The Poem of Fire. By Alexander Scriabin. Arranged by Faubion Bowers. (Study Score). Schott. 79 pages. Published by Eulenburg.

Orchestra

SKU: SU.32040140

For Orchestra. Composed by Amy Riebs Mills. Orchestra. Full Score. Subito Music Corporation #32040140. Published by Subito Music Corporation (SU.32040140).

2222; 4331; timp, 2 perc, pno; stgs Duration: 13'30 Composed: 2016 Published by: Amy Mills Music, LLC Like a modern Pictures at an Exhibition…. Ha Shamayim is an original piece for orchestra that was inspired by photographs taken by the Hubble space telescope. Each section is inspired by one photo; the title of each section is the title that NASA gave to the photograph. The words Ha Shamayim are Hebrew for The Heavens. They are written in Genesis 1:1, In the beginning God created the heavens and the earth. The words are also seen in Psalm 19. Section I: Warped Edge-On Galaxy ESO 510-G13 The piece begins in outer space with its glistening stars. Glissandi are used to depict the strange but beautiful warp seen in the photograph. Section II: Galaxy Fires at Neighboring Galaxy Suddenly the piece erupts as one galaxy fires blue gas at its neighbor. They engage in a cosmic battle. Section III: Youthful-looking Galaxy May Be an Adult The adolescent galaxy is personified by a humorous, gawky melody reminiscent of teenage boys who walk on feet that are still too big. Occasionally there is an argument with an authority figure, but the joy of exploring the universe quickly returns. Section IV: Star Birth in Galaxy M83 The dramatic photograph looks like a womb with veins. The music begins on one note, then it begins to explore the initial swelling and stretching. It morphs into an energetic fast theme, still growing. Ultimately it becomes glorious and expansive, like the new star. Section V: String of ‘Cosmic Pearls’ Surrounds an Exploding Star The first theme is a happy circle dance inspired by the circle of white dots in the photograph. The second theme is noble and joyful. It is reminiscent of the melody in the famous chorus in Haydn’s The Creation with the words from Psalm 19, The heavens are telling the glory of God. The music then has flashbacks to the earlier sections, and ends in triumph. The five sections in Ha Shamayim are continuous with no breaks. Difficulty Level: 5 (Advanced/Professional) See composer website for audio sample. Performance materials available on rental only:.

Orchestra (Study Score)

SKU: HL.49010354

Two Suites from the Opera. Composed by Henry Purcell. Edited by William Leonard Reed. Arranged by William Leonard Reed. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. 20 pages. Duration 15'. Eulenburg Edition #ETP891. Published by Eulenburg Edition (HL.49010354).

ISBN 9790200207613. UPC: 073999921113. 5.25x7.5x0.075 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Overture to the Operetta, Op. 362. By Johann Strauss. (Study Score). Schott. 56 pages. Published by Eulenburg.

(Concerto No. 1 for Marimba, Strings and Percussion). Composed by Gillingham. Arranged by Nathan Daughtrey. For Soloist(s) with String Orchestra (Solo Marimba Percussion 1 (xylophone, bells, chimes) Percussion 2 (brake drum, cowbell, shaker, suspended cymbal, crash cymbals, temple blocks, triangle) Percussion 3 (4 toms, crash cymbals, bass drum, suspended cymbal, tam tam, hi hat) Violin I Violin II). Medium difficult. Orchestra score only. Duration 16:30. Published by C. Alan Publications

Symphonic Poem No. 5 - Study Score. By Franz Liszt. Schott. 88 pages. Published by Eulenburg London (Schott).

For Orchestra. Composed by Franz Liszt (1811-1886). Eulenburg Taschenpartituren (Pocket Scores). Study score. 44 pages. Eulenburg Edition #ETP1298. Published by Eulenburg Edition (HL.49009531).

Orchestra

SKU: HL.49009576

Battle Symphony. Composed by Ludwig van Beethoven. Edited by Hans-Werner Kuethen. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Op. 91. 96 pages. Eulenburg Edition #ETP 1367. Published by Eulenburg Edition (HL.49009576).

