(A Christmas Worship Experience of the Christ-Light). By Mary Mcdonald. Arranged by Laura Kathryn Rosser. For full orchestra. Cantatas. Christmas. Orchestral score and parts. Published by Monarch Music

By Lloyd Larson. Arranged by Victor C Johnson. For orchestration (2 flutes, oboe, 2 clarinets, bassoon, 2 horns, 3 trumpets, 2 trombones, tuba, 2 percussion, harp, piano, 2 violins, viola, cello, bass). Cantatas. Christmas, Sacred. Full score, set of part

Composed by David Shipps. Allegis. Orchestration, enhanced CD. Allegis #765762192607. Published by Allegis (LO.765762192607).

(Featuring: Queen of the Night / I Have Nothing / I'm Your Baby Tonight / Greatest Love of All). Arranged by Victor López. Orchestra. Full Orchestra; Part(s); Score. Pop Concert Full Orchestra. Form: Medley. Pop. Grade 3.5. 252 pages. Published by Alfred Music Publishing

(Featuring: Queen of the Night / I Have Nothing / I'm Your Baby Tonight / Greatest Love of All). Arranged by Victor López. Orchestra. Full Orchestra; Score. Pop Concert Full Orchestra. Form: Medley. Pop. Grade 3.5. 32 pages. Published by Alfred Music Publishing

Full Orchestra (Print) Choir (Orchestra Accompaniment)

SKU: HL.35032262

Composed by Heather Sorenson and Joseph M. Martin. Shawnee Sacred. Advent, Cantata, Christmas, Christmas/Advent Sacred, General Worship, Sacred. Softcover. Duration 3360 seconds. Published by Shawnee Press (HL.35032262).

ISBN 9781540027139. UPC: 888680746728. 9.0x13.5x2.261 inches. Joseph M. Martin/Heather Sorenson.

The Christmas story is told with fresh perspective in this collaborative cantata from Joseph Martin and Heather Sorenson. Throughout time, God has touched and motivated hearts through dreams and visions. Christmas Dreams visits these moments in scripture and connects the experiences of ancient times with our modern journey of faith, pointing to Christ, in whose birth the hopes, yearnings and dreams of all the world are fulfilled. Using traditional carols, newly composed seasonal selections and thoughtful narration, this rich work delivers a tapestry of sound and emotion. Share this cantata with your people and help them discover God's graceful touch in their lives! Songs include: Christmas Dreams Overture; Advent Dreams; The Promise and the Prayer; A New Morning of Promise; Zechariah's Song; Mary's Dream; All Through the Night; Hark! The Herald Angels Sing; The Magi's Epiphany; Christmas Dreams; A Gentle Christmas Blessing.

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score)

SKU: HL.49018099

Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099).

ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German.

On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009.

Full orchestra

SKU: LO.30-3738MD

Composed by Mary McDonald. Arranged by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. Full score. Medallion Music #30/3738MD. Published by Medallion Music (LO.30-3738MD).

UPC: 000308154795.

Full Score for 65/2104MD Mary McDonald and Jay Rouse combine their compositional gifts to bring us this moving musical for Advent and Christmas. Beautiful music from Mary and Jay, deeply thoughtful narrations from Rose Aspinall, and a fabulous orchestration by Ed Hogan and Jay highlight the message at the heart of Christmas—God†™s love through Jesus Christ. You’ll find a bit of everything here, including original songs, familiar carols, fresh settings of timeless Christmas favorites, and ministry songs that will reach the heart of every listener. Songs like Mary’s Sing Out Our Savior’s Birth and Look on Him with Love and Jay’s A Midwinter Noel and Love Made a Way all serve to bring into focus God’s undeserved and unfathomable love through Jesus Christ. Celebrate how love made a way for each of us with this impactful musical! His coming means freedom for the captive, sight for the blind, good news for the poor. Jesus is Love incarnate, and He alone makes a way home for fallen man..

