Orchestra (2 Soprano Voice Solo, 2 Bass Voice Solo, 2 Ob, 2 clarinet, 2 bassoon, 2 Hn, 2 Trp, 2 V, Va, Basso, Continuo)

SKU: BA.BA08811

Divertimento teatrale in one act. Operetta for four voices. Composed by Antonio Salieri. Edited by Adrian La Salvia and Thomas Betzwieser. This edition: Edition of selected works, Urtext edition. Linen. Spectrum of European Music Theatre in Separate Editions 1. Edition of selected works, Score, Critical commentary, USB flash drive. Duration 1 hour, 15 minutes. Baerenreiter Verlag #BA08811_00. Published by Baerenreiter Verlag (BA.BA08811).

ISBN 9790006539840. 33.1 x 26.5 cm inches. Text Language: Italian. Preface: Betzwieser, Thomas. Text: Giambattista Casti.

A memorable musical competition commissioned by the emperor Joseph II took place on 7 February 1786 as part of a festival in the orangery of the Schönbrunn palace. A German Singspiel ensemble performed Mozart’s “Schauspieldirektor ” whilst Antonio Salieri’s “Prima la musica e poi le parole” was performed by the Italian court singers and musicians. This charming opera satire belongs to the genre of “metamelodrammaâ� � in which the opera itself becomes the subject of the action. The people who are part of an opera production, for example the librettist, composer and prima donna, appear as characters on the stage and are presented in a humorous self-reflection. In this ‘theatre about theatre’ Salieri parodies the music from Giuseppe Sarti’s “Giulio Sabino” in his insert arias, thus playing on the music which was totally familiar with the audience of the time. By reflecting on the musical-dramatic style of that period and discussing whether ‘the word’ or ‘the music’ should take priority, this masterpiece is considered to be an early forerunner to Richard Strauss’s “Capriccio”.< br>
The new edition of the score is published as part of “opera – Spectrum of European Music Theatre in Separate Editions”. There are several alterations regarding the libretto text, stage directions, articulation, ornamentation, etc. which have been incorporated into this newly engraved vocal score. Furthermore, all appendix numbers from the score which concern the quotations from Giuseppe Sarti’s “Giulio Sabino” have also been incorporated.

â� �¢ Urtext vocal score based on the historical-critical hybrid score published as part of “opera – Spectrum of European Music Theatre in Separate Editions” edited by Thomas Betzwieser (music edition) and Adrian La Salvia (text edition).
• Original Italian libretto with singable German translation
• Comprehensive bilingual foreword (Ger/Eng) on the genesis and reception of the work, on metamelodramma and intertextuality etc.
• Includes an extensive appendix to the quotations taken from Giuseppe Sarti’s “Giulio Sabino”
• Idiomatic piano reduction

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(Conductor's Score). By Bob Phillips and Kirk Moss. Orchestra. For Conductor's Score. Method/Instruction; Score; SmartMusic; String Orchestra Method/Supplement. Sound Innovations Series for Strings. 228 pages. Published by Alfred Music Publishing

Orchestra - Grade 2

SKU: AP.49031S

A Galactic Journey. Composed by Anthony Granata. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Score. 12 pages. Duration 1:45. Belwin Music #00-49031S. Published by Belwin Music (AP.49031S).

ISBN 9781470645472. UPC: 038081564012. English.

Written by Anthony Granata, Into the Stars: A Galactic Journey is an exciting space-themed adventure piece that will captivate your developing orchestras and have them feeling and playing confidently in 6/8 time. With an epic and memorable sounding main theme, your students will be transported into a world of simple and compound meters as they dig into their strings for this fun programmatic piece of music. Students will feel as though they have stepped into the sound stage for a film score of a Hollywood science fiction movie. (1:45).

Orchestra - Grade 1.5

SKU: AP.49462

The Prince of Denmark March. Composed by Jeremiah Clarke. Arranged by Bob Phillips. Series; Single Titles; String Orchestra. Sound Innovations for String Orchestra. Light Concert; Masterwork Arrangement. Score and Part(s). Duration 2:00. Alfred Music #00-49462. Published by Alfred Music (AP.49462).

ISBN 9781470650261. UPC: 038081571041. English.

