Orchestra - all

SKU: PR.816600040

Composed by Wolfgang Amadeus Mozart. CD Sheet Music (Version 1). Full Scores to all of the major works for orchestra by Mozart - parts not included. Classical Period. CD Sheet Music. 2000 printable pages. Published by Theodore Presser Company (PR.816600040).

UPC: 680160600045. 5.5x5 inches.

This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.

About CD Sheet Music (Version 1)

CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series.

(The Journey from Darkness to Light). By Lloyd Larson. Arranged by Mary Mcdonald. Orchestra. For Flute, Clarinet, 2 Trumpet, Horn, 2 Trombone, Percussion, Piano, Synthesized Strings. Cantata. Choral: Advent. Orchestral Score and Parts. Published by Lorenz Publishing Company

Orchestra

SKU: BA.BA06861

Sinfonie (1923-1928). Composed by Leos Janacek. Arranged by Leoš Faltus and Miloš Štedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek H/3. Complete edition, Score, Set of parts. Duration 40 minutes. Baerenreiter Verlag #BA06861_00. Published by Baerenreiter Verlag (BA.BA06861).

ISBN 9790260104211. 34.3 x 27 cm inches.

Leoš Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanova”. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.

“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.” Thus Leoš Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony” entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers Miloš Štedron and Leoš Faltus closely follows the original manuscript.

A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola” by the Czech writer Sonja Špálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube” to the inconclusive ending.

To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forces”. The third movement is said to characterise the city of Vienna in the form of a woman.

It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj” – and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpani”, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.

One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of love”.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(Prelude to the Afternoon of a Faun). By Claude Debussy (1862-1918). Edited by Douglas Woodfull-Harris. For orchestra (3 flutes/2 oboes/english horn/2 clarinets/2 bassoons/4 horns/cymbal/2 harps/2 violins/viola/cello/doubl e bass). This edition: Stapled, Urtext edition. Score. Text Language: English/French/German. 44 pages. Duration 10'. Published by Baerenreiter Verlag

(IV. Princess Leia's Theme from Episode IV: A New Hope, V. Imperial March (Darth Vader's Theme)/ The Forest Battle from Episode V: The Empire Strikes Back and Episode VI: Return of the Jedi and VI. Star Wars (Main Title) from Episode I through VI) Composed by John Williams, arranged by Robert W. Smith. Conductor's score and set of performance parts for concert band (1 - piccolo, 3 - 1st flute, 3 - 2nd flute, 2 - oboe, 2 - bassoon, 3 - 1st clarinet, 3 - 2nd clarinet, 3 - 3rd clarinet, 2 - bass clarinet, 1 - contrabass clarinet, 2 - 1st alto saxophone, 2 - 2nd alto saxophone, 1 - tenor saxophone, 1 - baritone saxophone, 3 - 1st trumpet, 3 - 2nd trumpet, 3 - 3rd trumpet, 2 - 1st horn in F, 2 - 2nd horn in F, 2 - 1st trombone, 2 - 2nd trombone, 2 - 3rd trombone, 2 - euphonium, 1 - baritone (treble clef), 4 - tuba, 2 - piano/synthesizer, 4 - mallet percussion, 1 - timpani, 4 - percussion I, 3 - percussion II). Series: Belwin Concert Band Series. Published by Alfred Publishing.

By Doerksen, Brian. Arranged by Jack Schrader. For Orchestra. (SAB or Three-Part). Call To Worship, Commitment, Gathering, Gospel, Praise and Worship and Sacred. Print Music Single (SAB). Published by Hope Publishing Company.

Composed by John Williams. For flute I,II, piccolo (flute), oboe I,II, english horn (oboe), Bb clarinet I,II, Bb bass clarinet (Eb clarinet, Bb clarinet), bassoon I,II, contrabassoon (bassoon), F horn I-IV, Bb trumpet I-IV, trombone I-III, bass trombone, tuba, timpani, percussion I,II, harp, piano, violin I,II, viola, cello and contrabass. From the motion picture "The Lost World: Jurrasic Park". Format: full score (spiral bound). Movies. Series: Hal Leonard John Williams Signature Edition, . 33 pages. 10.5x14 inches. Published by Hal Leonard.

