By Georges Bizet (1838-1875). Edited by Robert Didion. For Orchestra (Study Scor...(+)
By Georges Bizet
(1838-1875). Edited by
Robert Didion. For
Orchestra (Study Score).
Study Score. Softcover.
64 pages. Hal Leonard
#ETP1544. Published by
Hal Leonard
Orchestra SKU: HL.14020998 Composed by Sir Peter Maxwell Davies. Music Sa...(+)
Orchestra
SKU:
HL.14020998
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical. Book
[Softcover]. Composed
1999. 8 pages. Chester
Music #CH60356. Published
by Chester Music
(HL.14020998).
ISBN
9780711930766. UPC:
884088435059. 5.5x7.5
inches.
A short
piece for small
orchestra, written in
1989 when the composer
heard of Michael Vyner's
death. Premiered in
October 1989 at
Glyndebourne Sussex, by
the London Sinfonietta
and conducted by the
composer just six days
after Vyman's death.
Approximately six minutes
in duration, it is based
on the plainsong 'Cor
meum et caro mea
exultaverunt in Deum
vivum' and is scored for
two oboes, two bassoons,
two horns, two trumpets,
timpani and strings.
Orchestra SKU: HL.49019910 Composed by John Casken. This edition: Saddle ...(+)
Orchestra
SKU:
HL.49019910
Composed
by John Casken. This
edition: Saddle
stitching. Sheet music.
Study Score. Softcover.
Composed 2007. 76 pages.
Duration 20'. Schott
Music #ED13617. Published
by Schott Music
(HL.49019910).
ISBN
9790220134395. UPC:
888680089528.
8.25x11.75x0.25
inches.
My Concerto
for Orchestra (2007) is a
twenty-minute work in
which different sections
of the orchestra, as well
as individual solos and
duos from within the
orchestra, are
highlighted as the music
unfolds. The work
continues my interest in
two-movement forms that
began with my Cello
Concerto (1991), and was
later developed in
Sortilege (1996) and
Symphony (Broken Consort)
(2004). In these works,
and in the Concerto for
Orchestra, each movement
is given equal weight and
importance with the
second developing earlier
material and taking it in
new directions.The
two-movement form of the
Concerto for Orchestra
derives from a symphonic
sonata structure,
reshaping the traditional
four-movement form and
combining this with
aspects of sonata form, a
tradition that goes back
to Liszt, Schoenberg and
Sibelius:1st movement (i)
exposition of ideas -
dramatic and sudden (ii)
scherzo and development 1
- resolute2nd movement
(iii) adagio - calm and
unhurried (iv)
development 2 with
recapitulation - intense
and energeticThe Concerto
for Orchestra was
commissioned by the
Musikalische Akademie des
Nationaltheatre-Orchester
s Mannheim with the
support of Die Landesbank
Baden-Wurttemberg for its
first two performances on
31st March and 1st April
2008 conducted by
Friedemann Layer. The
score is dedicated in
friendship and admiration
to Ronald Zollman.John
Casken
(Chopin National Edition 33 B Vol. VIIIa). Composed by Frederic Chopin (1810-184...(+)
(Chopin National Edition
33 B Vol. VIIIa).
Composed by Frederic
Chopin (1810-1849).
Edited by Jan Ekier and
Pawel Kaminski. For
Orchestra (Study Score).
PWM. 110 pages. Polskie
Wydawnictwo Muzyczne
#51600911. Published by
Polskie Wydawnictwo
Muzyczne
Composed by George Benjamin. This edition: For Countertenor, Women�...(+)
Composed by George
Benjamin. This edition:
For Countertenor,
Women�s
Voices and Orchestra.
Full Orchestra;
Masterworks; Score. Faber
Edition. 20th Century;
Masterwork. Published by
Faber Music
(AP.12-0571538878).
By Franz Schubert. Arranged by Richard Meyer. By Franz Schubert / arr. Richard M...(+)
By Franz Schubert.
Arranged by Richard
Meyer. By Franz Schubert
/ arr. Richard Meyer. For
Full Orchestra. Full
Orchestra. First
Philharmonic. Level:
Grade 2. Conductor Score.
Published by Alfred
Publishing.
Rosamunde Overture Orchestre [Conducteur et Parties séparées] - Facile Alfred Publishing
By Franz Schubert. Arranged by Richard Meyer. By Franz Schubert / arr. Richard M...(+)
By Franz Schubert.
Arranged by Richard
Meyer. By Franz Schubert
/ arr. Richard Meyer. For
Full Orchestra. Full
Orchestra. First
Philharmonic. Level:
Grade 2. Conductor Score
and Parts. Published by
Alfred Publishing.