This arrangement of The Prince of Denmark March, or Trumpet Voluntary, provides the perfect setting for advocacy and striving for excellence since it is so recognizable. Three different versions of the final 8 bars, containing incorrect notes, are included. Each version contains an increasing percentage of correct pitches. Each represents a different letter grade. Play all four versions and then explain to parents and administration that the A+, 100% correct version is what we do every day in orchestra. All sections play the melody in this piece, still providing a solid musical setting in a novelty piece. Audience members are sure to recognize it which makes it perfect for finding errors. Along with the real music for the final 8 bars, three other versions are included. The first version has 80% of the correct notes and 20% incorrect. The next has 90% correct notes and 10% incorrect. The next has 95% correct notes and 5% incorrect. The final, real version has 100% correct notes. The 100% version should be played first for the audience explaining this version would get an A+ in an academic setting. Then play the 80% or B- version, then the 90% or A- Version, and then the 95% A version. Then explain to parents and administration that the only version that is acceptable is the 100% version and that is what we do every day in orchestra. This provides a perfect advocacy moment to discuss the benefits of music education with parents and a tangible explanation of striving for excellence to parents and students. Includes an educational packet with each part that features technical exercises, history, theory, composition, and more. Correlated to Sound Innovations, Book 1, Level 5. (2:00).

Orchestra - Grade 1.5

SKU: AP.49462S

The Prince of Denmark March. Composed by Jeremiah Clarke. Arranged by Bob Phillips. Series; Single Titles; String Orchestra. Sound Innovations for String Orchestra. Light Concert; Masterwork Arrangement. Score. Duration 2:00. Alfred Music #00-49462S. Published by Alfred Music (AP.49462S).

ISBN 9781470650278. UPC: 038081571058. English.

This arrangement of The Prince of Denmark March, or Trumpet Voluntary, provides the perfect setting for advocacy and striving for excellence since it is so recognizable. Three different versions of the final 8 bars, containing incorrect notes, are included. Each version contains an increasing percentage of correct pitches. Each represents a different letter grade. Play all four versions and then explain to parents and administration that the A+, 100% correct version is what we do every day in orchestra. All sections play the melody in this piece, still providing a solid musical setting in a novelty piece. Audience members are sure to recognize it which makes it perfect for finding errors. Along with the real music for the final 8 bars, three other versions are included. The first version has 80% of the correct notes and 20% incorrect. The next has 90% correct notes and 10% incorrect. The next has 95% correct notes and 5% incorrect. The final, real version has 100% correct notes. The 100% version should be played first for the audience explaining this version would get an A+ in an academic setting. Then play the 80% or B- version, then the 90% or A- Version, and then the 95% A version. Then explain to parents and administration that the only version that is acceptable is the 100% version and that is what we do every day in orchestra. This provides a perfect advocacy moment to discuss the benefits of music education with parents and a tangible explanation of striving for excellence to parents and students. Includes an educational packet with each part that features technical exercises, history, theory, composition, and more. Correlated to Sound Innovations, Book 1, Level 5. (2:00).

Orchestra (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3 (dble bsn) - 4.3.3.1 - 2hp.cel.mand.timp.perc(4) - str)

SKU: BR.OB-5641-60

Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Voice; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Set of parts. 1116 pages. Duration 65'. Breitkopf and Haertel #OB 5641-60. Published by Breitkopf and Haertel (BR.OB-5641-60).

ISBN 9790004348833. 10.5 x 14 inches.

The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver's model. It is therefore all the more regrettable that he was neither able to perform his Symphony in Songs himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Fussl, many questions remained unanswered, while other were answered in a dubious way.The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner - in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler's conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/Eb clarinet, bass clarinet/3rd clarinet in places where the latter plays Eb clarinet) to allow performances with only four clarinets.The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler's piano autograph and the piano reduction by Woss, which was commissioned by the composer himself, served as an inspiration for this.

By Wolfgang Amadeus Mozart. Arranged by Richard Meyer. Music by Wolfgang Amadeus Mozart / arr. Richard Meyer. For Full Orchestra. Full Orchestra. First Philharmonic. Level: 1 (grade 1). Conductor Score. 16 pages. Published by Alfred Publishing.