(Suite For Orchestra) Composed by John Williams. For flute I (alto flute, piccolo), flute II (piccolo), piccolo (flute, alto flute), oboe I,II, english horn (oboe), Bb clarinet I (A clarinet), Bb clarinet II (A clarinet, Bb bass clarinet), Bb bass clarinet (Bb clarinet, Eb piccolo clarinet), bassoon I,II, contra bassoon, F horn I-IV, trumpet I-III, trombone I-III, tuba, timpani, percussion I,II, harp, piano (celesta), violin I,II, viola, cello, cornet and contrabass. From the motion picture "Harry Potter And The Sorcerer's Stone". Format: full score (spiral-bound). Movies. Series: John Williams Signature Edition. 86 pages. 10.5x14 inches. Duration 16m26s. Published by Hal Leonard.

Composed by John Williams. For flute I,II,III, piccolo (alto flute, flute), oboe I,II, english horn (oboe), Bb clarinet I,II, Eb clarinet (Bb clarinet, bass clarinet), Bb bass clarinet (Eb clarinet), bassoon I,II, contrabassoon (bassoon), F horn, I-IV, trumpet I-IV, trombone I-IV, tuba, timpani, percussion I-III, harp, piano/celeste, string and chorus (optional). Format: full score (spiral bound - parts not included). Movies. Series: Hal Leonard John Williams Signature Edition. 81 pages. 10.5x14 inches. Published by Hal Leonard.

Composed by Larry Shackley. For orchestra. Choral. Sacred Anthem, Eastertide, General, Holy Week. Orchestral score and CD-ROM (with printable parts). Lorenz Publishing Company #30/2789L. Published by Lorenz Publishing Company

(Ukrainian Christmas Carol - Full Score and Parts). By Peter Wilhousky. Arranged by Richard Hayman. Orchestra. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, Clarinet I, Clarinet II, Bassoon I, Bassoon II, Horn I, Horn II, Horn III, Horn IV, Trumpet I, Trumpet II, Trumpet III, Tenor I, Tenor II, Tenor III, Tuba, Timpani, Glockenspiel, Chimes, Swiss Hand Bells, Suspe. Carl Fischer Orchestra Edition. Score and part(s). Standard notation. 29 pages. Published by Carl Fischer

(For Piano and Orchestra). By Lowell Liebermann. Orchestra. For Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in B-Flat, 2 Bassoons, 4 Horns, 2 Trumpets in C, 3 Trombones, Timpani, Percussion (3 Players): Tubular Bells, Glockenspiel, Cymbals, Triangle, Xylophone, Vibraphone, Wood Block, Suspended Cymbal, Snare Drum, Bass Dr. World Premiere: Stephen Hough, piano; The Indianapolis Symphony; Raymond Leppard, conductor. Contemporary. Full score (study). Standard notation. Opus 72. 101 pages. Duration 20 minutes. Published by Theodore Presser Company

By Stan Pethel. For full orchestra. Christmas. Cantata. Published by Lorenz Publishing Company. (30/1583L)

By Michael Richard Plowman, Tommy Tallarico, arranged by Victor Lopez. Conductors score and set of performance parts for full orchestra (1 - 1st flute, 1 - 2nd flute, 1 - oboe, 1 - 1st clarinet, 1 - 2nd clarinet, 1 - bass clarinet, 1 - bassoon, 1 - 1st horn in F, 1 - 2nd horn in F, 1 - 3rd horn in F, 1 - 4th horn in F, 1 - 1st trumpet, 1 - 2nd trumpet, 1 - 3rd trumpet, 1 - 1st trombone, 1 - 2nd trombone, 1 - 3rd trombone, 1 - tuba, 4 - mallet percussion, 1 - timpani, 2 - percussion I, 3 - percussion II, 1 - piano, 8 - 1st violin, 8 - 2nd violin, 5 - viola, 5 - cello, 5 - string bass). Series: Belwin Full Orchestra Concert Level. Published by Alfred Publishing.

