BT.MUSM570200672
Composed by Anne Boyd.
Set (Score & Parts). 179
pages. University of York
Music Press
#MUSM570200672. Published
by University of York
Music Press
(BT.MUSM570200672).
English.
Score
for solo voices, boys'
choir, girls' choir,
chamber choir, chorus,
piano, 3 Violins,
Handbell choir, Rrgan, 12
Trumpets, and
Orchestra.
Composed by Howard Shore, lyrics by Philippa Boyens. Arranged by Bob Phillips. O...(+)
Composed by Howard Shore,
lyrics by Philippa
Boyens. Arranged by Bob
Phillips. Orchestra. Full
Orchestra; Part(s);
Score; SmartMusic. Pop
Concert Full Orchestra.
Movie. Grade 3.5. 204
pages. Published by
Alfred Music
Composed by Howard Shore, lyrics by Philippa Boyens. Arranged by Bob Phillips. O...(+)
Composed by Howard Shore,
lyrics by Philippa
Boyens. Arranged by Bob
Phillips. Orchestra. Full
Orchestra; Score;
SmartMusic. Pop Concert
Full Orchestra. Movie.
Grade 3.5. 24 pages.
Published by Alfred Music
Orchestra SKU: SU.32040140 For Orchestra. Composed by Amy Riebs Mi...(+)
Orchestra
SKU:
SU.32040140
For
Orchestra. Composed
by Amy Riebs Mills.
Orchestra. Full Score.
Subito Music Corporation
#32040140. Published by
Subito Music Corporation
(SU.32040140).
2222; 4331;
timp, 2 perc, pno; stgs
Duration: 13'30 Composed:
2016 Published by: Amy
Mills Music, LLC Like a
modern Pictures at an
Exhibition…. Ha
Shamayim is an original
piece for orchestra that
was inspired by
photographs taken by the
Hubble space telescope.
Each section is inspired
by one photo; the title
of each section is the
title that NASA gave to
the photograph. The words
Ha Shamayim are Hebrew
for The Heavens. They are
written in Genesis 1:1,
In the beginning God
created the heavens and
the earth. The words are
also seen in Psalm 19.
Section I: Warped Edge-On
Galaxy ESO 510-G13
The piece begins in outer
space with its glistening
stars. Glissandi are used
to depict the strange but
beautiful warp seen in
the photograph. Section
II: Galaxy Fires at
Neighboring Galaxy
Suddenly the piece erupts
as one galaxy fires blue
gas at its neighbor. They
engage in a cosmic
battle. Section III:
Youthful-looking Galaxy
May Be an Adult The
adolescent galaxy is
personified by a
humorous, gawky melody
reminiscent of teenage
boys who walk on feet
that are still too big.
Occasionally there is an
argument with an
authority figure, but the
joy of exploring the
universe quickly returns.
Section IV: Star Birth in
Galaxy M83 The
dramatic photograph looks
like a womb with veins.
The music begins on one
note, then it begins to
explore the initial
swelling and stretching.
It morphs into an
energetic fast theme,
still growing. Ultimately
it becomes glorious and
expansive, like the new
star. Section V: String
of ‘Cosmic
Pearls’ Surrounds
an Exploding Star The
first theme is a happy
circle dance inspired by
the circle of white dots
in the photograph. The
second theme is noble and
joyful. It is reminiscent
of the melody in the
famous chorus in
Haydn’s The
Creation with the words
from Psalm 19, The
heavens are telling the
glory of God. The music
then has flashbacks to
the earlier sections, and
ends in triumph. The five
sections in Ha Shamayim
are continuous with no
breaks. Difficulty Level:
5 (Advanced/Professional)
See composer website for
audio sample. Performance
materials available on
rental only:.
Orchestra SKU: LO.30-2684L Composed by Don Hart. Choral. Sacred Anthem, A...(+)
Orchestra
SKU:
LO.30-2684L
Composed
by Don Hart. Choral.
Sacred Anthem, Advent,
Christmas. Orchestral
score and parts. Lorenz
Publishing Company
#30/2684L. Published by
Lorenz Publishing Company
(LO.30-2684L).
UPC:
000308128024.
Rever
ent and worshipful, this
beloved gospel Christmas
classic has been set in a
beautiful arrangement by
Don Hart. Lovely
harmonies are highlighted
in the accessible choral
parts, which float atop
an elegant accompaniment.