By Johannes Brahms. Arranged by Richard Meyer. Music by Johannes Brahms / arr. Richard Meyer. For Full Orchestra. Full Orchestra. First Philharmonic. Level: 2 (grade 2). Conductor Score. 20 pages. Published by Alfred Publishing.

By Johannes Brahms. Arranged by Richard Meyer. Music by Johannes Brahms / arr. Richard Meyer. For Full Orchestra. Full Orchestra. First Philharmonic. Level: 2 (grade 2). Conductor Score and Parts. 2 pages. Published by Alfred Publishing.

Orchestra

SKU: BR.PB-5432

Composed by Helmut Lachenmann. Orchestra; stapled. Partitur-Bibliothek (Score Library).

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

New music (post-2000). Full score. Composed 2016/17/20. 48 pages. Duration 8'. Breitkopf and Haertel #PB 5432. Published by Breitkopf and Haertel (BR.PB-5432).

ISBN 9790004212790. 10 x 12.5 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.

Orchestra (pic.2.afl.2.ca.2Acl.0.bc l.2.cbsn-4.3.2.btbn.1-tim p.3perc(glsp, mar, crot, tub bells, bell tree, 2sus cym, clash cym, claves, b.d, wdbl)-str)

SKU: HL.49018422

Reflections on the life and work of Paula Modersohn-Becker (1876-1907). Composed by Sir Peter Maxwell Davies. This edition: Saddle stitching. Sheet music. Edition Schott. Das 30minutige Orchesterwerk in drei Satzen, das von den Bremer Philharmonikern in Auftrag gegeben und von diesen 2007 uraufgefuhrt wurde, gehort zu den Schlusselwerken von Maxwell Davies der letzten Jahre. Study score. Composed 2006. Op. 276. 8 pages. Duration 30'. Schott Music #ED13366. Published by Schott Music (HL.49018422).

ISBN 9790220132391. UPC: 884088614515. 8.25x11.75x0.232 inches.

Maxwell Davies' 'Das Rauschende der Farbe' (The Sound of Colour) is a reflection on the life and work of the German artist Paula Modersohn-Becker who died aged 31 in 1907. Maxwell Davies first got to know the artist's work whilst on a school exchange in Hamburg in 1951 and the composer has since written that Modersohn-Becker's work has influenced the way that he views the relationship between art and the landscape in which it is produced. This is a particularly significant statement for a composer whose music is often a response to the land and seascape of his adopted home in the Orkney Isles. Commissioned by the Bremer Philharmoniker and first performed by them in 2007, the 30 minute orchestral work in three movements is one of the key works by Maxwell Davies in recent years.

Orchestra

SKU: SU.97022030

For Orchestra. Composed by William Thomas McKinley. Orchestra. Study Score. Notevole Music Publishing #97022030. Published by Notevole Music Publishing (SU.97022030).

New York Overture was commissioned by the New York Chamber Symphony and composed for the rich and bright sound that this orchestra reveals under Gerard Schwarz’s wonderfully buoyant and energetic leadership. Having worked with these intense artists many times before, I found it easy to imagine, in a single vision, a dramatic overture cast in a traditional and serious manner. My impressions and memories of New York provided a direct catalyst. Woven into the overture are a number of ‘hints’ derived from well-known melodies which have endured as popular romanticizations of New York’s manifold personality. Coupled with these ‘hints’ are my own Tin-Pan Alley and jazz experiences, presented and transformed throughout the melodic and harmonic fabric. Rhythmically, the New York Overture seeks to create perpetual motion and movement as a metaphor for what we see and encounter in the New York streets, with their intricate rhythmic patterns of pulsing energy. Listeners will, I hope, discover in it their own feelings and memories, aroused by the aura of this dazzling, varied, and yet monolithic city. —William Thomas McKinley (© 1990), from 12-13 May 1990 program and his notes. 2(1) 2 2 2; 2200; timp/perc, pno, hp; stgs Duration: 14' Composed: 1989 Published by: Notevole Music Publishing Performance materials available on rental:.

Orchestra

SKU: PO.UME14

Composed by Anthony Ritchie. Perfect. Full score. Promethean Editions #UME14. Published by Promethean Editions (PO.UME14).

