By Nicholas Hooper. Arranged by Michael Story and Michael Story. For Full Orches...(+)
By Nicholas Hooper.
Arranged by Michael Story
and Michael Story. For
Full Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Light Concert;
Movie. 3 (grade 3).
Conductor Score. 16
pages. Published by
Alfred Music Publishing
(Featuring: Opening / The Story Begins / In Noctem / Wizard Wheezes / Ron's Vict...(+)
(Featuring: Opening / The
Story Begins / In Noctem
/ Wizard Wheezes / Ron's
Victory / The Slug Party
/ Journey to the Cave /
Dumbledore's Farewell /
The Friends / The Weasley
Stomp). By Nicholas
Hooper. Arranged by Jerry
Brubaker. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Light
Concert; Movie. 4.5
(grade 4.5). Conductor
Score and Parts. 232
pages. Published by
Alfred Music Publishing
(Featuring: Opening / The Story Begins / In Noctem / Wizard Wheezes / Ron's Vict...(+)
(Featuring: Opening / The
Story Begins / In Noctem
/ Wizard Wheezes / Ron's
Victory / The Slug Party
/ Journey to the Cave /
Dumbledore's Farewell /
The Friends / The Weasley
Stomp). By Nicholas
Hooper. Arranged by Jerry
Brubaker. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Light
Concert; Movie. 4.5
(grade 4.5). Conductor
Score. 40 pages.
Published by Alfred Music
Publishing
By Nicholas Hooper. Arranged by Michael Story and Michael Story. For Full Orches...(+)
By Nicholas Hooper.
Arranged by Michael Story
and Michael Story. For
Full Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Light Concert;
Movie. 3 (grade 3).
Conductor Score and
Parts. 120 pages.
Published by Alfred Music
Publishing
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Melodious Ups and
Downs. Composed by
Steven H. Brook.
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Novelty. Score
and Part(s). 72 pages.
Duration 2:00. Belwin
Music #00-44796.
Published by Belwin Music
(AP.44796).
UPC:
038081517254.
English.
The
perfect technical piece
for developing tone,
listening skills, string
crossings, smooth bow
changes, and
independence; as well as
celebrating beautiful
days at a park as
melodies and dynamics
move up and down between
sections, as on a seesaw.
The lines of
music that the various
instruments have weave up
and down across each
other as friendships
weave throughout our
lives. Imagine a
leisurely day at the
park, perhaps on a
seesaw, and ponder this
poem by the composer,
Steven H. Brook.
While pleasant
breezes grace the sky,
and clouds of joy drift
gently by, our friendship
bonds, we learn to
play---and now, with you,
we share today.
(2:00).
Melodious Ups and
Downs. Composed by
Steven H. Brook.
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Novelty.
Score. 8 pages. Duration
2:00. Belwin Music
#00-44796S. Published by
Belwin Music (AP.44796S).
UPC: 038081517261.
English.
The
perfect technical piece
for developing tone,
listening skills, string
crossings, smooth bow
changes, and
independence; as well as
celebrating beautiful
days at a park as
melodies and dynamics
move up and down between
sections, as on a seesaw.
The lines of
music that the various
instruments have weave up
and down across each
other as friendships
weave throughout our
lives. Imagine a
leisurely day at the
park, perhaps on a
seesaw, and ponder this
poem by the composer,
Steven H. Brook.
While pleasant
breezes grace the sky,
and clouds of joy drift
gently by, our friendship
bonds, we learn to
play---and now, with you,
we share today.
(2:00).
Full orchestra SKU: LO.30-3832MD Composed by Mary McDonald. Arranged by E...(+)
Full orchestra
SKU:
LO.30-3832MD
Composed
by Mary McDonald.
Arranged by Ed Hogan.
Choral. Sacred Anthem,
Christmas. Orchestral
score and parts.
Medallion Music
#30/3832MD. Published by
Medallion Music
(LO.30-3832MD).
UPC:
000308157536.
Orche
stral Score and Parts for
Sing Out Our Savior's
Birth (10/5499MD)
Featured in the musical
Love Made a Way
(SATB—65/2104MD),
this exciting opener
weaves through the carol
JOY TO THE WORLD and the
beloved hymn OLD 100TH
while incorporating
original words and music
by Mary McDonald!
