Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Orchestra SKU: PR.41641531L Concerto for Cello and Orchestra. Comp...(+)
Orchestra
SKU:
PR.41641531L
Concerto for Cello and
Orchestra. Composed
by Narong Prangcharoen.
Large Score. 43 pages.
Duration 20 minutes.
Theodore Presser Company
#416-41531L. Published by
Theodore Presser Company
(PR.41641531L).
UPC:
680160625949.
Far
from Home is originally
for solo cello based on
my exploration of the use
of Western instrumental
and compositional
techniques to express the
emotional and cultural
characteristics of Thai
traditional music. This
piece contains both
lyrical and virtuosic
passages that derived
from the traditional Thai
fiddle playing and
Krao-nai style, which is
considered to be among
the most demanding styles
for solo instruments.
Although the musical
expression and techniques
used in this piece are
somewhat different from
the traditional Krao-nai
style, it still convey
the emotions and cultural
references of that style.
Far from Home was
graciously commissioned
by the Thailand
Philharmonic Orchestra
with the generous support
of Dr. Sugree
Charoensook. It was given
its first performance by
Thai cellist Tapalin
Charoensook, the Thailand
Philharmonic Orchestra,
and Maestro Alfonso
Scarano conducting, on
August 22-23, 2014, at
Mahidol University,
Bangkok, Thailand. Far
from Home is originally
for solo cello based on
my exploration of the use
of Western instrumental
and compositional
techniques to express the
emotional and cultural
characteristics of Thai
traditional music. This
piece contains both
lyrical and virtuosic
passages that derived
from the traditional Thai
fiddle playing and
Krao-nai style, which is
considered to be among
the most demanding styles
for solo instruments.
Although the musical
expression and techniques
used in this piece are
somewhat different from
the traditional Krao-nai
style, it still convey
the emotions and cultural
references of that
style.Far from Home was
graciously commissioned
by the Thailand
Philharmonic Orchestra
with the generous support
of Dr. Sugree
Charoensook. It was given
its first performance by
Thai cellist Tapalin
Charoensook, the Thailand
Philharmonic Orchestra,
and Maestro Alfonso
Scarano conducting, on
August 22-23, 2014, at
Mahidol
University,Bangkok,
Thailand.
The Huron Indian Carol Orchestre [Conducteur et Parties séparées] - Intermédiaire Eighth Note Publications
('Twas in the Moon of Wintertime). Arranged by Morley Calvert. Orchestra. Full O...(+)
('Twas in the Moon of
Wintertime). Arranged by
Morley Calvert.
Orchestra. Full
Orchestra; Part(s);
Score. Eighth Note
Publications. Christmas;
Multicultural; Sacred;
Winter. Grade 3. 100
pages. Published by
Eighth Note Publications
Full Orchestra (Print) Choir (Orchestra Accompaniment) SKU: HL.35032262 C...(+)
Full Orchestra (Print)
Choir (Orchestra
Accompaniment)
SKU:
HL.35032262
Composed
by Heather Sorenson and
Joseph M. Martin. Shawnee
Sacred. Advent, Cantata,
Christmas,
Christmas/Advent Sacred,
General Worship, Sacred.
Softcover. Duration 3360
seconds. Published by
Shawnee Press
(HL.35032262).
ISBN
9781540027139. UPC:
888680746728.
9.0x13.5x2.261 inches.
Joseph M. Martin/Heather
Sorenson.
The
Christmas story is told
with fresh perspective in
this collaborative
cantata from Joseph
Martin and Heather
Sorenson. Throughout
time, God has touched and
motivated hearts through
dreams and visions.
Christmas Dreams visits
these moments in
scripture and connects
the experiences of
ancient times with our
modern journey of faith,
pointing to Christ, in
whose birth the hopes,
yearnings and dreams of
all the world are
fulfilled. Using
traditional carols, newly
composed seasonal
selections and thoughtful
narration, this rich work
delivers a tapestry of
sound and emotion. Share
this cantata with your
people and help them
discover God's graceful
touch in their lives!
