Orchestra - Grade 4 SKU: HL.14043768 Composed by Henrik Hellstenius. Musi...(+)
Orchestra - Grade 4
SKU: HL.14043768
Composed by Henrik
Hellstenius. Music Sales
America. Classical.
Softcover. Composed 2015.
30 pages. Edition Wilhelm
Hansen #WH32720.
Published by Edition
Wilhelm Hansen
(HL.14043768).
ISBN
9788759836828.
English.
Waves
Under Water - Version For
Orchestra by Henrik
Hellstenius (2015).
Commissioned by Statoil
and Stavanger Symphony
Orchestra. Premiere by
Stavanger Symphony
Orchestra June 3,
2015.
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra
SKU:
BA.BA06861
Sinfonie
(1923-1928). Composed
by Leos Janacek. Arranged
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek H/3.
Complete edition, Score,
Set of parts. Duration 40
minutes. Baerenreiter
Verlag #BA06861_00.
Published by Baerenreiter
Verlag (BA.BA06861).
ISBN 9790260104211.
34.3 x 27 cm
inches.
Leoš
Janácek’s
symphonic fragment Dunaj
(The Danube) dates from
the period of the
composition of
“Katya
Kabanovaâ€. The
composer was not
concerned with a
musical-picturesque
description of a river
landscape, but with the
mythical link between
women’s destinies
and
water.
“Pale
green waves of the
Danube! There are so many
of you, and one followed
by another. You remain
interlocked in a
continuous flow. You
surprise yourselves where
you ended up – on
the Czech shores! Look
back downstream and you
will have an impression
of what you have left
behind in your haste. It
pleases you here. Here I
will rest with my
symphony.†Thus
Leoš Janácek
described the idea behind
the composition project
which occupied him in
1923/24. However, after
further work, it remained
incomplete in 1926. His
“symphonyâ€
entitled Dunaj has
survived as a
continuously-notated,
four-movement bundle of
sketches in score form.
It is one of the works
which occupied him until
his death. The scholarly
reconstruction by the two
Brno composers Miloš
Štedron and Leoš
Faltus closely follows
the original
manuscript.
A
whole conglomeration of
motifs stands behind the
incomplete work. What at
first seems like a
counterpart to
Smetana’s Vltava,
in fact doesn’t
turn out to be a musical
depiction of the Danube.
On the contrary, the
fateful link between the
destiny of women, water
and death permeates the
range of motifs found in
the work. It seems to be
no coincidence that
Janácek, whilst
working on the opera
Katya Kabanova, in which
the Volga, as the river
bringing death plays an
almost mythical role,
planned a Danube
symphony, and that its
content was linked with
the destiny of women: in
the sketches, two poems
were found which may have
provided the stimulus for
several movements of the
symphony. He copied a
poem by Pavla
Kriciková into the
second movement, in which
a girl remarks that
whilst bathing in a pond,
she was observed by a
man. Filled with shame,
the young naked woman
jumps into the water and
drowns. The outer
movements likewise draw
on the poem
“Lola†by the
Czech writer Sonja
Špálová,
published under the
pseudonym Alexander
Insarov. This is about a
prostitute who asks for
her heart’s
desire: she is given a
palace, but then goes on
a long search for it and
is finally no longer
wanted by anyone. She
suffers, feels cold and
just wants a warm fire.
Janácek adds his
remark “she jumps
into the Danube†to
the inconclusive
ending.
To these
tangible literary models
is added Adolf
Veselý’s verbal
account which reports
that the composer wanted
to portray “in the
Danube, the female sex
with all its passions and
driving forcesâ€.
The third movement is
said to characterise the
city of Vienna in the
form of a
woman.
It is
evident that in his
composition, Janácek
was not striving for a
simple, natural lyricism.
The River Danube is
masculine in the Slavic
language –
“ten Dunajâ€
– and assumes an
almost mythical
significance in the
national character,
indeed often also a role
bringing death. The four
movements are motivically
conceived. Elements of
sound painting, small
wave-like figures in the
first movement, motoric,
driving movements in the
third are obvious
evocations of water. And
the content and the
literary level are easy
to discover. The
“tremolo of the
four timpaniâ€,
which was amongst
Janácek’s first
inspirations, appears in
the second movement. It
is not difficult to
retrace in it the fate of
the drowning bather. The
oboe enters lamentoso
towards the end of the
movement over timpani
playing tremolo, its
descending figure is
taken over by the flute,
then upper strings and
intensified considerably.
