Orchestra (Study Score)

SKU: HL.48024683

Orchestra Study Score. Composed by Magnus Lindberg. Boosey & Hawkes Scores/Books. Classical. Softcover. 144 pages. Boosey & Hawkes #M060135880. Published by Boosey & Hawkes (HL.48024683).

ISBN 9781784545062. UPC: 888680952570. 8.25x11.75 inches.

TEMPUS FUGIT was commissioned to celebrate the centenary of Finnish independence on 6 December 2017 and it received its first performance in Helsinki on that day, given by the Finnish Radio Symphony Orchestra.

The composer says that “if you translate TEMPUS FUGIT as 'Time Flies', you could say that Finland has travelled a long way already -but 100 years is a short time-span, and living as a human in this part of the world started long ago and, we hope, will continue formillennia to come. This relates to my fascination with Bernd Alois Zimmermann's concept of spherical time - that the past, the present and the future are continuously linked and within reach. You can also examine the inter-connection of musical time in the earlier works of Stockhausen such as Kontakte and Gruppen which had a big impact on me as a young composer. A translation of TEMPUS FUGIT that I prefer is 'Time in Flight', offering the idea that time escapes from us but bequeaths a tangible residue, rather like aplane travelling towards the distance but leaving a visible vapour trail.” This 30-minute score is a major addition to the orchestral repertory.

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score)

SKU: HL.49018099

Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099).

ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German.

On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009.

Orchestra - Grade 3

SKU: AP.47479S

Composed by Shirl Jae Atwell. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. 8 pages. Duration 2:05. Highland/Etling #00-47479S. Published by Highland/Etling (AP.47479S).

UPC: 038081544878. English.

This lighthearted, carefree work is easy to remember upon hearing. It has a snappy rhythm that makes you want to dance to its lively tune.
Minstrels were musicians who traveled throughout the countryside providing entertainment to any and all. Their repertoire included songs, dances, jokes, and storytelling. One could find them all over Europe and America from the Middle Ages up until the 20th century. As traveling musicians, they relied on catch tunes that could easily be learned and communicated to their audiences. They were in the business of uplifting people's spirits through fun and laughter.

Orchestra - Grade 3

SKU: AP.47479

Composed by Shirl Jae Atwell. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score and Part(s). 62 pages. Duration 2:05. Highland/Etling #00-47479. Published by Highland/Etling (AP.47479).

UPC: 038081544861. English.

This lighthearted, carefree work is easy to remember upon hearing. It has a snappy rhythm that makes you want to dance to its lively tune.
Minstrels were musicians who traveled throughout the countryside providing entertainment to any and all. Their repertoire included songs, dances, jokes, and storytelling. One could find them all over Europe and America from the Middle Ages up until the 20th century. As traveling musicians, they relied on catch tunes that could easily be learned and communicated to their audiences. They were in the business of uplifting people's spirits through fun and laughter.

Composed by Ludwig van Beethoven (1770-1827). Edited by Jens Dufner. For Orchestra (Study Score). Henle Study Scores. Softcover. 130 pages. G. Henle #HN9813. Published by G. Henle

Orchestra

SKU: SU.91580100

For Orchestra. Composed by Steven Mercurio. Vocal/Choral, Opera. CD (Audio). Subito Music Corporation #91580100. Published by Subito Music Corporation (SU.91580100).

