Composed by Edward Elgar.
Edited by Barbara Mohn.
Carus digital: Extra
digital products. Full
Score. Composed 1900. Op.
38. Duration 100 minutes.
Carus Verlag #2300400.
Published by Carus Verlag
(CA.2300400).
ISBN
9790007240783.
English/German. Text:
Newman, John
Henry.
This is the
best of me, wrote Edward
Elgar after the final
measure of his Dream of
Gerontius. Premiered in
1900, in Great Britain
the work has long been a
standard work in the
repertoire of large
oratorio choirs. Elgar's
moving, poetic setting of
the eponymous poem by
Cardinal John Henry
Newman is about a dying
man and his journey
beyond death to God.
Before the eyes of the
listeners, a musical
image of the soul is
created which flies past
mocking demons to God
with its protecting angel
at its side, is allowed
to look at God briefly,
then faces the purgatory
confident and comforted.
The work is a real rarity
in the history of
oratorio, and for large
choirs it is a thrilling
alternative to the
established repertoire of
Requiem settings. Its
popularity is thanks to
the suggestive, often
sensuous power of the
music, the great choral
scenes of the demons and
the angels, and the three
impressive solo
parts.All
previous editions were
reprints based on the
historic first printed
materials, which are
inconsistent. By
contrast, Carus has
produced a modern,
newly-engraved edition,
compatible in all
sections, which takes all
the sources into
consideration and
evaluates the autograph
manuscript in detail. For
this edition the complete
orchestral material is
available on sale, and
the vocal score and full
score contain both
English and German
singing texts. The full
score is also available
digitally.*,A milestone of late
Romantic choral music,
and a standard work in
Great Britain*,First
modern score with a full
Critical Report and
complete performance
material- English and
german singing
texts
Orchestra SKU: LO.30-2423L The followers of Jesus reflect on His final...(+)
Orchestra
SKU:
LO.30-2423L
The
followers of Jesus
reflect on His final
days. Composed by
Lloyd Larson. Choral,
cantatas. Eastertide,
Lent, Sacred. Orchestral
score and parts. Lorenz
Publishing Company
#30/2423L. Published by
Lorenz Publishing Company
(LO.30-2423L).
UPC:
000308120899.
This
compelling reflection
upon Jesus’ final
days is viewed through
His eyes and the eyes of
those surrounding Him:
Mary, sister of Martha;
an officer to Caiaphas;
Judas; Peter; Jesus
Himself; Pilate; Mary,
the mother of Jesus; Mary
Magdalene; and Thomas. A
sequence of dramatic,
scripture-based
monologues tells the
story, alternating with
Lloyd Larson’s
masterfully inspired
music as the “voice
of the believerâ€
responds. Flexibly
conceived, this work may
be presented as simply or
as elaborately as you
wish, depending upon your
resources and
preferences. Performance
options range from use as
a source of single
anthems for your seasonal
service needs to a short
worship program with
monologues and choruses
or a special, fully
staged production. It is
our hope that this work
will prompt your own
reflections upon the
great wonder and mystery
of the Incarnate God Who,
for the love of His
people, humbled Himself,
dying for our salvation
and triumphing over
death.
Edge of Glory Orchestre [Conducteur] - Facile Alfred Publishing
Orchestra - Grade 3 SKU: AP.38423S As performed by Lady Gaga. Comp...(+)
Orchestra - Grade 3
SKU: AP.38423S
As performed by Lady
Gaga. Composed by
Fernando Garibay, Paul
Blair, and Stefani
Germanotta. Arranged by
Patrick Roszell. Full
Orchestra; Performance
Music Ensemble; Single
Titles. Pop Intermediate
Full Orchestra. Light
Concert; Pop. Score. 12
pages. Alfred Music
#00-38423S. Published by
Alfred Music (AP.38423S).
UPC: 038081436661.
English.
Yes, Lady
Gaga! This hip pop song
is sure to be an
over-the-top hit with
both your students and
audience alike! Ranking
#3 on the US Billboard
Hot 100, it is from Lady
Gaga's second studio
album, Born This Way.