Songs include: Christmas
Dreams Overture; Advent
Dreams; The Promise and
the Prayer; A New Morning
of Promise; Zechariah's
Song; Mary's Dream; All
Through the Night; Hark!
The Herald Angels Sing;
The Magi's Epiphany;
Christmas Dreams; A
Gentle Christmas
Blessing.
By George E. Strombeck. For Mixed Large Ensemble. Large Ensemble for Mixed Large...(+)
By George E. Strombeck.
For Mixed Large Ensemble.
Large Ensemble for Mixed
Large Ensemble. Meter:
3/4, 4/4. Traditional.
Level: 1.5-2.5. Duration
1'30". Published by David
E. Smith Publications.
Coronation Anthem for
Choir and Orchestra.
Composed by George
Frideric Handel. Edited
by Damian Cranmer. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1727. 18 pages.
Duration 3'. Eulenburg
Edition #ETP1702.
Published by Eulenburg
Edition (HL.49009666).
ISBN 9790200211412.
UPC: 073999354386.
5.25x7.5x0.095 inches.
English.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Orchestra SKU: PR.416416140 For Flute, Oboe, Clarinet in B-flat, Basso...(+)
Orchestra
SKU:
PR.416416140
For
Flute, Oboe, Clarinet in
B-flat, Bassoon, and
Orchestra. Composed
by Narong Prangcharoen.
Full score. 53 pages.
Duration 17 minutes.
Theodore Presser Company
#416-41614. Published by
Theodore Presser Company
(PR.416416140).
UPC:
680160642441.
Time
is one of the main
factors impacting the
world and our lives.
Einstein saw time as the
relationship of the
motion of one object
relative to the position
of another object, as
measured through
observation. But can we
really measure time
objectively? Music, the
art which moves through
time, can affect our
perception of time, and
can affect each person's
perception of time
differently. Depending on
the emotion it
stimulates, music can
make time seem to pass
quickly or slowly. A
composer can use music to
convey time to an
audience and different
musical ideas can create
different sensations of
time. Absence of Time is
a concerto for woodwind
quartet and orchestra. It
has three main sections
(fast, slow, fast),
recalling traditional
concerto form, but it
does not use the solo
instruments in the
traditional way, i.e., as
soloists in contest with
the orchestra. Inspired
by the idea of
juxtaposing different
experiences of time, I
divided the instruments
into two groups: the four
soloists and the
orchestra. The orchestra
functions mostly as the
keeper of time (real
time) while the quartet
of soloists fluctuates
(in imaginary time or in
the absence of time)
around the orchestra's
time. While the quartet's
instruments do play
solos, they also play in
ensemble with the
orchestra. You could say
that they play in both
imaginary time (as
soloists) and in real
time (with the
orchestra). In addition
to this, the woodwind
section of the orchestra
plays in conversation
with the solo quartet,
calling it back to real
time. Fusion is achieved
at the end of the piece
through the use of
strong, driving rhythm.
Absence of Time was
commissioned by the
Pacific Symphony and was
first performed by the
Pacific Symphony and the
Pacific Symphony Woodwind
Quartet with Carl St.
Clair as conductor on
October 20, 2016.
Orchestra SKU: PR.41641614L For Flute, Oboe, Clarinet in B-flat, Basso...(+)
Orchestra
SKU:
PR.41641614L
For
Flute, Oboe, Clarinet in
B-flat, Bassoon, and
Orchestra. Composed
by Narong Prangcharoen.
Spiral. Large Score. 53
pages. Duration 17
minutes. Theodore Presser
Company #416-41614L.
Published by Theodore
Presser Company
(PR.41641614L).
UPC:
680160642458. 11 x 17
inches.
Time is one
of the main factors
impacting the world and
our lives. Einstein saw
time as the relationship
of the motion of one
object relative to the
position of another
object, as measured
through observation. But
can we really measure
time objectively? Music,
the art which moves
through time, can affect
our perception of time,
and can affect each
person's perception of
time differently.