A gorgeous, optional
orchestration is also
available to complement
this touching Christmas
anthem. Instrumentation:
2 Fl, Ob, 2 Cl, Bsn, 3
Tpt, 2 Hn, 2 Tbn, Tba, 2
Perc, Timp, Harp, Pno, 2
Vln, Vla, Cello,
Bass.
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Orchestra SKU: HL.14042693 Orchestra. Composed by Anne Boyd. Music...(+)
Orchestra
SKU:
HL.14042693
Orchestra.
Composed by Anne Boyd.
Music Sales America.
Softcover. University of
York Music Press
#M570200603. Published by
University of York Music
Press (HL.14042693).
12.0x16.5x0.467
inches.
The
Beginning of the Day by
Anne Boyd, orchestral
version. 5'; for
orchestra (triple winds).
Published 1994.
3(3rd=picc).2.3(3rd=bcl).
3(3rd=cbn) / 4.3.3.1 /
3perc / strings
The Beginning of
the Day by Anne
Boyd, orchestral version.
5'; for orchestra (triple
winds). Published 1994.
Orchestra (Study Score) SKU: HL.49046988 Lyric Trilogy After Maurice M...(+)
Orchestra (Study Score)
SKU: HL.49046988
Lyric Trilogy After
Maurice Maeterlinck Study
Score, French.
Composed by Aribert
Reimann. Edition Schott.
Classical. Softcover. 280
pages. Duration 5400
seconds. Schott Music
#ED23491. Published by
Schott Music
(HL.49046988).
ISBN
9781705174333. UPC:
842819115281.
8.25x11.75x0.695
inches.
SYNOPSIS
Aribert Reimann's
'Trilogie lyrique' is
based on three plays by
Maurice Maeterlinck: In
L'Intruse, a family is
sitting at the table with
their blind grandfather.
They are waiting for the
doctor to arrive and tend
to his daughter who is
lying ill in bed after
having given birth: her
new-born son has not yet
made a single sound. The
old man senses that
something is wrong due to
the uneasy atmosphere in
the room. Who is sitting
in our midst? he asks. He
is the only one who
cansee the presence of
death. Interieur: Once
again a family is
gathered round the table
in the evening, but this
time we observe the
action from outside,
looking through the
window with the
grandfather and a
stranger: no sound can be
heard. Outside the house,
the stranger reports that
the eldest daughter has
drowned and that he has
pulled her out of the
river. Although the
corpse is already being
carried through the
village to the family,
the grandfather cannot
bring himself to destroy
this idyll. La Mort de
Tintagiles: The young
Tintagiles is told a
story about a mysterious
castle and the aged queen
who has all potential
heirsto the throne
murdered. His siblings
sense that Tintagiles has
been summoned to the
castle to be murdered,
but nobody openly
expresses this fact. It
is the sinister
messengers of death from
the interludes, now
visible as the queens
servants, who ful?l her
demand and snatch the
sleeping boy from his
sisters'arms. Commentary
'In comparison with his
Medea for example with
its stormy outbreaks of
emotion and violence,
Reimann's score is worked
in an impressive
refinement of sound. It
begins with rumbling,
hesitating and expressive
music in the first
section, demanding highly
ingenious sound effects
from the lower strings
including tapping and
faltering glissandos in
its noisy expression of
mortal fear. Inthe second
part, the woodwind
formation plays at times
almost in chamber music
fashion and is then
suddenly painfully
shrill. The third part
luxuriates and rages in
its rich, full
orchestration. The manner
in which Reimann displays
his mastery in textural
shading, the invention of
sounds welling up and
fading away, the rhythmic
and melodic capacity of
suffering and the music's
inner violence are all
utterly
compelling.'(Wolfgang
Schreiber, Opernwelt,
November 2017).
Choir Secular Narrator, Girl's chorus, Boy's chorus, Solo violin, and small orch...(+)
Choir Secular Narrator,
Girl's chorus, Boy's
chorus, Solo violin, and
small orchestra
SKU:
PE.EP68482
For
Narrator, Girl's Chorus,
Boy's Chorus, Solo
Violin, and Small
Orchestra (1972).
Composed by William
Goldstein. Choral
Extended Work. Edition
Peters. Christmas;
Winter. Choral Octavo. 20
pages. Duration 00:06:00.
Edition Peters
#98-EP68482. Published by
Edition Peters
(PE.EP68482).
ISBN
9790300758770.
English.
