String Orchestra string orchestra (opt. 3rd Violin/Viola TC (3) and piano) - Grade 1.5

SKU: KN.35675

Composed by Jeffrey Frizzi. Accent String Orchestra. Score and set of parts. Kendor Music Inc #35675. Published by Kendor Music Inc (KN.35675).

UPC: 822795356755.

Based on the mythical Forest of Mirkwood from the Lord Of The Rings series. Gandolf the wizard instructed the elves to take the pathway through Mirkwood Forest for safe passage through the forest. This piece includes opportunities to work on dynamic contrasts, tremolos, and C naturals. Duration 3:15.

Orchestra - Grade 2.5

SKU: AP.43843S

Composed by Richard Meyer. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. 16 pages. Duration 4:00. Highland/Etling #00-43843S. Published by Highland/Etling (AP.43843S).

UPC: 038081497358. English.

A great way to introduce students to tone painting, this unique and fun-to-play selection traces the path of an imaginary river, which begins as a tiny spring and gradually grows. Themes from three famous river pieces are included: The Beautiful Blue Danube, Water Music, and The Moldau. (4:00).

Orchestra

SKU: PR.41641203L

Composed by Chen Yi. Large Score. With Standard notation. Theodore Presser Company #416-41203L. Published by Theodore Presser Company (PR.41641203L).

UPC: 680160639533. 11x14 inches.

El eanor’s Gift honors Eleanor Roosevelt’s tireless efforts in advancing recognition of individuals’rights and freedoms, commissioned for the 50th anniversary of the acceptance by the 48 nations of theUniversal Declaration of Human Rights. The composer was written: In the concerto, I express my deepsympathy for the people, especially for the women who have suffered or are suffering from violence and illtreatment, who don’t have the rights and.

Orchestra

SKU: BR.PB-5432

Composed by Helmut Lachenmann. Orchestra; stapled. Partitur-Bibliothek (Score Library).

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

New music (post-2000). Full score. Composed 2016/17/20. 48 pages. Duration 8'. Breitkopf and Haertel #PB 5432. Published by Breitkopf and Haertel (BR.PB-5432).

ISBN 9790004212790. 10 x 12.5 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.

Full orchestra

SKU: LO.30-3653L

Composed by Pepper Choplin. Arranged by Michael Lawrence. Choral, cantatas. Eastertide, Holy Week. Score and parts, plus CD with printable parts. Lorenz Publishing Company #30/3653L. Published by Lorenz Publishing Company (LO.30-3653L).

UPC: 000308152227.

Score and parts plus CD with printable parts for The Body of Christ (55/1197L) Pepper Choplin beautifully and creatively crafted this telling of the final days of Jesus’ life, focusing on the meaning of His words and actions leading to the cross. With stunning melodies and a powerful orchestration by Michael Lawrence, we reflect on the feet that walked the earth, the hands that touched and healed, the voice that spoke the Word of God, and the head that bore a crown of thorns as Jesus was sacrificed. From the worshipful opener, We Behold His Glory, to the meditative and stunningly powerful path to the cross, O Sacred Journey, the importance of Christ’s body remains the center point of this work. The final number, We Are the Body of Christ, is a benediction that can be presented immediately following the preceding number or after closing remarks from a speaker. For Christ is our head and though we are many, His Spirit will make us one…Go now as the body of Christ..

Full orchestra

SKU: LO.30-3650L

Composed by Pepper Choplin. Arranged by Michael Lawrence. Choral, cantatas. Eastertide, Holy Week. Full score. Lorenz Publishing Company #30/3650L. Published by Lorenz Publishing Company (LO.30-3650L).

UPC: 000308152197.

Full score for The Body of Christ (55/1197L) Pepper Choplin beautifully and creatively crafted this telling of the final days of Jesus’ life, focusing on the meaning of His words and actions leading to the cross. With stunning melodies and a powerful orchestration by Michael Lawrence, we reflect on the feet that walked the earth, the hands that touched and healed, the voice that spoke the Word of God, and the head that bore a crown of thorns as Jesus was sacrificed. From the worshipful opener, We Behold His Glory, to the meditative and stunningly powerful path to the cross, O Sacred Journey, the importance of Christ’s body remains the center point of this work. The final number, We Are the Body of Christ, is a benediction that can be presented immediately following the preceding number or after closing remarks from a speaker. For Christ is our head and though we are many, His Spirit will make us one…Go now as the body of Christ..