Orchestra SKU: PR.11641867L Composed by William Kraft. Spiral. Large Scor...(+)
Orchestra
SKU:
PR.11641867L
Composed
by William Kraft. Spiral.
Large Score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867L. Published by
Theodore Presser Company
(PR.11641867L).
UPC:
680160683215.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra
SKU:
PR.11641867S
Composed
by William Kraft. Full
score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867S. Published by
Theodore Presser Company
(PR.11641867S).
UPC:
680160683208.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
Composed by Edward Elgar.
Edited by Barbara Mohn.
Vocal score. Composed
1900. Op. 38. Duration
100 minutes. Carus Verlag
#2300403. Published by
Carus Verlag
(CA.2300403).
ISBN
9790007240790.
English/German. Text:
Newman, John
Henry.
This is the
best of me, wrote Edward
Elgar after the final
measure of his Dream of
Gerontius. Premiered in
1900, in Great Britain
the work has long been a
standard work in the
repertoire of large
oratorio choirs. Elgar's
moving, poetic setting of
the eponymous poem by
Cardinal John Henry
Newman is about a dying
man and his journey
beyond death to God.
Before the eyes of the
listeners, a musical
image of the soul is
created which flies past
mocking demons to God
with its protecting angel
at its side, is allowed
to look at God briefly,
then faces the purgatory
confident and comforted.
The work is a real rarity
in the history of
oratorio, and for large
choirs it is a thrilling
alternative to the
established repertoire of
Requiem settings. Its
popularity is thanks to
the suggestive, often
sensuous power of the
music, the great choral
scenes of the demons and
the angels, and the three
impressive solo
parts.All
previous editions were
reprints based on the
historic first printed
materials, which are
inconsistent. By
contrast, Carus has
produced a modern,
newly-engraved edition,
compatible in all
sections, which takes all
the sources into
consideration and
evaluates the autograph
manuscript in detail. For
this edition the complete
orchestral material is
available on sale, and
the vocal score and full
score contain both
English and German
singing texts. The full
score is also available
digitally.*,A milestone of late
Romantic choral music,
and a standard work in
Great Britain*,First
modern score with a full
Critical Report and
complete performance
material- English and
german singing
texts
Full orchestra SKU: LO.30-3086L Composed by Mark Hayes. Choral. Sacred An...(+)
Full orchestra
SKU:
LO.30-3086L
Composed
by Mark Hayes. Choral.
Sacred Anthem, General,
Lent. Orchestral score
and CD with printable
parts. Lorenz Publishing
Company #30/3086L.
Published by Lorenz
Publishing Company
(LO.30-3086L).
UPC:
000308136920.
Thou
art the Way, the Truth
and the Life. Thou art
the Christ. Mark Hayes
has created this
inspirational setting of
Deborah E. Harris's text,
full of intricate harmony
and shifting keys. It is
equally effective with
piano accompaniment alone
or full orchestra. (2 Fl,
Ob, 2 Cl, Bsn, 2 Hn, 3
Tpt, 3 Tbn, Tuba, Timp, 2
Perc, Harp, Pno, 2 Vln,
Vla, Cello, Bass).
Orchestra - Grade 2.5 SKU: AP.48076 Composed by Richard Meyer. MakeMusic ...(+)
Orchestra - Grade 2.5
SKU: AP.48076
Composed by Richard
Meyer. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Multicultural;
Novelty. Score and
Part(s). 140 pages.
Duration 3:00. Alfred
Music #00-48076.
Published by Alfred Music
(AP.48076).
ISBN
9781470658786. UPC:
038081554334.
English.
Take your
orchestra on a trip
around the world with
this fun medley of some
of the most famous
melodies ever written in
A Musical Passport by
Richard Meyer. Using 22
tunes from 17 different
countries, this is the
ultimate multi-cultural
experience for your
students and your
audience! The melodies
are tossed from section
to section so all the
instruments get a chance
in the spotlight, and the
quickly changing styles
will keep everyone on
their toes.