Full orchestra SKU: LO.30-1493L An Easter Cantata For Choir And Worshi...(+)
Full orchestra
SKU:
LO.30-1493L
An
Easter Cantata For Choir
And Worship Leader.
Composed by Gregg Sewell.
Choral, cantatas.
Eastertide, Sacred.
Orchestration. Lorenz
Publishing Company
#30/1493L. Published by
Lorenz Publishing Company
(LO.30-1493L).
UPC:
000308074642.
John'
s Gospel is the basis for
an innovative new musical
setting of the timeless
Easter story. The
composer weaves striking
new melodies and
traditional hymn tunes
together to produce a
vibrant, energetic work
of meditation and praise.
The congregation is
called on to sing with
the choir in a sensitive
setting of When I Survey
the Wondrous Cross and a
rousing arrangement of
Crown Him With Many
Crowns. New settings of
What Wondrous Love Is
This? and O Sacred Head,
Now Wounded are
ingeniously intertwined
with new anthems. An
inspirational and deeply
moving experience for
choir and congregation
alike. Performance time:
approx. 25 minutes. Flute
1 & 2, Violin 2, Viola,
Cello, Double Bass, Oboe
1 & 2, Horn, Trumpet 1 &
2, Trombone 1 & 2, Tuba,
Percussion (Windchimes,
Suspended Cymbal)
Glockenspiel,Triangle,Chi
mes, Snare Drum,Timpani,
Harp, Violin 1.
Full orchestra SKU: LO.30-3616MD Composed by Jay Rouse. Choral, cantatas....(+)
Full orchestra
SKU:
LO.30-3616MD
Composed
by Jay Rouse. Choral,
cantatas. Advent,
Christmas, Sacred.
Instrumental parts.
Medallion Music
#30/3616MD. Published by
Medallion Music
(LO.30-3616MD).
UPC:
000308151015.
Behol
d, A Savior! is a
portrait of a promise and
a portrait of the
fulfillment of that
promise. Throughout this
musical, Jay Rouse and
Rose Aspinall skillfully
weave scripture and
dramatic first-hand
accounts of the birth of
Jesus into beloved carols
and original songs. Each
monologue and song will
take you on a
journey—from the
longing of Zechariah, the
joy and acceptance of
Mary, and the courage of
Joseph to the accounts of
the shepherds and wise
men. Designed with
flexibility in mind,
these songs and stories
can be presented
individually across the
Advent season or in their
entirety for a special
event. An optional
introduction and closing
narration, accessible
solos, and gorgeous
orchestrations add to the
flexibility and will make
this one of the most
practical collections in
your library.
Full orchestra SKU: LO.30-3615MD Composed by Jay Rouse. Choral, cantatas....(+)
Full orchestra
SKU:
LO.30-3615MD
Composed
by Jay Rouse. Choral,
cantatas. Advent,
Christmas, Sacred. Full
score. Medallion Music
#30/3615MD. Published by
Medallion Music
(LO.30-3615MD).
UPC:
000308151008.
Behol
d, A Savior! is a
portrait of a promise and
a portrait of the
fulfillment of that
promise. Throughout this
musical, Jay Rouse and
Rose Aspinall skillfully
weave scripture and
dramatic first-hand
accounts of the birth of
Jesus into beloved carols
and original songs. Each
monologue and song will
take you on a
journey—from the
longing of Zechariah, the
joy and acceptance of
Mary, and the courage of
Joseph to the accounts of
the shepherds and wise
men. Designed with
flexibility in mind,
these songs and stories
can be presented
individually across the
Advent season or in their
entirety for a special
event. An optional
introduction and closing
narration, accessible
solos, and gorgeous
orchestrations add to the
flexibility and will make
this one of the most
practical collections in
your library.
A Cantata for
Christmas. Composed
by Heather Sorenson.
Daybreak Christmas
Choral. Advent, Cantata,
Carol, Christmas,
Christmas/Advent Sacred,
General Worship, Sacred.
Softcover. Duration 3000
seconds. Published by
Daybreak Music
(HL.226377).
ISBN
9781495091506. UPC:
888680674618.
