Orchestra (Score) SKU: HL.280272 Score. Composed by Hans Abrahamse...(+)
Orchestra (Score)
SKU:
HL.280272
Score. Composed by
Hans Abrahamsen. Music
Sales America. Classical.
Softcover. 34 pages.
Duration 420 seconds.
Edition Wilhelm Hansen
#WH33060. Published by
Edition Wilhelm Hansen
(HL.280272).
10.5x14.5
inches.
Three
Pieces For Orchestra
(2014-17) by Hans
Abrahamsen. Dedicated to
Simon Rattle.
Commissioned by Stiftung
Berliner Philharmoniker.
Pemiered by the Berliner
Philharmoniker and Simon
Rattle (conductor), 26
May 2018, Berlin,
Philharmonie.
Composed by Thomas Ades (1971-). Mixed Instruments - Miscellaneous Ensemble; ...(+)
Composed by Thomas Ades
(1971-). Mixed
Instruments -
Miscellaneous Ensemble;
Performance Music
Ensemble.
20th Century; Adult
Contemporary. Book. Faber
Music #12-0571536565.
Published by Faber Music
Three Pieces for Orchestra, Op. 6 by Alban Berg (1885-1935). For orchestra. Phil...(+)
Three Pieces for
Orchestra, Op. 6 by Alban
Berg (1885-1935). For
orchestra. Philharmonia
Taschenpartituren.
Critical Edition.
Miniature score. Standard
notation. Duration 19
minutes. Published by
Universal Edition
Bach: Three Chorales Orchestre [Conducteur et Parties séparées] Queenwood Publications
Composed by Anne McGinty (1945-). For orchestra. Orchestra method/study. Queenwo...(+)
Composed by Anne McGinty
(1945-). For orchestra.
Orchestra method/study.
Queenwood Developing
String Orchestra. Score
and parts. Published by
Queenwood Publications
Pieces of Eight Orchestre [Conducteur] - Facile Highland/Etling
Orchestra - Grade 2 SKU: AP.45865S A Pirate's Jig. Composed by Ric...(+)
Orchestra - Grade 2
SKU: AP.45865S
A Pirate's Jig.
Composed by Richard
Meyer. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Explorer. Score. 8 pages.
Duration 1:35.
Highland/Etling
#00-45865S. Published by
Highland/Etling
(AP.45865S).
ISBN
9781470654023. UPC:
038081529585.
English.
Look no
further for the perfect
piece to introduce your
students to 6/8 meter!
This cool-sounding,
minor-keyed jig uses only
three basic 6/8 rhythms
to give your students the
confidence they need to
navigate a too-often
neglected time signature.
Pieces of Eight by
Richard Meyer gives every
section a turn at the fun
and catchy melody while
the repeated patterns in
the accompaniments will
reinforce students'
reading of the new
rhythms. Destined to
become the go-to piece
for teaching 6/8 to the
young orchestra! (1:35)
This title is available
in MakeMusic Cloud.
Orchestra (str) SKU: TM.01051SET Composed by Dietrich Buxtehude. Set Type...(+)
Orchestra (str)
SKU:
TM.01051SET
Composed
by Dietrich Buxtehude.
Set Type: D. Set of
parts. Lucks Music
Library #A7334. Published
by Lucks Music Library
(TM.01051SET).
Ed. by
Wojciechowski. Solo/pf.
Transposed: hnI&II.
Allegro, Aria (Andante
moderato), Rondo alla
Scherzo (Allegro
moderato). See #13302 for
the Darmstadter
Konzert.
Orchestra (SYMPHONIC WO) SKU: HL.50488050 Fur zwei Oboen, zwei Horner ...(+)
Orchestra (SYMPHONIC WO)
SKU: HL.50488050
Fur zwei Oboen, zwei
Horner und Streicher.
By Jeno Vecsey. By
Michael Haydn. Classic.
EMB. Score. Editio Musica
Budapest #Z3727.
Published by Editio
Musica Budapest
(HL.50488050).
Orchestra (str) SKU: TM.01051SC Composed by Dietrich Buxtehude. Score. Lu...(+)
Orchestra (str)
SKU:
TM.01051SC
Composed
by Dietrich Buxtehude.
Score. Lucks Music
Library #A7334. Published
by Lucks Music Library
(TM.01051SC).
Ed. by
Wojciechowski. Solo/pf.
Transposed: hnI&II.
Allegro, Aria (Andante
moderato), Rondo alla
Scherzo (Allegro
moderato). See #13302 for
the Darmstadter
Konzert.
Composed
by Franz Joseph Haydn.
Arranged by Andras Soos.
EMB. Children. Score and
parts. 152 pages. Editio
Musica Budapest #Z14338.
Published by Editio
Musica Budapest
(HL.50485100).
ISBN
9790080143384. UPC:
073999639308.
9.0x12.0x0.488 inches.
Joseph Franz Haydn;
Andras Soos.