Songs
that are included in A
Musical Passport by
Richard Meyer are:
America, the Beautiful
(U.S.A.) * Rule,
Britannia (England) * The
Irish Washerwoman
(Ireland) * Scotland the
Brave (Scotland) * Roll
Out the Barrel
(Czechoslovakia/Germany)
* Funiculi, Funicula
(Italy) * Frere Jacques
(France) * Dark Eyes
(Russia) * Jasmine Flower
Song (China) * Arirang
(Korea) * Sakura (Japan)
* Obwisana (Ghana) *
Siyahamba (We Are
Marching) (South Africa
[Zulu]) * Waltzing
Matilda (Australia) * La
Cumparsita (South America
[Uruguay]) * Las
Chiapanecas (Mexico) *
Cielito Lindo (Mexico) *
O Canada (Canada) * Oh!
Susanna (U.S.A.) *
Camptown Races (U.S.A.) *
America, the Beautiful
(U.S.A.) * Home, Sweet
Home (U.S.A.) * The
Star-Spangled Banner
(U.S.A.) * America, the
Beautiful (U.S.A.).
Correlates with Sound
Innovations for String
Orchestra, Book 2, Level
6. (3:00) This title is
available in MakeMusic
Cloud.
Orchestra - Grade 2.5 SKU: AP.48076S Composed by Richard Meyer. MakeMusic...(+)
Orchestra - Grade 2.5
SKU: AP.48076S
Composed by Richard
Meyer. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Multicultural;
Novelty. Score. 16 pages.
Duration 3:00. Alfred
Music #00-48076S.
Published by Alfred Music
(AP.48076S).
ISBN
9781470658793. UPC:
038081554341.
English.
Take your
orchestra on a trip
around the world with
this fun medley of some
of the most famous
melodies ever written in
A Musical Passport by
Richard Meyer. Using 22
tunes from 17 different
countries, this is the
ultimate multi-cultural
experience for your
students and your
audience! The melodies
are tossed from section
to section so all the
instruments get a chance
in the spotlight, and the
quickly changing styles
will keep everyone on
their toes.
Songs
that are included in A
Musical Passport by
Richard Meyer are:
America, the Beautiful
(U.S.A.) * Rule,
Britannia (England) * The
Irish Washerwoman
(Ireland) * Scotland the
Brave (Scotland) * Roll
Out the Barrel
(Czechoslovakia/Germany)
* Funiculi, Funicula
(Italy) * Frere Jacques
(France) * Dark Eyes
(Russia) * Jasmine Flower
Song (China) * Arirang
(Korea) * Sakura (Japan)
* Obwisana (Ghana) *
Siyahamba (We Are
Marching) (South Africa
[Zulu]) * Waltzing
Matilda (Australia) * La
Cumparsita (South America
[Uruguay]) * Las
Chiapanecas (Mexico) *
Cielito Lindo (Mexico) *
O Canada (Canada) * Oh!
Susanna (U.S.A.) *
Camptown Races (U.S.A.) *
America, the Beautiful
(U.S.A.) * Home, Sweet
Home (U.S.A.) * The
Star-Spangled Banner
(U.S.A.) * America, the
Beautiful (U.S.A.).
Correlates with Sound
Innovations for String
Orchestra, Book 2, Level
6. (3:00) This title
available in MakeMusic
Cloud.
Composed by John Parker. Arranged by Mark Hayes. For choir and full orchestra. S...(+)
Composed by John Parker.
Arranged by Mark Hayes.
For choir and full
orchestra. Sacred Anthem.
Orchestral score and
parts. Lorenz Publishing
Company #30/3180L.
Published by Lorenz
Publishing Company
Full orchestra SKU: LO.30-3192L Composed by Deborah Craig-Claar. Arranged...(+)
Full orchestra
SKU:
LO.30-3192L
Composed
by Deborah Craig-Claar.
Arranged by Mark Hayes.
Choral. Sacred Anthem,
Eastertide. Orchestral
score and CD with
printable parts. Lorenz
Publishing Company
#30/3192L. Published by
Lorenz Publishing Company
(LO.30-3192L).