From Lute Concerto RV
93. Composed by
Antonio Vivaldi. Arranged
by Brendan Mcbrien.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Form:
Concerto; Transcription.
Baroque; Masterwork
Arrangement. Score. 16
pages. Duration 3:40.
Highland/Etling
#00-45881S. Published by
Highland/Etling
(AP.45881S).
UPC:
038081523866.
English.
Adapted
from Vivaldi's Lute
Concerto in D Major, this
arrangement from Brenden
McBrien for two solo
violins and orchestra
creates an opportunity to
feature your top
violinists in the opening
movement of this classic
work. Your musicians and
audience will be charmed
by this Italian
masterpiece which
includes passages for
solo cello and optional
keyboard accompaniment to
lend it that authentic
flavor. (3:40).
Featuring: Forth Eorlingas / Evenstar / Rohan / The March of the Ents / Isengard...(+)
Featuring: Forth
Eorlingas / Evenstar /
Rohan / The March of the
Ents / Isengard Unleashed
/ Breath of Life /
Gollum's Song. Composed
by Howard Shore. Edited
by George Megaw. Arranged
by Jerry Brubaker. Full
Orchestra; Performance
Music Ensemble; Single
Titles. Pop Concert Full
Orchestra. Movies.
Conductor's score. 34
pages. Duration 7:13.
Belwin Music
#00-FOM03007C. Published
by Belwin Music
Featuring: Rohan / Forth Eorlingas / The March of the Ents / Evenstar / Gollum's...(+)
Featuring: Rohan / Forth
Eorlingas / The March of
the Ents / Evenstar /
Gollum's Song. Composed
by Howard Shore. Arranged
by Douglas E. Wagner.
Full Orchestra;
Performance Music
Ensemble; Single Titles.
Pop Intermediate
String/Full Orchestra.
Movie. Score. 32 pages.
Duration 5:38. Belwin
Music #00-FOM03006C.
Published by Belwin Music
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: SU.50034696 For Orchestra. Composed by Joseph Franz...(+)
Orchestra
SKU:
SU.50034696
For
Orchestra. Composed
by Joseph Franz Wagner.
Orchestra. Performance
Score. Seesaw Music Corp
#50034696. Published by
Seesaw Music Corp
(SU.50034696).
Transcribed for
Two Pianos Published by:
Seesaw Music.
Norfolk Rhapsody No. 2 Orchestre [Conducteur d'étude / Miniature] - Facile Oxford University Press
Composed by Ralph Vaughan Williams (1872-1958). Edited by Stephen Hogger. For or...(+)
Composed by Ralph Vaughan
Williams (1872-1958).
Edited by Stephen Hogger.
For orchestra (2 flutes,
2 oboes, 2 clarinets, 2
bassoons, 4 horns, 2
trumpets, 3 trombones,
bass tuba, timpani,
triangle, harp and
strings). This edition:
paperback. Level B-C
(easy - moderately
difficult). Study score.
32 pages. Duration 10
minutes. Published by
Oxford University Press
Orchestra SKU: HL.14004587 Composed by Sir Arthur Drummond Bliss. Music S...(+)
Orchestra
SKU:
HL.14004587
Composed
by Sir Arthur Drummond
Bliss. Music Sales
America. Classical. Book
[Softcover]. 56 pages.
Music Sales #NOV890184.
Published by Music Sales
(HL.14004587).
ISBN
9780853608592.
8.25x11.75x0.165
inches.
Arthur
Bliss's first orchestral
compositions, his studies
for Full Orchestra, are
believed to have been
composed in 1920. The
first performance in 1921
was conducted by Arthur
Bliss. Orchestration: 2
Flutes, Oboe, Cor
Anglais, 2 Clarinets in
Bflat, Bass Clarinet in
Bflat, 2 Bassoons,
Contrabassoon, 4 Horns in
F, 2 Trumpets in C, 3
Trombones, Tuba, Timpani,
Percussion, Harp,
Celesta, Strings. Full
score and orchestral
parts are available on
hire from the publishers.
Duration: c. 12
minutes.
Speed-Dating for Two
Orchestras. Composed
by Errollyn Wallen.
Orchestra. Edition
Peters. Living Composer.
Score. Composed 2004;
First Performance: BBC
Concert Orchestra and
Kensington Symphony
Orchestra. 56 pages.
Duration 20 minutes.
Edition Peters
#98-EP7759. Published by
Edition Peters
(PE.EP7759).
ISBN
9790577020914. 297 x 420
mm inches.