This
latest volume in the
series is devoted mainly
to works written by
Joseph Haydn in his
youth: dances,
divertimento and
quartet-movements,
arranged for three
violins and cello. Every
part can be played in the
first position.
Orchestra (Orchestra) SKU: HL.48010529 Score and Parts. Composed b...(+)
Orchestra (Orchestra)
SKU: HL.48010529
Score and Parts.
Composed by Peter Ilyich
Tchaikovsky. Arranged by
David Stone. This
edition: M060050787.
Boosey & Hawkes
Orchestra. Classical,
Contemporary. Boosey &
Hawkes #M060050787.
Published by Boosey &
Hawkes (HL.48010529).
UPC: 073999226195.
9.25x12.0x0.42
inches.
Score
available: 48001786;
extra string parts
available: 48010530.
Orchestra (2(picc).2(cor ang).2.2 - 2.1.0.0 - hp- str (6 db are required)) SK...(+)
Orchestra (2(picc).2(cor
ang).2.2 - 2.1.0.0 - hp-
str (6 db are required))
SKU: BR.PB-5569-07
Suite d'Orchestre -
Urtext. Composed by
Maurice Ravel. Edited by
Jean-Francois Monnard.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). An
homage to Francois
Couperin, but most
notably to the French
music of the late 18th
century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way. Have a look into PB
5540. Suite; Ballet;
Early modern. Study
Score. 72 pages. Duration
17'. Breitkopf and
Haertel #PB 5569-07.
Published by Breitkopf
and Haertel
(BR.PB-5569-07).
ISBN
9790004213797. 6.5 x 9
inches.
Ravel's
multi-layered homage in
Breitkopf UrtextIn his
homage Le Tombeau de
Couperin, Ravel is less
specifically interested
in Couperin than in
French music of the late
18th century. In his
preface, editor
Jean-Francois Monnard
explains how Ravel paid a
moving and intensely
personal tribute to the
events of World War I
with his multi-layered
work. The orchestral
version goes back to the
original, eponymous piano
suite (1914-17). Then, in
1919, the composer
selected four pieces from
this source, orchestrated
them with all of his
grace and artistry; the
result provides a
charming contrast to the
pseudo-Baroque musical
idiom, and places the
pieces in a new and
effective sequence. The
work quickly gained great
popularity immediately
after the concertant
world premiere, when the
three dance movements of
the orchestral suite were
included in a ballet
production.The
underpinnings of
Monnard's edition are
provided by the most
important sources. The
preface features a great
deal of information on
the interpretation and
performance history of
the work. This is the
fifth major Ravel work
now available in print
from Breitkopf
Urtext.
An homage
to Francois Couperin, but
most notably to the
French music of the late
18th century. In his
multi-layered work Ravel
assimilates the events of
World War I in a moving
and intensely personal
way.
ISBN
9790006558285. 33 x 24 cm
inches. Preface: Sylvie
Bouissou. Text: Louis
Fuzelier.
The new
scholarly-critical
edition of the score of
Rameau’s
“ballet
hroïque†Les
Indes galantes finally
clears up its convoluted
source history. At the
first performance, on 23
August 1735, it consisted
of a prologue and three
acts: Le Turc gnreux, Les
Incas du Prou and Les
Fleurs. But Les Fleurs
already proved
controversial in the
early performances, and
from 11 September of that
same year it was given a
wholly new form. For the
revival on 10 March 1736
Rameau and Fuzelier added
an entirely new act Les
Sauvages, and in the
years that followed, the
“ballet
hroïque†was
presented either complete
(1743, 1751 and 1761) or
abridged with a prologue,
Les Incas du Prou and Les
Sauvages
(1751–73).
With regard to the
instrumental movements
(dances and descriptive
pieces), the present
publication is based on
the complete edition
Opera Omnia Rameau (OOR)
volumes IV/2 and IV/7
edited by Sylvie Bouissou
which are currently in
preparation. It includes
not only the orchestral
pieces in the version
deemed valid by Rameau in
1736 (with version 2 of
Les Fleurs and Les
Sauvages), but also those
from the first version of
Les Fleurs (1735) as well
as its 1743 and 1773
revisions. Performers are
thus given a complete
selection of all the
orchestral numbers from
one of Rameau’s
central stage works for
use also in concert
performance.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Full orchestra SKU: BA.BVK01601 Facsimile of the autograph score held ...(+)
Full orchestra
SKU:
BA.BVK01601
Facsimile of the
autograph score held in
the Bibliotheque
nationale de France.
Composed by Hector
Berlioz. Edited by Hugh
MacDonald. This edition:
facsimile. Half-leather
binding. Documenta
musicologica II/53 /
Barenreiter Facsimile.
Facsimile of the
autograph score held in
the Bibliothèque
nationale de France.
Facsimile. Opus 14.
292/12 pages.