A Grateful Tail - Movement by Movement Siriusly, Dog Star Sirius, the brightest star in the night sky, has been used by travelers and navigators for thousands of years as a guiding star and so it is here as the opening movement for the symphony. Sirius, the cornerstone to the constellation Canis Maggiore or Big Dog sits at the foot of Orion, the hunter, leading the way. Highly cinematic, the movement evokes both a musical and visual sense of the mythological and mysterious elements of Sirius and its Dog Godstar secrets. From the clarion call of the opening, Sirius theme, the sound is buoyant and frisky emulating the nature of doggy playtime. Puppy pleasures abound as a doggy four-step, my turn on the traditional American two-step dance, is introduced. The movement transforms into an actual orchestrated frolic of small, large and medium dog barks beginning with the winds (smaller dogs) and ultimately, the big dog, brass. The movement climaxes with the coda or, Dog Park, where the winds and the brass bark and play together over the, doggy ostinato four-step rhythm, culminating with the final call of the Sirius theme. Let Sleeping Dogs Lie, Peacefully It's all in a dog's day and life. Tranquility presides over this supremely gentle, intermezzo-like movement. After a day of play, every dog needs rest. Let Sleeping Dogs Lie, is a lyrical andante inspired by the profound serenity and beauty of a dog at rest. The Last Will and Testament of Silverdene Emblem O'Neill Based on a powerful piece of prose written by the American playwright, Eugene O'Neill this text was intended as a consolation piece for Carlotta, his wife, who had become grief-stricken over the loss of their beloved dog, the Dalmatian known as Blemie.Written for a singing actor who personifies the role of Blemie, a dog at the end of his life, the movement plays like a one act, musical drama as we follow Blemie through a wonderfully three-dimensional, emotional and psychological journey writing his Last Will and Testament, for those who have loved him. Wagging the Tail: Ossia Fido's Lament A life-affirming rumba/samba using Blemie's final words from O'Neill's text, this final movement employs the most unique American musical invention, the gospel choir. In order to make the dances come alive, this movement also calls upon the colors of a rhythm section. Creating the spirit of an Irish Funeral, the movement is a joyful and revival-like celebration of a dog's life as its spirit lives on forever in the hearts and minds of dog lovers everywhere. Remember Me, remember me! My spirit is wagging a grateful tail. Published by: Subito Music Publishing Release Date: July 9, 2013.

Composed by Lloyd Larson. Christmas. Score and instrument parts. Published by Hope Publishing Company

Orchestra - Grade 1.5

SKU: AP.43820S

Composed by Richard Meyer. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Explorer. Light Concert. Score. 12 pages. Duration 3:30. Highland/Etling #00-43820S. Published by Highland/Etling (AP.43820S).

ISBN 9781470661434. UPC: 038081506852. English.

Your orchestra will have a blast working on this fun selection that introduces the time periods of music and the playing styles that go with them. As students climb aboard the time machine, they will travel far and wide! (3:30).

Orchestra - Grade 2.5

SKU: AP.41211S

Composed by Jack Rollins and Steve Nelson. Arranged by Ralph Ford. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Christmas; Novelty; Secular; Winter. Score. 16 pages. Alfred Music #00-41211S. Published by Alfred Music (AP.41211S).

UPC: 038081471938. English.

Travel south with Frosty and enjoy the trip before he melts! Though playable with strings alone, the addition of the optional percussion will add spice and have them dancing. This title is available in MakeMusic Cloud.

Orchestra - Grade 2.5

SKU: AP.41211

Composed by Jack Rollins and Steve Nelson. Arranged by Ralph Ford. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Christmas; Novelty; Secular; Winter. Score and Part(s). 90 pages. Duration 1:40. Alfred Music #00-41211. Published by Alfred Music (AP.41211).

UPC: 038081471921. English.

Travel south with Frosty and enjoy the trip before he melts! Though playable with strings alone, the addition of the optional percussion will add spice and have them dancing. (1:40) This title is available in MakeMusic Cloud.

(Orchestra). By Joe Hisaishi. Score. Schott. Softcover. 252 pages. Schott Music #SJH002. Published by Schott Music

SKU: CL.016-0214-00

March. Composed by G. Holmes. Orchestra. Score and set of parts. Composed 1915. C.L. Barnhouse #016-0214-00. Published by C.L. Barnhouse (CL.016-0214-00).

Orchestra

SKU: SU.90880160

For Orchestra. Composed by Nancy Galbraith. Orchestra. Study Score. Subito Music Corporation #90880160. Published by Subito Music Corporation (SU.90880160).

Instrumentation : 1 1 1,1 1; 1110; perc, pno, hp; stgs
Duration: 12'
Composed: 2014
Published by: Subito Music Publishing
Performance materials available on rental only:
Subito Music Rental Library.

Orchestra 2 Natural Trumpets, Percussion (2 players) & String Orchestra

SKU: PE.EP14361

For 2 Natural Trumpets, Percussion (2 players) and String Orchestra. Composed by Bernhard Gander. Chamber Orchestra. Form: March. Contemporary; Funeral. Score. 24 pages. Edition Peters #98-EP14361. Published by Edition Peters (PE.EP14361).

ISBN 9790014133177. German.

