(The Journey from Darkness to Light). By Lloyd Larson. Arranged by Mary Mcdonald...(+)
(The Journey from
Darkness to Light). By
Lloyd Larson. Arranged by
Mary Mcdonald. Orchestra.
For Flute, Clarinet, 2
Trumpet, Horn, 2
Trombone, Percussion,
Piano, Synthesized
Strings. Cantata. Choral:
Advent. Orchestral Score
and Parts. Published by
Lorenz Publishing Company
Arranged by Deborah Baker
Monday. Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Christmas;
Traditional; Winter.
Score. 8 pages. Duration
7:00. Highland/Etling
#00-43852S. Published by
Highland/Etling
(AP.43852S).
UPC:
038081506951. English.
Traditional.
Each
of the 12 days brings a
snippet from a different
holiday tune in this fun
arrangement that uses the
easy keys of G and D. As
the days are added, it
becomes a fun-filled
challenge. Surprise comes
on the12th day with
Hallelujah Chorus!
(7:00).
Full orchestra SKU: LO.30-3586L Composed by Lloyd Larson. Arranged by Ed ...(+)
Full orchestra
SKU:
LO.30-3586L
Composed
by Lloyd Larson. Arranged
by Ed Hogan. Choral,
cantatas. Advent,
Christmas, Sacred.
Instrumental parts.
Lorenz Publishing Company
#30/3586L. Published by
Lorenz Publishing Company
(LO.30-3586L).
UPC:
000308150292.
The
glory of Christmas comes
to life in this inspiring
musical by Lloyd Larson.
Through a blend of
familiar carols and
original songs, choirs
and congregations alike
will experience the
beauty of the incarnation
story as if
they’re
experiencing it for the
first time. This
versatile work may be
presented in multiple
segments over the Sundays
of Advent or as a single
presentation, and will be
equally effective with
piano accompaniment or
the full orchestra option
(live instruments or
accompaniment track). The
script for two narrators
is scripturally based and
seamlessly weaves in and
out of the music to
provide an inspiring
worship experience.
Opportunities for the
congregation to sing
familiar carols as well
as the availability of
both SATB and SAB
editions ensure that this
resource is suitable for
choirs large or
small.
The Quest Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(from 'The Ponce De Leon Suite'). By Robert Kerr. Orchestra. Full Orchestra; Par...(+)
(from 'The Ponce De Leon
Suite'). By Robert Kerr.
Orchestra. Full
Orchestra; Part(s);
Score. Highland Full
Orchestra. Grade 3.5. 200
pages. Published by
Alfred Music Publishing
Orchestra (CD-ROM) Choral (ORCH CDROM) SKU: HL.35029955 A Cantata of H...(+)
Orchestra (CD-ROM) Choral
(ORCH CDROM)
SKU:
HL.35029955
A
Cantata of Hope and
Peace. Composed by
Joseph M. Martin. Shawnee
Sacred. Cantata, Easter,
General Worship, Holy
Week, Lent. CD-ROM.
Duration 2400 seconds.
Published by Shawnee
Press (HL.35029955).
ISBN 9781495018374.
UPC: 888680028879.
5.0x5.0x0.2
inches.
This
service in song is a
contemplation of the hope
we find in Christ.
Incorporating new
original anthems and
fresh treatments of
time-honored hymns and
traditional sacred songs,
this work reflects upon
the ministry and passion
of Christ's last days.
The narration includes
scriptures of assurance
and words of comfort and
peace. The music is
written in an expressive
melodic style, bringing a
gentle beauty that will
touch all who experience
it. Supported by two
orchestration choices and
other helpful companion
products, this 40 minute
work is ideal for Lenten
or Holy Week worship
gatherings. Consider this
musical journey of faith
and discover a place of
refuge in God's unfailing
love and His sanctuary of
grace. Moving! Songs
include: Prelude of
Peace; Sanctuary of
Grace; Shelter of Hope;
Hosanna! A Procession of
Promise; In the Shadow of
Your Wing; Give to the
Winds Your Fears; Flee as
a Bird; Sanctuary of the
Soul; Postlude of
Peace.
Orchestra SKU: LO.30-2423L The followers of Jesus reflect on His final...(+)
Orchestra
SKU:
LO.30-2423L
The
followers of Jesus
reflect on His final
days. Composed by
Lloyd Larson. Choral,
cantatas. Eastertide,
Lent, Sacred. Orchestral
score and parts. Lorenz
Publishing Company
#30/2423L. Published by
Lorenz Publishing Company
(LO.30-2423L).
