Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
And There Was Light Orchestre [Conducteur et Parties séparées] Shawnee Press
Full Orchestra (Print) Choral (Orchestra Accompaniment) SKU: HL.293395 (+)
Full Orchestra (Print)
Choral (Orchestra
Accompaniment)
SKU:
HL.293395
A
Cantata for
Christmas. Composed
by Joseph M. Martin.
Shawnee Sacred. Advent,
Cantata, Christmas,
Christmas/Advent Sacred.
Softcover. Duration 3000
seconds. Published by
Shawnee Press
(HL.293395).
ISBN
9781540050984. UPC:
888680936129.
9.0x13.75x2.61
inches.
This
cantata is a celebration
of light. Filled with
time-honored carols and
expressive original
songs, this work will
dazzle and inspire. The
first half of the cantata
is dedicated to hopeful
prophecies associated
with the coming Light of
the World. With the birth
of Jesus, the second part
moves forward to declare
the tidings of great joy
and is crowned with an
opportunity for the
congregation to join in
singing, Joy to the
World. Brant Adams and
Robert Sterling shine as
orchestrators of this
truly festive work.
Glorious! Songs include:
A Festive Call to
Christmas; Celebration of
Light; Come, Golden
Light; Dazzling Joy;
Beautiful Name; Dreamer
of Stars; Angel Song;
Silver and Shadows;
Joyous Carols of
Christmas. Score and
Parts for Full Orchestra
(fl 1-2, ob, cl 1-2, bn,
hn 1-2, tpt 1-3, tbn,
1-2, tba, timp, perc 1-2,
hp, pno, vn 1-2, va, vc,
db) available as a
Printed Edition and as a
digital download. Score
and Parts for Consort
(fl, cl, tpt 1-2, tbn,
perc, kybd str) available
as a Printed Edition and
as a digital
download.
Composed by Pepper Choplin. Arranged by Michael Lawrence. Choral, cantatas. C...(+)
Composed by Pepper
Choplin.
Arranged by Michael
Lawrence. Choral,
cantatas.
Christmas. Full score.
Lorenz Publishing Company
#30/3589L. Published by
Lorenz Publishing Company
By Johannes Brahms (1833-1897). Arranged by John Whitney. Orchestra. For Full Or...(+)
By Johannes Brahms
(1833-1897). Arranged by
John Whitney. Orchestra.
For Full Orchestra. Full
Orchestra. Belwin Concert
Full Orchestra. Romantic.
4 (grade 4). Score. 20
pages
Full orchestra SKU: LO.30-3734L Composed by Joel Raney. Arranged by Ed Ho...(+)
Full orchestra
SKU:
LO.30-3734L
Composed
by Joel Raney. Arranged
by Ed Hogan. Choral,
cantatas. Advent,
Christmas, Sacred. Score
and parts, plus CD with
printable parts. Lorenz
Publishing Company
#30/3734L. Published by
Lorenz Publishing Company
(LO.30-3734L).
UPC:
000308154627.
Score
and Parts plus CD with
Printable Parts for
65/2106L Joel Raney calls
on Celtic musical
traditions and
instrumentation to
deliver a refreshing
sound for Christmas! The
orchestration by Ed Hogan
incorporates Irish
flutes, drums, acoustic
guitar, and fiddle to
paint vivid imagery of a
beautifully lush and
green Irish countryside.
Familiar Christmas carols
appear, as do some
familiar Christmas texts
set to beloved Irish and
Welsh folk songs. An
ethereal opening sets the
stage before breaking
into an exuberant
rendition of I Saw Three
Ships. Come, Thou
Long-Expected Jesus; Away
in a Manger; Gentle Mary
Laid Her Child; and the
beloved Angels We Have
Heard on High all make
appearances as the work
progresses, culminating
with a rhythmic
re-imagining of O Come,
All Ye Faithful set to
the traditional Scottish
melody Loch Lomond. One
of the highlights of this
musical is O Holy Night,
written for soloist and
choir and set to the
timeless tune,
LONDONDERRY AIR. Present
the Christmas story in a
uniquely captivating way
with this imaginative
work!
Full orchestra SKU: LO.30-3731L Composed by Joel Raney. Arranged by Ed Ho...(+)
Full orchestra
SKU:
LO.30-3731L
Composed
by Joel Raney. Arranged
by Ed Hogan. Choral,
cantatas. Advent,
Christmas, Sacred. Full
score. Lorenz Publishing
Company #30/3731L.