Depending on the emotion
it stimulates, music can
make time seem to pass
quickly or slowly. A
composer can use music to
convey time to an
audience and different
musical ideas can create
different sensations of
time. Absence of Time is
a concerto for woodwind
quartet and orchestra. It
has three main sections
(fast, slow, fast),
recalling traditional
concerto form, but it
does not use the solo
instruments in the
traditional way, i.e., as
soloists in contest with
the orchestra. Inspired
by the idea of
juxtaposing different
experiences of time, I
divided the instruments
into two groups: the four
soloists and the
orchestra. The orchestra
functions mostly as the
keeper of time (real
time) while the quartet
of soloists fluctuates
(in imaginary time or in
the absence of time)
around the orchestra's
time. While the quartet's
instruments do play
solos, they also play in
ensemble with the
orchestra. You could say
that they play in both
imaginary time (as
soloists) and in real
time (with the
orchestra). In addition
to this, the woodwind
section of the orchestra
plays in conversation
with the solo quartet,
calling it back to real
time. Fusion is achieved
at the end of the piece
through the use of
strong, driving rhythm.
Absence of Time was
commissioned by the
Pacific Symphony and was
first performed by the
Pacific Symphony and the
Pacific Symphony Woodwind
Quartet with Carl St.
Clair as conductor on
October 20, 2016.
Orchestra; Score (Study Score) Overture. Composed by Ludwig van Beethoven (1770-...(+)
Orchestra; Score (Study
Score)
Overture. Composed by
Ludwig van Beethoven
(1770-1827). Edited by
Max Unger. Arranged by
Max Unger. This edition:
Saddle stitching. Sheet
music. Eulenburg
Taschenpartituren (Pocket
Scores). Classical. Study
Score. Op. 124. 84 pages.
Eulenburg Edition
#ETP627. Published by
Eulenburg Edition
Orchestra (Score) SKU: HL.14008392 Caroline Mathilde Act I (Concert Su...(+)
Orchestra (Score)
SKU:
HL.14008392
Caroline Mathilde Act
I (Concert Suite).
Composed by Sir Peter
Maxwell Davies. Music
Sales America. 20th
Century. Book
[Softcover]. Composed
1999. 74 pages. Chester
Music #CH60949. Published
by Chester Music
(HL.14008392).
ISBN
9780711936942.
The
story centres on the
English princess Caroline
Mathilde (1751-1775),
sister of George III, who
at the age of 15 was sent
to Denmark to marry the
17-year-old eccentric and
schizophrenic Danish
King, Christian VII. The
ballet portrays her
unhappy marriage, the
King's growing madness
and her fatal love-affair
with Struensee, the
King's influential
physician, which leads to
their arrest, his
execution and her exile,
at the age of 20,
separated from her two
young children. In
keeping with the period,
and perhaps also with the
traditions of Romantic
ballet, the music is
relatively simple in
harmony and form, and
most of the action is
conveyed in set-piece
dances. The suite, which
consists essentially of
the second half of Act I,
begins with one of these,
a bristling interplay of
wind and string ensembles
in D major, portraying in
the ballet a curious
nuptial game with the
king and princess on
movable pedestals. The
slow music that follows
has to do with the king's
healing by Dr. Struensee
and the new queen's
unquiet reverie (oboe and
cor anglais solos). Then
the suite, like the act,
is capped by a pair of
pas-de-deux, the first
savage and bizarre for
the royal couple, the
second rich and
passionate for the queen
and the miracle-working
doctor. Score
(miniature). Duration c.
25mins.
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin SKU: AP...(+)
Orchestra 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin
SKU:
AP.36-A213048
Composed by Richard
Strauss. Full Orchestra.
Kalmus Orchestra Library.
Part(s). LudwigMasters
Publications #36-A213048.
Published by
LudwigMasters
Publications
(AP.36-A213048).
ISBN
9798892705271. UPC:
659359875526.
English.
Richard
Strauss (1864-1949) wrote
his VIOLIN CONCERTO IN D
MINOR, Op. 8, between
1881 and 1882, and it
remained his only foray
in that genre. Composed
while a teenager and
still in school. While
still very much a product
of the Romantic era
tradition, the work is
not considered as
distinctive as the works
he would produce only a
few years later, and
Strauss himself later
ridiculed the work.