Full orchestra

SKU: LO.30-3651L

Composed by Pepper Choplin. Arranged by Michael Lawrence. Choral, cantatas. Eastertide, Holy Week. Instrumental parts. Lorenz Publishing Company #30/3651L. Published by Lorenz Publishing Company (LO.30-3651L).

UPC: 000308152203.

Set of parts for The Body of Christ (55/1197L) Pepper Choplin beautifully and creatively crafted this telling of the final days of Jesus’ life, focusing on the meaning of His words and actions leading to the cross. With stunning melodies and a powerful orchestration by Michael Lawrence, we reflect on the feet that walked the earth, the hands that touched and healed, the voice that spoke the Word of God, and the head that bore a crown of thorns as Jesus was sacrificed. From the worshipful opener, We Behold His Glory, to the meditative and stunningly powerful path to the cross, O Sacred Journey, the importance of Christ’s body remains the center point of this work. The final number, We Are the Body of Christ, is a benediction that can be presented immediately following the preceding number or after closing remarks from a speaker. For Christ is our head and though we are many, His Spirit will make us one…Go now as the body of Christ..

Full orchestra

SKU: LO.30-3652L

Composed by Pepper Choplin. Arranged by Michael Lawrence. Choral, cantatas. Eastertide, Holy Week. CD with printable parts. Lorenz Publishing Company #30/3652L. Published by Lorenz Publishing Company (LO.30-3652L).

UPC: 000308152210.

CD with printable parts for The Body of Christ (55/1197L) Pepper Choplin beautifully and creatively crafted this telling of the final days of Jesus’ life, focusing on the meaning of His words and actions leading to the cross. With stunning melodies and a powerful orchestration by Michael Lawrence, we reflect on the feet that walked the earth, the hands that touched and healed, the voice that spoke the Word of God, and the head that bore a crown of thorns as Jesus was sacrificed. From the worshipful opener, We Behold His Glory, to the meditative and stunningly powerful path to the cross, O Sacred Journey, the importance of Christ’s body remains the center point of this work. The final number, We Are the Body of Christ, is a benediction that can be presented immediately following the preceding number or after closing remarks from a speaker. For Christ is our head and though we are many, His Spirit will make us one…Go now as the body of Christ..

Orchestra (2.2.2.2. - 4.3.3.0. - timp.perc - hp -str)

SKU: BR.PB-4862-07

Study score. Composed by Jurg Baur. Softbound. Partitur-Bibliothek (Score Library).

World premiere: Hannover, March 13, 1972

Music post-1945. Study Score. Composed 1972. 82 pages. Duration 15'. Breitkopf and Haertel #PB 4862-07. Published by Breitkopf and Haertel (BR.PB-4862-07).

ISBN 9790004206591. 7 x 9.5 inches.

