Orchestral Score. Composed by John Powell. Sheet music. Study score. Compose...(+)
Orchestral Score.
Composed by
John Powell. Sheet music.
Study score. Composed
2014
(2021). 404 pages. Omni
Music
Publishing #OMNI 50799.
Published by Omni Music
Publishing
The Beatles Suite Orchestre [Conducteur] - Intermédiaire Alfred Publishing
(Featuring: Do You Want to Know a Secret? / From Me to You / She Loves You). By ...(+)
(Featuring: Do You Want
to Know a Secret? / From
Me to You / She Loves
You). By John Lennon and
Paul McCartney [The
Beatles]. Arranged by
Jack Bullock. Orchestra.
Full Orchestra; Score.
Pop Intermediate Full
Orchestra. Form: Suite.
Pop/Rock. Grade 3. 24
pages. Published by
Alfred Music Publishing
4th Movement.
Composed by Antonin
Dvorak. Arranged by Todd
Parrish. MakeMusic Cloud;
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Form:
Transcription. Masterwork
Arrangement; Romantic.
Score and Part(s). 124
pages. Highland/Etling
#00-40480. Published by
Highland/Etling
(AP.40480).
UPC:
038081454443.
English.
Now you
can experience the power
and beauty of this
fabulous Dvorák work
at your next concert or
festival. Written with
the needs of high school
string orchestras in
mind, this arrangement
will give your students a
very accurate, yet
playable, arrangement of
the original. Studying
this masterpiece will
develop students'
shifting, expressiveness,
the ability to play
accidentals, and bow
technique. The 4th
movement, known for its
soaring melodies and
energetic ending, is the
perfect piece to close
any performance.
4th movement.
Composed by Antonin
Dvorak. Arranged by Todd
Parrish. MakeMusic Cloud;
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Form:
Transcription. Masterwork
Arrangement; Romantic.
Score. 32 pages.
Highland/Etling
#00-40480S. Published by
Highland/Etling
(AP.40480S).
UPC:
038081454450.
English.
Now you
can experience the power
and beauty of this
fabulous Dvorák work
at your next concert or
festival. Written with
the needs of high school
string orchestras in
mind, this arrangement
will give your students a
very accurate, yet
playable, arrangement of
the original. Studying
this masterpiece will
develop students'
shifting, expressiveness,
the ability to play
accidentals, and bow
technique. The 4th
movement, known for its
soaring melodies and
energetic ending, is the
perfect piece to close
any performance.
(A Christmas Worship Experience of the Christ-Light). By Mary Mcdonald. Arranged...(+)
(A Christmas Worship
Experience of the
Christ-Light). By Mary
Mcdonald. Arranged by
Laura Kathryn Rosser. For
full orchestra. Cantatas.
Christmas. Orchestral
score and parts.
Published by Monarch
Music
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: BA.BA10989 Laudon. Composed by Franz Joseph Haydn. ...(+)
Orchestra
SKU:
BA.BA10989
Laudon. Composed
by Franz Joseph Haydn.
Edited by Sonja Gerlach
and Wolfgang Stockmeier.
This edition: urtext
edition. Stapled. Score.
Baerenreiter Verlag
#BA10989_00. Published by
Baerenreiter Verlag
(BA.BA10989).
ISBN
9790006575534. 31 x 24.3
cm inches. Key: C
major.
Letters of
the composer have come
down to us only on a few
of Haydn’s
symphonies, amongst them
the “Laudonâ€
Symphony Hob. I:69. In
one of these letters,
Haydn agrees to the
publisher’s
suggestion to name the
symphony after the widely
known and favoured
general Gideon Ernst von
Laudon (1717-1790). By
using this name, both
composer and publisher
hoped to increase the
commercial success of the
work which possibly
deserved a military
eponym considering its
instrumentation with
timpani and trumpets.
Also, the symphony
requires two bassoons,
but no flutes,
corresponding with the
available musicians at
the court of Esterházy
between 1775 and 1776.
In continuation
of the collaboration
between Bärenreiter
and G. Henle Verlag, this
edition is based on the
Urtext of the Complete
Edition “Joseph
Haydn Worksâ€
published by G. Henle
Verlag.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra - Grade 1.5 SKU: AP.48037S Arranged by Bob Phillips. Performanc...(+)
Orchestra - Grade 1.5
SKU: AP.48037S
Arranged by Bob Phillips.
Performance Music
Ensemble; String
Orchestra. Belwin
Beginning String
Orchestra. Folk;
Multicultural;
Traditional. Score. 12
pages. Duration 2:50.
Belwin Music #00-48037S.
Published by Belwin Music
(AP.48037S).
UPC:
038081557489. English.
Traditional French Folk
Songs; Jacques
Offenbach.
This
piece arranged by Bob
Phillips is a cute, fun,
and easy medley of French
music that uses four
(quatre) well-known songs
and builds to an exciting
finish with the famous
Can Can. It will also
provide the opportunity
for cross-cultural study.