Still, with inventive and
bold writing in the solo
and hints of his mature
harmonic style to come,
there is much to enjoy in
the work, including its
warmth, youthful
sincerity, and lyrical
expression, so that it
should not be dismissed
as mere juvenilia, either
by contemporary audiences
or Strauss himself. The
chamber version of the
concerto was first
performed in Vienna on
December 5, 1882, with
the dedicatee Benno
Walter on the violin
while Strauss played his
own piano reduction. The
premiere for the
orchestral version would
take place seven years
later in Cologne on March
4, 1890, with Walter
again performing the solo
with an orchestra
conducted by Franz
Wüllner.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin SKU: AP...(+)
Orchestra 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin
SKU:
AP.36-A213001
Composed by Richard
Strauss. Full Orchestra.
Kalmus Orchestra Library.
Score. LudwigMasters
Publications #36-A213001.
Published by
LudwigMasters
Publications
(AP.36-A213001).
ISBN
9798892705264. UPC:
659359870385.
English.
Richard
Strauss (1864-1949) wrote
his VIOLIN CONCERTO IN D
MINOR, Op. 8, between
1881 and 1882, and it
remained his only foray
in that genre. Composed
while a teenager and
still in school. While
still very much a product
of the Romantic era
tradition, the work is
not considered as
distinctive as the works
he would produce only a
few years later, and
Strauss himself later
ridiculed the work.
Still, with inventive and
bold writing in the solo
and hints of his mature
harmonic style to come,
there is much to enjoy in
the work, including its
warmth, youthful
sincerity, and lyrical
expression, so that it
should not be dismissed
as mere juvenilia, either
by contemporary audiences
or Strauss himself. The
chamber version of the
concerto was first
performed in Vienna on
December 5, 1882, with
the dedicatee Benno
Walter on the violin
while Strauss played his
own piano reduction. The
premiere for the
orchestral version would
take place seven years
later in Cologne on March
4, 1890, with Walter
again performing the solo
with an orchestra
conducted by Franz
Wüllner.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin SKU: AP...(+)
Orchestra 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin
SKU:
AP.36-A213002
Composed by Richard
Strauss. Full Orchestra.
Kalmus Orchestra Library.
Score and Part(s).
LudwigMasters
Publications #36-A213002.
Published by
LudwigMasters
Publications
(AP.36-A213002).
UPC:
659359873225.
English.
Richard
Strauss (1864-1949) wrote
his VIOLIN CONCERTO IN D
MINOR, Op. 8, between
1881 and 1882, and it
remained his only foray
in that genre. Composed
while a teenager and
still in school. While
still very much a product
of the Romantic era
tradition, the work is
not considered as
distinctive as the works
he would produce only a
few years later, and
Strauss himself later
ridiculed the work.
Still, with inventive and
bold writing in the solo
and hints of his mature
harmonic style to come,
there is much to enjoy in
the work, including its
warmth, youthful
sincerity, and lyrical
expression, so that it
should not be dismissed
as mere juvenilia, either
by contemporary audiences
or Strauss himself. The
chamber version of the
concerto was first
performed in Vienna on
December 5, 1882, with
the dedicatee Benno
Walter on the violin
while Strauss played his
own piano reduction. The
premiere for the
orchestral version would
take place seven years
later in Cologne on March
4, 1890, with Walter
again performing the solo
with an orchestra
conducted by Franz
Wüllner.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Poor Wayfaring Stranger Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Movement 1 from Three Folk Song Settings for Band). Arranged by Andrew B...(+)
(Movement 1 from Three
Folk Song Settings for
Band). Arranged by
Andrew Boysen, Jr..
Concert Band. Concert
Band; Part(s); Score.
Alfred Concert Band.
Folk. Grade 4. 154 pages.
Published by Alfred Music
Orchestra - Grade 1.5 SKU: AP.48085S Al Hanissim. Arranged by Susa...(+)
Orchestra - Grade 1.5
SKU: AP.48085S
Al Hanissim.