ISBN 9781877564864.

Comp leted while Ritchie was Composer-in-Residence with the Dunedin Sinfonia in 1993, Boum is named after a mysterious echo heard by characters in E.M. Forster's novel A Passage to India. The echo comes to symbolise the mysteries of life and death, and was a starting point to a general theme of existentialism and human struggle that pervades Ritchie's symphony.An eclectic range of influences can be heard across Boum's four movements. A languid, Eastern-sounding violin theme in the first movement is influenced by gamelan music, referencing the pelog scale. Inspired by traditional music of the Cook Islands, the jaunty second movement is a vigorous scherzo dominated by the sound of log-drum and tom-toms. The third movement is a lament for the victims of the Bosnian war, its evocative opening inspired by the wailing of a Maori karanga, while the fourth movement can be thought of as a symphonic dance, its pulse and motivic ideas reminiscent of rock music.

Orchestra - intermediate to advanced

SKU: HL.49001684

Score. Composed by Pietro Nardini. Edited by Guenter Kehr. This edition: Saddle stitching. Sheet music. Concertino (Chamber Orchestra). Classical. Condensed Score. Op. 1/1. 32 pages. Duration 13'. Schott Music #CON 109. Published by Schott Music (HL.49001684).

ISBN 9790001023146. 8.25x11.75x0.133 inches.

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for singing, as is shown by reports of his contemporaries. Leopold Mozart, for example, wrote in one of his letters that he had heard a certain Nardini and that there could not be heard anything more beautiful in the tonal beauty, purity, harmony and in the singable taste.The two concertos in A major and F major consist of three movements with the traditional tempo order quick-slow-quick, each movement giving the soloist the opportunity to play a solo cadence.

Orchestra (Orchestra)

SKU: BA.BA04593-01

Composed by Wolfgang Amadeus Mozart. Edited by Gerhard Allroggen. This edition: complete edition, urtext edition. Linen. New Mozart Edition (Neue Mozart Ausgabe - NMA) Series IV, Volume 11, No. 1. Musikwissenschaft, Klassik (Critical Commentary, Classical). Complete edition, Score, anthology. Baerenreiter Verlag #BA04593_01. Published by Baerenreiter Verlag (BA.BA04593-01).

ISBN 9790006451371. 33 x 26 cm inches.

Urtext der Neuen Mozart-Ausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra (2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, strings)

SKU: BA.BA05522

For performance material see BA 5601-5603. Composed by Franz Schubert. Edited by Arnold Feil and Christa Landon. This edition: complete edition, urtext edition. Linen. New Schubert Edition (Neue Ausgabe samtlicher Werke) Series V, Volume 1. Complete edition, Score, anthology. No. 1-3. Baerenreiter Verlag #BA05522_00. Published by Baerenreiter Verlag (BA.BA05522).

ISBN 9790006472178. 33 x 26 cm inches.

For performance material refer to BA 5601-5603.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra - Grade 1.5

SKU: AP.48038S

Composed by Rob Grice. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Score. 16 pages. Duration 2:35. Belwin Music #00-48038S. Published by Belwin Music (AP.48038S).

UPC: 038081554648. English.

Armor of the Mystic by Rob Grice is an ominous piece for younger orchestras that offers the opportunity to perform a mature-sounding composition without parts that are too technically demanding. With dissonant harmonies and pulsating rhythms, this powerful concert work is sure to stimulate the imaginations of young musicians as well as capture the attention of your audience. This work is great for festival performances and will program well on your next concert! This title is available in MakeMusic Cloud. (2:35).

Orchestra - Grade 1.5

SKU: AP.48038

Composed by Rob Grice. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Score and Part(s). 156 pages. Duration 2:35. Belwin Music #00-48038. Published by Belwin Music (AP.48038).

UPC: 038081554631. English.

Armor of the Mystic by Rob Grice is an ominous piece for younger orchestras that offers the opportunity to perform a mature-sounding composition without parts that are too technically demanding. With dissonant harmonies and pulsating rhythms, this powerful concert work is sure to stimulate the imaginations of young musicians as well as capture the attention of your audience. This work is great for festival performances and will program well on your next concert! This title is available in MakeMusic Cloud. (2:35).