UPC:
000308120899.
This
compelling reflection
upon Jesus’ final
days is viewed through
His eyes and the eyes of
those surrounding Him:
Mary, sister of Martha;
an officer to Caiaphas;
Judas; Peter; Jesus
Himself; Pilate; Mary,
the mother of Jesus; Mary
Magdalene; and Thomas. A
sequence of dramatic,
scripture-based
monologues tells the
story, alternating with
Lloyd Larson’s
masterfully inspired
music as the “voice
of the believerâ€
responds. Flexibly
conceived, this work may
be presented as simply or
as elaborately as you
wish, depending upon your
resources and
preferences. Performance
options range from use as
a source of single
anthems for your seasonal
service needs to a short
worship program with
monologues and choruses
or a special, fully
staged production. It is
our hope that this work
will prompt your own
reflections upon the
great wonder and mystery
of the Incarnate God Who,
for the love of His
people, humbled Himself,
dying for our salvation
and triumphing over
death.
Tone Poem - Urtext based on the Complete Edition Jean Sibelius Works (JSW). C...(+)
Tone Poem - Urtext based
on
the Complete Edition Jean
Sibelius Works (JSW).
Composed by Jean Sibelius
(1865-1957). Edited by
Timo
Virtanen. Full score.
Breitkopf and Haertel
#PB-
5658. Published by
Breitkopf
and Haertel
Arranged by Calvin Custer. Arr. Calvin Custer. For Full Orchestra. Full Orchestr...(+)
Arranged by Calvin
Custer. Arr. Calvin
Custer. For Full
Orchestra. Full
Orchestra. Concert Full
Orchestra. Level: Medium
Easy to Medium (grade
III-IV). Conductor Score
and Parts. 452 pages.
Duration 7:30. Published
by Alfred Publishing.
Arranged by Calvin Custer. For Full Orchestra. Full Orchestra. Concert Full Orch...(+)
Arranged by Calvin
Custer. For Full
Orchestra. Full
Orchestra. Concert Full
Orchestra. Level: 3.5
(grade 3.5). Conductor
Score. 44 pages.
Published by Alfred
Publishing.
Eulenburg Audio Score Series, Vol. 96 Study Score/CD Pack. Composed by Jo...(+)
Eulenburg Audio Score
Series, Vol. 96 Study
Score/CD Pack.
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Richard Clarke. This
edition: Paperback/Soft
Cover. Sheet music with
CD. Eulenburg Audio
Score. Classical. Study
score CD, Softcover
with CD. Composed 1738.
196. 76 pages. Duration
24'. Eulenburg Edition
#EAS196. Published by
Eulenburg Edition
(HL.49045341).
Orchestra - Beginner; Grade 1 SKU: AP.48072S Composed by Jim Palmer. Make...(+)
Orchestra - Beginner;
Grade 1
SKU:
AP.48072S
Composed by
Jim Palmer. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Score. 8
pages. Duration 2:05.
Alfred Music #00-48072S.
Published by Alfred Music
(AP.48072S).
UPC:
038081557052.
English.
King
Dorian's Court by Jim
Palmer will transport
your beginning orchestra
to the days of kings,
knights and the Round
Table! All sections will
enjoy playing these
original melodies which
create a musical story in
three mini sections.
Varied dynamics and
musical styles will
provide excellent
teaching opportunities as
well. A perfect choice
for concerts, contests,
or festivals. Correlated
with Sound Innovations
for String Orchestra,
Book 1, Level 4. (2:05)
This title is available
in MakeMusic Cloud.
Orchestra - Beginner; Grade 1 SKU: AP.48072 Composed by Jim Palmer. MakeM...(+)
Orchestra - Beginner;
Grade 1
SKU:
AP.48072
Composed by
Jim Palmer. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Score and
Part(s). 76 pages.
Duration 2:05. Alfred
Music #00-48072.
Published by Alfred Music
(AP.48072).
UPC:
038081557045.
English.
King
Dorian's Court by Jim
Palmer will transport
your beginning orchestra
to the days of kings,
knights and the Round
Table! All sections will
enjoy playing these
original melodies which
create a musical story in
three mini sections.