Published by Lorenz
Publishing Company
(LO.30-3731L).
UPC:
000308154597.
Full
Score for 65/2106L Joel
Raney calls on Celtic
musical traditions and
instrumentation to
deliver a refreshing
sound for Christmas! The
orchestration by Ed Hogan
incorporates Irish
flutes, drums, acoustic
guitar, and fiddle to
paint vivid imagery of a
beautifully lush and
green Irish countryside.
Familiar Christmas carols
appear, as do some
familiar Christmas texts
set to beloved Irish and
Welsh folk songs. An
ethereal opening sets the
stage before breaking
into an exuberant
rendition of I Saw Three
Ships. Come, Thou
Long-Expected Jesus; Away
in a Manger; Gentle Mary
Laid Her Child; and the
beloved Angels We Have
Heard on High all make
appearances as the work
progresses, culminating
with a rhythmic
re-imagining of O Come,
All Ye Faithful set to
the traditional Scottish
melody Loch Lomond. One
of the highlights of this
musical is O Holy Night,
written for soloist and
choir and set to the
timeless tune,
LONDONDERRY AIR. Present
the Christmas story in a
uniquely captivating way
with this imaginative
work!
Full orchestra SKU: LO.30-3733L Composed by Joel Raney. Arranged by Ed Ho...(+)
Full orchestra
SKU:
LO.30-3733L
Composed
by Joel Raney. Arranged
by Ed Hogan. Choral,
cantatas. Advent,
Christmas, Sacred. CD
with printable parts.
Lorenz Publishing Company
#30/3733L. Published by
Lorenz Publishing Company
(LO.30-3733L).
UPC:
000308154610.
CD
with Printable Parts for
65/2106L Joel Raney calls
on Celtic musical
traditions and
instrumentation to
deliver a refreshing
sound for Christmas! The
orchestration by Ed Hogan
incorporates Irish
flutes, drums, acoustic
guitar, and fiddle to
paint vivid imagery of a
beautifully lush and
green Irish countryside.
Familiar Christmas carols
appear, as do some
familiar Christmas texts
set to beloved Irish and
Welsh folk songs. An
ethereal opening sets the
stage before breaking
into an exuberant
rendition of I Saw Three
Ships. Come, Thou
Long-Expected Jesus; Away
in a Manger; Gentle Mary
Laid Her Child; and the
beloved Angels We Have
Heard on High all make
appearances as the work
progresses, culminating
with a rhythmic
re-imagining of O Come,
All Ye Faithful set to
the traditional Scottish
melody Loch Lomond. One
of the highlights of this
musical is O Holy Night,
written for soloist and
choir and set to the
timeless tune,
LONDONDERRY AIR. Present
the Christmas story in a
uniquely captivating way
with this imaginative
work!
Full orchestra SKU: LO.30-3732L Composed by Joel Raney. Arranged by Ed Ho...(+)
Full orchestra
SKU:
LO.30-3732L
Composed
by Joel Raney. Arranged
by Ed Hogan. Choral,
cantatas. Advent,
Christmas, Sacred.
Instrumental parts.
Lorenz Publishing Company
#30/3732L. Published by
Lorenz Publishing Company
(LO.30-3732L).
UPC:
000308154603.
Set
of Parts for 65/2106L
Joel Raney calls on
Celtic musical traditions
and instrumentation to
deliver a refreshing
sound for Christmas! The
orchestration by Ed Hogan
incorporates Irish
flutes, drums, acoustic
guitar, and fiddle to
paint vivid imagery of a
beautifully lush and
green Irish countryside.
Familiar Christmas carols
appear, as do some
familiar Christmas texts
set to beloved Irish and
Welsh folk songs. An
ethereal opening sets the
stage before breaking
into an exuberant
rendition of I Saw Three
Ships. Come, Thou
Long-Expected Jesus; Away
in a Manger; Gentle Mary
Laid Her Child; and the
beloved Angels We Have
Heard on High all make
appearances as the work
progresses, culminating
with a rhythmic
re-imagining of O Come,
All Ye Faithful set to
the traditional Scottish
melody Loch Lomond. One
of the highlights of this
musical is O Holy Night,
written for soloist and
choir and set to the
timeless tune,
LONDONDERRY AIR. Present
the Christmas story in a
uniquely captivating way
with this imaginative
work!