8.5x11.0x2.3
inches.
Composed in
both traditional and
blended choral stylings,
this cantata weaves the
historic symbolism of
both the Lion of Judah
and the Lamb of God into
the Christmas story.
Through original songs
and traditional carols,
singers and listeners are
reminded that this story
is not just an event in
history, but a living
story that still impacts
the world today.
Narration, solos,
congregational
participation and
optional children's
voices, along with
gorgeous orchestrations
by Keith Christopher, all
work together to make
this service a time of
both celebration and
worship. Songs include:
Overture/Sing Christmas!;
And So We Wait; It Came
upon a Midnight Clear;
Who's the Little Baby?;
Sleep Little Lion, Sleep
Little Lamb; Where Is
Peace Tonight?; In This
Moment; Angels from the
Realms of Glory; Carol of
the King. Score and Parts
(fl 1-2/pic, ob, cl 1-2,
bn, tpt 1-3, hn 1-2, tbn
1-2, tbn 3/tba, perc 1-2,
timp, hp, pno, rhy, vn
1-2, va, vc, db)
available as a Printed
Edition and as a digital
download.
Full orchestra SKU: LO.30-3468H Composed by Mark Hayes. Major Work, Chris...(+)
Full orchestra
SKU:
LO.30-3468H
Composed
by Mark Hayes. Major
Work, Christmas, General.
Orchestral score.
Heritage Music Press
#30/3468H. Published by
Heritage Music Press
(LO.30-3468H).
UPC:
000308148558.
Inter
national Carol Suites
weaves together familiar
and lesser-known carols
in a thrilling and
multicultural celebration
of the season. Sing one
medley for a ten-minute
burst of Christmas joy,
or perform several for an
extended presentation of
carols from around the
world. This item includes
the conductor's score
only. Parts are available
separately, in print or
digital formats. (2 Fl
(Picc), Ob, Cl, Bsn, 2
Hn, Tpt, Timp, 2 Perc,
Harp, Pno, 2 Vln, Vla,
Cello, Bass, opt.
Organ).
ISBN 9790006523375.
32.9 x 23.9 cm inches.
Text Language:
French/German. Preface:
Soury, Thomas. Louis de
Cahusac.
Rameau's
“Les Fêtes de
l'Hymen et de
l'Amour†was long
considered second-rate
because its première
was associated with a
political event. Yet this
ballet abounds in novel
dramaturgical effects
that foreshadow his later
operas, such as
“Zaïsâ€,
“Zoroastreâ€
and “Les
Boradesâ€. Working
together with his
librettist Cahusac,
Rameau sought to weave
the dance numbers,
choruses and stage
machinery more tightly
into the main plot. He
also experimented with
stylistic devices unique
to this work, the most
famous being
unquestionably the scene
in which the Nile
overflows its banks (an
impressive ten-voice
double chorus with solo
voices and orchestra) and
the sextet from
“Arurisâ€, a
scoring found nowhere
else in his
uvre.
For the
first time, this
scholarly-critical
edition of “Les
Fêtes de l'Hymen et de
l'Amour†presents a
reference version of the
work that is based on all
the major sources for
both the libretto and the
music, including two
recent musical
discoveries. As most of
the performance material
for the première has
vanished, our edition is
based on the version
prepared for the Acadmie
Royale de Musique in
1748.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Alla Danza Tedesca Orchestre [Conducteur et Parties séparées] - Facile Kendor Music Inc.
String Orchestra - Grade 2.5 SKU: KN.8893 Composed by Ludwing Van Beethov...(+)
String Orchestra - Grade
2.5
SKU: KN.8893
Composed by Ludwing Van
Beethoven. Arranged by
Deborah Baker Monday.
Voyager String Orchestra.
Score and set of parts.
Kendor Music Inc #8893.
Published by Kendor Music
Inc (KN.8893).
UPC:
822795088939.
This
German dance is the 4th
of 6 movements in
Beethoven's final
quartet, composed the
year before his death. As
with most string quartet
music there is lots of
interest in parts as they
weave back and forth with
imitative motives. The
dynamics are exquisite
and make a great teaching
point as well as the 3
beat slurs which occur in
all parts. Duration
3:00.