Varied dynamics and
musical styles will
provide excellent
teaching opportunities as
well. A perfect choice
for concerts, contests,
or festivals. Correlated
with Sound Innovations
for String Orchestra,
Book 1, Level 4. (2:05)
This title is available
in MakeMusic Cloud.
Orchestra - Grade 0.5 SKU: AP.46677S Composed by Michael Story. MakeMusic...(+)
Orchestra - Grade 0.5
SKU: AP.46677S
Composed by Michael
Story. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Very Beginning String
Orchestra. Fall;
Halloween; Light Concert.
Score. 8 pages. Belwin
Music #00-46677S.
Published by Belwin Music
(AP.46677S).
ISBN
9781470658151. UPC:
038081533223.
English.
Zombies
are everywhere these
days---at least in songs,
movies, and on TV! This
original piece is a tip
of the hat to the wildly
popular sci-fi craze.
Written for first year
orchestra students,
Zombie Dance by Michael
Story uses mostly quarter
note rhythms and D-, A-,
and G-string notes
including a few
C-naturals. Very easy
optional piano and
percussion parts are
included, however it is
playable by strings
alone. Have fun with this
one! This title is
available in MakeMusic
Cloud.
Full orchestra SKU: LO.30-3653L Composed by Pepper Choplin. Arranged by M...(+)
Full orchestra
SKU:
LO.30-3653L
Composed
by Pepper Choplin.
Arranged by Michael
Lawrence. Choral,
cantatas. Eastertide,
Holy Week. Score and
parts, plus CD with
printable parts. Lorenz
Publishing Company
#30/3653L. Published by
Lorenz Publishing Company
(LO.30-3653L).
UPC:
000308152227.
Score
and parts plus CD with
printable parts for The
Body of Christ (55/1197L)
Pepper Choplin
beautifully and
creatively crafted this
telling of the final days
of Jesus’ life,
focusing on the meaning
of His words and actions
leading to the cross.
With stunning melodies
and a powerful
orchestration by Michael
Lawrence, we reflect on
the feet that walked the
earth, the hands that
touched and healed, the
voice that spoke the Word
of God, and the head that
bore a crown of thorns as
Jesus was sacrificed.
From the worshipful
opener, We Behold His
Glory, to the meditative
and stunningly powerful
path to the cross, O
Sacred Journey, the
importance of
Christ’s body
remains the center point
of this work. The final
number, We Are the Body
of Christ, is a
benediction that can be
presented immediately
following the preceding
number or after closing
remarks from a speaker.
For Christ is our head
and though we are many,
His Spirit will make us
one…Go now as the
body of Christ..
Full orchestra SKU: LO.30-3650L Composed by Pepper Choplin. Arranged by M...(+)
Full orchestra
SKU:
LO.30-3650L
Composed
by Pepper Choplin.
Arranged by Michael
Lawrence. Choral,
cantatas. Eastertide,
Holy Week. Full score.
Lorenz Publishing Company
#30/3650L. Published by
Lorenz Publishing Company
(LO.30-3650L).
UPC:
000308152197.
Full
score for The Body of
Christ (55/1197L) Pepper
Choplin beautifully and
creatively crafted this
telling of the final days
of Jesus’ life,
focusing on the meaning
of His words and actions
leading to the cross.
With stunning melodies
and a powerful
orchestration by Michael
Lawrence, we reflect on
the feet that walked the
earth, the hands that
touched and healed, the
voice that spoke the Word
of God, and the head that
bore a crown of thorns as
Jesus was sacrificed.
From the worshipful
opener, We Behold His
Glory, to the meditative
and stunningly powerful
path to the cross, O
Sacred Journey, the
importance of
Christ’s body
remains the center point
of this work. The final
number, We Are the Body
of Christ, is a
benediction that can be
presented immediately
following the preceding
number or after closing
remarks from a speaker.
For Christ is our head
and though we are many,
His Spirit will make us
one…Go now as the
body of Christ..
Full orchestra SKU: LO.30-3651L Composed by Pepper Choplin. Arranged by M...(+)
Full orchestra
SKU:
LO.30-3651L
Composed
by Pepper Choplin.
Arranged by Michael
Lawrence. Choral,
cantatas. Eastertide,
Holy Week. Instrumental
parts. Lorenz Publishing
Company #30/3651L.
Published by Lorenz
Publishing Company
(LO.30-3651L).
UPC:
000308152203.