Poem by
Clement Clarke Moore (A
Visit From Saint
Nicholas)
Orchestra SKU: LO.30-3451MD Choral. Sacred Anthem. Orchestral score and p...(+)
Orchestra
SKU:
LO.30-3451MD
Choral.
Sacred Anthem. Orchestral
score and parts.
Medallion Music
#30/3451MD. Published by
Medallion Music
(LO.30-3451MD).
UPC:
000308146530.
This
powerful, corporate
profession of belief is a
relevant and meaningful
reflection of a faith
alive and well in
God’s church
today. As recorded by The
Newsboys, this anthem
will be a wonderful
addition to any worship
service.
Arranged by Tim McCarrick. Orchestra. Score; String Orchestra. Belwin Beginning ...(+)
Arranged by Tim
McCarrick. Orchestra.
Score; String Orchestra.
Belwin Beginning String
Orchestra. Folk; Light
Concert; World. Grade
2.5. 12 pages. Published
by Belwin Music
Songs of Mexico Orchestre [Conducteur et Parties séparées] - Débutant Alfred Publishing
Orchestra - Grade 1 SKU: AP.50828 Featuring A la Rorro Niño, Un Ele...(+)
Orchestra - Grade 1
SKU: AP.50828
Featuring A la Rorro
Niño, Un Elefante Se
Balanceaba, and Luz de la
Mañana. Composed
by Arranged by Bob
Phillips. Arranged by Bob
Phillips. Performance
Music Ensemble; Single
Titles; String Orchestra.
Sound Innovations for
String Orchestra. Folk;
Multicultural;
Traditional. Score and
Part(s). Alfred Music
#00-50828. Published by
Alfred Music (AP.50828).
ISBN 9781470666217.
UPC: 038081584829.
English.
Three
beautiful tunes in an
easy medley! Songs of
Mexico is a set of three
traditional Mexican folk
songs arranged by Bob
Phillips for beginning
string orchestra. The
entire piece can be
played on the D and A
strings for violins,
violas, and cellos, while
basses play on the D and
G strings. A la Rorro
Niño (to the
boy/special/darling
child) is an infant
slumber song. Un Elefante
Se Balanceaba (one
elephant was balancing)
is about an elephant
balancing on a spider web
with more elephants
joining as the song
progresses; for example,
the second verse would be
two elephants, the third
verse would be three
elephants, and so on. Luz
de la Mañana (morning
light) is a children's
song about morning.
(2:05) Correlates to
Sound Innovations, Book
1, Level 4.
Songs of Mexico Orchestre [Conducteur] - Débutant Alfred Publishing
Orchestra - Grade 1 SKU: AP.50828S Featuring A la Rorro Niño, Un El...(+)
Orchestra - Grade 1
SKU: AP.50828S
Featuring A la Rorro
Niño, Un Elefante Se
Balanceaba, and Luz de la
Mañana. Composed
by Arranged by Bob
Phillips. Arranged by Bob
Phillips. Performance
Music Ensemble; Single
Titles; String Orchestra.
Sound Innovations for
String Orchestra. Folk;
Multicultural;
Traditional. Score.
Alfred Music #00-50828S.
Published by Alfred Music
(AP.50828S).
ISBN
9781470666224. UPC:
038081584836.
English.
Three
beautiful tunes in an
easy medley! Songs of
Mexico is a set of three
traditional Mexican folk
songs arranged by Bob
Phillips for beginning
string orchestra. The
entire piece can be
played on the D and A
strings for violins,
violas, and cellos, while
basses play on the D and
G strings. A la Rorro
Niño (to the
boy/special/darling
child) is an infant
slumber song. Un Elefante
Se Balanceaba (one
elephant was balancing)
is about an elephant
balancing on a spider web
with more elephants
joining as the song
progresses; for example,
the second verse would be
two elephants, the third
verse would be three
elephants, and so on. Luz
de la Mañana (morning
light) is a children's
song about morning.
(2:05) Correlates to
Sound Innovations, Book
1, Level 4.
Orchestra SKU: BA.BA10986 Composed by Franz Joseph Haydn. Edited by Sonja...(+)
Orchestra
SKU:
BA.BA10986
Composed
by Franz Joseph Haydn.
Edited by Sonja Gerlach
and Sterling E. Murray.
This edition: urtext
edition. Stapled. Score.
Hob. I:77. Baerenreiter
Verlag #BA10986_00.