Full orchestra

SKU: LO.30-3741MD

Composed by Mary McDonald. Arranged by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. Score and parts, plus CD with printable parts. Medallion Music #30/3741MD. Published by Medallion Music (LO.30-3741MD).

UPC: 000308154764.

Score and Parts plus CD with Printable Parts for 65/2104MD Mary McDonald and Jay Rouse combine their compositional gifts to bring us this moving musical for Advent and Christmas. Beautiful music from Mary and Jay, deeply thoughtful narrations from Rose Aspinall, and a fabulous orchestration by Ed Hogan and Jay highlight the message at the heart of Christmas—God†™s love through Jesus Christ. You’ll find a bit of everything here, including original songs, familiar carols, fresh settings of timeless Christmas favorites, and ministry songs that will reach the heart of every listener. Songs like Mary’s Sing Out Our Savior’s Birth and Look on Him with Love and Jay’s A Midwinter Noel and Love Made a Way all serve to bring into focus God’s undeserved and unfathomable love through Jesus Christ. Celebrate how love made a way for each of us with this impactful musical! His coming means freedom for the captive, sight for the blind, good news for the poor. Jesus is Love incarnate, and He alone makes a way home for fallen man..

Full orchestra

SKU: LO.30-3740MD

Composed by Mary McDonald. Arranged by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. CD with printable parts. Medallion Music #30/3740MD. Published by Medallion Music (LO.30-3740MD).

UPC: 000308154771.

CD with Printable Parts for 65/2104MD Mary McDonald and Jay Rouse combine their compositional gifts to bring us this moving musical for Advent and Christmas. Beautiful music from Mary and Jay, deeply thoughtful narrations from Rose Aspinall, and a fabulous orchestration by Ed Hogan and Jay highlight the message at the heart of Christmas—God†™s love through Jesus Christ. You’ll find a bit of everything here, including original songs, familiar carols, fresh settings of timeless Christmas favorites, and ministry songs that will reach the heart of every listener. Songs like Mary’s Sing Out Our Savior’s Birth and Look on Him with Love and Jay’s A Midwinter Noel and Love Made a Way all serve to bring into focus God’s undeserved and unfathomable love through Jesus Christ. Celebrate how love made a way for each of us with this impactful musical! His coming means freedom for the captive, sight for the blind, good news for the poor. Jesus is Love incarnate, and He alone makes a way home for fallen man..

Full orchestra

SKU: LO.30-3739MD

Composed by Mary McDonald. Arranged by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. Instrumental parts. Medallion Music #30/3739MD. Published by Medallion Music (LO.30-3739MD).

UPC: 000308154788.

Set of Parts for 65/2104MD Mary McDonald and Jay Rouse combine their compositional gifts to bring us this moving musical for Advent and Christmas. Beautiful music from Mary and Jay, deeply thoughtful narrations from Rose Aspinall, and a fabulous orchestration by Ed Hogan and Jay highlight the message at the heart of Christmas—God†™s love through Jesus Christ. You’ll find a bit of everything here, including original songs, familiar carols, fresh settings of timeless Christmas favorites, and ministry songs that will reach the heart of every listener. Songs like Mary’s Sing Out Our Savior’s Birth and Look on Him with Love and Jay’s A Midwinter Noel and Love Made a Way all serve to bring into focus God’s undeserved and unfathomable love through Jesus Christ. Celebrate how love made a way for each of us with this impactful musical! His coming means freedom for the captive, sight for the blind, good news for the poor. Jesus is Love incarnate, and He alone makes a way home for fallen man..

Full Orchestra (Score) - Grade 4

SKU: HL.4491497

Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Bob Krogstad. HL Full Orchestra. Disney, Movies. 28 pages. Published by Hal Leonard (HL.4491497).

UPC: 888680022037. 9.0x12.0x0.069 inches.

Includes: Do You Want to Build a Snowman?, For the First Time in Forever, Frozen Heart, In Summer, Let It Go. Click to view score with recording.

