Orchestra

SKU: PR.416415760

For Really Big Orchestra. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Study Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576. Published by Theodore Presser Company (PR.416415760).

UPC: 680160636532. 9 x 12 inches.

The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.

Orchestra

SKU: PR.41641576L

For Really Big Orchestra. Composed by PDQ Bach. Edited by Peter Schickele. Large Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576L. Published by Theodore Presser Company (PR.41641576L).

UPC: 680160636549. 11 x 17 inches.

The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.

Orchestra (2 Fl, 2 Ob, 2 clarinet, clarinet-B, 2 bassoon, 3Hn, 2 Trp, 3trombone, Tb, harp, timpani, percussion, Str)

SKU: BA.BA06848

Orchester-Ballade. Composed by Leos Janacek. Edited by Jarmil Burghauser and Radomil Eliska. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek D/6. Complete edition, Score. Composed 1912-1914. Duration 12 minutes. Baerenreiter Verlag #BA06848_00. Published by Baerenreiter Verlag (BA.BA06848).

ISBN 9790006483303. 34.4 x 27 cm inches. Text: Svatopluk Cech.

Over the years Janácek’s uvre has increasingly received the recognition it so richly merits and performances of his works are becoming more and more frequent. This development is, however, offset by a manuscript tradition so disorderly that some of Janácek’s works continue, as before, to be played in versions which are heavily adapted, corrupt or otherwise contrary to the composer’s intentions. Thus, a critical edition of Janácek’s music is indispensable for scholars and performers alike.

This editon presents an authentic printed text based on all available sources for each work. In addition to the musical text, each volume also contains a critical report (Czech / German), a rendition of deleted or rejected versions, and a comprehensive appendix of facsimiles.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(Conductor's Score - Fascile of the Composer's Manuscript). By Steven Stucky (1949-). Orchestra. For Flute I, Flute II, Flute III, Piccolo, Oboe I, Oboe II, Oboe III, English Horn, Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Bassoon I, Bassoon II, Bassoon III, Contra Bassoon, Horn I, Horn II, Horn III, Horn IV, Trumpet I, Trumpet II, Trumpet II. First performance: Philadelphia Orchestra, Riccardo Muti conducting, October 29, 1988. Full Score - Study. Standard notation. 104 pages. Published by Theodore Presser Company

Orchestra (Orchestra)

SKU: BA.BA04558-01

Composed by Wolfgang Amadeus Mozart. Edited by Christoph Hellmut Mahling and Friedrich Schnapp. This edition: complete edition, urtext edition. Linen. New Mozart Edition (Neue Mozart Ausgabe - NMA) Series IV, Volume 11, No. 6. Klassik (Classical). Complete edition, Score, anthology. Baerenreiter Verlag #BA04558_01. Published by Baerenreiter Verlag (BA.BA04558-01).

ISBN 9790006450619. 33 x 26 cm inches.

The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time, it also serves as an aid to authentic performances.

The principal Series I to IX, containing Mozart's actual oeuvre, appeared between 1956 and 1991. They are regarded as a supreme achievement of Mozart scholarship in our time; modern performances of Mozart's music are unthinkable without them. The important supplementary volumes shed fresh and illuminating light on neglected aspects of Mozart's creative work, such as his activities as a teacher or as an arranger of other composer's works.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra (Orchestra)

SKU: HL.48184896

Composed by Olivier Messiaen. Leduc. Classical. Softcover. 162 pages. Alphonse Leduc #AL28226. Published by Alphonse Leduc (HL.48184896).

UPC: 888680859565. 9.5x12.5x0.471 inches.

Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms, harmony, melodies and his passion for ornithology, his Illuminations of the Beyond for Orchestra is no exception to the composer's popular, distinctive style. Composed between 1987-1991, Illuminations of the Beyond was one of the composer's last works, with the premiere occuring six months after his death. The work includes Messiaen's popular compositional techniques, such as his modes of limited transposition, and the use of birdsong. Messiaen's piece for orchestra is divided in to eleven movements and a typical performance lasts about one hour. Illuminations of the Beyond is essential to all advanced orchestras seeking to expand and vary their repertoire..