The motif of drowning
– Lola’s
despair – returns
again in the fourth
movement in the clarinet,
before the work ends
abruptly and
dramatically.
One
special effect is the use
of a soprano voice in the
motor-driven third
movement. The singer
vocalises mainly in
parallel with the solo
oboe, but also in
dialogue with other parts
such as the viola
d’amore, which
Janácek used in
several late works as a
sort of “voice of
loveâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (Orchestra) SKU: HL.48187751 Composed by Wolfgang Amadeus Mozar...(+)
Orchestra (Orchestra)
SKU: HL.48187751
Composed by Wolfgang
Amadeus Mozart. Leduc.
Classical. Softcover. 38
pages. Heugel & Cie
#HE31552. Published by
Heugel & Cie
(HL.48187751).
UPC:
888680868031.
5.5x7.5x0.208
inches.
Mozart
composed two new
symphonies in the Autumn
of 1773, after having
returned to Salzburg from
Vienna. The first of the
two was the
<I>Symphony No.24
In B Flat K.182, and the
second was the Symphony
No.25 in G Minor
K.183<BR><BR>
This symphony was one of
two which Mozart composed
in a minor key ? the
other being the Symphony
No.40 in G Minor
K.550</I>. The
latter can be identified
with some of Mozart?s
most troubled and
agitated music,
reflecting those
difficult moments in his
life. However, the
twenty-fifth symphony is
thought to have been
composed as part of a
sudden wave of minor-key
symphonies which appeared
in the later 1760s and
early 1770s ? among
others were composed by
Vanhal, Ordonez, and
Joseph Haydn.Available
here is the study score
for one of Mozart?s two
symphonies composed in a
minor key, the Symphony
No.25 in G Minor
K.183</I>. This
score is ideal for study
and perusal usage..
Orchestra - Grade 1.5 SKU: AP.35997S Featuring: The Waves of Tory / Th...(+)
Orchestra - Grade 1.5
SKU: AP.35997S
Featuring: The Waves
of Tory / The Stronsay
Wedding. Arranged by
Bob Phillips. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Alternatives. Form:
Medley. Folk;
Traditional. Score. 8
pages. Highland/Etling
#00-35997S. Published by
Highland/Etling
(AP.35997S).
UPC:
038081411347. English.
Traditional.
Perfec
t for young players or as
a quick play-down finale
for older players, this
easy medley will soon
become a favorite that
you'll hear them playing
before class begins. All
sections play the
melodies of The Waves of
Tory and The Stronsay
Wedding, providing
interest and a chance to
work on dynamics.
Performance
recommendations to help
make the tunes sound
fiddley are provided in
the score.
Composed by Hector Berlioz (1803-1869). Edited by Diana Bickley. For orchestra. ...(+)
Composed by Hector
Berlioz (1803-1869).
Edited by Diana Bickley.
For orchestra. This
edition: Complete
edition, Urtext edition.
Linen. New Berlioz
Edition. Volume 20.
Score, anthology.
Published by Baerenreiter
Verlag
Orchestra SKU: HL.14033079 Composed by Per Norgard. Music Sales America. ...(+)
Orchestra
SKU:
HL.14033079
Composed
by Per Norgard. Music
Sales America. Classical.
Score. 164 pages. Music
Sales #KP01073. Published
by Music Sales
(HL.14033079).
ISBN
9788759858332.
Danish.
There were
wild oatsAnd the soil was
blackBut sparkledWhen the
sun was outThe air sharp
in the nostrilsHard to
defineSomewhere between
knife and coal andAcid
and that special light
and sweetWhiteness
thornbushes exhaleIt was
nothing specialBecause
everything was
special...Thus the
opening line of the poem
TERRAINS VAGUES by Klaus
Rifbjerg, the Danish
Poet. I chose to adopt
this title for my
orchestral work, because
of its closeness in
associations: an
indeterminable, often
polarized, state of
rhythmic and tonal
ambiguity.The expression
seems created by the
Franch author, Victor
Hugo:And here lies the
fascination: in the kinds
of terrains vagues, which
are simultaniously
bizarre and ugly, as if
created by two alien
species of nature. To
watch the suburb is like
observing and amphibium:
trees vanish, roofs
appear, grass vanish,
cobble stones appear,
ploughing fields vanish,
shops appear, beaten
tracks vanish - passions
appear; the murmur of
Nature Divine ends, the
noise of Mankind takes
over. (Victor Hugo)Still,
the atmosphere as well as
the material of TERRAINS
VAGUES have its origin,
in my SYMPHONY NO. 6
(1999), the last minute
of which, cut up rough,
appears as the start of
my new work. The music of
TERRAINS VAGUES
subdivides itself,
without breaks, into
three sections, or
shades:I: TERRAINS - II:
VAGUES (Waves) III:
TERRAINS VAGUES.Per
Norgard, March 2001.
