For A Dead Princess in Full Score. Par RAVEL MAURICE. With the premiere in 1908 of Rapsodie Espagnole, Ravel's first entirely orchestral composition, the French composer achieved renown as a highly original and imaginative composer. In 1911, he recast the Mother Goose Suite, his extremely successful music for piano four-hands, as an orchestral work. Based on five fairy tales — among them 'Sleeping Beauty, ' 'Tom Thumb, ' and 'Beauty and the Beast' — this collection of children's pieces continues to enchant listeners of all ages with its variety of moods, from jubilation to haunting despair. In 1910, more than a decade after its initial appearance as a piano work, Ravel transcribed his evocative Pavane for a Dead Princess for orchestra. To this day, it continues to be one of his best-known, most frequently performed compositions. The rich orchestral settings of these three works have made them favorites among concert-goers around the world, ensuring the popularity of this full, authoritative, and inexpensive edition. Reprint of the Max Eschig, Paris, 1910 edition. With the premiere in 1908 of Rapsodie Espagnole, Ravel’s first entirely orchestral composition, the French composer achieved renown as a highly original and imaginative composer. In 1911 he recast the Mother Goose Suite, his extremely successful work for piano four-hands as an orchestral work. Based on five fairy tales, among them 'Sleeping Beauty', 'Tom Thumb' and 'Beauty and the Beast', this collection continues to enchant listeners of all ages with its variety of moods. After a decade after its initial appearance as a piano work, Ravel transcribed his evocative Pavane For A Dead Princess for orchestra, now one of his best-known and most frequentlyperformed compositions. These three rich orchestral settings are presented in full score in this authoritative edition./ Répertoire / Orchestre

Par HAENDEL GEORG FRIEDRICH. ?Giulio Cesare in Egitto? is by far Handel?s most frequently performed opera owing its success not least to its subject matter, one of the best known love stories in world history. Already during Handel?s lifetime the popular work was often staged and therefore adapted by Handel for each of the performance conditions. The editor Hans Dieter Clausen has succeeded in editorially defining and practically presenting these adaptations ? essentially four versions ? on the basis of a meticulous study of the sources within the framework of the ?Halle Handel Edition?. The new edition allows for a performance of each of the four versions. The version of 1725 is particularly noteworthy because Handel newly devised the role of Sesto for the famous tenor Francesco Borosini. The libretto shows the Roman dictator Cesar in a friendly light. He instructs his enemy, the Egyptian tyrant Tolomeo, how to treat adversaries: he reconciles the widow and son of his enemy Pompeo who was murdered by Tolomeo: he is generous and just, hands on, but also diplomatic, thoughtful, aware of the limits of his power, and susceptible for art and nature. However, the actual protagonist of the opera is Cleopatra. In a masterly way Handel develops her character musically. In his extensive Foreword Hans Dieter Clausen not only decribes the genesis, historical background, reception and the edition of the opera, he also examines the musical and dramaturgical reworking of individual numbers in ?Giulio Cesare?. Handel was such an expert in adapting arias for new purposes and other characters that he did not only meet the needs at hand but often the new version surpassed the original. In this way, the reader gains, in passing, a well-founded insight into Handel?s work methods when designing and redevising his characters. The detailed Critical Commentary includes information on the comprehensive and highly complex source situation as well as on individual editorial decisions./ Répertoire / Chant et Orchestre

Par GADE NIELS WILHELM. 'I can?t remember when another work made a more lively, beautiful impression on me? ? this is what a very enthusiastic Felix Mendelssohn wrote to Niels Gade in January 1843. On March 2nd he premiered Gade?s C minor Symphony at the Leipzig Gewandhaus. On 26 October of the same year the 26 year old Danish composer conducted the second performance himself and in the following year he was engaged as co-conducter of the Gewandhaus concerts. His first symphony, however, was to remain Gade?s greatest success: unique are its colourful instrumentation, atmospheric melodies and the characteristic sound world which we know as Nordic. This volume presents Gade?s opus 5 as volume I.1 of the Complete Edition ?Niels W. Gade / Works?, edited by Finn Egeland Hansen. The volume also contains a preface by Inger Sørensen as well as a separate discussion of the musicological reception of this central work. / Date parution : 2022-03-05/ Répertoire / Orchestre