Arranged by Susan H. Day.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra.
Highland/Etling String
Orchestra. Chanukah;
Jewish Heritage;
Traditional; Winter.
Score. 8 pages. Duration
1:50. Highland/Etling
#00-48085S. Published by
Highland/Etling
(AP.48085S).
ISBN
9781470661472. UPC:
038081554365.
English.
This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
A unique Hanukkah
selection, this piece
embodies traditional
Jewish music with its
haunting melodies. In 4/4
time throughout, using
easy rhythms, lifts,
tremolo, a few two-note
slurs, and ties, along
with some cello divisi.
The viola part doubles
the 2nd violin and the
cello doubles the bass.
This is an excellent
teaching piece for
dotted-quarter-note
rhythms.
The
prayer Al Hanissim is
sung or read at Hanukkah,
expressing thanks for the
miracles that have been
bestowed upon the
people's ancestors. A
Hanukkah Prayer of Thanks
by Susan H. Day will
convey a sense of the
season. (1:50) This title
is available in MakeMusic
Cloud.
Orchestra - Grade 1.5 SKU: AP.48085 Al Hanissim. Arranged by Susan...(+)
Orchestra - Grade 1.5
SKU: AP.48085
Al Hanissim.
Arranged by Susan H. Day.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra.
Highland/Etling String
Orchestra. Chanukah;
Jewish Heritage;
Traditional; Winter.
Score and Part(s). 62
pages. Duration 1:50.
Highland/Etling
#00-48085. Published by
Highland/Etling
(AP.48085).
ISBN
9781470661465. UPC:
038081554358.
English.
This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
A unique Hanukkah
selection, this piece
embodies traditional
Jewish music with its
haunting melodies. In 4/4
time throughout, using
easy rhythms, lifts,
tremolo, a few two-note
slurs, and ties, along
with some cello divisi.
The viola part doubles
the 2nd violin and the
cello doubles the bass.
This is an excellent
teaching piece for
dotted-quarter-note
rhythms.
The
prayer Al Hanissim is
sung or read at Hanukkah,
expressing thanks for the
miracles that have been
bestowed upon the
people's ancestors. A
Hanukkah Prayer of Thanks
by Susan H. Day will
convey a sense of the
season. (1:50) This title
is available in MakeMusic
Cloud.
(A Christmas Worship Experience of the Christ-Light). By Mary Mcdonald. Arranged...(+)
(A Christmas Worship
Experience of the
Christ-Light). By Mary
Mcdonald. Arranged by
Laura Kathryn Rosser. For
full orchestra. Cantatas.
Christmas. Orchestral
score and parts.
Published by Monarch
Music
Arranged by Sandra
Dackow. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Folk; Traditional. Score
and Part(s). 148 pages.
Duration 2:15. Alfred
Music #00-45817.
Published by Alfred Music
(AP.45817).
UPC:
038081525501. English.
Traditional Irish
Tune.
All in first
position with
straightforward rhythms
and thematic parts for
everyone, this poignant
song arranged by Sandra
Dackow will be a
wonderful addition to any
concert. The Girl I Left
Behind Me first appears
in 18th century Ireland,
often known as Brighton
Camp. It emigrated to the
United States along with
many other
Anglo/Scots/Irish folk
tunes and became a
popular marching song for
soldiers. During the
American Civil War,
soldiers in both the
Confederate and Union
armies sang it. A number
of cultures have embraced
this song, adding their
own local lyrics. (2:15)
This title is available
in MakeMusic Cloud.
About
Orchestra
Expressions
<
p>Play great songs such
as Over the Rainbow,
Batman, This Land Is Your
Land, and Star Wars (Main
Title). Listen to and
play a variety of styles
of music: popular,
traditional, classical,
folk and patriotic. Read
and write music; compose
and improvise. Perform in
a concert and play for
your family and friends.