Set
of parts for The Body of
Christ (55/1197L) Pepper
Choplin beautifully and
creatively crafted this
telling of the final days
of Jesus’ life,
focusing on the meaning
of His words and actions
leading to the cross.
With stunning melodies
and a powerful
orchestration by Michael
Lawrence, we reflect on
the feet that walked the
earth, the hands that
touched and healed, the
voice that spoke the Word
of God, and the head that
bore a crown of thorns as
Jesus was sacrificed.
From the worshipful
opener, We Behold His
Glory, to the meditative
and stunningly powerful
path to the cross, O
Sacred Journey, the
importance of
Christ’s body
remains the center point
of this work. The final
number, We Are the Body
of Christ, is a
benediction that can be
presented immediately
following the preceding
number or after closing
remarks from a speaker.
For Christ is our head
and though we are many,
His Spirit will make us
one…Go now as the
body of Christ..
Full orchestra SKU: LO.30-3652L Composed by Pepper Choplin. Arranged by M...(+)
Full orchestra
SKU:
LO.30-3652L
Composed
by Pepper Choplin.
Arranged by Michael
Lawrence. Choral,
cantatas. Eastertide,
Holy Week. CD with
printable parts. Lorenz
Publishing Company
#30/3652L. Published by
Lorenz Publishing Company
(LO.30-3652L).
UPC:
000308152210.
CD
with printable parts for
The Body of Christ
(55/1197L) Pepper Choplin
beautifully and
creatively crafted this
telling of the final days
of Jesus’ life,
focusing on the meaning
of His words and actions
leading to the cross.
With stunning melodies
and a powerful
orchestration by Michael
Lawrence, we reflect on
the feet that walked the
earth, the hands that
touched and healed, the
voice that spoke the Word
of God, and the head that
bore a crown of thorns as
Jesus was sacrificed.
From the worshipful
opener, We Behold His
Glory, to the meditative
and stunningly powerful
path to the cross, O
Sacred Journey, the
importance of
Christ’s body
remains the center point
of this work. The final
number, We Are the Body
of Christ, is a
benediction that can be
presented immediately
following the preceding
number or after closing
remarks from a speaker.
For Christ is our head
and though we are many,
His Spirit will make us
one…Go now as the
body of Christ..
Orchestra SKU: SU.25100210 For Orchestra. Composed by Davis Brown....(+)
Orchestra
SKU:
SU.25100210
For
Orchestra. Composed
by Davis Brown.
Orchestra. Full Score.
Gusthold Music Publisher
#25100210. Published by
Gusthold Music Publisher
(SU.25100210).
A pops medley
of In Dulce Jubilo, O
Tannenbaum, Carol of the
Bells, Il est ne le petit
enfant, and The Twelve
Days of
Christmas.2(1)222; 4331;
3perc, set, pno, egtr,
bgtr(opt); stgs Duration:
7' Composed: 2020
Published by: Gusthold
Music Publisher
Performance materials
available on rental
only:.
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Tintinabulations Orchestre [Conducteur et Parties séparées] - Facile Kjos Music Company
Orchestra full orchestra - Grade 3 SKU: KJ.O1057C Composed by Katherine W...(+)
Orchestra full orchestra
- Grade 3
SKU:
KJ.O1057C
Composed by
Katherine Wolf Punwar.
String Tracks. Score and
parts. Neil A. Kjos Music
Company #O1057C.
Published by Neil A. Kjos
Music Company
(KJ.O1057C).
Tintinabulation
s is a light novelty
piece containing the
stylistic variations from
the familiar holiday song
Jingle Bells. The first
portion of the piece goes
back in time to the early
1800's and adopts the
style of Gioacchino
Rossini. This it seques
to the elegance of waltz
music from the days of
the Strauss family.
Progressing into the
twentieth century, Jingle
Bells becomes a jazzy
delight featuring a
special tuba solo. As the
piece comes to a climatic
ending, the familiar
melody takes on the
lively sound of
Country-Western music.
With bells in the
background throughout
most of the piece, the
definition of
tintinabulations comes to
mind; the ringing sound
of bells.
Orchestra (Study Score) SKU: HL.49045602 Opera in 3 Acts on the Play b...(+)
Orchestra (Study Score)
SKU: HL.49045602
Opera in 3 Acts on the
Play by William
Shakespeare. Composed
by Ryan Wigglesworth.
This edition:
Paperback/Soft Cover.
Sheet music. Opera.
Softcover. Composed
2015-2016. 350 pages.
