Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
(The Journey from Darkness to Light). By Lloyd Larson. Arranged by Mary Mcdonald...(+)
(The Journey from
Darkness to Light). By
Lloyd Larson. Arranged by
Mary Mcdonald. Orchestra.
For Flute, Clarinet, 2
Trumpet, Horn, 2
Trombone, Percussion,
Piano, Synthesized
Strings. Cantata. Choral:
Advent. Orchestral Score
and Parts. Published by
Lorenz Publishing Company
Arranged by Bob Cerulli. For Full Orchestra. Full Orchestra. Pop Intermediate Fu...(+)
Arranged by Bob Cerulli.
For Full Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Movie.
Conductor Score & Parts.
208 pages. Published by
Alfred Publishing.
Level: 3 (grade 3).
Superman Returns Orchestre [Conducteur] - Intermédiaire Alfred Publishing
Featuring: Power of the Sun / You're Not One of Them / Superman Theme / Can You ...(+)
Featuring: Power of the
Sun / You're Not One of
Them / Superman Theme /
Can You Read My Mind?.
Arranged by Bob Cerulli.
For Full Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Movie. Level:
3 (grade 3). Conductor
Score. 40 pages.
Published by Alfred
Publishing.
A Mass in Celebration of Mother Earth. By Paul Winter. Composed by Paul Halley, ...(+)
A Mass in Celebration of
Mother Earth. By Paul
Winter. Composed by Paul
Halley, Jim Scott, Oscar
Castro-Neves, Kim Oler,
Paul Winter. For Soprano
Saxophone, Oboe/English
Horn, Cello, Piano,
Organ, Guitar, Bass and
Percussion. (IPAKS).
Choral. Instrumental
Score and Parts.
Published by Hal Leonard.
Orchestra SKU: HL.14023201 Composed by Erik Norby. Music Sales America. C...(+)
Orchestra
SKU:
HL.14023201
Composed
by Erik Norby. Music
Sales America. Classical.
Score. Composed 2002. 48
pages. Edition Wilhelm
Hansen #WH29353.
Published by Edition
Wilhelm Hansen
(HL.14023201).
ISBN
9788759860250.
International (more than
one
language).
Orchestr
ation: 3(pic)(2afl).+
pic.3+ca.3+bcl.3+cbn/6.4.
4.1/timp.perc/hp/pf/str
THE RAINBOW SNAKE is an
Indian legend about how
the rainbow came into
being. It is said that a
snake heard the Indians
grieving over a very long
drought and the
unfruitfulness of the
land, so it wound itself
into a ball and wasthrown
high into the air. It
unwound itself again and
grew longer and longer
until b And since then -
every time it rains while
the sun is shining - the
snake has stretched its
supple body across the
sky.
Orchestration Choral (Orchestra) SKU: HL.35027044 From Song of the Sha...(+)
Orchestration Choral
(Orchestra)
SKU:
HL.35027044
From
Song of the Shadows.
Composed by Joseph M.
Martin. Harold Flammer
Easter. Easter, Palm
Sunday. CD-ROM. Published
by Shawnee Press
(HL.35027044).
UPC:
884088466640.
5.0x5.0x0.176
inches.
Uses: Palm
Sunday Scripture: Luke
19:36-38 From the iconic
Lenten cantata, Song of
the Shadows, we are
pleased to release this
important Palm Sunday
anthem individually with
its original
orchestration. Full of
irony, this poignant
anthem reminds the
listener that the
hosannas of Palm Sunday
soon become cries of
crucify. Words cannot
describe the impact this
dramatic anthem has on
its audience. A
masterpiece! The
orchestration includes
parts for: piano, flute 1
& 2, oboe, clarinet 1
& 2, bassoon, horn 1
& 2, trumpet 1,
trumpet 2 & 3,
trombone 1 & 2, bass
trombone/tuba, timpani,
percussion 1 & 2,
harp, violin 1, violin 2,
viola, cello, double
bass. Available
separately: SATB, iPrint
Orch CD-ROM, StudioTrax
CD. Duration: 3:43.
Orchestra SKU: HL.14026868 Composed by Thea Musgrave. Music Sales America...(+)
Orchestra
SKU:
HL.14026868
Composed
by Thea Musgrave. Music
Sales America. Classical.
Studyscore. 68 pages.
Music Sales #NOV360013.
Published by Music Sales
(HL.14026868).
8.25x11.75x0.312
inches.