Orchestra (FULL SCORE) SKU: HL.263038 For Orchestra. Composed by J...(+)
Orchestra (FULL SCORE)
SKU: HL.263038
For Orchestra.
Composed by John Luther
Adams. Music Sales
America. Classical.
Softcover. Composed 2017.
162 pages. Chester Music
#CH87131. Published by
Chester Music
(HL.263038).
UPC:
888680952907.
12.0x16.5x0.565
inches.
“Over
the years my orchestral
music has become simpler
and more expansive.
Clouds of Forgetting,
Clouds of Unknowing
(1991-95) contains four
different musical
textures. In the White
Silence (1998) has three.
For Lou Harrison (2002)
reduces this to just two.
In Dark Waves (2007), I
finally got to one. When
I first heard that piece
I began to wonder if I
could sustain a similar
sound for a longer span
of time. The result is
Become Ocean, a
meditation on the vast,
deep and mysterious tides
of existence. The title
is borrowed from a
mesostic verse that John
Cage wrote in honor of
Lou Harrison's birthday.
Likening Harrison's music
to a river in delta, Cage
writes: Listening to it
we become ocean. Life on
this earth first emerged
from the sea. And as the
polar ice melts and sea
level rises, we humans
find ourselves facing the
prospect that once again
we may quite literally
become ocean.†John
Luther Adams.
Orchestra - Grade 3.5 SKU: AP.49891 Composed by Rossano Galante. Full Orc...(+)
Orchestra - Grade 3.5
SKU: AP.49891
Composed by Rossano
Galante. Full Orchestra;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Belwin Concert Full
Orchestra. Score and
Part(s). Duration 4:20.
Belwin Music #00-49891.
Published by Belwin Music
(AP.49891).
ISBN
9781470657215. UPC:
038081575360.
English.
Rossano
Galante's composition
Cadence Everlasting
begins with a solo horn
accompanied by sustained
strings, setting the tone
for this lyrical piece.
This work aims to capture
humanity's love affair
with music. The beauty of
music is its ability to
evoke an emotional
response without words,
just sonic waves. Music
truly is the sound of
emotions. (4:20).
Orchestra - Grade 3.5 SKU: AP.49891S Composed by Rossano Galante. Full Or...(+)
Orchestra - Grade 3.5
SKU: AP.49891S
Composed by Rossano
Galante. Full Orchestra;
Performance Music
Ensemble; Single Titles.
Belwin Concert Full
Orchestra. Score.
Duration 4:20. Belwin
Music #00-49891S.
Published by Belwin Music
(AP.49891S).
ISBN
9781470657222. UPC:
038081575377.
English.
Rossano
Galante's composition
Cadence Everlasting
begins with a solo horn
accompanied by sustained
strings, setting the tone
for this lyrical piece.
This work aims to capture
humanity's love affair
with music. The beauty of
music is its ability to
evoke an emotional
response without words,
just sonic waves. Music
truly is the sound of
emotions. (4:20).
Orchestra - Grade 3 SKU: AP.29720 Composed by Bob Phillips. Performance M...(+)
Orchestra - Grade 3
SKU: AP.29720
Composed by Bob Phillips.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Form: Dance.
Folk. Score and Part(s).
124 pages. Duration 3:45.
Highland/Etling
#00-29720. Published by
Highland/Etling
(AP.29720).
UPC:
038081329802.
English.
A
programmatic piece based
on the changing character
of that vast inland sea,
Lake Michigan, this
original composition will
remind the listener of
the folk-based tunes of
Holst. Written for a
school located near the
beaches, the music
reflects the serene
mornings, days of large
waves and the
spectacularly brilliant
sunsets. The majestic
finish reflects the
wonder of a sky full of
fire as the sun sets.
(3:45).
Composed by Todd Parrish.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Programmatic.
Score and Part(s). 124
pages. Highland/Etling
#00-47466. Published by
Highland/Etling
(AP.47466).
ISBN
9781470654542. UPC:
038081544762.
English.
Inspired
by a painting of the same
name, this engaging work
by Todd Parrish features
memorable rhythmic
patterns of sixteenth
notes, flat-key
fingerings, and varied
articulations. The
original painting evokes
the awesome, eternal
nature of the sea that
could occur on any given
morning. Imagine crashing
waves!