Freedom Finale Orchestre [Conducteur et Parties séparées] - Débutant Alfred Publishing
(Featuring: America the Beautiful / Chester / America (My Country 'Tis of Thee) ...(+)
(Featuring: America the
Beautiful / Chester /
America (My Country 'Tis
of Thee) / Battle Hymn of
the Republic). Arranged
by Michael Story and
Michael Story. Orchestra.
Full Orchestra; Part(s);
Score; SmartMusic.
Beginning Full Orchestra.
Form: Fantasia; Medley.
Patriotic. Grade 1.5. 118
pages. Published by
Alfred Music Publishing
Orchestra SKU: LO.30-3220L Composed by Thomas Fettke. Arranged by Thomas ...(+)
Orchestra
SKU:
LO.30-3220L
Composed
by Thomas Fettke.
Arranged by Thomas
Grassi. Choral, cantatas.
Christmas. Score and
parts, plus CD with
printable parts. Lorenz
Publishing Company
#30/3220L. Published by
Lorenz Publishing Company
(LO.30-3220L).
UPC:
000308142389.
Brimm
ing with ancient Celtic
flavor, Stars of Glory
radiates the promise of
the light of God’s
salvation, fulfilled in
the birth of Jesus
Christ. Tom Fettke and
Thomas Grassi have
arranged a brilliant mix
of eleven traditional
carols for SATB choir,
duet, optional solo,
child’s solo, and
women’s trio.
Variously tender,
introspective, joyous,
and infectious, the
selections in this work
are connected by the
common thread of their
Celtic highlights, while
Ken Bible’s
readings beautifully
illuminate the central
theme—Jesus
Christ, the Bright and
Morning Star.
Orchestration by Michael
Lawrence for 2 Fl, Ob, 2
Cl, Bsn (sub Bass Cl), 2
Hn (sub 2 A Sax), 3 Tpt,
2 Tbn (sub 2 T Sax),
Tuba, Perc, Timp, Harp,
Pno, 2 Vln, Vla, Cello,
Bass, Digital
Strings.
Orchestra (Study Score) SKU: HL.51489059 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489059
Study Score.
Composed by Franz Joseph
Haydn. Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 58 pages. G.
Henle #HN9059. Published
by G. Henle
(HL.51489059).
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489060 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489060
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 64 pages. G.
Henle #HN9060. Published
by G. Henle
(HL.51489060).
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra SKU: LO.30-2786L Composed by Lloyd Larson. Arranged by Brant Ad...(+)
Orchestra
SKU:
LO.30-2786L
Composed
by Lloyd Larson. Arranged
by Brant Adams. Choral.
Sacred Anthem, General,
Holy Week, Lent.
Orchestral score and
parts. Lorenz Publishing
Company #30/2786L.
Published by Lorenz
Publishing Company
(LO.30-2786L).
UPC:
000308130751.
Jesus
' lordship over nature as
well as the people is
underscored beautifully
in this anthem concerning
His life and ministry. A
gentle, lightly
syncopated musical style
provides a buoyant
support for the
meaningful choral lines.
Multiple accompaniment
options make this
wonderful piece from
Lloyd Larson suitable for
any time of year. (From
the cantata Who Do You
Say That I Am?,
SATB--55/1145L;
SAB--55/1146L)
Instrumentation: 2 Fl,
Ob, 2 Cl, Bsn, 2 Hn, 3
Tpt, 2 Tbn, Tba, Timp, 2
Perc, Harp, Pno, 2 Vln,
Vla, Cello, Bass.
Orchestra (Study Score) SKU: HL.51489058 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489058
Study Score.
Composed by Franz Joseph
Haydn. Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 63 pages. G.
Henle #HN9058. Published
by G. Henle
(HL.51489058).
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Arranged by Michael Story. Arr. Michael Story. For Full Orchestra. Full Orchestr...(+)
Arranged by Michael
Story. Arr. Michael
Story. For Full
Orchestra. Full
Orchestra. Belwin
Intermediate Full
Orchestra. Patriotic.
Level: 2.5 (grade 2.5).
Conductor Score. 20
pages. Published by
Alfred Publishing.
By Emile Waldteufel (1837-1915). Arranged by Jerry Brubaker. Orchestra. For Full...(+)
By Emile Waldteufel
(1837-1915). Arranged by
Jerry Brubaker.
Orchestra. For Full
Orchestra. Full
Orchestra. Belwin Concert
Full Orchestra.
Christmas; Romantic;
Winter. 4 (grade 4).