The melodies lie well on
all the instruments, so
it can be a great way to
feature any section.
Challenge your orchestra
to see how fast they can
play the ending!
(2:50).
Orchestra - Grade 1.5 SKU: AP.48037 Arranged by Bob Phillips. MakeMusic C...(+)
Orchestra - Grade 1.5
SKU: AP.48037
Arranged by Bob Phillips.
MakeMusic Cloud;
Performance Music
Ensemble; String
Orchestra. Belwin
Beginning String
Orchestra. Folk;
Multicultural;
Traditional. Score and
Part(s). 148 pages.
Duration 2:50. Belwin
Music #00-48037.
Published by Belwin Music
(AP.48037).
UPC:
038081557472. English.
Traditional French Folk
Songs; Jacques
Offenbach.
This
piece arranged by Bob
Phillips is a cute, fun,
and easy medley of French
music that uses four
(quatre) well-known songs
and builds to an exciting
finish with the famous
Can Can. It will also
provide the opportunity
for cross-cultural study.
The melodies lie well on
all the instruments, so
it can be a great way to
feature any section.
Challenge your orchestra
to see how fast they can
play the ending! (2:50)
This title is available
in MakeMusic Cloud.
Baritone Solo, 8-Part
Chorus and Orchestra
Study Score. Composed
by Johannes Brahms.
Edited by Johannes Behr
and Ulrich Tadday. Henle
Study Scores. Classical.
Softcover. G. Henle
#HN9030. Published by G.
Henle (HL.51489030).
UPC: 196288093763.
6.75x9.5x0.505
inches.
Brahms
composed his Triumphlied
for eight-part chorus,
solo baritone and
orchestra as a direct
reaction to the victory
of the German army in the
Franco-Prussian War of
1870/71 and the
consequent founding of
the German Empire.
Similar to the German
Requiem completed shortly
before, Brahms himself
compiled the text from
the Bible, in this case
from Chapter 19 of the
Book of Revelations.
Because of the somewhat
melodramatic tone of the
composition and the
nationalistic background
to the works genesis, in
recent years the
Triumphlied has seldom
been heard in concert
halls. Unlike
overly-patriotic
occasional works such as
Richard Wagner's
Kaisermarsch, the
Triumphlied is true
Brahms and is a musically
rich composition. This
study edition takes the
musical text from the
Brahms Complete Edition
(HL 51486030), thereby
representing the highest
scholarly precision. The
Appendix contains an
exciting new discovery, a
previously-unknown early
version of the 1st
movement in C major,
which was only
rediscovered in 2012 in
Bremen.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Full Score String Orchestra (Score) - easy to intermediate SKU: HL.49018056(+)
Full Score String
Orchestra (Score) - easy
to intermediate
SKU:
HL.49018056
11
Miniatures for String
Orchestra Full Score.
Composed by Harald
Genzmer. Edited by
Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
String. Classical.
Softcover. Composed 1998.
20 pages. Duration 17'
45''. Schott Music
#CON261. Published by
Schott Music
(HL.49018056).
ISBN
9790001168298. UPC:
884088531195.
9.0x12.0x0.097
inches.
Harald
Genzmer has done a lot
for the work with young
musicians, and many a
string player can recall
school orchestra days
when Sinfonietta was on
the programme quite
often. But the probably
best-known pupil of
Hindemith has written far
more of such educational
music: all in all, 3
sinfoniettas, apart from
collections of simple
settings like the eleven
Character Pieces for
String Orchestra from
1998. They are
expressive, entirely
songlike miniatures,
livened up by two rousing
pieces and a pizzicato
setting.The pieces can
either be played
separately or put
together into little
suites and are ideally
suited for school, hobby
and amateur orchestras.
And despite all
educational intentions:
It is enjoyable and
lively music which is fun
to play.
Orchestra - Grade 3 SKU: AP.49065S Featuring: The Red-Haired Boy / St....(+)
Orchestra - Grade 3
SKU: AP.49065S
Featuring: The
Red-Haired Boy / St.
Anne's Reel / Blackberry
Blossom. Composed by
Various. Arranged by Bob
Phillips and Renata
Bratt. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Folk; Light
Concert. Score. 20 pages.
Duration 3:45.
Highland/Etling
#00-49065S. Published by
Highland/Etling
(AP.49065S).
ISBN
9781470645878. UPC:
038081565170.
English.
The
setting of this exciting
and beautifully arranged
medley of classic fiddle
tunes, Fiddler's Fortune
arranged by Bob Phillips
and Renata Bratt,
provides a cool,
super-fun groove that
pulls the player into the
action. Included are
Red-Haired Boy, St.
Anne's Reel, and
Blackberry Blossom, and
every section gets to
play the well-known
melodies. Lead sheets of
each tune and for each
instrument will be
available as free
downloads so the melodies
can be played in unison
for another class
activity. This
arrangement is scheduled
to be premiered by the
Wintergrass 2021 Virtual
Youth Orchestra. (3:45)
This title available in
MakeMusic Cloud.