Full orchestra SKU: LO.30-3586L Composed by Lloyd Larson. Arranged by Ed ...(+)
Full orchestra
SKU:
LO.30-3586L
Composed
by Lloyd Larson. Arranged
by Ed Hogan. Choral,
cantatas. Advent,
Christmas, Sacred.
Instrumental parts.
Lorenz Publishing Company
#30/3586L. Published by
Lorenz Publishing Company
(LO.30-3586L).
UPC:
000308150292.
The
glory of Christmas comes
to life in this inspiring
musical by Lloyd Larson.
Through a blend of
familiar carols and
original songs, choirs
and congregations alike
will experience the
beauty of the incarnation
story as if
they’re
experiencing it for the
first time. This
versatile work may be
presented in multiple
segments over the Sundays
of Advent or as a single
presentation, and will be
equally effective with
piano accompaniment or
the full orchestra option
(live instruments or
accompaniment track). The
script for two narrators
is scripturally based and
seamlessly weaves in and
out of the music to
provide an inspiring
worship experience.
Opportunities for the
congregation to sing
familiar carols as well
as the availability of
both SATB and SAB
editions ensure that this
resource is suitable for
choirs large or
small.
Bass Section
Feature. Composed by
Todd Parrish. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Blues;
Jazz/Fusion; Light
Concert; Swing. Score. 8
pages. Duration 2:52.
Highland/Etling
#00-35968S. Published by
Highland/Etling
(AP.35968S).
UPC:
038081417233.
English.
Let your
string bass section swing
in this easy-to-play
blues piece as they build
skills and enjoy the
motivation of being in
the spotlight. Basses
carry the melody much of
the time, while also
accompanying the melody
as it weaves through
other sections. All parts
stay in first position,
while the bass shifts
briefly to third
position. Educational
objectives include
playing accidentals,
contrasting between
staccato and legato, and
learning to play in a
swing style. (2:52).
ISBN
9790006567560. 33 x 24.3
cm inches. Text: Duplat
de Monticourt,
Pierre-Jacques.
Thi
s edition unites all the
purely instrumental parts
of Rameau’s
comdie-ballet “Les
Paladins†for
performance as a suite in
the concert
hall.
In view of
the wealth of the
work’s musical
treasures and the
stylistic innovations
– similar to the
“Boradesâ€
– the rather
frosty reception of the
premiere series in the
spring of 1760 seems
completely
incomprehensible to us
today. It led to this
stage work not being
performed again until
well into the 20th
century. The story that
the comdie-ballet tells
is based on a fable by La
Fontaine, “Le Petit
chien qui secoue de
l’argent et des
pierreries†(i.e.
“The little dog who
shakes silver and
stonesâ€). In
medieval Veneto, the
guardian Anselme
undermines the love
affairs of his ward
Argies. Scenes of tragic
expression are contrasted
with folk-comic ones; and
last but not least, the
sexually ambiguous fairy
Manto may have caused
difficulties for the bold
work at the Paris
Opra.
This
critical edition is based
on the corresponding
volume issued in the
series “Opera omnia
Rameau†(BA
8870-01). Since
“Les
Paladins†remained
unpublished during
Rameau’s lifetime
and was also not included
in the “Œuvres
complètesâ€, this
is the first edition of
the work. It satisfies
both scholarly demand and
the practical needs of
musicians.
The
orchestral parts are
available on
hire.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Baritone; Orchestra (Study Score) SKU: HL.49045995 Chinese Songs Barit...(+)
Baritone; Orchestra
(Study Score)
SKU:
HL.49045995
Chinese Songs Baritone
and Orchestra.
Composed by Krzysztof
Penderecki. This edition:
Saddle stitching. Sheet
music. Study Score.
Chinese, Classical,
Symphony. Softcover.
Composed 2008/2017. 72
pages. Duration 1080
seconds. Schott Music
#ED22970. Published by
Schott Music
(HL.49045995).
ISBN
9790001203692. UPC:
842819100195.
8.25x11.75x0.184 inches.
German.