UPC:
000308140576.
Openi
ng with the scene at
Easter dawn, this piece
builds dramatically in
intensity until the
strains of the beloved
EASTER HYMN burst through
with optional
congregational
participation. It is
equally effective when
performed with
Mark’s keyboard
accompaniment, orchestra,
or brass and timpani. The
instrumental ensemble
includes a score and CD
with printable parts for
2 Flutes, Oboe, 2
Clarinets, Bassoon (sub
Bass Clarinet), 2 Horns
(sub 2 Alto Saxes), 3
Trumpets, 2 Trombones
(sub 2 Tenor Saxes),
Tuba, 2 Percussion,
Timpani, Harp, Piano, 2
Violins, Viola, Cello,
Bass, and Keyboard String
Reduction.
By Mark Hayes. Orchestra. For SATB divisi Choir, Solo Quartet, flute/piccolo, ob...(+)
By Mark Hayes. Orchestra.
For SATB divisi Choir,
Solo Quartet,
flute/piccolo,
oboe/english horn,
clarinet, bassoon, horn,
trumpet, percussion,
harp, piano (for
rehearsal only), violin 1
and 2, viola, cello, bass
(with optional orchestra:
Flute/Piccolo,
Oboe/English Horn,
Clarinet, Bassoon, Horn,
Trumpet, Percussion,
Harp, Piano (for
rehearsal only), Violin 1
and 2, Viola, Cello,
Bass). Christmas,
General. Orchestral Score
and Parts. Published by
Roger Dean Publishing
Composed by Mark Hayes. Major Work. Orchestral score and parts. Lorenz Publishin...(+)
Composed by Mark Hayes.
Major Work. Orchestral
score and parts. Lorenz
Publishing Company
#30/3508R. Published by
Lorenz Publishing Company
(LO.30-3508R).
Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Monty Norman. Arranged by Victor Lopez. By Monty Norman / arr. Victor Lopez. ...(+)
By Monty Norman. Arranged
by Victor Lopez. By Monty
Norman / arr. Victor
Lopez. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Movie.
Conductor Score and
Parts. Published by
Alfred Publishing.
Level: 4 (grade 4).
By Monty Norman. Arranged by Victor Lopez. By Monty Norman / arr. Victor Lopez. ...(+)
By Monty Norman. Arranged
by Victor Lopez. By Monty
Norman / arr. Victor
Lopez. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Movie.
Conductor Score.
Published by Alfred
Publishing. Level: 4
(grade 4).
Orchestra (Orchestra) SKU: HL.48185342 Composed by Olivier Messiaen. Ledu...(+)
Orchestra (Orchestra)
SKU: HL.48185342
Composed by Olivier
Messiaen. Leduc.
Classical. Softcover. 184
pages. Alphonse Leduc
#AL28842. Published by
Alphonse Leduc
(HL.48185342).
UPC:
888680837099.
10.5x13.5x0.51
inches.
Illuminatio
ns on the Afterlife -
Part 2, VII to XI is the
second part of this
religious orchestral
piece by Olivier Messiaen
composed between 1987 and
1991. This conductor
edition features the
movements VII to XI of
the orchestra. VII. Et
Dieu essuiera toute larme
de leurs yeux? (And God
will dry the tears from
their eyes) VIII. Les
etoiles et la Gloire
(Stars and Glory) IX.
Plusieurs oiseaux des
arbres de vie (Birds from
trees of life) X. Le
chemin de l?Invisible
(Path to the Invisible)
XI. Le Christ, lumiere du
Paradis (Christ, light of
the Paradise) The full
orchestra lasts
approximately one hour
and was commissioned by
the New York Symphonic
Orchestra. It
incorporates some
birdsong from Oceania and
some modes of limited
transposition. Olivier
Messiaen (1908-1992) was
a French organist and
composer passionate about
Ornithology and one of
the most important
composers of his century.
Inspired by Japanese
music, he had a very
special way of composing
and his work can be
identified by its
complexity, its diatonic
aspect, its harmony with
limited transposition,
its colour and its
additive rhythms. He
composed many works
related to ornithology
and birdsong, including
the 'Bird Catalogue' in 7
volumes and the 'Treatise
on rhythm, colour and
ornithology' in 7
volumes..