Composed by Todd Parrish.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score. 12
pages. Highland/Etling
#00-47466S. Published by
Highland/Etling
(AP.47466S).
ISBN
9781470654559. UPC:
038081544779.
English.
Inspired
by a painting of the same
name, this engaging work
by Todd Parrish features
memorable rhythmic
patterns of sixteenth
notes, flat-key
fingerings, and varied
articulations. The
original painting evokes
the awesome, eternal
nature of the sea that
could occur on any given
morning. Imagine crashing
waves!
Full
Score. Composed by
Per Norgard. Music Sales
America. 20Th Century,
Classical. Softcover. 188
pages. Edition Wilhelm
Hansen #KP00865.
Published by Edition
Wilhelm Hansen
(HL.14032192).
ISBN
9788759858394.
12.0x16.5x0.78 inches.
International (more than
one
language).
Symphony
No. 6 for orchestra,
1997-99. Preface /
Program Note:... with the
Lord a day is like a
thousand years, and a
thousand years is like a
day(New Testament, 2
Peter 3:8)My SYMPHONY NO.
6 was commissioned by the
Danish National Radio
Symphony Orchestra, the
Gteborg Symphony
Orchestra and the Oslo
Philharmonic Orchestra,
to be premiered at the
millenium 2000.The
subtitle AT THE END OF
THE DAY can be understood
literally or it can mean
when all is added up.
However, in my opinion,
nothing ever quite adds
up, there is always
something missing, any
ending will be
provisional ...This
symphony appears to end
only a few minutes into
the first movement, the
first passage, as the
music fades away to
almost-silence, after a
start of flying colours.
But then there is still
something, a small motive
(first heard in the
initial sound-waves)
which reappears,
hesitant, but persistent,
and this embryo is what
leads on the musical
progression. An agitated
section of many
instrumental voices comes
next, until all the
voices become obsessed
with the same phrase, a
see-saw motive based on
thirds. This section
evolves into almost
martial ferocity, when
broken off by a tutti
descent into an extreme
bass-world (a bass-world
which actually permeates
the whole symphony,
emplyoing instruments
that I have never used
before: double-bass tuba,
double-bass trombone,
double-bass clarinet, and
bass flute).The second
movement, the second
passage, apparently takes
off where the first
passage ended, but now
the events are more
ambiguous, and the same
music may be perceived as
fast-moving one moment
and slow-moving the next.
This section is a kind of
passacaglia, the
characteristic baroque
bass-variation.Without a
break follows the third
and last passage, in a
contrasting high
register. The music is
rhythmically knotty as
well as freely flowing.
As in the beginning of
the symphony, a
never-ending descent or
fall breaks off the
events, and at the very
end a delta of new
beginnings, of other
worlds, is revealed
....The symphony is
dedicated to Helle, my
wife. - Per Norgard.
The Winds of Poseidon Orchestre [Conducteur et Parties séparées] - Avancé Alfred Publishing
By Robert W. Smith. By Robert W. Smith. For Full Orchestra. Full Orchestra. Belw...(+)
By Robert W. Smith. By
Robert W. Smith. For Full
Orchestra. Full
Orchestra. Belwin Concert
Full Orchestra. Level: 5
(Blue) (grade 5 Blue).
Conductor Score and
Parts. Published by
Alfred Publishing.
Orchestra SKU: SU.81001197 For Orchestra. Composed by Julia Wolfe....(+)
Orchestra
SKU:
SU.81001197
For
Orchestra. Composed
by Julia Wolfe.
Orchestra. Study Score.
Subito Music Corporation
#81001197. Published by
Subito Music Corporation
(SU.81001197).
2(1) 222; 4331;
4perc, hp; stgs Duration:
8' Composed: 1988
Published by: Red Poppy
Ltd.
Orchestra - Grade 3 SKU: AP.43829 Composed by Susan H. Day. Performance M...(+)
Orchestra - Grade 3
SKU: AP.43829
Composed by Susan H. Day.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Latin. Score
and Part(s). 124 pages.
Duration 3:30.
Highland/Etling
#00-43829. Published by
Highland/Etling
(AP.43829).
UPC:
038081496962.
English.
Picture
the matador as he waves
his red cape and the
crowd cheers him on!
Distinguished by its
Spanish influenced
melodies and harmonies,
this piece in 4/4 is
written in D minor and E
minor. Great to develop
expressive playing!
(3:30).