Written for
orchestra. Commissioned
by the City of Glasgow to
mark the opening of a new
International Concert
hall on 19 October 1990,
and to celebrate the city
as cultral capital of
Europe. Rainbow is a
soundscape in both a
literal and a figurative
sense. In nature, of
course, a rainbow heralds
the end of a storm and
the reappearance of the
sun.
Orchestra SKU: SU.94010400 For Orchestra. Composed by James Lee II...(+)
Orchestra
SKU:
SU.94010400
For
Orchestra. Composed
by James Lee III.
Orchestra. Study Score.
Subito Music Corporation
#94010400. Published by
Subito Music Corporation
(SU.94010400).
2,1 2,1 2,1
2,1; 4331; timp, perc(3),
cel, hp; stgs Duration:
11' Composed: 2013
Published by: Subito
Music Publishing
Performance materials
available on rental:
Alas! Babylon’s
Final Sunset is
another installment in my
series of works that
musically comment on the
biblical books of Daniel
and Revelation. The
principal source of
inspiration for this
works comes from the 18th
chapter of the book of
Revelation. This chapter
states that the career of
Babylon the Great is
finally coming to an end.
The music begins with a
mysterious pianissimo
tremolo accompanied by
tam-tam and bass drum.
The initial flourishes in
the oboes and English
horn serve as the
principal motive of
warning. As the music
continues, there are
varying degrees of
agitation among the
strings and woodwinds.
Throughout the work there
are rhythmic motives in
the brass, percussion,
and various woodwind
instruments that sing and
speak Babylon is Fallen
in triple meter. As the
tutti ensemble arrives at
a climax, the orchestral
texture becomes thinner
and slightly transparent.
As the music continues,
the opening motive
returns in the oboes,
however the counterpoint
produces a series of solo
laments. These passages
are intended to provide
picturesque images of
these words: And the
voice of harpers, and
musicians, and of pipers,
and trumpeters, shall be
heard no more at all in
thee; and no craftsman,
of whatsoever craft he
be, shall be found any
more in thee; and the
sound of a millstone
shall be heard no more at
all in thee; And the
light of a candle shall
shine no more at all in
thee. and the voice of
the bridegroom and of the
bride shall be heard no
more at all in thee: for
thy merchants were the
great men of the earth;
for by thy sorceries were
all nations deceived. And
in her was found the
blood of prophets, and of
saints, and of all that
were slain upon the
earth. Rev. 18:22-24 The
following passages
musically comment on the
historical career of
Babylon with a sense of
her impending
destruction. The series
of laments transforms
into the more emphatic
rhythmic motive Babylon
is Fallen. The orchestral
texture begins to become
more condense, once
again, with the initial
flourishes of, but with
notable variations.
Finally, the celesta,
harp, oboes, English
horn, and strings sing
profundities that are
finally transformed into
a minor mode tonality
that fades away with the
ringing of the tam-tam.
Babylon has finally seen
her last sunset.
Orchestra SKU: HL.14027979 Composed by Poul Ruders. Music Sales America. ...(+)
Orchestra
SKU:
HL.14027979
Composed
by Poul Ruders. Music
Sales America. Score. 111
pages. Edition Wilhelm
Hansen #KP00695.
Published by Edition
Wilhelm Hansen
(HL.14027979).
ISBN
9788759888780.
English.
Corona -
The Solar Trilogy No. 3
for Orchestra was
composed by Poul Ruders
in 1995. Programme note:
CORONA makes the final
part of the
SOLAR-TRILOGY, a huge
symphonic triptych about
the life and behavior of
the Sun. The first'panel'
GONG depicts the birth,
life and final collapse
of our nearest star, the
second ZENITH describes
in its ultra-slow tempo
the patient rise of the
Sun toward midday
ferocity and its
subsequent setting.
CORONA, then, is a
symphonic 'portrait' of
the phenomenally hot
whispy brim encircling
and radiating from the
Sun, a sizzling halo of
electrons and photons
visible only during a
total eclipse. Formally
CORONA follows the
process of such
totalityin progress:the
gradual eclipsing by the
Moon - total darkness
with thefierce, sparkling
outer corona - the
gradual 'rebirth' of the
light toward the full
gl.ory and warmth of the
Sun.Besides the obvious
astronomical narrative of
the SOLAR-TRILOGY there's
a metaphysical angle too,
underlying each of the
three compositions: GONG,
in spite of its apparent
energy, may be the most
pessimistic of them all,
epitomizing the death and
ultimate annihilation of
the prime source of Life
itself. ZENITH is a
hommage to human
aspiration and spiritual
endurance and CORONA ends
with Hope and Glory after
a journey from depression
throughtotal despair.