Christ's Passion, Our Redemption. Composed by Mark Hayes. Choral, cantata...(+)
Christ's Passion, Our
Redemption. Composed
by Mark Hayes. Choral,
cantatas. Holy Week,
Eastertide, Sacred. Full
score and parts, plus CD
with printable parts.
Lorenz Publishing Company
#30/2902L. Published by
Lorenz Publishing Company
(LO.30-2902L).
(Christ's Passion, Our Redemption). By Mark Hayes. For orchestra. Cantatas. Holy...(+)
(Christ's Passion, Our
Redemption). By Mark
Hayes. For orchestra.
Cantatas. Holy Week,
Eastertide, Sacred. CD
with Printable Parts.
Published by Lorenz
Publishing Company
Orchestra SKU: LO.30-2781L Composed by Mark Hayes. Choral. Sacred Anthem,...(+)
Orchestra
SKU:
LO.30-2781L
Composed
by Mark Hayes. Choral.
Sacred Anthem,
Eastertide. Orchestral
score and parts. Lorenz
Publishing Company
#30/2781L. Published by
Lorenz Publishing Company
(LO.30-2781L).
UPC:
000308130683.
This
regal Easter anthem from
Mark Hayes brings a
spectacular Baroque
flavor while
incorporating the famous
Handel chorus from Judas
Maccabeus. Opening with a
thrilling choral fanfare
that is followed by a
strong homophonic section
and an enjoyable fugue,
Christ Is Risen!
Alleluia! is sure to
become an Easter
standard!
Instrumentation: Fl, Ob,
2 Cl, Bsn, 2 Hn, 2 Tpt, 2
Tbn, Timp, Perc, Harp,
Pno, 2 Vln, Vla, Cello,
Bass.
Orchestral Score. Composed by Jerry Goldsmith. This edition: Paperback/Softcov...(+)
Orchestral Score.
Composed by
Jerry Goldsmith. This
edition:
Paperback/Softcover.
Sheet
music. Study score.
Composed
1979 (2021). 476 pages.
Omni
Music Publishing #OMNI
50794.
Published by Omni Music
Publishing
Irish Dances Orchestre [Conducteur] - Débutant Alfred Publishing
Orchestra - Grade 1.5 SKU: AP.49927S Composed by Bob Phillips. MakeMusic ...(+)
Orchestra - Grade 1.5
SKU: AP.49927S
Composed by Bob Phillips.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Multicultural;
World. Score. Duration
2:05. Alfred Music
#00-49927S. Published by
Alfred Music (AP.49927S).
ISBN 9781470657895.
UPC: 038081575759.
English.
Toes will
tap, eyes will shine, and
smiles will abound when
playing Irish Dances!
Very accessible, easier
than it looks, and fun!
This lively piece
includes Kerry Polka and
John Ryan's Polka,
arranged for ease of
playing by Bob Phillips.
A great way to introduce
basic slurring and
changing bow speed.
Correlated to Sound
Innovations for String
Orchestra, Book 1, Level
5. (2:05).
Irish Dances Orchestre - Débutant Alfred Publishing
Orchestra - Grade 1.5 SKU: AP.49927 Composed by Bob Phillips. MakeMusic C...(+)
Orchestra - Grade 1.5
SKU: AP.49927
Composed by Bob Phillips.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Form: Dance.
Multicultural; World.
Score and Part(s). Alfred
Music #00-49927.
Published by Alfred Music
(AP.49927).
ISBN
9781470657888. UPC:
038081575742.
English.
Toes will
tap, eyes will shine, and
smiles will abound when
playing Irish Dances!
Very accessible, easier
than it looks, and fun!
This lively piece
includes Kerry Polka and
John Ryan's Polka,
arranged for ease of
playing by Bob Phillips.
A great way to introduce
basic slurring and
changing bow speed.
(2:05) Correlates to
Sound Innovations, Book
1, Level 5.