Variationen (Ouverture / Thema / Variation / Coda), Lyrisches Intermezzo (Sostenuto), Symphonische Nachklange (Allegro con moto).Immer wieder lassen sich Komponisten von Themen alterer oder auch zeitgenossischer Meister zu Variations-Zyklen anregen (Brahms: Handel- und Haydn-Variationen, Reger: Mozart-Variationen, Holler: Sweelinck-Variationen). Themen von Robert Schumann fanden bisher relativ selten Beachtung - (Regers Schumann-Variationen fur zwei Klaviere sind eine Ausnahme) - vielleicht, weil sie zu sehr in sich vollendet und abgeschlossen sind und deshalb kaum Moglichkeiten zur Veranderung enthalten. Dennoch beschaftigte mich schon langer die Idee, eine ,,Musik mit Schumann, Nachklange oder Erinnerungen an Schumann zu gestalten, mit der Absicht, ein heiteres, liebenswurdiges (und nachdenkliches) Werk zu schreiben, einmal ohne Experimente-, als ,,Divertimento fur den Normalhorer, gelegentlich behutsam verbunden mit modernen Techniken - nicht ohne hintergrundigen Humor. Der 1. Satz wurde inspiriert von den ,,Papillons (opus 2 fur Klavier); er gliedert sich in vier variationsahnliche Abschnitte. Die ,,Ouverture exponiert drei kurze Themen, die sich trotz ihres gegensatzlichen Charakters wie selbstverstandlich erganzen (Einleitungsgirlande und Schlussfanfare der Papillons und das bekannte Anfangsmotiv aus ,,Vogel als Prophet). Die Abschnitte ,,Thema, ,,Variationen und ,,Coda entwickeln und verandern das Hauptthema der ,,Papillons; dieses dominiert uber weite Strecken des Satzes und wird mit den Motiven der Ouverture kombiniert. Vielfaltig gegliedert ist das ,,Lyrische Intermezzo. Zu Beginn gewinnt ein Motiv aus den ,,Nachtstucken (fur Klavier) Bedeutung, taucht mehrere Male auf, von mehrtonigen b-a-c-h Clustern ,,gestort. Im Mittelpunkt stehen das Thema des 2. Satzes der g-moll Klavier-Sonate op. 22 (ein Mondnachtlied ohne Worte; Holzblaser) und ein Adagio-Gedanke aus dem Klavier-Zyklus ,,Kreisleriana (tiefe Streicher); beide Themen werden kontrapunktiert von zwolftonigen Strukturen und Klangbandern (Holzblaser). Die ,,Fruhlings-Symphonie-Fan fare eroffnet das Finale. Danach bilden sich uber rotierenden Klangflachen (Streicher) einzelne Tone und Intervalle, aleatorisch frei, verdichten sich, wie aus der Erinnerung auftauchend, zu Motiven aus Schumanns bekanntester Symphonie. Nach diesem zogernden Beginn entwickelt sich ein fast klassisch anmutender Sonaten-Durchfuhrungsteil mit mehreren melodischen Gedanken (Kopfmotiv der g-moll Klaviersonate, tanzerische und ostinate Themen aus der Fruhlings-Symphonie), die zum Teil in- und ubereinander geschichtet werden, bis auf dem Hohepunkt des Satzes das Schlussthema der Klavierfantasie op. 17, pathetisch-ironisch in den Blechblasern erklingt. Eine kurze Reprise mit dem Hauptgedanken fuhrt zur Anfangsfanfare zuruck; der Satz verklingt im pianissimo. Wollte man dem ganzen opus ein Motto voranstellen, dann die Schumann-Uberschrift (aus den Kinderszenen) : ,,Fast zu ernst - aber eben nur ,,fast. (Jurg Baur)CD:Sinfonieorchester des Bayerischen Rundfunks, cond. Hanns-Martin SchneidtCD Thorofon CTH 2270 Bibliography:Wallerang, Lars: Die Orchesterwerke Jurg Baurs als Dialog zwischen Tradition und Moderne, Koln: Dohr 2003.Nonnenmann, Rainer: Vergegenwartigungen. Umgang mit historischem Material bei Zimmermann, Baur, Killmayer, Schnebel und Zender, in: Jurg Baur, hrsg. von Ulrich Tadday (= Musik-Konzepte. Neue Folge, Heft 184/185), Munchen: Edition Text+Kritik 2019, S. 26-46.

Orchestra (Full Score)

SKU: HL.244904

For Orchestra. Composed by Bryce Dessner. Music Sales America. Classical. Softcover. Composed 2017. 64 pages. Duration 1020 seconds. Chester Music #CH83985. Published by Chester Music (HL.244904).

8.25x12.0x0.508 inches.