Full orchestra

SKU: LO.30-3730L

Composed by Matt Redman. Arranged by Mary McDonald. Choral. Sacred Anthem. Orchestral score and CD with printable parts. Lorenz Publishing Company #30/3730L. Published by Lorenz Publishing Company (LO.30-3730L).

UPC: 000308154566.

Orche stral Score and CD with Printable Parts for 10/5351L Mary McDonald infuses this classic worship song with new life in this impactful arrangement. The inclusion of the treasured hymn Holy, Holy, Holy! Lord God Almighty! increases the appeal of the robust choral setting. Add the optional orchestra (with live instruments or accompaniment track) to establish a foundation for a profound and moving worship experience!

Full orchestra

SKU: LO.30-2953L

Composed by Chris Tomlin. Arranged by Jesse Reeves. Choral. Sacred Anthem. Orchestral score and CD with printable parts. Lorenz Publishing Company #30/2953L. Published by Lorenz Publishing Company (LO.30-2953L).

UPC: 000308133875.

Mary McDonald has crafted a beautiful setting of this compelling contemporary hymn of praise and a prayer that the glory of Christ may be at the heart of the church's mission. Orchestration by Camp Kirkland for 2 Fl, Ob, 2 Cl, Bsn, 2 Hn, 3 Tpt, 2 Tbn, Tuba (sub Tbn 3), Timp, Perc, Harp, 2 Vln, Vla, Cello, Bass, Rhythm.

Orchestra

SKU: SU.91580100

For Orchestra. Composed by Steven Mercurio. Vocal/Choral, Opera. CD (Audio). Subito Music Corporation #91580100. Published by Subito Music Corporation (SU.91580100).

A Grateful Tail - Movement by Movement Siriusly, Dog Star Sirius, the brightest star in the night sky, has been used by travelers and navigators for thousands of years as a guiding star and so it is here as the opening movement for the symphony. Sirius, the cornerstone to the constellation Canis Maggiore or Big Dog sits at the foot of Orion, the hunter, leading the way. Highly cinematic, the movement evokes both a musical and visual sense of the mythological and mysterious elements of Sirius and its Dog Godstar secrets. From the clarion call of the opening, Sirius theme, the sound is buoyant and frisky emulating the nature of doggy playtime. Puppy pleasures abound as a doggy four-step, my turn on the traditional American two-step dance, is introduced. The movement transforms into an actual orchestrated frolic of small, large and medium dog barks beginning with the winds (smaller dogs) and ultimately, the big dog, brass. The movement climaxes with the coda or, Dog Park, where the winds and the brass bark and play together over the, doggy ostinato four-step rhythm, culminating with the final call of the Sirius theme. Let Sleeping Dogs Lie, Peacefully It's all in a dog's day and life. Tranquility presides over this supremely gentle, intermezzo-like movement. After a day of play, every dog needs rest. Let Sleeping Dogs Lie, is a lyrical andante inspired by the profound serenity and beauty of a dog at rest. The Last Will and Testament of Silverdene Emblem O'Neill Based on a powerful piece of prose written by the American playwright, Eugene O'Neill this text was intended as a consolation piece for Carlotta, his wife, who had become grief-stricken over the loss of their beloved dog, the Dalmatian known as Blemie.Written for a singing actor who personifies the role of Blemie, a dog at the end of his life, the movement plays like a one act, musical drama as we follow Blemie through a wonderfully three-dimensional, emotional and psychological journey writing his Last Will and Testament, for those who have loved him. Wagging the Tail: Ossia Fido's Lament A life-affirming rumba/samba using Blemie's final words from O'Neill's text, this final movement employs the most unique American musical invention, the gospel choir. In order to make the dances come alive, this movement also calls upon the colors of a rhythm section. Creating the spirit of an Irish Funeral, the movement is a joyful and revival-like celebration of a dog's life as its spirit lives on forever in the hearts and minds of dog lovers everywhere. Remember Me, remember me! My spirit is wagging a grateful tail. Published by: Subito Music Publishing Release Date: July 9, 2013.