Score. 20 pages
Orchestra (Study Score) SKU: HL.51489061 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489061
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Henle Study Scores.
Classical. Softcover. 58
pages. G. Henle #HN9061.
Published by G. Henle
(HL.51489061).
UPC:
840126932836.
6.75x9.5x0.22
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic ouvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Probably composed in the
winter of 1791/92, the
Symphony in D major no.
93 was, with its easily
accessible (butby no
means simple!) musical
structure, perfectly
tailored to London
tastes, which demanded
melodic clarity and
expressive pathos. The
Baroque echoes of Handel
in the slow introduction
to the first movement and
in the festive mood of
the finale with its
timpani and trumpets
would have been well
received - no wonder the
symphony had to be
repeated multiple times
in the same season after
its performance in 1792!
This study edition adopts
the musical text of the
Haydn Complete Edition,
thereby guaranteeing the
highest scholarly
quality. An informative
preface and a brief
Critical Report make the
handy score an ideal
companion for all current
and soon-to-be Haydn
fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489063 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489063
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Henle Study Scores.
Classical. Softcover. 55
pages. G. Henle #HN906.
Published by G. Henle
(HL.51489063).
UPC:
840126932867.
6.75x9.5x0.204
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic ouvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95.
Probably composed in the
winter of 1791/92, the
Symphony in D major no.
93 was, with its easily
accessible (butby no
means simple!) musical
structure, perfectly
tailored to London
tastes, which demanded
melodic clarity and
expressive pathos. The
Baroque echoes of Handel
in the slow introduction
to the first movement and
in the festive mood of
the finale with its
timpani and trumpets
would have been well
received - no wonder the
symphony had to be
repeated multiple times
in the same season after
its performance in 1792!
This study edition adopts
the musical text of the
Haydn Complete Edition,
thereby guaranteeing the
highest scholarly
quality. An informative
preface and a brief
Critical Report make the
handy score an ideal
companion for all current
and soon-to-be Haydn
fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra SKU: SU.32040140 For Orchestra. Composed by Amy Riebs Mi...(+)
Orchestra
SKU:
SU.32040140
For
Orchestra. Composed
by Amy Riebs Mills.
Orchestra. Full Score.
Subito Music Corporation
#32040140. Published by
Subito Music Corporation
(SU.32040140).
2222; 4331;
timp, 2 perc, pno; stgs
Duration: 13'30 Composed:
2016 Published by: Amy
Mills Music, LLC Like a
modern Pictures at an
Exhibition…. Ha
Shamayim is an original
piece for orchestra that
was inspired by
photographs taken by the
Hubble space telescope.
Each section is inspired
by one photo; the title
of each section is the
title that NASA gave to
the photograph. The words
Ha Shamayim are Hebrew
for The Heavens. They are
written in Genesis 1:1,
In the beginning God
created the heavens and
the earth. The words are
also seen in Psalm 19.
Section I: Warped Edge-On
Galaxy ESO 510-G13
The piece begins in outer
space with its glistening
stars. Glissandi are used
to depict the strange but
beautiful warp seen in
the photograph. Section
II: Galaxy Fires at
Neighboring Galaxy
Suddenly the piece erupts
as one galaxy fires blue
gas at its neighbor. They
engage in a cosmic
battle. Section III:
Youthful-looking Galaxy
May Be an Adult The
adolescent galaxy is
personified by a
humorous, gawky melody
reminiscent of teenage
boys who walk on feet
that are still too big.
Occasionally there is an
argument with an
authority figure, but the
joy of exploring the
universe quickly returns.
Section IV: Star Birth in
Galaxy M83 The
dramatic photograph looks
like a womb with veins.
The music begins on one
note, then it begins to
explore the initial
swelling and stretching.
It morphs into an
energetic fast theme,
still growing. Ultimately
it becomes glorious and
expansive, like the new
star. Section V: String
of ‘Cosmic
Pearls’ Surrounds
an Exploding Star The
first theme is a happy
circle dance inspired by
the circle of white dots
in the photograph. The
second theme is noble and
joyful. It is reminiscent
of the melody in the
famous chorus in
Haydn’s The
Creation with the words
from Psalm 19, The
heavens are telling the
glory of God. The music
then has flashbacks to
the earlier sections, and
ends in triumph. The five
sections in Ha Shamayim
are continuous with no
breaks. Difficulty Level:
5 (Advanced/Professional)
See composer website for
audio sample. Performance
materials available on
rental only:.