Study
score
This product
is Printed on Demand and
may take several weeks to
fulfill. Please order
from your favorite
retailer.
Dance of the Hours Orchestre [Conducteur et Parties séparées] Highland/Etling
From La Guiconda. Composed by Amilcare Ponchielli (1834-1886). Arr...(+)
From La
Guiconda.
Composed by Amilcare
Ponchielli (1834-1886).
Arranged by Richard
Meyer. Full Orchestra;
Masterworks; Part(s);
Score. Highland/Etling
First Philharmonic. Form:
Dance; Transcription.
Masterwork Arrangement;
Romantic. 208 pages.
Published by
Highland/Etling
(AP.45891).
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano SKU: AP....(+)
Orchestra 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Piano
SKU:
AP.36-A134501
Composed by Johannes
Brahms. Arranged by
Clinton Nieweg and Robert
Sutherland. This edition:
Kalmus Orchestra Library.
Full Orchestra;
Performance Music
Ensemble; Single Titles.
Kalmus Orchestra Library.
Score. LudwigMasters
Publications #36-A134501.
Published by
LudwigMasters
Publications
(AP.36-A134501).
ISBN
9781638878902. UPC:
735816433864.
English.
Johannes
Brahms (1833-1897)
composed his Piano
Concerto No. 1 in 1858
and performed the work's
debut in Hanover,
Germany, in 1859, to
mixed reviews. The work
initially began as a
sonata for two pianos,
then a four-movement
symphony. Under the
counsel of friends Julius
Otto Grimm and violinist
Joseph Joachim, Brahms
landed on a
three-movement piano
concerto. After its fifth
performance in December
1861, with Clara Schumann
as piano soloist, the
work still received mixed
audience reception. It
has since grown in
popularity and has been
recognized as a
masterpiece.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Piano.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano SKU: AP....(+)
Orchestra 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Piano
SKU:
AP.36-A134502
Composed by Johannes
Brahms. Arranged by
Clinton Nieweg and Robert
Sutherland. This edition:
Kalmus Orchestra Library.
Full Orchestra;
Performance Music
Ensemble; Single Titles.
Kalmus Orchestra Library.
Score and Part(s).
LudwigMasters
Publications #36-A134502.
Published by
LudwigMasters
Publications
(AP.36-A134502).
UPC:
735816433567.
English.
Johannes
Brahms (1833-1897)
composed his Piano
Concerto No. 1 in 1858
and performed the work's
debut in Hanover,
Germany, in 1859, to
mixed reviews. The work
initially began as a
sonata for two pianos,
then a four-movement
symphony. Under the
counsel of friends Julius
Otto Grimm and violinist
Joseph Joachim, Brahms
landed on a
three-movement piano
concerto. After its fifth
performance in December
1861, with Clara Schumann
as piano soloist, the
work still received mixed
audience reception. It
has since grown in
popularity and has been
recognized as a
masterpiece.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Piano.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Opera in Three Acts. Composed by Meredith Oakes. Full Orchestra (Full Score); ...(+)
Opera in Three Acts.
Composed
by Meredith Oakes. Full
Orchestra (Full Score);
Larger Works;
Masterworks;
Performance Music
Ensemble.
Faber Edition.
Masterwork.
Score. Faber Music #12-
057153872X. Published by
Faber Music
(Based upon Tea for Two ). By Vincent Youmans. Orchestra. For Full Orchestra. F...(+)
(Based upon Tea for Two
). By Vincent Youmans.
Orchestra. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. 20th
Century; Light Concert. 4
(grade 4). Score. 24
pages
Puzzle Pieces for two Chamber Orchestras after John Lloyd. Composed by Oliver Kn...(+)
Puzzle Pieces for two
Chamber Orchestras after
John Lloyd. Composed by
Oliver Knussen (1952-).
Full Orchestra (Full
Score); Masterworks;
Performance Music
Ensemble; Single Titles.
Faber Edition. 20th
Century; Masterwork.
Score. Faber Music
#12-0571508650. Published
by Faber Music
Tahiti Trot Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Based upon Tea for Two ). By Vincent Youmans. Orchestra. Full Orchestra. Pop C...(+)
(Based upon Tea for Two
). By Vincent Youmans.
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. 20th
Century; Light Concert.
Grade 4. Conductor Score
and Parts. 200 pages
(Deluxe Score). By Christopher Martin. By John Williams. For Full Orchestra. Joh...(+)
(Deluxe Score). By
Christopher Martin. By
John Williams. For Full
Orchestra. John Williams
Signature Edition
Orchestra. 52 pages.
Published by Hal Leonard