Super-structurally, the
zenith of ZENITH makes
the zenith of the entire
trilogy, i.e. when the E-
flat of the unisone horns
in ZENITH is heard, we
are exactly halfway
through the collected
work. Poul Ruders.
(How Maui Snared the Sun, for Narrator and Orchestra - Full Score). By Dan Welch...(+)
(How Maui Snared the Sun,
for Narrator and
Orchestra - Full Score).
By Dan Welcher.
Orchestra. For Piccolo,
Flute I, Flute II, Oboe
I, Oboe II, English Horn,
Clarinet I, Clarinet II,
Bass Clarinet, Bassoon I,
Bassoon II, Contra
Bassoon, Horn I, Horn II,
H full score (large)
Full orchestra SKU: LO.30-3586L Composed by Lloyd Larson. Arranged by Ed ...(+)
Full orchestra
SKU:
LO.30-3586L
Composed
by Lloyd Larson. Arranged
by Ed Hogan. Choral,
cantatas. Advent,
Christmas, Sacred.
Instrumental parts.
Lorenz Publishing Company
#30/3586L. Published by
Lorenz Publishing Company
(LO.30-3586L).
UPC:
000308150292.
The
glory of Christmas comes
to life in this inspiring
musical by Lloyd Larson.
Through a blend of
familiar carols and
original songs, choirs
and congregations alike
will experience the
beauty of the incarnation
story as if
they’re
experiencing it for the
first time. This
versatile work may be
presented in multiple
segments over the Sundays
of Advent or as a single
presentation, and will be
equally effective with
piano accompaniment or
the full orchestra option
(live instruments or
accompaniment track). The
script for two narrators
is scripturally based and
seamlessly weaves in and
out of the music to
provide an inspiring
worship experience.
Opportunities for the
congregation to sing
familiar carols as well
as the availability of
both SATB and SAB
editions ensure that this
resource is suitable for
choirs large or
small.
East Of The Sun Orchestre [Conducteur et Parties séparées] Jazz Lines Publications
By Charlie Parker With Strings. Edited by Rob Duboff and Jeffrey Sultanof. Arran...(+)
By Charlie Parker With
Strings. Edited by Rob
Duboff and Jeffrey
Sultanof. Arranged by Joe
Lipman. For studio
orchestra (Alto
Saxophone, Oboe/English
Horn, Horn in F, 4
Violins, 2 Violas, Cello,
Harp, Guitar,
Piano/Celeste, Bass,
Drums). Recorded by
Charlie Parker with
Strings. Swing. Medium.
Score and parts.
Published by Jazz Lines
Publications
Orchestra SKU: FG.55009-402-4 Composed by Einojuhani Rautavaara. Score. P...(+)
Orchestra
SKU:
FG.55009-402-4
Composed by Einojuhani
Rautavaara. Score.
Published by Fennica
Gehrman (FG.55009-402-4).
ISBN
979-0-55009-402-4.
According to Rautavaara
The name of the work is a
quotation from the
libretto of my opera The
House of the Sun: . .
.like a butterfly in a
dark autumn garden. . ..
The motif to which these
words are sung is the
theme for the variations
in the first movement.
Their texture gradually
grows and becomes denser.
Following on without a
break is a slow, poetic
movement of even rhythms
and dynamics. The quick,
lively finale begins
giocoso e leggiero. But
autumn is also a time of
colour, and of death. At
the end the music thus
turns into a festive
dance con grandezza.
Maybe it bears the echo
of a sarabande to the
dying splendour of summer
- or as T.S. Eliot put
it: late roses filled
with early snow. Autumn
Gardens was commissioned
by the Scottish Chamber
Orchestra and premiered
at the London Proms in
July 1999.
Orchestra SKU: HL.14028038 Composed by Poul Ruders. Music Sales America. ...(+)
Orchestra
SKU:
HL.14028038
Composed
by Poul Ruders. Music
Sales America. Classical.
Score. 95 pages. Music
Sales #KP00294. Published
by Music Sales
(HL.14028038).
ISBN
9788759854730.
12.0x16.5x0.3 inches.
English.
The word
GONG is saturated with
associations: the
splendour of the Orient,
mysticism, drama, loud
metallic clangour,
violent impact, etc. The
present piece draws upon
all those connotations,
but it is primarily a
symphonic drama about the
life and behaviour of the
sun, our closest star and
prime source of life on
Earth. Describing the sun
in music is not a new
idea, of course; during a
visit to Greece, Carl
Nielsen was inspired by
the orbit of the sun and
its very un-Danish
ferocity and thus wrote
the Helios Overture. GONG
is a Helios Overture too,
of sorts, albeit more
abstract. Recent
astronomical research
shows, that the surface
of the sun reverberates
like a gong, in four
different, simultaneous
tempi (not directly
depicted in the score,
though); the sun looks
like a GONG, - the O in
the written work looks
like the sun; there is
even a solar research
group called GONG (Global
Oscillation Network
Group). Formally the
composition follows the
life and fate of the sun,
from the initial
explotional birth through
the hyper-activity as
energy source as we know
it today to the final,
predicted flaring up and
collapse into a so-called
white dwarf. But - being
a musical composition,
not an astrophysical
thesis - GONG is brought
to its compositional
conclusion by a real
concert-ending, a chord
taken from the middle of
the piece and sustained
over several bars, from
virtual nothingness to
full force.
Orchestra - Grade 2 SKU: AP.41187 Composed by Michael Hopkins. MakeMusic ...(+)
Orchestra - Grade 2
SKU: AP.41187
Composed by Michael
Hopkins. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Score and
Part(s). 144 pages.
Belwin Music #00-41187.
Published by Belwin Music
(AP.41187).
UPC:
038081471662.
English.
Crepuscule
is the period of partial
darkness at the beginning
or end of the day---in
other words, twilight.
The energy of the sun
touches the quiet of the
night. This highly
energetic work in E minor
opens with a perfect
fifth motive that gives
students plenty of
opportunities to develop
their intonation while
hopping their finger to
adjacent strings. The
piece requires the use of
short articulated bow
strokes in the first
theme. The second theme
is lyrical and requires
the use of slow sustained
bow strokes. All sections
of the orchestra are
featured with challenging
and interesting parts.
(3:50) This title is
available in MakeMusic
Cloud.
Orchestra SKU: LO.30-2425L Composed by Joseph M. Martin. Arranged by Bran...(+)
Orchestra
SKU:
LO.30-2425L
Composed
by Joseph M. Martin.
Arranged by Brant Adams.
Choral. Sacred Anthem,
Palm/Palm-Passion Sunday.
Orchestral score and
parts. Lorenz Publishing
Company #30/2425L.
Published by Lorenz
Publishing Company
(LO.30-2425L).
UPC:
000308121858.
Fill
your sanctuary with Palm
Sunday majesty and
excitement with this
anthem from Joe Martin.
The first of three verses
is a lively
call-and-response setting
of the scripture:
“Who is this King
of glory?†The
contrasting middle verse
is an inventive pairing
of the traditional hymn
tune LEONI with the text
“All Glory, Laud
and Honor.†The
final verse returns the
lively theme of the first
in counterpoint with
drum-like hosannas. An
energetic accompaniment
that ties all three
verses together, whether
provided by piano alone
or orchestra, makes this
anthem the perfect choice
for Palm Sunday. (From
the cantata Who Is This
King? SATB –
55/1096L; SAB –
55/1097L.)
Instrumentation: 2
Flutes, Oboe, 2
Clarinets, Bassoon, 2 F
Horns, 3 Trumpets, 2
Trombones, Tuba, Timpani,
2 Percussion, Violin 1 &
2, Viola, Cello,
Bass.
Orchestra SKU: LO.30-2651L Composed by Pepper Choplin. Arranged by Stan P...(+)
Orchestra
SKU:
LO.30-2651L
Composed
by Pepper Choplin.
Arranged by Stan Pethel.
Choral. Sacred Anthem,
Palm/Palm-Passion Sunday.
Orchestral score and
parts. Lorenz Publishing
Company #30/2651L.
Published by Lorenz
Publishing Company
(LO.30-2651L).
UPC:
000308125962.
With
pulsating energy, Pepper
Choplin's creative genius
vividly conveys the
excitement and the
tension of the crowd as
Jesus rode through the
Jerusalem streets. There
are opportunities for
soloists in this anthem
and the option of using
trumpet and percussion or
full orchestra for
accompaniment. Questions
from the people are
answered with shouts of
affirmation in this
perfect choice for Palm
Sunday. (From the cantata
Come, Touch the Robe
SATB--55/1123L;
SAB--55/1124L) The
orchestra includes a
Conductor's Score and
parts for Flute, Oboe,
Clarinet, 2 Horns, 2
Trumpets, 2 Trombones, 2
Percussion, Piano, Guitar
(nylon strings), 2
Violins, Viola, Cello,
and Bass.
Orchestra SKU: HL.14033079 Composed by Per Norgard. Music Sales America. ...(+)
Orchestra
SKU:
HL.14033079
Composed
by Per Norgard. Music
Sales America. Classical.
Score. 164 pages. Music
Sales #KP01073. Published
by Music Sales
(HL.14033079).
ISBN
9788759858332.
Danish.
There were
wild oatsAnd the soil was
blackBut sparkledWhen the
sun was outThe air sharp
in the nostrilsHard to
defineSomewhere between
knife and coal andAcid
and that special light
and sweetWhiteness
thornbushes exhaleIt was
nothing specialBecause
everything was
special...Thus the
opening line of the poem
TERRAINS VAGUES by Klaus
Rifbjerg, the Danish
Poet. I chose to adopt
this title for my
orchestral work, because
of its closeness in
associations: an
indeterminable, often
polarized, state of
rhythmic and tonal
ambiguity.The expression
seems created by the
Franch author, Victor
Hugo:And here lies the
fascination: in the kinds
of terrains vagues, which
are simultaniously
bizarre and ugly, as if
created by two alien
species of nature. To
watch the suburb is like
observing and amphibium:
trees vanish, roofs
appear, grass vanish,
cobble stones appear,
ploughing fields vanish,
shops appear, beaten
tracks vanish - passions
appear; the murmur of
Nature Divine ends, the
noise of Mankind takes
over. (Victor Hugo)Still,
the atmosphere as well as
the material of TERRAINS
VAGUES have its origin,
in my SYMPHONY NO. 6
(1999), the last minute
of which, cut up rough,
appears as the start of
my new work. The music of
TERRAINS VAGUES
subdivides itself,
without breaks, into
three sections, or
shades:I: TERRAINS - II:
VAGUES (Waves) III:
TERRAINS VAGUES.Per
Norgard, March 2001.
Orchestra (Study Score) SKU: HL.50600436 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.50600436
Study Score.
Composed by Guoping Jia.
Study Score. Classical,
Contemporary. Softcover.
36 pages. Sikorski
#SIK8794. Published by
Sikorski (HL.50600436).
11.5x16.25x0.142
inches.
“'Kal
aviuka' is an incarnated
figure of the Buddha, the
head of which looks human
and the lower half like a
bird with wings. In my
work I would like to
express the unity of man
and nature, a conception
deeply rooted in
traditional Chinese art
and culture, with a
modern awareness. The
musical material derives
from traditional Chinese
instrumental works which
have birds as their
subjects. In particular,
these are passages
(neither sung nor
melodic) that imitate
birdsong or depict the
forms of birds by means
of various instruments.
These musical sections
mostly consist of a
combination of specially
selected musical
instruments with special
techniques of sound
production. My aim in
composing this piece was
to find out how these
sounds could be
transferred into an
orchestra in order to
develop a new musical
vocabulary and new means
of expression.â€
(Guoping Jia) The work
was commissioned by
Munich Biennale 2012 and
Ernst von Siemens
Musikstiftung.
Composed by Tanner Otto.
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Light Concert.
Score. 12 pages. Duration
2:15. Belwin Music
#00-47431S. Published by
Belwin Music (AP.47431S).
UPC: 038081547138.
English.
This
animated piece with
simple, catchy melodies
introduces the tonality
of A major without any
extended finger patterns.
The piece is perfect for
working on staccato
bowing and cut time. The
lighthearted A theme
makes way for the
energetic and driving B
and C sections. Written
in rondo form, it follows
a group of friends on
their summer adventure.
Try having students write
their own narration to
fit the music!
(2:15).
Composed by Tanner Otto.
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Light Concert;
Programmatic. Score and
Part(s). 144 pages.
Duration 2:15. Belwin
Music #00-47431.
Published by Belwin Music
(AP.47431).
UPC:
038081547121.
English.