Published by Baerenreiter
Verlag (BA.BA10986).
ISBN 9790006569106. 31
x 24.3 cm inches. Key:
B-flat major. Preface:
Andreas
Friesenhagen.
Haydn
composed his Symphony No.
77 along with his
Symphonies Nos. 76 and 78
for a planned journey to
England that never took
place. Nonetheless, H.C.
Robbins Landon calls
these works the
“English
symphonies†as they
are stylistically closely
linked to the
“London
Bachâ€, Johann
Christian Bach. Haydn
himself, in a letter of
1783 to his Parisian
publisher Charles-Georges
Boyer, described the
symphonies as
‘Leicht und nicht
vil Concertirendâ€,
meaning that they were
light in spirit and did
not contain extensive
solo passages but rather
a clear sense of
classical
form.
Continuing
the cooperation between
Bärenreiter and the G.
Henle publisher regarding
Haydn’s
large-scale choral works,
operas and symphonies,
this edition is based on
the G. Henle Complete
Edition of the
“Works of Joseph
Haydnâ€. The
Bärenreiter catalogue
now includes the complete
performance material for
several “Sturm und
Drang†symphonies
as well as all the London
and Paris
symphonies.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra SKU: BA.BA10985 Composed by Franz Joseph Haydn. Edited by Sonja...(+)
Orchestra
SKU:
BA.BA10985
Composed
by Franz Joseph Haydn.
Edited by Sonja Gerlach
and Sterling E. Murray.
This edition: urtext
edition. Stapled. Score.
Hob. I:78. Baerenreiter
Verlag #BA10985_00.
Published by Baerenreiter
Verlag (BA.BA10985).
ISBN 9790006568123. 31
x 24.3 cm inches. Key: C
minor. Preface: Andreas
Friesenhagen.
Along
with Symphonies Nos. 76
and 77 Haydn composed
Symphony No. 78 for a
journey to England that
never took place.
Nonetheless, H. C.
Robbins Landon referred
to these works as the
“English
Symphonies†as they
are stylistically closely
linked to “the
London Bachâ€,
Johann Christian Bach. In
a letter Haydn wrote to
his Paris publisher
Charles-Georges Boyer in
1783, he described the
works as “Leicht
und nicht vil
Concertirendâ€,
meaning they were light
in spirit and did not
contain extensive solo
passages but rather a
clear sense of classical
form.
Continuing
the cooperation between
Bärenreiter and the G.
Henle publishing company
regarding Haydn’s
large-scale choral works,
operas, and symphonies,
this edition is based on
the G. Henle Complete
Edition of the
“Works of Joseph
Haydnâ€. To date,
Bärenreiter has
published the complete
performance material for
several of Haydn’s
“Sturm und
Drang†symphonies
as well as the complete
London and Paris
symphonies.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Scenes from the Old West Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Bob Cerulli. Orchestra. Full Orchestra. Belwin Intermediate Full Orchestra. C...(+)
By Bob Cerulli.
Orchestra. Full
Orchestra. Belwin
Intermediate Full
Orchestra. Contemporary;
Light Concert. Grade 3.
Conductor Score and
Parts. 240 pages
Poor Wayfaring Stranger Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Movement 1 from Three Folk Song Settings for Band). Arranged by Andrew B...(+)
(Movement 1 from Three
Folk Song Settings for
Band). Arranged by
Andrew Boysen, Jr..
Concert Band. Concert
Band; Part(s); Score.
Alfred Concert Band.
Folk. Grade 4. 154 pages.
Published by Alfred Music
Composed by Victor Lopez. Orchestra. For Full Orchestra. Full Orchestra. Belwin ...(+)
Composed by Victor Lopez.
Orchestra. For Full
Orchestra. Full
Orchestra. Belwin
Intermediate Full
Orchestra. 3 (grade 3).
Conductor Score.
Published by Belwin Music
The Boys in Purple Orchestre [Conducteur et Parties séparées] C.L. Barnhouse
SKU: CL.016-0392-00 March. Composed by Kooyman. Orchestra. Score a...(+)
SKU:
CL.016-0392-00
March. Composed by
Kooyman. Orchestra. Score
and set of parts.
Composed 1927. C.L.
Barnhouse #016-0392-00.
Published by C.L.
Barnhouse
(CL.016-0392-00).