Be a conductor of the
orchestra. Learn about
composers, such as
Antonin Dvorak, Johann
Pachelbel, Jacques
Offenbach, Pytor Ilyich
Tchaikovsky, Giuseppe
Verdi, George M. Cohan,
George Frideric Handel,
Ludwig van Beethoven,
Johann Sebastian Bach,
Wolfgang Amadeus Mozart,
Giacomo Puccini, Georges
Bizet, Neal Hefti, and
John Williams. Discover
how music and art are
related. Learn about a
variety of musical
ensembles including
string orchestra, full
orchestra, mariachi band,
steel drum band,
dixieland jazz band, rock
band, and more. Play
music from around the
world, including North
America, Europe, Latin
America, Asia, and
Africa.
Arranged by Sandra
Dackow. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Folk; Traditional. Score.
8 pages. Duration 2:15.
Alfred Music #00-45817S.
Published by Alfred Music
(AP.45817S).
UPC:
038081525518. English.
Traditional Irish
Tune.
All in first
position with
straightforward rhythms
and thematic parts for
everyone, this poignant
song arranged by Sandra
Dackow will be a
wonderful addition to any
concert. The Girl I Left
Behind Me first appears
in 18th century Ireland,
often known as Brighton
Camp. It emigrated to the
United States along with
many other
Anglo/Scots/Irish folk
tunes and became a
popular marching song for
soldiers. During the
American Civil War,
soldiers in both the
Confederate and Union
armies sang it. A number
of cultures have embraced
this song, adding their
own local lyrics. (2:15)
This title is available
in MakeMusic Cloud.
About
Orchestra
Expressions
<
p>Play great songs such
as Over the Rainbow,
Batman, This Land Is Your
Land, and Star Wars (Main
Title). Listen to and
play a variety of styles
of music: popular,
traditional, classical,
folk and patriotic. Read
and write music; compose
and improvise. Perform in
a concert and play for
your family and friends.
Be a conductor of the
orchestra. Learn about
composers, such as
Antonin Dvorak, Johann
Pachelbel, Jacques
Offenbach, Pytor Ilyich
Tchaikovsky, Giuseppe
Verdi, George M. Cohan,
George Frideric Handel,
Ludwig van Beethoven,
Johann Sebastian Bach,
Wolfgang Amadeus Mozart,
Giacomo Puccini, Georges
Bizet, Neal Hefti, and
John Williams. Discover
how music and art are
related. Learn about a
variety of musical
ensembles including
string orchestra, full
orchestra, mariachi band,
steel drum band,
dixieland jazz band, rock
band, and more. Play
music from around the
world, including North
America, Europe, Latin
America, Asia, and
Africa.
Arranged by Mark Weston, Transcr. And Scored By Douglas E. Wagner. Traditional. ...(+)
Arranged by Mark Weston,
Transcr. And Scored By
Douglas E. Wagner.
Traditional. For Full
Orchestra. Full
Orchestra. Belwin
Intermediate Full
Orchestra. Conductor
Score & Parts. Published
by Alfred Publishing.
Level: 2.5 (Green)
(grade 2.5 Green).
A Cantata for
Christmas. Composed
by Heather Sorenson.
Daybreak Christmas
Choral. Advent, Cantata,
Carol, Christmas,
Christmas/Advent Sacred,
General Worship, Sacred.
Softcover. Duration 3000
seconds. Published by
Daybreak Music
(HL.226377).
ISBN
9781495091506. UPC:
888680674618.
8.5x11.0x2.3
inches.
Composed in
both traditional and
blended choral stylings,
this cantata weaves the
historic symbolism of
both the Lion of Judah
and the Lamb of God into
the Christmas story.
Through original songs
and traditional carols,
singers and listeners are
reminded that this story
is not just an event in
history, but a living
story that still impacts
the world today.