Orchestra (picc.2.2.2.2. - 2.0.0.0. - str(without vl))

SKU: BR.PB-16106

Urtext from the new Brahms Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Musgrave. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

The study score (,,Studien-Edition) is available at G. Henle Verlag.

Serenade/divertimento; Romantic. Full score. 92 pages. Duration 30'. Breitkopf and Haertel #PB 16106. Published by Breitkopf and Haertel (BR.PB-16106).

ISBN 9790004214336. 10 x 12.5 inches.

Classical ReminiscencesDuring his time as conductor of the Detmold court orchestra, the young Brahms was inspired by the local wind ensemble to compose two serenades. Serenade No. 2, scored for five pairs of winds, violas, cellos, and string basses (leaving out the violins) is strongly reminiscent in sound of Mozart's wind serenades. The expressive Adagio is the heart of the five-movement work. Quite untypical of Brahms, he acquired a liking for the work from the outset, still undertaking a revision scarcely 15 years after the premiere of 1860; this has now been made available in a new practical edition based on the Johannes Brahms Complete Edition (JBG).

By Jerry Brubaker. Orchestra. Full Orchestra. Belwin Intermediate Full Orchestra. Grade 3.5. Conductor Score and Parts. 234 pages

Orchestra

SKU: LO.30-2645L

Composed by Mary McDonald. Arranged by Michael Lawrence. Choral. Sacred Anthem, All Saints' Day, Eastertide, General, Lent. Orchestral score and parts. Lorenz Publishing Company #30/2645L. Published by Lorenz Publishing Company (LO.30-2645L).

UPC: 000308126587.

A powerful choral prayer, this reverent original anthem by Mary McDonald calls upon God to purify our hearts; cleanse and make us new. Full of soaring vocals and breathtaking harmonies, along with an optional orchestration by Michael Lawrence, this piece is a masterful call to God's people to gather in His house in penitence and devotion. The orchestra includes a Conductor's Score and parts for 2 Flutes, Oboe, 2 Clarinets, Bassoon (sub Bass Clarinet), 3 Trumpets, 2 Horns (sub 2 Alto Saxes), 2 Trombones (sub 2 Tenor Saxes), Tuba, Percussion, Harp, Piano, 2 Violins, Viola, Cello, and Bass (string reduction included).

Full orchestra

SKU: LO.30-3407L

Composed by Mary McDonald. Arranged by Ed Hogan. Choral. Sacred Anthem, Ascension, General, Lent. Orchestral score and CD with printable parts. Lorenz Publishing Company #30/3407L. Published by Lorenz Publishing Company (LO.30-3407L).

UPC: 000308145618.

Mary McDonald provides a charming setting that encourages believers to keep Jesus close to their hearts. The subdued yet passionate beginning leads to a powerful conclusion filled with praise for our Savior. Jesus, Jesus, precious, holy name! Jesus, joy of heaven, praise His holy name!.

Full Score. By Giacomo Puccini. (score). Opera. Size 8x10.5 inches. 419 pages. Published by Ricordi.

Philadelphia Orchestra Critical Edition. Composed by Howard Hanson (1896-1981). Edited by Clinton F. Nieweg. Contemporary. Full score (large). With Standard notation. 104 pages. Carl Fischer #SC00042L. Published by Carl Fischer (CF.SC42L).

By Lew King. Arranged by Barry Lyall. For Full Orchestra. Sacred Anthem. Orchestration. Published by Monarch Music

By Benjamin R. Hanby. Arranged by William Owens. For orchestra. FJH Beginning Strings. Full set (score and parts). Score only also available: ST6188S. Christmas. Grade 1.5. Score and set of parts. Composed 2009. Published by The FJH Music Company Inc