Orchestra (Score) - Grade 4

SKU: HL.14027994

Composed by Poul Ruders. Music Sales America. Classical. Set. 86 pages. Edition Wilhelm Hansen #WH29830. Published by Edition Wilhelm Hansen (HL.14027994).

ISBN 9788759864593.

New York is the city which fascinates and inspires Ruders. Time and again he goes back there to work. 'Manhattan Abstraction' (1982) subtitles - a symphonic skyline for large orchestra - was conceived there. Ruders' Brittish colleague Oliver Knussen defines the piece as: - a performance of an extraordinary Morden-Times-like construction. It is a sort of symphonic sculpture, which in the composer's own words words propels forth from one particular inspiration: the New York profile, as seen from Liberty Island, one icy cold January day with it's open, clear sky and dazzling sun light. 'Manhatten Abstraction' appears as an amalgam of some of the compositorical habits found in present pieces. For instance, are present here compositorical ideas and melodic loans from 'Capriccio Pian'e Forte', 2nd String Quartet(1979), 'Four Compositions' (1980), and 2nd Piano Sonata(1982). The question at hand is mainly concerned with the enhanced elaboration of Ruders' use of the classic English change-ringing system: a permuting method pre-determining the order of tone-appearances and /or tone groups; a serial technique in other words. In spite of the rigidly fixed material, Ruders somehow manages to chisel out a personal expression by way of emphasising contrasting elements already existing within the material itself. The spiky, repetitive sections form a counterpart to a more human violin-solo. This dialectical tension is - as hinted by the title - a symphonic abstraction of a fascinating metropolis; the most beautiful and the ugliest. The subtitle: a symphonic skyline reflects the musical erection of the Manhattan profile, which under the clear sky, materializes into the most powerful and compelling man-made sculpture on earth. Thus 'Manhattan Abstraction' is a homage to, as well as a vision of, this giant contraption of concrete, glass, and chrome.

Orchestra

SKU: HL.14020998

Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Book [Softcover]. Composed 1999. 8 pages. Chester Music #CH60356. Published by Chester Music (HL.14020998).

ISBN 9780711930766. UPC: 884088435059. 5.5x7.5 inches.

A short piece for small orchestra, written in 1989 when the composer heard of Michael Vyner's death. Premiered in October 1989 at Glyndebourne Sussex, by the London Sinfonietta and conducted by the composer just six days after Vyman's death. Approximately six minutes in duration, it is based on the plainsong 'Cor meum et caro mea exultaverunt in Deum vivum' and is scored for two oboes, two bassoons, two horns, two trumpets, timpani and strings.

(Feast Overture / Festouverture). Composed by Peter Ilyich Tchaikovsky (1840-1893). Edited by Polina Vajdman. For orchestra. This edition: Urtext. Full score. 72 pages. Published by Breitkopf and Haertel

Orchestra

SKU: HL.14028514

Composed by Kaija Saariaho. Music Sales America. Classical. Score. Composed 2002. 80 pages. Duration 1080 seconds. Chester Music #CH62700. Published by Chester Music (HL.14028514).

ISBN 9780711997813. UPC: 888680744199. 8.25x11.75x0.26 inches.

Concerto for flute and orchestra. Study score edition. First performed at the Flanders Festival in Brussels 12th October 2001. Composer's Notes: I have been very familiar with the flute since my earliest pieces. I like the sound in which breathing is ever present and with timbral possibilities that befit my musical language: the instrument's body makes it possible to write phrases that go through grinding textures coloured with phonemes whispered by the flutist which gradually go towards pure and smooth sounds. Kaija Saariaho Duration 18 minutes. Solo part is also available on sale. Conductor's score and orchestral parts are available on hire only.