Maximal Funeral by Bernhard Gander is a 13-minute work for two natural trumpets, percussion (two players) and string orchestra. The piece is a long funeral march and was inspired by the fact that years before his death Emperor Maximilian always took a coffin with him on his travels to be prepared for it.

Maximal Funeral was made possible by the Hilde Zach Scholarship 2017 by the City of Innsbruck. The premiere performance by the Tiroler Kammerorchester InnStrumenti conducted by Gerhard Sammer took place on 9 March 2019 at the Canisianum, Innsbruck (Austria).

The full score (EP 14361) is available for sale as part of the Peters Contemporary Library. The performance material can be hired.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

Orchestra (Orchestra)

SKU: HL.48010897

For String Orchestra. Composed by Tony Osborne. This edition: M060074110. Boosey & Hawkes Orchestra. Classical, Contemporary. Boosey & Hawkes #M060074110. Published by Boosey & Hawkes (HL.48010897).

UPC: 073999916454.

Strin gs Together Level 3 Contents: Madam Cole * Wild-west Shaker * Sarabande * Music from Outer Space * Jamaican Rumba.

SKU: CL.016-0328-00

Composed by Buys. Orchestra. Score and set of parts. Composed 1922. C.L. Barnhouse #016-0328-00. Published by C.L. Barnhouse (CL.016-0328-00).

(Full Orchestra Music/Full Orchestra). By John Philip Sousa (1854-1932). Arranged by Rogers, R. Mark. For Full Orchestra. Full Orchestra Music. Southern Music. Grade 4. Southern Music Company #A42FO. Published by Southern Music Company

By Anne McGinty (1945-). Edited by Shirley Mullins. For String Orchestra. Orchestra Method/Study. Queenwood Developing String Orchestra. Score

String Orchestra string orchestra (88555) - Grade 2

SKU: KN.8906

Composed by Traditional. Arranged by David Tovey. Voyager String Orchestra. Score and set of parts. Duration 2 minutes, 10 seconds. Kendor Music Inc #8906. Published by Kendor Music Inc (KN.8906).

UPC: 822795089066.

This fast-paced arrangement of the great American favorite will be a terrific addition to your school program. Scored in an authentic fiddle style, students will love the exciting rhythmic drive and action. Duration 2:10.

Orchestra

SKU: SU.27040180

For Orchestra. Composed by Gregory J. Hutter. Orchestra. Full Score. Subito Music Corporation #27040180. Published by Subito Music Corporation (SU.27040180).

Conductor's scoreElectric Traction is the second offering in a trilogy of urban-inspired symphonic works, and was initially inspired while traveling from Chicago through Northern Indiana via an electric interurban commuter railway. Train sounds are to some degree depicted musically—which is demonstrated throughout by the spinning out of various motoric and textural devices at a very high rate of speed.2,1,2,1,2,1,2,1; 4331; timp, 3 perc, hp, pno/cel; stgs Duration: 6'30 Composed: 2002 Published by: Hutter Music Performance materials available on rental only:.

Orchestra - Grade 2

SKU: AP.33653S

Composed by Ludwig van Beethoven. Arranged by Tim McCarrick. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Beginning String Orchestra. Classical; Masterwork Arrangement; Romantic. Score. 8 pages. Belwin Music #00-33653S. Published by Belwin Music (AP.33653S).

UPC: 038081381350. English.

A simple folk-style song that works wonderfully for strings and depicts a traveling troubadour and his trained pet entertaining for their food. The broken-chord accompaniment imitates the organ grinder as he sings while the marmot performs tricks for the listeners. It is a beautiful melody that moves between A minor and C major. Both upper strings and cellos take turns on the melody!

(Full Orchestra Music/Full Orchestra). By John Philip Sousa (1854-1932). Arranged by Rogers, R. Mark. For Full Orchestra (Score). Full Orchestra Music. Southern Music. Grade 4. Southern Music Company #A42FS. Published by Southern Music Company

Arranged by Douglas E. Wagner. Orchestra. Full Orchestra. Belwin Intermediate Full Orchestra. Contemporary. Grade 2.5. Conductor Score and Parts. 110 pages

By Samuel R. Hazo. (Score & Parts). MusicWorks Grade 1. Concert Band. Score and full set of parts. Size 9x12 inches. Published by Hal Leonard.