The history
of the symphony is full
of curiosities, ranging
from works that are
extremely long or scored
for extensive
instrumental forces to
those of dubious
authorship. There are
also famous symphonies
labelled as No. 0, works
with alternate or
multiple opus numbers,
and a wealth of
'unfinished' symphonies.
Krzysztof Pendereckis 6.
Sinfonie can also be
included in this
category, since his
Seventh and Eighth were
completed decades ago.
This work is comprised of
eight songs on Chinese
texts connected by solo
intermezzos played on the
Chinese stringed
instrument,erhu. As in
his two preceding works,
the focus here is on
vowels. This work,
however, is scored for
smaller orchestral forces
and possesses a more
intimate chamber music
character, at times with
greater melancholy than
before. Penderecki has
declared this symphony to
be his farewell from the
genre, although we know
from experience that
anything is possible with
symphonies.
Orchestra SKU: SU.27020085 For Orchestra. Composed by Graham Gordo...(+)
Orchestra
SKU:
SU.27020085
For
Orchestra. Composed
by Graham Gordon Ramsay.
Orchestra. Study Score.
Subito Music Corporation
#27020085. Published by
Subito Music Corporation
(SU.27020085).
Jacob vs. Angel
is a piece about crisis
of conscience, ambiguity,
and misinterpretation
expressed through the
depiction of a major
battle, the goal of which
is never made entirely
clear. Based on the
biblical story, the work
is highly programmatic,
with each of the six
movements reflecting a
corresponding stanza from
the titular poem by Alice
Weaver Flaherty. The
piece was originally
composed as a vehicle for
virtuoso organist
Heinrich Christensen, and
later orchestrated. The
first movement introduces
the main musical
material--a five note
motive, the intervals of
which are reorganized to
create melodic and
harmonic development
throughout the piece. The
second, third, and fourth
movements depict the
brutal fight between
Jacob and the angel, and
lead one to the next
without pause. The fifth
movement is about the
post-battle scene, and
the final movement is an
epilogue, reframing the
ideas from the previous
movements. The music
elucidates various
actions from the Flaherty
poem—sand
skittering across the
desert, aggressive acts
of violence and
sensuality between the
protagonists, the beating
of wings, feathers
blowing in the wind, etc.
But beyond the music's
more literal elements,
the work is designed to
express an abstract state
of mind, a sense of
unease, and anticipation
of what is yet to come.
—Graham Gordon
Ramsay2(2) 1,1 2 2; 2221;
7perc, hp, cel; stgs
Duration: 24'Composed:
2023 Published by:
Distributed Composer
Jacob vs Angel was
composed originally as a
solo concert organ work
in 2007; the orchestral
version was completed in
2023. A live performance
of the organ version can
be seen at. Performance
materials available on
rental:.
Orchestra (Study Score) SKU: HL.50606858 In A Major, Op. 141. Comp...(+)
Orchestra (Study Score)
SKU: HL.50606858
In A Major, Op.
141. Composed by
Dmitri Shostakovich.
Study Score. Classical.
Softcover. Sikorski
#SIK2515. Published by
Sikorski (HL.50606858).
UPC:
196288194552.
Weake
ned by a series of
chronic illnesses and
aware of his impending
death, Shostakovich looks
back on his life in
Symphony No.15 inA major,
op.141. The work opens
with cheerful
reminiscences from his
youth, featuring
quotations from his early
works and allusions to
Rossini. But already by
the second movement, a
funeral march rich with
self-quotation, the mood
changes. In the cantabile
movement which follows,
one hears the murmuring
ghosts of the past. With
echoes of Richard Wagner,
the eerie finale
ultimately instructs the
listener to remain
fearful through its
crumbling tonality. This
volume is part of the
revised and corrected new
edition of all 15
symphonies by Dmitri
Shostakovich published by
Boosey & Hawkes and
Sikorski as large format
study scores for optimal
legibility. All scores
and the related
orchestral parts have
been newly computer
typeset, and the
orchestral parts are also
compatible for
performance use with
scores in “The New
Collected Works of
DmitriShostakovichâ€
.
Special
Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a special
import title, it will be
shipped from our overseas
warehouse. The shipment
time will be slower than
items shipped directly
from our US warehouse and
may be subject to
delays.