Orchestra

SKU: HL.49009576

Battle Symphony. Composed by Ludwig van Beethoven. Edited by Hans-Werner Kuethen. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Op. 91. 96 pages. Eulenburg Edition #ETP 1367. Published by Eulenburg Edition (HL.49009576).

ISBN 9783795762490. UPC: 841886011908. 5.25x7.5x0.263 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Composed by John Parker. Arranged by Mark Hayes. For choir and full orchestra. Sacred Anthem. Orchestral score and parts. Lorenz Publishing Company #30/3180L. Published by Lorenz Publishing Company

Full Orchestra (Print) Choir (Orchestra Accompaniment)

SKU: HL.35032262

Composed by Heather Sorenson and Joseph M. Martin. Shawnee Sacred. Advent, Cantata, Christmas, Christmas/Advent Sacred, General Worship, Sacred. Softcover. Duration 3360 seconds. Published by Shawnee Press (HL.35032262).

ISBN 9781540027139. UPC: 888680746728. 9.0x13.5x2.261 inches. Joseph M. Martin/Heather Sorenson.

The Christmas story is told with fresh perspective in this collaborative cantata from Joseph Martin and Heather Sorenson. Throughout time, God has touched and motivated hearts through dreams and visions. Christmas Dreams visits these moments in scripture and connects the experiences of ancient times with our modern journey of faith, pointing to Christ, in whose birth the hopes, yearnings and dreams of all the world are fulfilled. Using traditional carols, newly composed seasonal selections and thoughtful narration, this rich work delivers a tapestry of sound and emotion. Share this cantata with your people and help them discover God's graceful touch in their lives! Songs include: Christmas Dreams Overture; Advent Dreams; The Promise and the Prayer; A New Morning of Promise; Zechariah's Song; Mary's Dream; All Through the Night; Hark! The Herald Angels Sing; The Magi's Epiphany; Christmas Dreams; A Gentle Christmas Blessing.

Orchestra (Study Score)

SKU: HL.49010354

Two Suites from the Opera. Composed by Henry Purcell. Edited by William Leonard Reed. Arranged by William Leonard Reed. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. 20 pages. Duration 15'. Eulenburg Edition #ETP891. Published by Eulenburg Edition (HL.49010354).

ISBN 9790200207613. UPC: 073999921113. 5.25x7.5x0.075 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra (Study Score)

SKU: HL.49009570

For Orchestra. Composed by Franz Liszt. Edited by Robert Collet. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Composed 1859-1860. 102 pages. Eulenburg Edition #ETP 1361. Published by Eulenburg Edition (HL.49009570).

ISBN 9783795764869. UPC: 841886011687. 5.25x7.5x0.315 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra (Study Score)

SKU: HL.49010337

Waltz for Orchestra. Composed by Johann Strauss. Edited by Viktor Keldorfer. Arranged by Viktor Keldorfer. This edition: Saddle stitching. Sheet music. Edition Schott. Classical, Romantic. Study Score. Composed 1869. Op. 333. 46 pages. Duration 7'. Eulenburg Edition #ETP866. Published by Eulenburg Edition (HL.49010337).

ISBN 9783795771645. UPC: 841886012967. 5.25x7.5x0.165 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra

SKU: HL.14021025

Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Book [Softcover]. Composed 2002. 48 pages. Chester Music #CH61838. Published by Chester Music (HL.14021025).

ISBN 9780711986138. 5.5x7.5x0.164 inches.

Miniature Score. This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 13th May 1998 London. This piece is based on a genuine old tune 'Maxwell's Strathspey' which the composer found in an 1824 collection of Scottish melodies, and which unfolds at the start of the piece on solo cello. Variations and a bold up-tempo to the quick dance we know as a reel ultimately yield to the magic that has been promised right at the start: the northern lights take over at the end of the piece. Its inspiration comes from a walk to a community event in Hoy Hall, during which Davies saw the lights in the sky pulsing in and out of time with the sounds coming from the hall. Duration 12 minutes. Conductor's score and orchestral parts are available on hire.