(For Suona And Orchestra). Composed by Narong Prangcharoen. For orchestra (suona solo, 2 flutes, 2 oboes, 2 clarinets in Bb (2 dbl. b. cl.), bassoon, contrabassoon, 4 horns in F, 2 trumpets in Bb, trombone, bass trombone, tuba, timpani, 3 percussion:, percussion 1: crotales, glockenspiel, xylophone, tam-tam, triangle, percussio). Contemporary. Full Score - Study. Standard Notation. Composed 2014. Duration 15 minutes. Theodore Presser Company #416-41530. Published by Theodore Presser Company

Arranged by Ralph Ford. Conductor's score and set of performance parts for full orchestra (1 - flute, 1 - oboe, 1 - 1st clarinet, 1 - 2nd clarinet, 1 - bass clarinet, 1 - bassoon, 1 - 1st horn in F, 1 - 2nd horn in F, 1 - 3rd horn in F, 1 - 4th horn in F, 1 - 1st trumpet, 1 - 2nd trumpet, 1 -

Arranged by Douglas E. Wagner, composed by William Finn. Conductors score and set of performance parts for full orchestra (1 - 1st flute, 1 - 2nd flute, 2 - oboe, 1 - 1st clarinet, 1 - 2nd clarinet, 1 - bass clarinet, 1 - bassoon, 1 - 1st horn in F, 1 - 2nd horn in F, 1 - 3rd horn in F, 1 - 4th horn in F, 1 - 1st trumpet, 1 - 2nd trumpet, 1 - 3rd trumpet, 1 - 1st trombone, 1 - 2nd trombone, 1 - 3rd trombone, 1 - tuba, 3 - mallet percussion, 1 - timpani, 1 - percussion I, 3 - percussion II, 1 - piano, 8 - 1st violin, 8 - 2nd violin, 5 - viola, 5 - cello, 5 - string bass). Series: Belwin Full Orchestra Concert Level. Published by Alfred Publishing.

Composed by John Williams. Deluxe Score for solo clarinet and orchestra. 20 pages. Published by CHERRY LANE.

(Clarinet and Orchestra). By Mohammed Fairouz. For Orchestra (Study Score). Peermusic Classical. 48 pages. Peermusic #70050-352. Published by Peermusic

Orchestra (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3 (dble bsn) - 4.3.3.1 - 2hp.cel.mand.timp.perc(4) - str)

SKU: BR.OB-5641-60

Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Voice; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Set of parts. 1116 pages. Duration 65'. Breitkopf and Haertel #OB 5641-60. Published by Breitkopf and Haertel (BR.OB-5641-60).

ISBN 9790004348833. 10.5 x 14 inches.

The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver's model. It is therefore all the more regrettable that he was neither able to perform his Symphony in Songs himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Fussl, many questions remained unanswered, while other were answered in a dubious way.The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner - in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler's conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/Eb clarinet, bass clarinet/3rd clarinet in places where the latter plays Eb clarinet) to allow performances with only four clarinets.The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler's piano autograph and the piano reduction by Woss, which was commissioned by the composer himself, served as an inspiration for this.

Orchestra

SKU: BT.MUSM570206094

Composed by Elisabeth Lutyens. Score Only. 84 pages. University of York Music Press #MUSM570206094. Published by University of York Music Press (BT.MUSM570206094).

English.

For Tenor and Ensemble. Published in 1978. Tenor voice, 2 Horns, 2 Violins, Flute/Alto Flute, Clarinet/Bass Clarinet, Cello, Double Bass, 2 Violas, 2 Trombones, Percussion. Score.