Baerenreiter Verlag
#BVK01601_00. Published
by Baerenreiter Verlag
(BA.BVK01601).
ISBN
9783761816011. 48.8 x 32
cm inches. Text Language:
English, German,
French.
The two
string quartets by
Camille Saint-Saens
appear here in one volume
for the first time. The
String Quartet No. 1 in E
Minor op. 112 (1899)
numbers among the
composer's most
successful pieces and is
emblematic of the genre
in the French repertoire.
Here Saint-Saens displays
his fully developed
mastery and presents the
wealth of his inspiration
and musical prowess. Only
three years before his
death, he surprisingly
composed the String
Quartet No. 2 in G major
op. 153 (1918) which,
with its classicistic
stance, represents a
homage to the masters of
the late eighteenth
century Viennese
School.
In
addition to the first
critical edition of the
two string quartets, this
second volume of
theOeuvres instrumentales
completesde Camille
Saint-Saens includes the
first version of the
final movementInterlude
et Finalfrom the second
string quartet, the
fragmentary beginning of
an early work for string
quartet as well as the
previously unknown and
unpublished Adagio from
Symphony No. 2 in A Minor
op. 55 for string
quintet. An extensive
Introduction (Fr/Eng/Ger)
illuminates the genesis,
historical performance
and reception histories
of all these pieces; the
Critical Report (Fr)
provides information
about all the sources and
their variants.
Ouverture JS 145,
Baletscen JS 163.
Composed by Jean
Sibelius. Edited by Tuija
Wicklund. Linen. Complete
Works. Late-romantic;
Early modern. Complete
Works. 196 pages.
Breitkopf and Haertel
#SON 627. Published by
Breitkopf and Haertel
(BR.SON-627).
ISBN
9790004803295. 10 x 12.5
inches.
In 1998, at
the end of the 20th
century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts … are models
of scholarly editions,
and should be required
reading for all
bibliography and
music-editing courses.
… In sum, the JSW
is a remarkable project:
the scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. … For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. … JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
Scenes
historiques op.25,
op.66. Composed by
Jean Sibelius. Edited by
Kari Kilpelainen. Linen.
Complete Works.
Late-romantic; Early
modern. Complete Works.
228 pages. Breitkopf and
Haertel #SON 625.
Published by Breitkopf
and Haertel (BR.SON-625).
ISBN 9790004803271. 10
x 12.5 inches.
In
1998, at the end of the
20th century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts ... are models of
scholarly editions, and
should be required
reading for all
bibliography and
music-editing courses.
... In sum, the JSW is a
remarkable project: the
scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. ... For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. ... JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
Composed by Antonin
Dvorak. Edited by Robert
Simon. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 45/3.
Baerenreiter Verlag
#BA10403_00. Published by
Baerenreiter Verlag
(BA.BA10403).
ISBN
9790260104730. 31 x 24.3
cm inches. Key: A-flat
major. Preface: Simon,
Robert.
Dvorák
composed his
“Slavonic
Rhapsodies†op. 45
in 1878, initiating his
so-called “Slavonic
periodâ€. They were
issued by the publisher
Simrock the following
year as three independent
orchestral pieces (in D
major, G minor and A-flat
major) appearing under
the same opus
number.
Now the
“Slavonic
Rhapsodies†are
being issued separately
in scholarly-critical
editions. The editor
Robert Simon has taken
Dvorák’s
authorised first edition
as his principal source.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Antonin
Dvorak. Edited by Robert
Simon. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 45/2.
Baerenreiter Verlag
#BA10402_00. Published by
Baerenreiter Verlag
(BA.BA10402).
ISBN
9790260104723. 24.3 x 31
cm inches. Key: G minor.
Preface: Simon,
Robert.
Dvorák
composed his
“Slavonic
Rhapsodies†op. 45
in 1878, initiating his
so-called “Slavonic
periodâ€. They were
issued by the publisher
Simrock the following
year as three independent
orchestral pieces (in D
major, G minor and A-flat
major) appearing under
the same opus
number.
Now the
“Slavonic
Rhapsodies†are
being issued separately
in scholarly-critical
editions. The editor
Robert Simon has taken
Dvorák’s
authorised first edition
as his principal
source.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Featuring: Promenade /
Baba Yaga (The Hut on
Fowl's Legs) / The Great
Gate of Kiev.
Composed by Modest
Petrovich Mussorgsky.
Arranged by Patrick
Roszell. Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Intermediate
String Orchestra.
Masterwork Arrangement.
Score and Part(s). 148
pages. Duration 4:07.
Belwin Music #00-47433.
Published by Belwin Music
(AP.47433).
UPC:
038081544687.
English.
Expose
your students to one of
the great compositions of
the 19th century. This
arrangement contains
three of the more popular
pieces from the original
suite: Promenade, Baba
Yaga (The Hut on Fowl's
Legs), and The Great Gate
of Kiev. A great contest
or concert piece!