Quilting, co-commissioned by the BBC Symphony Orchestra and the Los Angeles Philharmonic, is my first stand alone work for orchestraand is loosely inspired by the American tradition of quilt making. I composed Quilting while living most of last year in Paris.During my time there, I thought a lot about what it means to compose symphonic music as a young American in the 21st century, when so many of the many masterworks which are programmed year in and out by orchestras across the country are European. I considered which artistic traditions defined the American 19th-century. I began to think of the American crafts-tradition of quilting as a foilto the high-art tradition of European orchestral composition. As the score for my new work began to take shape, I started thinking about the manuscript itself as an object, its vertical and horizontal planes create a kind of patterned geometry of their own. Visually the way a musical score is woven together like patchwork brought to mind quilts and the great American tradition of quilting. I imagined about how conducting an orchestra can feellike stitching a piece together, or sewing together a large number of musical ideas and musicians into a coherent and transcendent whole. Quilting was an integral part of American vernacular in the 18th and 19th centuries, the African-American quilting tradition is especially fascinating, and the quilts tell the stories of the women and communities who made them. The names of the quilt patterns themselves can have their own sense of narrative: 'jacobs ladder', 'drunkards path', 'solomon's puzzle', and (my favorite for its relevance to this piece) 'the road to California. - Bryce Dessner.

Orchestra (Study Score)

SKU: HL.51489061

Orchestra Study Score. Composed by Franz Joseph Haydn. Edited by Robert v. Zahn. Henle Study Scores. Classical. Softcover. 58 pages. G. Henle #HN9061. Published by G. Henle (HL.51489061).

UPC: 840126932836. 6.75x9.5x0.22 inches.

The twelve “London Symphonies” comprise the sublime final statement of Haydn's symphonic ouvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Probably composed in the winter of 1791/92, the Symphony in D major no. 93 was, with its easily accessible (butby no means simple!) musical structure, perfectly tailored to London tastes, which demanded melodic clarity and expressive pathos. The Baroque echoes of Handel in the slow introduction to the first movement and in the festive mood of the finale with its timpani and trumpets would have been well received - no wonder the symphony had to be repeated multiple times in the same season after its performance in 1792! This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Orchestra (Study Score)

SKU: HL.51489063

Orchestra Study Score. Composed by Franz Joseph Haydn. Edited by Robert v. Zahn. Henle Study Scores. Classical. Softcover. 55 pages. G. Henle #HN906. Published by G. Henle (HL.51489063).

UPC: 840126932867. 6.75x9.5x0.204 inches.

The twelve “London Symphonies” comprise the sublime final statement of Haydn's symphonic ouvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Probably composed in the winter of 1791/92, the Symphony in D major no. 93 was, with its easily accessible (butby no means simple!) musical structure, perfectly tailored to London tastes, which demanded melodic clarity and expressive pathos. The Baroque echoes of Handel in the slow introduction to the first movement and in the festive mood of the finale with its timpani and trumpets would have been well received - no wonder the symphony had to be repeated multiple times in the same season after its performance in 1792! This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

(Concentric Paths). By Thomas Adès. Orchestra. Full Orchestra; Masterworks; Score. Faber Edition. Form: Concerto. 20th Century; Masterwork. Advanced

SKU: CL.016-0254-00

Indian War Dance. Composed by King. Orchestra. Score and set of parts. Composed 1917. C.L. Barnhouse #016-0254-00. Published by C.L. Barnhouse (CL.016-0254-00).

Orchestra (Orchestra)

SKU: HL.48185342

Composed by Olivier Messiaen. Leduc. Classical. Softcover. 184 pages. Alphonse Leduc #AL28842. Published by Alphonse Leduc (HL.48185342).

UPC: 888680837099. 10.5x13.5x0.51 inches.

Illuminatio ns on the Afterlife - Part 2, VII to XI is the second part of this religious orchestral piece by Olivier Messiaen composed between 1987 and 1991. This conductor edition features the movements VII to XI of the orchestra. VII. Et Dieu essuiera toute larme de leurs yeux? (And God will dry the tears from their eyes) VIII. Les etoiles et la Gloire (Stars and Glory) IX. Plusieurs oiseaux des arbres de vie (Birds from trees of life) X. Le chemin de l?Invisible (Path to the Invisible) XI. Le Christ, lumiere du Paradis (Christ, light of the Paradise) The full orchestra lasts approximately one hour and was commissioned by the New York Symphonic Orchestra. It incorporates some birdsong from Oceania and some modes of limited transposition. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm, colour and ornithology' in 7 volumes..