Duration 100'. Schott
Music #ED13991. Published
by Schott Music
(HL.49045602).
ISBN
9790220137747. UPC:
841886032798.
8.25x11.75x0.816 inches.
English.
King
Leontes' jealous rage
results in the death of
his loyal wife Hermione
days after she has given
birth. Leontes orders for
the baby to be killed,
but many years later,
truth surfaces as a
crocus at the first sign
of thaw. Ryan
Wigglesworth's first
opera is a luminous,
persuasive retelling of
William Shakespeare's The
Winters Tale. His natural
sense for dramatic
narrative brings clarity
to this
tragedy-turned-romance,
its brooding opening act
unfolding gradually into
a light-hearted scherzo.
Written as the
culmination of
Wigglesworths tenure as
Artist in Residence with
English National Opera,
The Winter's Tale is not
to be missed.
Composed by Joshua
Reznicow. Solo or
Ensemble. Apex String
Orchestra. Score and set
of parts. Kendor Music
Inc #9997. Published by
Kendor Music Inc
(KN.9997).
UPC:
822795099973.
We
welcome Joshua Reznicow
to the Kendor family of
writers with this festive
original that sounds more
difficult to play than it
is. Written in G major
and its relevant minor
key, it gives directors a
chance to teach both
sharp and flat keys while
using open strings to
maintain a solid pitch
center. Controlling bow
speed and style using
hooked bow, spiccato, and
slurred techniques helps
to drive the musical
energy throughout. Short
solos and a brief violin
cadenza lead to a
rewarding finish and
allow more advanced
players to showcase their
skills. Duration ca.
3:40. Available in
SmartMusic.
(Adventure on the High Seas). By Ralph Ford. Orchestra. Full Orchestra; Part(s);...(+)
(Adventure on the High
Seas). By Ralph Ford.
Orchestra. Full
Orchestra; Part(s);
Score; SmartMusic. Belwin
Intermediate Full
Orchestra. Light Concert.
Grade 3. 230 pages.
Published by Belwin Music
Jazzy Little Brown Jug Orchestre [Conducteur et Parties séparées] - Facile Alfred Publishing
By Joseph Winner. Arranged by Jack Bullock. Orchestra. Full Orchestra; Part(s); ...(+)
By Joseph Winner.
Arranged by Jack Bullock.
Orchestra. Full
Orchestra; Part(s);
Score. Belwin
Intermediate Full
Orchestra. Jazz; Light
Concert; Swing. Grade
2.5. 266 pages. Published
by Alfred Music
Publishing
By Joseph Winner. Arranged by Jack Bullock. Orchestra. Full Orchestra; Score. Be...(+)
By Joseph Winner.
Arranged by Jack Bullock.
Orchestra. Full
Orchestra; Score. Belwin
Intermediate Full
Orchestra. Jazz; Light
Concert; Swing. Grade
2.5. 12 pages. Published
by Alfred Music
Publishing
Orchestra - Grade 1.5 SKU: AP.45823S Composed by Michael Kamuf. Performan...(+)
Orchestra - Grade 1.5
SKU: AP.45823S
Composed by Michael
Kamuf. Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Score. 12
pages. Duration 2:00.
Belwin Music #00-45823S.
Published by Belwin Music
(AP.45823S).
UPC:
038081529196.
English.
Perfect
for concerts and
festivals, Dayspring by
Michael Kamuf is an ideal
piece for reinforcing
both
dotted-quarter/eighth
note and syncopation
rhythms with your
beginning string
orchestra. In this
driving new work by
Michael Kamuf, the
lyrical melodies and
driving motifs are passed
around the entire
ensemble, supported by
rich harmonies.
(2:00).
Orchestra - Grade 1.5 SKU: AP.45823 Composed by Michael Kamuf. Performanc...(+)
Orchestra - Grade 1.5
SKU: AP.45823
Composed by Michael
Kamuf. Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Score and
Part(s). 72 pages.
Duration 2:00. Belwin
Music #00-45823.
Published by Belwin Music
(AP.45823).
UPC:
038081529189.
English.
Perfect
for concerts and
festivals, Dayspring is
an ideal piece for
reinforcing both
dotted-quarter/eighth
note and syncopation
rhythms with your
beginning string
orchestra. In this
driving new work by
Michael Kamuf, the
lyrical melodies and
driving motifs are passed
around the entire
ensemble, supported by
rich harmonies.
(2:00).