Composed by George Benjamin. This edition: For Countertenor, Women�s Voices and Orchestra. Full Orchestra; Masterworks; Score. Faber Edition. 20th Century; Masterwork. Published by Faber Music (AP.12-0571538878).

Composed by Lloyd Larson. For full orchestra. Choral. Sacred Anthem, Advent, Christmas. Orchestration. Exaltation Publications #30/1965L. Published by Exaltation Publications

Orchestra; Score (Study Score)

SKU: HL.49010137

Overture. Composed by Gioachino Rossini. Edited by Lionel Salter. Arranged by Lionel Salter. This edition: Saddle stitching. Sheet music. Edition Schott. Classical, Opera, Romantic. Study Score. 72 pages. Duration 10'. Eulenburg Edition #ETP 686. Published by Eulenburg Edition (HL.49010137).

ISBN 9783795771997. UPC: 841886015173. 5.25x7.5x0.219 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra

SKU: HL.49009992

Symphonic Poem. Composed by Cé and sar Franck. Edited by Andre Coeuroy. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. 56 pages. Eulenburg Edition #ETP 523. Published by Eulenburg Edition (HL.49009992).

ISBN 9790200204483. 5.25x7.5x0.183 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra

SKU: HL.14020999

Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Studyscore. Composed 2001. 40 pages. Chester Music #CH61358. Published by Chester Music (HL.14020999).

ISBN 9780711983823. 7.0x10.0x0.141 inches.

Study Score of Throstle's Nest Junction for orchestra. This work was commissioned by the BBC, first performed on 16th November 1996, by the BBC Philharmonic, conducted by the composer. Duration c. 15 minutes. Conductor's score and orchestral parts are available on hire.

Orchestra - all

SKU: PR.816600040

Composed by Wolfgang Amadeus Mozart. CD Sheet Music (Version 1). Full Scores to all of the major works for orchestra by Mozart - parts not included. Classical Period. CD Sheet Music. 2000 printable pages. Published by Theodore Presser Company (PR.816600040).

UPC: 680160600045. 5.5x5 inches.

This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.

About CD Sheet Music (Version 1)

CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series.

(Suite For Orchestra) Composed by John Williams. For flute I (alto flute, piccolo), flute II (piccolo), piccolo (flute, alto flute), oboe I,II, english horn (oboe), Bb clarinet I (A clarinet), Bb clarinet II (A clarinet, Bb bass clarinet), Bb bass clarinet (Bb clarinet, Eb piccolo clarinet), bassoon I,II, contra bassoon, F horn I-IV, trumpet I-III, trombone I-III, tuba, timpani, percussion I,II, harp, piano (celesta), violin I,II, viola, cello, cornet and contrabass. From the motion picture "Harry Potter And The Sorcerer's Stone". Format: full score (spiral-bound). Movies. Series: John Williams Signature Edition. 86 pages. 10.5x14 inches. Duration 16m26s. Published by Hal Leonard.

Orchestra - Grade 2.5

SKU: AP.38492S

Composed by Brendan Mcbrien. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. 16 pages. Highland/Etling #00-38492S. Published by Highland/Etling (AP.38492S).

UPC: 038081433653. English.

With the same sparkle and energy of its predecessor, Adra's Dance, this new companion piece adds a touch of maturity as Adra's creator, the composer's daughter, has grown into a young lady. Celebrate where we are, where we're going, and how thankful we are to have this one life to live, love, and grow as your students and audiences enjoy the optimism and joy in this music.

(A Journey Through the Lord's Prayer). Composed by Pepper Choplin. For Choral (ORCHESTRATION ON CD-ROM). Brookfield Choral Series. CD-ROM. Published by Brookfield Press