Composed by Thomas Ades (1971-). Mixed Instruments - Miscellaneous Ensemble; Performance Music Ensemble. 20th Century; Adult Contemporary. Book. Faber Music #12-0571536565. Published by Faber Music

Orchestra

SKU: BR.PB-32030

Urtext. Composed by Friedrich Schneider. Orchestra. Partitur-Bibliothek (Score Library). Symphony; Romantic. Full score. 80 pages. Breitkopf and Haertel #PB 32030. Published by Breitkopf and Haertel (BR.PB-32030).

ISBN 9790004215159. 0 x 0 inches.

Promising Discovery When a recording of this Symphony No. 17 by Friedrich Schneider appeared in 2002, it attracted some attention. Now, Breitkopf & Hartel presents the work that, like all Schneider's symphonies, had remained unpublished, for the first time in a modern edition. The composer does not use a pathetic-heroic tone as suggested by the key, but follows the urgent, roving, and cantabile character that the key has possessed, especially in early Romanticism since the Sturm und Drang. It is reminiscent of Franz Schubert who ventured a very similar reinterpretation of the classical symphony. With this work Schneider succeeds in designing a remarkably coherent and carefully developed composition. A gain for the repertoire, since the symphony, composed in 1822 and premiered that year in the Leipzig Gewandhaus, shows so much merit.

Orchestra

SKU: FG.55011-588-0

Composed by Einojuhani Rautavaara. Score. Fennica Gehrman #55011-588-0. Published by Fennica Gehrman (FG.55011-588-0).

ISBN 9790550115880.

I wrote my First Symphony while studying in the United States in 1955, but the work has since undergone two substantial changes. The original four-movement structure changed into a two-movement structure in 1988, with an expansive, Romantic and pathos-laden principal movement followed by a grotesque and ironic scherzo. This version seems to owe something to Dmitri Shostakovich, one of the idols of 1950s Modernism in Finland. Later I found that the structure was out of balance, and in 2003 I added a lyrical slow movement (Poetico) between the two existing ones. In order to preserve the 1950s spirit of the original work, I based the slow movement on solo song written around the same time (third movement from the song cycle Die Liebenden).

Orchestra

SKU: HL.14000910

Composed by Hans Abrahamsen. Music Sales America. Classical. Score. Composed 2002. 52 pages. Edition Wilhelm Hansen #WH29721. Published by Edition Wilhelm Hansen (HL.14000910).

ISBN 9788759858875. 12.0x16.5x0.52 inches.

Nacht Und Trompeten by Hans Abrahamsen (1981). Programme note: The piece is dedicated to Hans Werner Henze, from whose request the piece arose. The music unfolds in a space, in which the memory of the earlier music has the same reality as the music of today. But the music of the memory is naturally distant and vague, whereas the music of today is present and gesticulated. In the opening section the past and the present are clearly separated, but during the piece, this balance is lifted, as the music of the past (trumpet signals, Sicilian melodicity, romantic Pathos, strawinskian neo-classicism) in a dynamic and often dramatic surrealistic play with minimalism and modernism oftoday is unravelled. Orchestration: 2.2.2.2/2.3.0.0/5perc/pf/ str. Parts are for hire: hire@ewh.dk.

Orchestra (Orchestra)

SKU: HL.14019146

Composed by Magnus Lindberg. Music Sales America. Classical. Score. 170 pages. Music Sales #KP00137. Published by Music Sales (HL.14019146).

ISBN 9788759855775. 12.0x16.5x0.525 inches. English.

The harmonic model for this piece is based on a subdivision of pitches in primary and secondary notes, in principle any chord can be viewed from it's structural qualities including interval content and symmetry, but it might also be conceived from a more acoustical point of view. The parallel basis for this work is a sequence of 12-tone chords repeated as a chaconne, every chord has it's Alter-Ego, an overtone series the fundamentals of which together form a bass line. By articulating the cycle differently, with always varied diagonal paths between two layers Lindberg has aimed to give the music some direction despite it's vague repetitive structure. Work for Orchestra premiered at the Queen Elizabeth Hall, London, by the London Sinfonietta under the direction of Esa-Pekka Salonen, April 1990.