Orchestra - Grade 3 SKU: AP.49065 Featuring: The Red-Haired Boy / St. ...(+)
Orchestra - Grade 3
SKU: AP.49065
Featuring: The
Red-Haired Boy / St.
Anne's Reel / Blackberry
Blossom. Composed by
Various. Arranged by Bob
Phillips and Renata
Bratt. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Fiddle; Folk;
Light Concert. Score and
Part(s). 113 pages.
Duration 3:45.
Highland/Etling
#00-49065. Published by
Highland/Etling
(AP.49065).
ISBN
9781470645861. UPC:
038081565163.
English.
The
setting of this exciting
and beautifully arranged
medley of classic fiddle
tunes, Fiddler's Fortune
arranged by Bob Phillips
and Renata Bratt,
provides a cool,
super-fun groove that
pulls the player into the
action. Included are
Red-Haired Boy, St.
Anne's Reel, and
Blackberry Blossom, and
every section gets to
play the well-known
melodies. Lead sheets of
each tune and for each
instrument will be
available as free
downloads so the melodies
can be played in unison
for another class
activity. This
arrangement is scheduled
to be premiered by the
Wintergrass 2021 Virtual
Youth
Orchestra.
To
access the video, audio,
and PDF resources click
here.
. (3:45) This title is
available in MakeMusic
Cloud.
Orchestra - Grade 3 SKU: AP.49065S Featuring: The Red-Haired Boy / St....(+)
Orchestra - Grade 3
SKU: AP.49065S
Featuring: The
Red-Haired Boy / St.
Anne's Reel / Blackberry
Blossom. Composed by
Various. Arranged by Bob
Phillips and Renata
Bratt. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Folk; Light
Concert. Score. 20 pages.
Duration 3:45.
Highland/Etling
#00-49065S. Published by
Highland/Etling
(AP.49065S).
ISBN
9781470645878. UPC:
038081565170.
English.
The
setting of this exciting
and beautifully arranged
medley of classic fiddle
tunes, Fiddler's Fortune
arranged by Bob Phillips
and Renata Bratt,
provides a cool,
super-fun groove that
pulls the player into the
action. Included are
Red-Haired Boy, St.
Anne's Reel, and
Blackberry Blossom, and
every section gets to
play the well-known
melodies. Lead sheets of
each tune and for each
instrument will be
available as free
downloads so the melodies
can be played in unison
for another class
activity. This
arrangement is scheduled
to be premiered by the
Wintergrass 2021 Virtual
Youth Orchestra. (3:45)
This title available in
MakeMusic Cloud.
Orchestra SKU: BR.EOS-1527 Score with basso continuo. Composed by ...(+)
Orchestra
SKU:
BR.EOS-1527
Score
with basso continuo.
Composed by William
Boyce. Orchestra;
Softbound. Eulenburg
Orchestral Series.
Symphony;
Baroque. Score with
continuo realization. 172
pages. Breitkopf and
Haertel #EOS 1527.
Published by Breitkopf
and Haertel
(BR.EOS-1527).
ISBN
9790004786475. 8.5 x 11.5
inches.
No. 1
in B major 8 2.2.0.0.
0.0.0.0. str
bc(hps)
No. 2 in
A major 5 0.2.0.0.
0.0.0.0. str
bc(hps)
No. 3 in
C major 5 0.2.0.2.
0.0.0.0. str
bc(hps)
No. 4 in
F major 7 0.2.0.2.
2.0.0.0. str
bc(hps)
No. 5 in
D major 8 0.2.0.0.
0.2.0.0. timp str
bc(hps)
No. 6 in
F major 7 0.2.0.0.
0.0.0.0. str
bc(hps)
No. 7 in
B major 9 2.2.0.0.
0.0.0.0. str
bc(hps)
No. 8 in
D minor 11 2.2.0.0.
0.0.0.0. str bc(hps)
Die einzige bekannte
Quelle befindet sich in
Heft 66 von Band 25 der
Meslanges-Autographen die
an die Bibliotheque
Royale (heute
Bibliotheque Nationale)
Paris verkauft wurde. Das
Manuskript ist sehr
sorgfaltig geschrieben.
Alle Zusatze des
Herausgebers stehen in
eckigen
Klammern. (Jean-Paul
Montagnier)
(Jean-Paul
Montagnier) The
present edition is based
on the manuscript from
the Bibliotheque
Nationale de France
(Paris). It it the oldest
known source of the work.
The very few errors have
been corrected.
(Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden.