Composed by Mary McDonald. Choral. Sacred Anthem, General, Patriotic. Orchestral score and CD with printable parts. Lorenz Publishing Company #30/3247L. Published by Lorenz Publishing Company (LO.30-3247L).

Composed by Mary McDonald. Choral. Sacred Anthem, General, Patriotic. Orchestral score and parts. Lorenz Publishing Company #30/3246L. Published by Lorenz Publishing Company (LO.30-3246L).

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score)

SKU: HL.49018099

Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099).

ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German.

On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009.

As recorded by Bruno Mars. Composed by Christopher Brown, Jeremy Reeves, Jonathan Yip, Bruno Mars, Philip Lawrence, James Fauntleroy, Ray Romulus, and Ray McCollough II. Arranged by Michael Story. Full Orchestra; Score. Pop Intermediate String/Full Orchestra. Light Concert; Pop; Pop/Rock; Radio; Rock. 12 pages. Published by Alfred Music

By George E. Strombeck. For Mixed Large Ensemble. Large Ensemble for Mixed Large Ensemble. Meter: 3/4, 4/4. Traditional. Level: 1.5-2.5. Duration 1'30". Published by David E. Smith Publications.

Orchestra full (bells, sus cymbal/snare drum, bass drum (opt drumset), tamb/wind chimes, opt pno, vln3) - Grade 3

SKU: AP.36007

Composed by Akon, Claude Kelly, and Giorgio Tuinfort. Arranged by Michael Story. Full Orchestra; Performance Music Ensemble; Single Titles. Pop Intermediate Full Orchestra. Form: Ballade. Light Concert; Pop. Score and Part(s). 122 pages. Alfred Music #00-36007. Published by Alfred Music (AP.36007).

UPC: 038081420431. English.

This beautiful ballad featuring Michael Jackson and Akon that was released in late 2010 is sure to have a special place in your programming. Timely and timeless.

Orchestra (Full Score)

SKU: HL.244904

For Orchestra. Composed by Bryce Dessner. Music Sales America. Classical. Softcover. Composed 2017. 64 pages. Duration 1020 seconds. Chester Music #CH83985. Published by Chester Music (HL.244904).

8.25x12.0x0.508 inches.

Quilting, co-commissioned by the BBC Symphony Orchestra and the Los Angeles Philharmonic, is my first stand alone work for orchestraand is loosely inspired by the American tradition of quilt making. I composed Quilting while living most of last year in Paris.During my time there, I thought a lot about what it means to compose symphonic music as a young American in the 21st century, when so many of the many masterworks which are programmed year in and out by orchestras across the country are European. I considered which artistic traditions defined the American 19th-century. I began to think of the American crafts-tradition of quilting as a foilto the high-art tradition of European orchestral composition. As the score for my new work began to take shape, I started thinking about the manuscript itself as an object, its vertical and horizontal planes create a kind of patterned geometry of their own. Visually the way a musical score is woven together like patchwork brought to mind quilts and the great American tradition of quilting. I imagined about how conducting an orchestra can feellike stitching a piece together, or sewing together a large number of musical ideas and musicians into a coherent and transcendent whole. Quilting was an integral part of American vernacular in the 18th and 19th centuries, the African-American quilting tradition is especially fascinating, and the quilts tell the stories of the women and communities who made them. The names of the quilt patterns themselves can have their own sense of narrative: 'jacobs ladder', 'drunkards path', 'solomon's puzzle', and (my favorite for its relevance to this piece) 'the road to California. - Bryce Dessner.

Orchestra - Grade 2.5

SKU: AP.49920S

Composed by Luis Federico Vindver, Meghan Trainor, and Sean Douglas. Arranged by Chris M. Bernotas. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Country; Pop; Radio. Score. Duration 2:20. Alfred Music #00-49920S. Published by Alfred Music (AP.49920S).

ISBN 9781470662196. UPC: 038081579399. English.

Made You Look is a smash hit performed by the GRAMMY Award winning singer/songwriter Meghan Trainor. This terrific song, arranged by Chris M. Bernotas, is full of energy and spirit! The infectious melody will have your audience dancing in the aisles. (2:20).

Orchestra - Grade 2.5

SKU: AP.49920

Composed by Luis Federico Vindver, Meghan Trainor, and Sean Douglas. Arranged by Chris M. Bernotas. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Country; Pop; Radio. Score and Part(s). Duration 2:20. Alfred Music #00-49920. Published by Alfred Music (AP.49920).

ISBN 9781470662189. UPC: 038081579382. English.

Made You Look is a smash hit performed by the GRAMMY Award winning singer/songwriter Meghan Trainor. This terrific song, arranged by Chris M. Bernotas, is full of energy and spirit! The infectious melody will have your audience dancing in the aisles. (2:20).

Arranged by Bob Cerulli. For Conductor. String Orchestra Collection. Book. 72 pages. Published by Alfred Publishing.

Arranged by David Clydesdale. Modern Christian: Sacred. Orchestration- Stand Alone

(As featured on Glee). Arranged by Patrick Roszell. Orchestra. Full Orchestra; Part(s); Score. Pop Concert Full Orchestra. Broadway; Swing; TV. Grade 3. 210 pages. Published by Alfred Music

SATB Choir, Orchestra (Study Score)

SKU: HL.14026108

Composed by Zbigniew Preisner. Music Sales America. Post-1900. Sheet Music, Score. With Text language: Greek / Latin / Polish. Chester Music #CH61497. Published by Chester Music (HL.14026108).

UPC: 884088811266. 0.408 inches.

Composer's Note Once, we had a joint conception to create a concert telling a life story. The premiere was planned to take place on the Acropolis in Athens. It was intended to be a large event, a hybrid of a mystery play and an opera. Krzysztof Kieslowski would be the director, Krzysztof Piesiewicz was responsible for the script, and I was planning to compose the music. We thought it might be the first of a series of musical performances, to be developed in various interesting places around the world in the next few years. But it was life that authored a different ending: Krzysztof Kieslowski died in March of 1996. The first part of Requiem for My Friend is meant as a farewell to Krzysztof Kieslowski. I dedicate this music to him. Zbigniew Preisner.

Full orchestra

SKU: LO.30-3765MD

Composed by Aaron Shust. Arranged by Jay Rouse. Choral. Sacred Anthem. Orchestral score and CD with printable parts. Medallion Music #30/3765MD. Published by Medallion Music (LO.30-3765MD).

UPC: 000308156331.

Orche stral Score and Parts for My Savior, My God (10/5420MD) - This popular worship song by Aaron Shust rejoices in the knowledge that God is the same yesterday, today, and forever. Though full of mystery beyond human comprehension, His love is sure and constant. Arranged by Jay Rouse for choir, this setting is a wonderful opportunity for choir and congregation to worship together.

Orchestra - Grade 2.5

SKU: AP.45880

In the Window. Arranged by Brendan Mcbrien. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Chanukah; Jewish Heritage; Multicultural; Traditional; Winter. Score and Part(s). 118 pages. Duration 3:00. Highland/Etling #00-45880. Published by Highland/Etling (AP.45880).

UPC: 038081523835. English. Traditional Hanukkah.

This traditional Hanukkah song, My Candles (sometimes known as In the Window), is a lovely and haunting melody written in strophic form. Strophic music is a song that has only one phrase of melodic material with changing text to give variation. Now combined by arranger Brendan McBrien with an original melody that appears between verses, this piece is a beautiful addition to the holiday repertoire! (3:00).

Orchestra - Grade 2.5

SKU: AP.45880S

In the Window. Arranged by Brendan Mcbrien. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Chanukah; Jewish Heritage; Multicultural; Traditional; Winter. Score. 12 pages. Duration 3:00. Highland/Etling #00-45880S. Published by Highland/Etling (AP.45880S).

UPC: 038081523842. English. Traditional Hanukkah.

This traditional Hanukkah song, My Candles (sometimes known as In the Window), is a lovely and haunting melody written in strophic form. Strophic music is a song that has only one phrase of melodic material with changing text to give variation. Now combined by arranger Brendan McBrien with an original melody that appears between verses, this piece is a beautiful addition to the holiday repertoire! (3:00).

(I. The Way of the Ship, II. Mists and Mystery, III. Songs in the Salty Air, IV. Waltz of the Clipper Ships, V. Finale, introducing the S.S. Eagle March). Composed by Robert Russell Bennett (1894-1981). Concert Band. Concert Band; Score. Belwin Classic Band. TV. Grade 5. 88 pages. Published by Belwin Music

Orchestra - Grade 3

SKU: AP.35916S

I'll Love My Love. Composed by Gustav Holst. Arranged by Christina Hans. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Form: Transcription. 20th Century; Folk; Masterwork Arrangement; Romantic. Score. 8 pages. Belwin Music #00-35916S. Published by Belwin Music (AP.35916S).

UPC: 038081407562. English.

The hauntingly beautiful English folk song, I'll Love My Love, tells the story of a young lady grief-stricken after her true love is sent off to sea. This arrangement is based on the second movement of Holst's band masterwork, Second Suite for Military Band. A great piece to teach phrasing and expression as every section gets a musical moment to shine. A solid choice for any concert or contest program. This title is available in MakeMusic Cloud.

Orchestra

SKU: LO.30-2679L

Composed by Mary McDonald. Arranged by Michael Lawrence. Choral. Sacred Anthem, General, Lent, Reformation. Orchestral score and parts. Lorenz Publishing Company #30/2679L. Published by Lorenz Publishing Company (LO.30-2679L).

UPC: 000308127546.