Full orchestra SKU: LO.30-3592L Composed by Pepper Choplin. Arranged by M...(+)
Full orchestra
SKU:
LO.30-3592L
Composed
by Pepper Choplin.
Arranged by Michael
Lawrence. Choral,
cantatas. Christmas.
Score and parts, plus CD
with printable parts.
Lorenz Publishing Company
#30/3592L. Published by
Lorenz Publishing Company
(LO.30-3592L).
UPC:
000308151251.
From
the pen of Pepper Choplin
comes Christmas Presence,
a musical telling of the
Christmas story and its
impact on our lives and
the lives of those around
us. From the energetic
opener, The World Awaits
Your Coming, to the
reflective Still They Are
Here, this work inspires
us to dwell on the
important and profound
way that Christmas brings
us together through the
joy of Christ’s
birth. Beautiful original
melodies and thoughtful
texts are paired with and
inspired by favorite
carols of old in a unique
and creative way. The
finale features an
inspiring call to action:
Go into the world to be a
Christmas Presence,
bringing hope, peace, and
love to a world in
need..
Orchestra (Study Score) SKU: HL.51489070 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489070
Study Score.
Composed by Franz Joseph
Haydn. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN9070. Published by G.
Henle (HL.51489070).
UPC: 840126989410.
6.75x9.5x0.259
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic oeuvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95. The
energetic, surging
B-flat-major Symphony no.
102 belongs to the group
of the last three
symphonies premiered in
early 1795.
Exceptionally, Haydn here
dispenses with the
clarinets that are
otherwise generally
featured in his late
symphonies. The
instrumentation of the
Adagio is also unusual,
in that Haydn includes
trumpets and timpani,
both muted. This study
edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy score an
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Baritone Solo, 8-Part
Chorus and Orchestra
Study Score. Composed
by Johannes Brahms.
Edited by Johannes Behr
and Ulrich Tadday. Henle
Study Scores. Classical.
Softcover. G. Henle
#HN9030. Published by G.
Henle (HL.51489030).
UPC: 196288093763.
6.75x9.5x0.505
inches.
Brahms
composed his Triumphlied
for eight-part chorus,
solo baritone and
orchestra as a direct
reaction to the victory
of the German army in the
Franco-Prussian War of
1870/71 and the
consequent founding of
the German Empire.
Similar to the German
Requiem completed shortly
before, Brahms himself
compiled the text from
the Bible, in this case
from Chapter 19 of the
Book of Revelations.
Because of the somewhat
melodramatic tone of the
composition and the
nationalistic background
to the works genesis, in
recent years the
Triumphlied has seldom
been heard in concert
halls. Unlike
overly-patriotic
occasional works such as
Richard Wagner's
Kaisermarsch, the
Triumphlied is true
Brahms and is a musically
rich composition. This
study edition takes the
musical text from the
Brahms Complete Edition
(HL 51486030), thereby
representing the highest
scholarly precision. The
Appendix contains an
exciting new discovery, a
previously-unknown early
version of the 1st
movement in C major,
which was only
rediscovered in 2012 in
Bremen.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Military Symphony Orchestre [Conducteur et Parties séparées] - Facile Alfred Publishing
(Second Movement). By Franz Joseph Haydn (1732-1809). Arranged by Richard Meyer....(+)
(Second Movement). By
Franz Joseph Haydn
(1732-1809). Arranged by
Richard Meyer. Orchestra.
Full Orchestra;
Masterworks; Part(s);
Score. Highland First
Philharmonic. Form:
Transcription. Classical;
Masterwork Arrangement.
Grade 2. 194 pages.
Published by Alfred Music
Publishing
By Johannes Brahms (1833-1897). Arranged by John Whitney. Orchestra. Full Orches...(+)
By Johannes Brahms
(1833-1897). Arranged by
John Whitney. Orchestra.
Full Orchestra. Belwin
Concert Full Orchestra.
Romantic. Grade 4.
Conductor Score and
Parts. 200 pages
Gesu Bambino Orchestre [Conducteur et Parties séparées] Shawnee Press
By Pietro A. Yon (1886-1943). Arranged by Mark Hayes. For Orchestra (Score and P...(+)
By Pietro A. Yon
(1886-1943). Arranged by
Mark Hayes. For Orchestra
(Score and Parts).
Shawnee Press. Shawnee
Press #LB5768. Published
by Shawnee Press