This
animated piece with
simple, catchy melodies
introduces the tonality
of A major without any
extended finger patterns.
The piece is perfect for
working on staccato
bowing and cut time. The
lighthearted A theme
makes way for the
energetic and driving B
and C sections. Written
in rondo form, it follows
a group of friends on
their summer adventure.
Try having students write
their own narration to
fit the music!
(2:15).
Orchestra SKU: SU.27170070 For Orchestra. Composed by Chelsea Koms...(+)
Orchestra
SKU:
SU.27170070
For
Orchestra. Composed
by Chelsea Komschlies.
Orchestra. Full Score.
Subito Music Corporation
#27170070. Published by
Subito Music Corporation
(SU.27170070).
Full size score
(11x17)The piece is in
the form of a perpetual
increasing of intensity
from beginning to end
(the image of a sunrise),
The music begins dark,
violet, and glittering,
and eventually builds to
a spinning, red-golden
vision that is both
beautiful and terrifying.
Thick, roaring microtonal
harmonies augment brassy
chorales inspired by
fantasy film score in
this powerful spiritual
vision. Recording
available upon request
from the composer.2(1)
222; 4331; timp, 3perc,
hp, cel; stgs Duration:
5'30 Composed: 2019
Published by: Nauticus
Publishing Performance
materials available on
rental:.
Arizona Sun Orchestre [Conducteur] - Débutant Alfred Publishing
Orchestra - Grade 1-2 SKU: AP.49072S Composed by Mark Wood. Performance M...(+)
Orchestra - Grade 1-2
SKU: AP.49072S
Composed by Mark Wood.
Performance Music
Ensemble; Single Titles;
String Orchestra. Mark
Wood Series. Pop/Rock;
Rock. Score. Duration
3:00. Alfred Music
#00-49072S. Published by
Alfred Music (AP.49072S).
ISBN 9781470647797.
UPC: 038081567013.
English.
This
multi-level piece
includes a full set of
parts for grade 1 as well
as a full set for grade 2
ensembles. Mix and match
the parts as you
need---perfect for
mixed-ability ensembles!
Representing one
of Mark Wood's favorite
places to visit, Arizona
Sun was inspired by the
sheer beauty and power of
the American southwest,
specifically that of the
Grand Canyon State. The
work is in the key of A
major, and based on a
traditional blues
progression that can be
found in early rock and
roll. Arizona Sun
features two sections
that allow the players to
improvise. For string
orchestra with optional
rock rhythm section
parts. (3:00)
Arizona Sun Orchestre - Débutant Alfred Publishing
Orchestra - Grade 1-2 SKU: AP.49072 Composed by Mark Wood. Performance Mu...(+)
Orchestra - Grade 1-2
SKU: AP.49072
Composed by Mark Wood.
Performance Music
Ensemble; Single Titles;
String Orchestra. Mark
Wood Series. Pop/Rock;
Rock. Score and Part(s).
Duration 3:00. Alfred
Music #00-49072.
Published by Alfred Music
(AP.49072).
ISBN
9781470647780. UPC:
038081567006.
English.
This
multi-level piece
includes a full set of
parts for grade 1 as well
as a full set for grade 2
ensembles. Mix and match
the parts as you
need---perfect for
mixed-ability ensembles!
Representing one
of Mark Wood's favorite
places to visit, Arizona
Sun was inspired by the
sheer beauty and power of
the American southwest,
specifically that of the
Grand Canyon State. The
work is in the key of A
major, and based on a
traditional blues
progression that can be
found in early rock and
roll. Arizona Sun
features two sections
that allow the players to
improvise. For string
orchestra with optional
rock rhythm section
parts. (3:00)
Orchestra - Grade 3 SKU: AP.29720 Composed by Bob Phillips. Performance M...(+)
Orchestra - Grade 3
SKU: AP.29720
Composed by Bob Phillips.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Form: Dance.
Folk. Score and Part(s).
124 pages. Duration 3:45.
Highland/Etling
#00-29720. Published by
Highland/Etling
(AP.29720).
UPC:
038081329802.
English.
A
programmatic piece based
on the changing character
of that vast inland sea,
Lake Michigan, this
original composition will
remind the listener of
the folk-based tunes of
Holst. Written for a
school located near the
beaches, the music
reflects the serene
mornings, days of large
waves and the
spectacularly brilliant
sunsets. The majestic
finish reflects the
wonder of a sky full of
fire as the sun sets.
(3:45).