Narration, solos,
congregational
participation and
optional children's
voices, along with
gorgeous orchestrations
by Keith Christopher, all
work together to make
this service a time of
both celebration and
worship. Songs include:
Overture/Sing Christmas!;
And So We Wait; It Came
upon a Midnight Clear;
Who's the Little Baby?;
Sleep Little Lion, Sleep
Little Lamb; Where Is
Peace Tonight?; In This
Moment; Angels from the
Realms of Glory; Carol of
the King. Score and Parts
(fl 1-2/pic, ob, cl 1-2,
bn, tpt 1-3, hn 1-2, tbn
1-2, tbn 3/tba, perc 1-2,
timp, hp, pno, rhy, vn
1-2, va, vc, db)
available as a Printed
Edition and as a digital
download.
Arranged by Vince Gassi.
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Christmas;
Folk; Sacred;
Traditional; Winter.
Score. 8 pages. Belwin
Music #00-35917S.
Published by Belwin Music
(AP.35917S).
Orchestra (Study Score) SKU: HL.49009584 Suite from the Opera for Orch...(+)
Orchestra (Study Score)
SKU: HL.49009584
Suite from the Opera
for Orchestra.
Composed by Nikolay
Andreyevich
Rimsky-Korsakov. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. Study Score.
144 pages. Duration 24'.
Eulenburg Edition #ETP
1377. Published by
Eulenburg Edition
(HL.49009584).
ISBN
9790200211009. UPC:
073999596618.
5.25x7.5x0.36
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
The Fairy Queen Orchestre [Conducteur d'étude / Miniature] Eulenburg
Orchestra (Study Score) SKU: HL.49010354 Two Suites from the Opera...(+)
Orchestra (Study Score)
SKU: HL.49010354
Two Suites from the
Opera. Composed by
Henry Purcell. Edited by
William Leonard Reed.
Arranged by William
Leonard Reed. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
20 pages. Duration 15'.
Eulenburg Edition
#ETP891. Published by
Eulenburg Edition
(HL.49010354).
ISBN
9790200207613. UPC:
073999921113.
5.25x7.5x0.075
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Full orchestra SKU: LO.30-3679L Composed by Pepper Choplin. Choral. Sacre...(+)
Full orchestra
SKU:
LO.30-3679L
Composed
by Pepper Choplin.
Choral. Sacred Anthem,
Eastertide, Holy Week,
Lent. Orchestral score
and CD with printable
parts. Lorenz Publishing
Company #30/3679L.
Published by Lorenz
Publishing Company
(LO.30-3679L).
UPC:
000308152913.
Orche
stral Score and CD with
Printable Parts for
10/5301L Pepper Choplin
brilliantly ties together
Christ’s birth
with His death in this
anthem from The Body of
Christ (55/1197L). New
lyrics combine with a
traditional Christmas
carol to highlight
Christ's sacrifice and
the promise of His birth.
The introspective and
thoughtful approach makes
this stunning selection
the perfect choice for
Holy Week.
Orchestra SKU: LO.30-2425L Composed by Joseph M. Martin. Arranged by Bran...(+)
Orchestra
SKU:
LO.30-2425L
Composed
by Joseph M. Martin.
Arranged by Brant Adams.
Choral. Sacred Anthem,
Palm/Palm-Passion Sunday.
Orchestral score and
parts. Lorenz Publishing
Company #30/2425L.
Published by Lorenz
Publishing Company
(LO.30-2425L).
UPC:
000308121858.
Fill
your sanctuary with Palm
Sunday majesty and
excitement with this
anthem from Joe Martin.
The first of three verses
is a lively
call-and-response setting
of the scripture:
“Who is this King
of glory?†The
contrasting middle verse
is an inventive pairing
of the traditional hymn
tune LEONI with the text
“All Glory, Laud
and Honor.†The
final verse returns the
lively theme of the first
in counterpoint with
drum-like hosannas. An
energetic accompaniment
that ties all three
verses together, whether
provided by piano alone
or orchestra, makes this
anthem the perfect choice
for Palm Sunday. (From
the cantata Who Is This
King? SATB –
55/1096L; SAB –
55/1097L.)
Instrumentation: 2
Flutes, Oboe, 2
Clarinets, Bassoon, 2 F
Horns, 3 Trumpets, 2
Trombones, Tuba, Timpani,
2 Percussion, Violin 1 &
2, Viola, Cello,
Bass.