ISBN 9783795762490. UPC: 841886011908. 5.25x7.5x0.263 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra; Score (Study Score) Overture. Composed by Ludwig van Beethoven (1770-1827). Edited by Max Unger. Arranged by Max Unger. This edition: Saddle stitching. Sheet music. Eulenburg Taschenpartituren (Pocket Scores). Classical. Study Score. Op. 124. 84 pages. Eulenburg Edition #ETP627. Published by Eulenburg Edition

Orchestra (STP)

SKU: HL.49034172

Overture. Composed by Carl Maria von Weber. This edition: Saddle stitching. Sheet music. Edition Schott. Study Score. Op. 81. 48 pages. Duration 9'. Eulenburg Edition #ETP 635. Published by Eulenburg Edition (HL.49034172).

ISBN 9783795767617. UPC: 841886012110. 5.25x7.5x0.192 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra (Score)

SKU: HL.49009851

Oboe Concerto. Composed by George Frideric Handel. Edited by Stanley Sadie. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Op. 3/1. 31 pages. Eulenburg Edition #ETP 377. Published by Eulenburg Edition (HL.49009851).

ISBN 9783795761516. UPC: 841886017931. 5.25x7.5x0.089 inches. German - English.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra

SKU: BR.PB-5432

Composed by Helmut Lachenmann. Orchestra; stapled. Partitur-Bibliothek (Score Library).

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

New music (post-2000). Full score. Composed 2016/17/20. 48 pages. Duration 8'. Breitkopf and Haertel #PB 5432. Published by Breitkopf and Haertel (BR.PB-5432).

ISBN 9790004212790. 10 x 12.5 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.

Orchestra (Study Score)

SKU: HL.49009570

For Orchestra. Composed by Franz Liszt. Edited by Robert Collet. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Composed 1859-1860. 102 pages. Eulenburg Edition #ETP 1361. Published by Eulenburg Edition (HL.49009570).

ISBN 9783795764869. UPC: 841886011687. 5.25x7.5x0.315 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

By Ludwig van Beethoven. (Study Score). Schott. 94 pages. Published by Eulenburg London (Schott).

Orchestra (Study Score)

SKU: HL.49010259

Gigues. Composed by Claude Debussy. Edited by Roger Fiske. This edition: Saddle stitching. Sheet music. Edition Schott. Classical, Romantic. Study Score. 46 pages. Duration 7'. Eulenburg Edition #ETP8009. Published by Eulenburg Edition (HL.49010259).

ISBN 9783795712716. UPC: 884088500948. 7.5x10.5x0.211 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra

SKU: HL.49010015

Study Score. Composed by Franz Joseph Haydn. Edited by H. C. Robbins Landon. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. 44 pages. Eulenburg Edition #ETP551. Published by Eulenburg Edition (HL.49010015).

ISBN 9790200204728. UPC: 073999593365. 5.25x7.5x0.132 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra

SKU: HL.49010027

Study Score. Composed by Franz Joseph Haydn. Edited by Christa Landon. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Composed 1763. 44 pages. Duration 23'. Eulenburg Edition #ETP 563. Published by Eulenburg Edition (HL.49010027).

ISBN 9790200204834. UPC: 073999487336. 5.25x7.5x0.134 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

In D Major. By Johannes Brahms. Arranged by Wilhelm Altmann. (Study Score). Schott. 164 pages. Published by Eulenburg.

Orchestra

SKU: HL.49010035

Study Score. Composed by Franz Joseph Haydn. Edited by Harry Newstone. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Composed 1784. 62 pages. Duration 23'. Eulenburg Edition #ETP 572. Published by Eulenburg Edition (HL.49010035).

ISBN 9790200204926. UPC: 073999563269. 5.25x7.5x0.169 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

For Orchestra. By Antonin Dvorak. (Study Score). Schott. Size 5.25x7.5 inches. 124 pages. Published by Eulenburg Germany (Schott).

Orchestra (Study Score)

SKU: HL.49010329

Study Score. Composed by Johann Sebastian Bach. Edited by Harry Newstone. Arranged by Wilhelm Altmann. This edition: Saddle stitching. Sheet music. Edition Schott. Baroque, Classical. Study Score. 24 pages. Duration 24'. Eulenburg Edition #ETP856. Published by Eulenburg Edition (HL.49010329).

ISBN 9783795767891. UPC: 888680784270. 5.25x7.5x0.141 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

(1874) Study Score. By Anton Bruckner. Schott. Size 5.25x7.5 inches. 276 pages. Published by Eulenburg London (Schott).