Orchestra SKU: LO.30-2693L Composed by Carolyn Hamlin. Arranged by Mary M...(+)
Orchestra
SKU:
LO.30-2693L
Composed
by Carolyn Hamlin.
Arranged by Mary
McDonald. Choral. Sacred
Anthem, All Saints' Day,
Christ the King,
Discipleship, General.
Orchestral score and
parts. Lorenz Publishing
Company #30/2693L.
Published by Lorenz
Publishing Company
(LO.30-2693L).
UPC:
000308128192.
Was I
Faithful? Did I help the
blind and weak, did my
love include the meek?
This beautiful
arrangement, with a
scriptural text from
Matthew, challenges
Christians to evaluate
their lives and service
to God. Dramatic and
powerful, Mary McDonald's
setting features lush
choral writing supported
by a stunning keyboard
accompaniment or optional
orchestra.
Instrumentation: 2 Fl,
Ob, 2 Cl, Bsn (sub B Cl),
3 Tpt, 2 Hn (sub 2 A
Sax), 2 Tbn (sub 2 T
Sax/Btn TC), Tbn 3/Tuba,
Timp, Perc, Harp, Pno, 2
Vln, Vla, Cello, Bass,
Digital String
Reduction.
Composed by
Deborah Baker Monday.
Score and parts. Neil A.
Kjos Music Company
#SO378C. Published by
Neil A. Kjos Music
Company (KJ.SO378C).
ISBN 9788402704702.
UPC:
8402704700.
Port
Washington, New York is a
community on Long Island,
New York that is filled
with centuries of
history. Situated on a
waterfront, it also is
the recipient of intense
weather. Deborah Baker
Monday has expertly
captured Mother Nature at
work in Port Washington,
while musically
portraying the passage of
time in very special
ways. Not to be missed!
Into the Storm Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Robert W. Smith. By Robert W. Smith. For Full Orchestra. Full Orchestra. Belw...(+)
By Robert W. Smith. By
Robert W. Smith. For Full
Orchestra. Full
Orchestra. Belwin Concert
Full Orchestra. Level:
Medium Easy to Medium
(grade III-IV). Conductor
Score & Parts. 78 pages.
Duration 5:10. Published
by Alfred Publishing.
Composed by
Deborah Baker Monday.
Score only. Neil A. Kjos
Music Company #SO378F.
Published by Neil A. Kjos
Music Company
(KJ.SO378F).
UPC:
8402704699.
Port
Washington, New York is a
community on Long Island,
New York that is filled
with centuries of
history. Situated on a
waterfront, it also is
the recipient of intense
weather. Deborah Baker
Monday has expertly
captured Mother Nature at
work in Port Washington,
while musically
portraying the passage of
time in very special
ways. Not to be missed!
Orchestra SKU: LO.30-3245L Composed by Pepper Choplin. Arranged by Larry ...(+)
Orchestra
SKU:
LO.30-3245L
Composed
by Pepper Choplin.
Arranged by Larry
Shackley. Choral,
cantatas. Christmas.
Score and parts, plus CD
with printable parts.
Lorenz Publishing Company
#30/3245L. Published by
Lorenz Publishing Company
(LO.30-3245L).
UPC:
000308142471.
One
Silent Night long ago, a
birth story began that
forever changed the
world. Lying in a crude
manger was a new-born
babe, who would become
the Source of our
Christian faith and our
abiding hope. Using the
power and simplicity of
the event itself,
composer and creator
Pepper Choplin presents
each of the familiar
elements of that story
through ballad-like
recitatives of scripture,
surrounded by anthems
ranging from outbursts of
unbridled joy to moving
moments of introspection
and gentleness. Weaving
familiar carols and songs
throughout original
music, this timeless tale
emerges in a deeply
moving presentation that
will lift one’s
faith and deepen
one’s
understanding of the
profound significance of
that One Silent Night.
Orchestration by Larry
Shackley for 2 Fl, Ob, 2
Cl, Bsn (sub Bass Cl), 2
Hn (sub 2 A Sax), 3 Tpt,
2 Tbn (sub 2 T Sax),
Tuba, 2 Perc, Timp, Harp,
Pno, 2 Vln, Vla, Cello,
Bass, Digital
Strings.