Orchestra - Grade 3.5 SKU: AP.FO9912C Arranged by Jerry Brubaker. Full Or...(+)
Orchestra - Grade 3.5
SKU: AP.FO9912C
Arranged by Jerry
Brubaker. Full Orchestra;
Performance Music
Ensemble; Single Titles.
Pop Concert Full
Orchestra. Light Concert;
Movie. Score. 44 pages.
Duration 7:24. Belwin
Music #00-FO9912C.
Published by Belwin Music
(AP.FO9912C).
UPC:
654979000365.
English.
The world
has waited years, and
finally, last May, the
motion picture event of
the century exploded on
the screen. Jerry
Brubaker presents a
highly creative mix of
these great themes from
the power-packed John
Williams' score: Star
Wars (Main Theme),
Anakin's Theme, Augie's
Great Municipal Band,
Duel of the Fates, and
the End Credits. Every
orchestra in the world
will be playing this one!
(7:24).
(The Journey from Darkness to Light). By Lloyd Larson. Arranged by Mary Mcdonald...(+)
(The Journey from
Darkness to Light). By
Lloyd Larson. Arranged by
Mary Mcdonald. Orchestra.
For Flute, Clarinet, 2
Trumpet, Horn, 2
Trombone, Percussion,
Piano, Synthesized
Strings. Cantata. Choral:
Advent. Orchestral Score
and Parts. Published by
Lorenz Publishing Company
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Featuring "Princess Leia's Theme," "The Imperial March," "The Forest Battle," an...(+)
Featuring "Princess
Leia's Theme," "The
Imperial March," "The
Forest Battle," and "Star
Wars! (Main Title)". By
John Williams. Arranged
by Robert W. Smith. For
Full Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Movie.
Level: 4 (grade 4).
Conductor Score. 32
pages. Published by
Alfred Publishing.
Full Orchestra SKU: HL.4491550 With Soprano Solo and SATB Chorus Delux...(+)
Full Orchestra
SKU:
HL.4491550
With
Soprano Solo and SATB
Chorus Deluxe Score.
By Renee Fleming.
Arranged by Rob Mathes.
Symphony Pops. Holiday,
Patriotic. 8 pages.
Published by Hal Leonard
(HL.4491550).
By Doerksen, Brian. Arranged by Jack Schrader. For Orchestra. (SAB or Three-Par...(+)
By Doerksen, Brian.
Arranged by Jack
Schrader. For Orchestra.
(SAB or Three-Part). Call
To Worship, Commitment,
Gathering, Gospel, Praise
and Worship and Sacred.
Print Music Single (SAB).
Published by Hope
Publishing Company.
Into the Stars Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
A Galactic Journey. Composed by Anthony Granata. Performance Music Ensemble; ...(+)
A Galactic Journey.
Composed
by Anthony Granata.
Performance Music
Ensemble;
Single Titles; String
Orchestra. Belwin
Intermediate String
Orchestra. Part(s);
Score.
Alfred Music #00-49031.
Published by Alfred Music
A Galactic
Journey. Composed by
Anthony Granata.
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Score. 12
pages. Duration 1:45.
Belwin Music #00-49031S.
Published by Belwin Music
(AP.49031S).
ISBN
9781470645472. UPC:
038081564012.
English.
Written by
Anthony Granata, Into the
Stars: A Galactic Journey
is an exciting
space-themed adventure
piece that will captivate
your developing
orchestras and have them
feeling and playing
confidently in 6/8 time.
With an epic and
memorable sounding main
theme, your students will
be transported into a
world of simple and
compound meters as they
dig into their strings
for this fun programmatic
piece of music. Students
will feel as though they
have stepped into the
sound stage for a film
score of a Hollywood
science fiction movie.
(1:45).
(Featuring the Carols of Alfred Burt). Arranged by Bob Krogstad and Ed Lojeski. ...(+)
(Featuring the Carols of
Alfred Burt). Arranged by
Bob Krogstad and Ed
Lojeski. For Full
Orchestra (Score and
Parts). HL Full
Orchestra. Grade 3-4.
Published by Hal Leonard
Full Orchestra (Full Score) - Grade 4 SKU: HL.4492291 Composed by Pasek a...(+)
Full Orchestra (Full
Score) - Grade 4
SKU:
HL.4492291
Composed
by Pasek and Paul.
Arranged by Sean
O'Loughlin. HL Full
Orchestra. Movies.
Softcover. Published by
Hal Leonard (HL.4492291).
UPC: 888680738952.
9.0x12.0x0.059
inches.