Orchestra - Grade 3 SKU: AP.49065 Featuring: The Red-Haired Boy / St. ...(+)
Orchestra - Grade 3
SKU: AP.49065
Featuring: The
Red-Haired Boy / St.
Anne's Reel / Blackberry
Blossom. Composed by
Various. Arranged by Bob
Phillips and Renata
Bratt. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Fiddle; Folk;
Light Concert. Score and
Part(s). 113 pages.
Duration 3:45.
Highland/Etling
#00-49065. Published by
Highland/Etling
(AP.49065).
ISBN
9781470645861. UPC:
038081565163.
English.
The
setting of this exciting
and beautifully arranged
medley of classic fiddle
tunes, Fiddler's Fortune
arranged by Bob Phillips
and Renata Bratt,
provides a cool,
super-fun groove that
pulls the player into the
action. Included are
Red-Haired Boy, St.
Anne's Reel, and
Blackberry Blossom, and
every section gets to
play the well-known
melodies. Lead sheets of
each tune and for each
instrument will be
available as free
downloads so the melodies
can be played in unison
for another class
activity. This
arrangement is scheduled
to be premiered by the
Wintergrass 2021 Virtual
Youth
Orchestra.
To
access the video, audio,
and PDF resources click
here.
. (3:45) This title is
available in MakeMusic
Cloud.
Orchestral Score. Composed by Alan Menken. This edition: Paperback/Softcover...(+)
Orchestral Score.
Composed by
Alan Menken. This
edition:
Paperback/Softcover.
Sheet
music. Study score.
Composed
2010. Omni Music
Publishing
#OMNI 50796. Published by
Omni
Music Publishing
1812 Overture Orchestre [Conducteur et Parties séparées] - Intermédiaire/avancé Belwin
(Op. 49). By Piotr Ilyich Tchaikovsky [Peter Ilyich Tchaikovsky]. Arranged by Je...(+)
(Op. 49). By Piotr Ilyich
Tchaikovsky [Peter Ilyich
Tchaikovsky]. Arranged by
Jerry Brubaker.
Orchestra. Full
Orchestra; Masterworks;
Part(s); Score. Belwin
Concert Full Orchestra.
Form: Overture;
Transcription. Masterwork
Arrangement; Romantic.
Grade 4. 214 pages.
Published by Belwin
Publishing
Orchestra SKU: AP.48707 15 Arrangements of Traditional Tunes on the D ...(+)
Orchestra
SKU:
AP.48707
15
Arrangements of
Traditional Tunes on the
D & A Strings, Perfect
for Differentiated
Instruction. Composed
by Becky Bush, Bob
Phillips, and Sarah
Lenhart.
Method/Instruction;
String Orchestra
Method/Supplement. Sound
Innovations for String
Orchestra. Teacher's
score. 64 pages. Alfred
Music #00-48707.
Published by Alfred Music
(AP.48707).
ISBN
9781470643997. UPC:
038081559919.
English.
Sound
Differentiation is a
motivational, time-saving
supplemental resource
that provides
differentiated parts for
15 well-known
tunes---perfect for a
variety of teaching
situations, including odd
or incomplete
instrumentation, or when
working with a mix of
ability levels. The
arrangements in this
collection are ready for
use in an adaptable
format with identical
parts for all
instruments. The featured
parts are tune, bass
line, harmony, and
variation, and each one
can be assigned to your
choice of soloists,
instrument sections, or
difficulty-leveled
groupings of students of
both like-instrumentation
or mixed-instrumentation.
The difficulty of each
piece progresses
throughout the book.
Here are just
some of the ways to
differentiate with Sound
Differentiation: *
Group students into 3
categories based on skill
level and assign
level-appropriate parts.
* Customize each
arrangement by choosing
the order in which
students play each line
of the song. *
Teachers may assign a new
line order using the
blank Teacher Order
column.
Orchestra - Grade 2.5 SKU: AP.47448S Based on the arrangement by Percy...(+)
Orchestra - Grade 2.5
SKU: AP.47448S
Based on the
arrangement by Percy
Aldridge Grainger.
Arranged by Michael
Story. Full Orchestra;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Belwin Intermediate
String/Full Orchestra.
Folk; Traditional. Score.
20 pages. Belwin Music
#00-47448S. Published by
Belwin Music (AP.47448S).
UPC: 038081545783.
English. Traditional
British Folk
Song.
A fabulous
selection for contest or
festival, this versatile
piece is a sure winner.
Based on the Percy
Grainger arrangement of
the well-known folk song,
this setting by Michael
Story can be performed by
string orchestra alone or
with any combination of
winds and percussion, up
to full orchestra. The
first statement of the
melody may be played as a
solo or by as many 1st
violins as are
appropriate for your
group. This title is
available in MakeMusic
Cloud.