Composed by Leroy Anderson (1908-1975). Conductor's score and set of performance parts for full orchestra (1 - 1st flute, 1 - 2nd flute, 1 - 1st oboe, 1 - 2nd oboe, 1 - 1st clarinet, 1 - 2nd clarinet, 1 - 1st b

Orchestra

SKU: HL.14023642

Composed by Michael Nyman. Music Sales America. 20th Century. Book [Softcover]. Composed 1999. 54 pages. Chester Music #CH61479. Published by Chester Music (HL.14023642).

ISBN 9780711978119. 9.0x12.0x0.243 inches.

This work was written by Michael Nyman towards the end of 1997, commissioned by the English Sinfonia to celebrate the orchestra's taking up residence in Stevenage, Hertfordshire. The first performance was given by the English Sinfonia under Bramwell Toevy at the Royal Festival Hall, London, on 14 April 1998. Duration c. 17mins. Instrumentation:; 2 FLUTES; 2 OBOES; 2 CLARINETS IN Bb; 2 BASSOONS; 2 HORNS IN F; 2 TRUMPETS IN Bb; TIMPANI; STRINGS.

Composed by John Moss. MusicWorks Grade 2. Concert. Score and parts (with online audio). Published by Hal Leonard

Orchestra (Study Score)

SKU: HL.51489070

Study Score. Composed by Franz Joseph Haydn. Henle Music Folios. Classical. Softcover. G. Henle #HN9070. Published by G. Henle (HL.51489070).

UPC: 840126989410. 6.75x9.5x0.259 inches.

The twelve “London Symphonies” comprise the sublime final statement of Haydn's symphonic oeuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The energetic, surging B-flat-major Symphony no. 102 belongs to the group of the last three symphonies premiered in early 1795. Exceptionally, Haydn here dispenses with the clarinets that are otherwise generally featured in his late symphonies. The instrumentation of the Adagio is also unusual, in that Haydn includes trumpets and timpani, both muted. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Orchestra

SKU: LO.30-2651L

Composed by Pepper Choplin. Arranged by Stan Pethel. Choral. Sacred Anthem, Palm/Palm-Passion Sunday. Orchestral score and parts. Lorenz Publishing Company #30/2651L. Published by Lorenz Publishing Company (LO.30-2651L).

UPC: 000308125962.

With pulsating energy, Pepper Choplin's creative genius vividly conveys the excitement and the tension of the crowd as Jesus rode through the Jerusalem streets. There are opportunities for soloists in this anthem and the option of using trumpet and percussion or full orchestra for accompaniment. Questions from the people are answered with shouts of affirmation in this perfect choice for Palm Sunday. (From the cantata Come, Touch the Robe SATB--55/1123L; SAB--55/1124L) The orchestra includes a Conductor's Score and parts for Flute, Oboe, Clarinet, 2 Horns, 2 Trumpets, 2 Trombones, 2 Percussion, Piano, Guitar (nylon strings), 2 Violins, Viola, Cello, and Bass.

Orchestra

SKU: LO.30-2425L

Composed by Joseph M. Martin. Arranged by Brant Adams. Choral. Sacred Anthem, Palm/Palm-Passion Sunday. Orchestral score and parts. Lorenz Publishing Company #30/2425L. Published by Lorenz Publishing Company (LO.30-2425L).

UPC: 000308121858.

Fill your sanctuary with Palm Sunday majesty and excitement with this anthem from Joe Martin. The first of three verses is a lively call-and-response setting of the scripture: “Who is this King of glory?” The contrasting middle verse is an inventive pairing of the traditional hymn tune LEONI with the text “All Glory, Laud and Honor.” The final verse returns the lively theme of the first in counterpoint with drum-like hosannas. An energetic accompaniment that ties all three verses together, whether provided by piano alone or orchestra, makes this anthem the perfect choice for Palm Sunday. (From the cantata Who Is This King? SATB – 55/1096L; SAB – 55/1097L.) Instrumentation: 2 Flutes, Oboe, 2 Clarinets, Bassoon, 2 F Horns, 3 Trumpets, 2 Trombones, Tuba, Timpani, 2 Percussion, Violin 1 & 2, Viola, Cello, Bass.