From the
songwriting team who
brought us Dear Evan
Hansen and La La Land,
the blockbuster movie
musical The Greatest
Showman is based on the
true story of P.T. Barnum
with Hugh Jackman in the
title role. This
arrangement of the
powerful songs from the
film is a dynamic musical
montage for the concert
stage. Includes Come
Alive, The Greatest Show,
A Million Dreams, Rewrite
the Stars and This Is
Me.
Orchestra SKU: PR.41641530L For Suona And Orchestra. Composed by N...(+)
Orchestra
SKU:
PR.41641530L
For
Suona And Orchestra.
Composed by Narong
Prangcharoen. Large
Score. 58 pages. Duration
15 minutes. Theodore
Presser Company
#416-41530L. Published by
Theodore Presser Company
(PR.41641530L).
UPC:
680160625925.
The
Respiration of the Earth
is inspired by the
breathing motion. The
music focuses on the
tension of the air of
breathing. There are many
different types of
breathing such as slow
breath, long breath,
short breath, holding
breath, uneven breath,
etc. The shape of the
music is created by the
inhale and exhale motion.
The piece starts with a
long holding breath,
gradually create a
tension until one can't
hold that breath and
release the air out. The
Suona is acting as the
motion of the air so the
orchestra has to follow.
This piece ends with the
chaotic motion so the
audiences can feel the
tension as if they are
running out of breath.
It's a main concern about
the environment of the
Earth so this piece is a
message to people to keep
the environment clean so
the Earth can breath for
a longer time.
Respiration of the Earth
is commissioned and
dedicated to Mr. Shi
Haibin with the gracious
support from John Simon
Guggenheim
Foundation. The
Respiration of the Earth
is inspired by the
breathing motion. The
music focuses on the
tension of the air of
breathing. There are many
different types of
breathing such as slow
breath, long breath,
short breath, holding
breath, uneven breath,
etc. The shape of the
music is created by the
inhale and exhale motion.
The piece starts with a
long holding breath,
gradually create a
tension until one
can’t hold that
breath and release the
air out. The Suona is
acting as the motion of
the air so the orchestra
has to follow. This piece
ends with the chaotic
motion so the audiences
can feel the tension as
if they are running out
of breath. It’s a
main concern about the
environment of the Earth
so this piece is a
message to people to keep
the environment clean so
the Earth can breath for
a longer time.Respiration
of the Earth is
commissioned and
dedicated to Mr. Shi
Haibin with the gracious
support from John
SimonGuggenheim
Foundation.
Orchestra SKU: SU.32040140 For Orchestra. Composed by Amy Riebs Mi...(+)
Orchestra
SKU:
SU.32040140
For
Orchestra. Composed
by Amy Riebs Mills.
Orchestra. Full Score.
Subito Music Corporation
#32040140. Published by
Subito Music Corporation
(SU.32040140).
2222; 4331;
timp, 2 perc, pno; stgs
Duration: 13'30 Composed:
2016 Published by: Amy
Mills Music, LLC Like a
modern Pictures at an
Exhibition…. Ha
Shamayim is an original
piece for orchestra that
was inspired by
photographs taken by the
Hubble space telescope.
Each section is inspired
by one photo; the title
of each section is the
title that NASA gave to
the photograph. The words
Ha Shamayim are Hebrew
for The Heavens. They are
written in Genesis 1:1,
In the beginning God
created the heavens and
the earth. The words are
also seen in Psalm 19.
Section I: Warped Edge-On
Galaxy ESO 510-G13
The piece begins in outer
space with its glistening
stars. Glissandi are used
to depict the strange but
beautiful warp seen in
the photograph. Section
II: Galaxy Fires at
Neighboring Galaxy
Suddenly the piece erupts
as one galaxy fires blue
gas at its neighbor. They
engage in a cosmic
battle. Section III:
Youthful-looking Galaxy
May Be an Adult The
adolescent galaxy is
personified by a
humorous, gawky melody
reminiscent of teenage
boys who walk on feet
that are still too big.
Occasionally there is an
argument with an
authority figure, but the
joy of exploring the
universe quickly returns.
Section IV: Star Birth in
Galaxy M83 The
dramatic photograph looks
like a womb with veins.
The music begins on one
note, then it begins to
explore the initial
swelling and stretching.