Orchestra (2222-2200-12-0-piano-str ings) SKU: GH.CG-7676 Three Gnosti...(+)
Orchestra
(2222-2200-12-0-piano-str
ings)
SKU:
GH.CG-7676
Three
Gnostic Dances.
Composed by Fredrik
Hogberg. Score. Duration
14 minutes. Gehrmans
Musikforlag #CG 7676.
Published by Gehrmans
Musikforlag (GH.CG-7676).
ISBN
9790070002202.
For
orchestra. Dance No. 1
and 2 partly taken from
the ballet Standing
waves.
Matador Orchestre [Conducteur] - Facile Highland/Etling
Orchestra - Grade 3 SKU: AP.43829S Composed by Susan H. Day. Performance ...(+)
Orchestra - Grade 3
SKU: AP.43829S
Composed by Susan H. Day.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Latin. Score.
16 pages. Duration 3:30.
Highland/Etling
#00-43829S. Published by
Highland/Etling
(AP.43829S).
UPC:
038081496979.
English.
Picture
the matador as he waves
his red cape and the
crowd cheers him on!
Distinguished by its
Spanish influenced
melodies and harmonies,
this piece in 4/4 is
written in D minor and E
minor. Great to develop
expressive playing!
(3:30).
Orchestra SKU: HL.215244 The Works of Mieczyslaw Karlowicz Volume 11(+)
Orchestra
SKU:
HL.215244
The
Works of Mieczyslaw
Karlowicz Volume 11.
Composed by Mieczystaw
Karlowicz. PWM.
Classical. Hardcover. 140
pages. Polskie
Wydawnictwo Muzyczne
#11592010. Published by
Polskie Wydawnictwo
Muzyczne (HL.215244).
12.0x17.0x0.63
inches.
Hardcover
full score. Text in
Polish, German, and
English. This edition of
the works of Mieczyslaw
Karlowicz is based on
critically examined
sources. It includes all
his compositions. The aim
of the edition is to
present the composer's
original text as
authentically as
possible. This is not an
easy task. The source
materials of Karlowicz's
music are very diverse in
nature. Apart from most
of the songs, the
composer prepared for
printing and published in
his lifetime the
following: Serenade for
Strings Op. 2, Prelude
and Fugue Op. 5, Concerto
in A major for Violin and
Orchestra Op. 8,
Returning Waves Op. 9 and
Eternal Songs Op. 10.
Being highly experienced
in writing for a symphony
orchestra, and
knowledgeable in the
modern method of
instrumentation in the
neoromantic style, he
prepared his scores with
great care. The remaining
symphonic poems were not
published before the
composer's death; and the
'Rebirth' Symphony, the
manuscript of which
miraculously survived the
ravages of World War II,
was issued only in 1993,
as part of the present
Complete Works edition.
During this war the
autographs of the most
compositions by
Karlowicz, including all
his symphonic poems
(except for The Sorrowful
Tale), were lost. The
present publication,
therefore, is based as a
rule on the first
editions, compared with
extant autographs or
authorized copies of the
scores. The amendments of
misprints or self-evident
mistakes on the part of
the composer are not
indicated graphically in
the text but referred to
in the Editorial
Notes.
Orchestra (Full Score) SKU: HL.215243 The Works of Mieczyslaw Karlowic...(+)
Orchestra (Full Score)
SKU: HL.215243
The Works of
Mieczyslaw Karlowicz -
Volume VIII. Composed
by Mieczystaw Karlowicz.
PWM. Classical.
Hardcover. 59 pages.
Polskie Wydawnictwo
Muzyczne #11596010.
Published by Polskie
Wydawnictwo Muzyczne
(HL.215243).
9.5x12.25x0.493
inches.
Hardcover
full score. Introductory
texts presented in
English, German, and
Polish. The Lithuanian
Rhapsody (Rapsodia
litewska), Op. 11 is the
third - after Returning
Waves and Eternal Songs -
of the six symphonic
poems by Mieczyslaw
Karlowicz. Composition
was probably taking shape
during the summer months
of 1906 in Warsaw.
Lithuanian Rhapsody
differs significantly
from the other parts of
'programme cycle' which
Mieczyslaw Karlowicz's
symphonic poems may be
regarded as forming. This
is a work based primarily
on thematic material
derived from folk output
(something that would
never again occur in the
composer's brief
biography), compared with
the earlier score of
Eternal Songs or the
later Stanislaw and Anna
Oswiecim it displays much
greater stylistic
independence of the
German music embodied
around the turn of the
twentieth century.