A song of confidence in the face of trials, His Grace Will Lead Us Through is firmly rooted in the scripture: My grace is sufficient for you. Beautiful and emotional writing is found throughout including a chorus of Grace Greater Than Our Sins with optional congregational singing. The optional orchestra will add to the stirring mood of this piece. Instrumentation: 2 Fl, Ob, 2 Cl, Bsn (sub B Cl), 3 Tpt, 2 Hn (sub 2 A Sax), 2 Tbn (sub 2 T Sax/Bari TC), Tba, Perc, Timp, Harp, Pno, 2 Vln, Vla, Cello, Bass, Digital String Reduction.

Orchestral Score. Composed by Alan Menken. This edition: Paperback/Softcover. Sheet music. Study score. Composed 2010. Omni Music Publishing #OMNI 50796. Published by Omni Music Publishing

A Beginner's Guide for Group or Private Instruction. Modern Band. Method, Teacher Resource. Softcover. 256 pages. Published by Little Kids Rock

Orchestra - Grade 3-4

SKU: AP.49879

As Performed by Van Halen. Composed by Alex Van Halen, Eddie Van Halen, Michael Anthony, and Sammy Hagar. Arranged by Mark Wood. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Mark Wood Series. Light Concert; Pop/Rock; Radio; Rock. Score and Part(s). Duration 4:35. Alfred Music #00-49879. Published by Alfred Music (AP.49879).

ISBN 9781470663773. UPC: 038081580791. English.

Dreams is one of the great Van Halen songs now transcribed for string orchestra. As a string player, I was enamored with Eddie Van Halen. He was a big influence on me while I was studying at Juilliard. I purposely lowered the key to A major for better playability. The tempo is brisk, yet very attainable. The upbeat and positive posture of this composition was a big attraction to me as a musician, and it was an honor for me to show great respect to the song and our string world! The play-along tracks feature my personal band! (4:35).

Orchestra - Grade 3-4

SKU: AP.49879S

As Performed by Van Halen. Composed by Alex Van Halen, Eddie Van Halen, Michael Anthony, and Sammy Hagar. Arranged by Mark Wood. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Mark Wood Series. Light Concert; Pop/Rock; Radio; Rock. Score. Duration 4:35. Alfred Music #00-49879S. Published by Alfred Music (AP.49879S).

ISBN 9781470663780. UPC: 038081580807. English.

Dreams is one of the great Van Halen songs now transcribed for string orchestra. As a string player, I was enamored with Eddie Van Halen. He was a big influence on me while I was studying at Juilliard. I purposely lowered the key to A major for better playability. The tempo is brisk, yet very attainable. The upbeat and positive posture of this composition was a big attraction to me as a musician, and it was an honor for me to show great respect to the song and our string world! The play-along tracks feature my personal band! (4:35).

Full orchestra

SKU: LO.30-3681MD

Composed by Jay Rouse. Choral collection. Sacred Choral, Concert, Eastertide, General. Orchestral score and CD with printable parts. Medallion Music #30/3681MD. Published by Medallion Music (LO.30-3681MD).

UPC: 000308153286.

Orche stral Score and CD with Printable Parts for 55/1199MD This deeply moving collection from Jay Rouse includes six songs that glory in the cross of Christ. Highly appropriate for use throughout the Easter season, it is just as impactful year-round. It includes the classic Annie Herring Easter Song in an easily learned contemporary style; a gospel setting of the much-loved hymn My Savior’s Love; two modern worship anthems, Broken Bread, Broken Life and Jesus Crucified; the beloved Dottie Rambo song I Will Glory in the Cross; and an elegant setting of the timeless hymn Beneath the Cross of Jesus. Optional narrations from gifted writer Rose Aspinall will bring the truths of scripture to life in a refreshing way. There’s an eternal mystery in the cross, that instrument of death and grace. Hanging there by His own choosing, the Son of God purchases life for you and me..

Full orchestra

SKU: LO.30-3680MD

Composed by Jay Rouse. Choral collection. Sacred Choral, Concert, Eastertide, General. Orchestral score and parts. Medallion Music #30/3680MD. Published by Medallion Music (LO.30-3680MD).

UPC: 000308153279.

Orche stral Score and Parts for 55/1199MD This deeply moving collection from Jay Rouse includes six songs that glory in the cross of Christ. Highly appropriate for use throughout the Easter season, it is just as impactful year-round. It includes the classic Annie Herring Easter Song in an easily learned contemporary style; a gospel setting of the much-loved hymn My Savior’s Love; two modern worship anthems, Broken Bread, Broken Life and Jesus Crucified; the beloved Dottie Rambo song I Will Glory in the Cross; and an elegant setting of the timeless hymn Beneath the Cross of Jesus. Optional narrations from gifted writer Rose Aspinall will bring the truths of scripture to life in a refreshing way. There’s an eternal mystery in the cross, that instrument of death and grace. Hanging there by His own choosing, the Son of God purchases life for you and me..