It morphs into an
energetic fast theme,
still growing. Ultimately
it becomes glorious and
expansive, like the new
star. Section V: String
of ‘Cosmic
Pearls’ Surrounds
an Exploding Star The
first theme is a happy
circle dance inspired by
the circle of white dots
in the photograph. The
second theme is noble and
joyful. It is reminiscent
of the melody in the
famous chorus in
Haydn’s The
Creation with the words
from Psalm 19, The
heavens are telling the
glory of God. The music
then has flashbacks to
the earlier sections, and
ends in triumph. The five
sections in Ha Shamayim
are continuous with no
breaks. Difficulty Level:
5 (Advanced/Professional)
See composer website for
audio sample. Performance
materials available on
rental only:.
The Star Spangled Banner Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By John Stafford Smith, Words By Francis Scott Key. Arranged by Peter Breiner. M...(+)
By John Stafford Smith,
Words By Francis Scott
Key. Arranged by Peter
Breiner. Music by John
Stafford Smith, words by
Francis Scott Key / arr.
Peter Breiner. For Full
Orchestra. Full
Orchestra. Belwin Concert
Full Orchestra.
Patriotic. Level: 3
(grade 3). Conductor
Score
Composed by John Williams. For flute I,II, piccolo (flute III), oboe I,II, Bb cl...(+)
Composed by John
Williams. For flute I,II,
piccolo (flute III), oboe
I,II, Bb clarinet I,II,
Bb bass clarinet, bassoon
I,II, F horn, Bb trumpet
I-III, trombone I,II,
bass trombone, tuba,
timpani, percussion I,II,
harp, piano/celeste,
violin I,II, viola, cello
and contrabass. From the
motion picture "Star
Wars". Format: full score
(spiral bound). Movies.
Series: Hal Leonard John
Williams Signature
Edition. 131 pages.
10.5x14 inches. Published
by Hal Leonard.
Arranged by Jerry Brubaker. Arr. Jerry Brubaker. For Full Orchestra. Full Orches...(+)
Arranged by Jerry
Brubaker. Arr. Jerry
Brubaker. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Movie.
Level: Medium Easy to
Medium (grade III-IV).
Conductor Score and
Parts. 426 pages.
Duration 7:24. Published
by Alfred Publishing.
SKU: CL.016-0180-00 Arranged by Allen. Orchestra. Score and set of parts....(+)
SKU:
CL.016-0180-00
Arranged by Allen.
Orchestra. Score and set
of parts. Composed 1911.
C.L. Barnhouse
#016-0180-00. Published
by C.L. Barnhouse
(CL.016-0180-00).
This product
contains three titles on
one sheet of music:
America Red, White and
Blue The Star Spangled
Banner NOTE: This is a
vintage orchestra
publication, designed for
the small theater
orchestras of the very
late 1800s and early
1900s – whose
instrumentation varies
considerably from a
modern full orchestra
work. Parts for standard
string instruments are
included, along with wind
and percussion parts as
scored by the musical
judgment of the composer
or arranger. Be cautioned
that published parts
might include less
familiar transpositions,
such as Clarinet or
Cornet in A, Horn in Eb,
etc. Please contact us
with any specific
instrumentation
questions.
Full orchestra SKU: LO.30-3781L Composed by Mary McDonald. Choral. Sacred...(+)
Full orchestra
SKU:
LO.30-3781L
Composed
by Mary McDonald. Choral.
Sacred Anthem, Patriotic.
Orchestral score and CD
with printable parts.
Lorenz Publishing Company
#30/3781L. Published by
Lorenz Publishing Company
(LO.30-3781L).
UPC:
000308156171.
Orche
stral Score and CD with
Printable Parts for
10/5426L and 10/5461L
This bold and dramatic
setting of The
Star-Spangled Banner is
one for your choral
library. The piano
accompaniment stands
strongly on its own, but
the arrangement can be
elevated with a stunning
orchestration. It
includes an optional
ending for traditional
national anthem
performances and an
additional verse for an
expanded, powerful
ending.
By John Williams. Arranged by Robert W. Smith. For Full Orchestra. Full Orchestr...(+)
By John Williams.
Arranged by Robert W.
Smith. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. 0. Movie.
Level: grade 4. Conductor
Score and Parts. 232
pages. Published by
Alfred Publishing.
By John Williams. Arranged by Robert W. Smith. For Full Orchestra. Full Orchestr...(+)
By John Williams.
Arranged by Robert W.
Smith. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Movie.
Conductor Score and
Parts. 200 pages.
Published by Alfred
Publishing. Level: 4
(grade 4).
By John Williams. Arranged by Robert W. Smith. For Full Orchestra. Full Orchestr...(+)
By John Williams.
Arranged by Robert W.
Smith. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Movie.
Conductor Score. 28
pages. Published by
Alfred Publishing.
Level: 4 (grade 4).