Composed by Michel
Chagnon. Plectrum
orchetra. Orchestra. Full
set. Editions Robert
Martin #CHAG03438-BA.
Published by Editions
Robert Martin
(RM.CHAG03438-BA).
Plectrum orchestra SKU: RM.CHAG03438-CO Composed by Michel Chagnon. Plect...(+)
Plectrum orchestra
SKU:
RM.CHAG03438-CO
Composed by Michel
Chagnon. Plectrum
orchetra. Orchestra.
Conductor's score.
Editions Robert Martin
#CHAG03438-CO. Published
by Editions Robert Martin
(RM.CHAG03438-CO).
Orchestra (4(2picc).3(cor
ang).heck.Eb-clar.2.Bb-cl
ar(clar).4(dble bsn) -
8(4T-tuba).2alphn.4.4.2 -
org.cel -
2hp.2timp.perc(6).wind
m.thunder m - str - off
stage: 12hn.2trp.2tbne)
SKU: BR.PB-5710
Tone Poem -
Urtext. Composed by
Richard Strauss. Edited
by Nick Pfefferkorn.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Symphonic poem;
Late-romantic; Early
modern. Sheet Music. 204
pages. Duration 50'.
Breitkopf and Haertel #PB
5710. Published by
Breitkopf and Haertel
(BR.PB-5710).
ISBN
9790004216477. 10.5 x 14
inches.
Richard
Strauss's last completed
tone poem is regarded as
the pinnacle of his art
of orchestration: Now
I've finally learned to
orchestrate, he himself
is once supposed to have
said about it after the
dress rehearsal. The
single-movement Alpine
symphony that we know
today ultimately evolved
- over almost 15 years -
from the original drafts
of an artist's tragedy,
titled Der Antichrist.
Eine Alpensinfonie [The
Antichrist. An Alpine
Symphony] up to the stage
of the last sketches.
With unprecedented
plasticity, the work
showcases a
(metaphysical?) mountain
hike with stops in the
forest, at the waterfall,
on the alpine pasture
and, of course, at the
summit. Apropos alpine
pastures: up to the
score's fair copy stage,
Strauss envisaged a high
and a low alphorn for the
section Auf der Alm [On
the Alpine Pasture] and
the well-known Dulioh
theme, though for various
reasons first detailed in
our new Urtext edition,
these exotic instruments
did not find their way
into the printed version.
In the new edition, the
editor, Nick Pfefferkorn,
reproduces the alphorn
passages in small print,
also adding two alphorn
parts to the performance
material, besides
evaluating the
corrections made by
Walter Seifert at
Strauss's
request.
First
Urtext edition since the
first editionEvaluation
of all available sources,
including sketches and
the score corrected by
Walter Seifert Extensive
preface on the work's
compositional history and
receptionDetailed
Critical ReportFacsimile
pages.
Orchestra SKU: HL.49002097 Set of Parts. Composed by Claude Gervai...(+)
Orchestra
SKU:
HL.49002097
Set of
Parts. Composed by
Claude Gervaise and
Estienne du Terte.
Arranged by Paul
Hindemith. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Set of Parts. 90 pages.
Duration 9'. Schott Music
#CON76-50. Published by
Schott Music
(HL.49002097).
ISBN
9790001022446.
8.5x11.75x0.25
inches.
For
comparison, Hindemith
begins the 'Suite
franzosischer Tanze' with
the original movements by
Pierre d'Attaignant. This
is meant to be a
demonstration and
motivation for the player
of today to add on his
own little
improvisa-tions or
ornaments according to
his playing skill as it
is done with village
dance music but even with
jazz.The instruments can
be freely chosen; this
arrangement (piccolo and
flute, oboe, English
horn, bassoon, trumpet
and lute) tries to
imitate a group
consisting of recorders,
shawm, crumhorn, dulcian
etc.
Kullerullvisan.
Composed by Robert Sund.
Score. Duration 12
minutes, 30 seconds.
Gehrmans Musikforlag #CG
6037P. Published by
Gehrmans Musikforlag
(GH.CG-6037P).
Variations for
military wind band on a
marching tune from
Mockfjard.
Score. Composed by
Claude Gervaise, Estienne
du Terte, and Paul
Hindemith. Arranged by
Paul Hindemith. This
edition: Saddle
stitching. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Score. Composed 1948. 32
pages. Duration 9'.
Schott Music #CON76.
Published by Schott Music
(HL.49002096).
ISBN
9790001022439. UPC:
073999696066.
9.0x12.0x0.126
inches.
For
comparison, Hindemith
begins the 'Suite
franzosischer Tanze' with
the original movements by
Pierre d'Attaignant. This
is meant to be a
demonstration and
motivation for the player
of today to add on his
own little
improvisa-tions or
ornaments according to
his playing skill as it
is done with village
dance music but even with
jazz.The instruments can
be freely chosen; this
arrangement (piccolo and
flute, oboe, English
horn, bassoon, trumpet
and lute) tries to
imitate a group
consisting of recorders,
shawm, crumhorn, dulcian
etc.