By Barry Gibb And John Farrar. Arranged by Michael Story. For Full Orchestra. Fu...(+)
By Barry Gibb And John
Farrar. Arranged by
Michael Story. For Full
Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Movie.
Conductor Score. 28
pages. Published by
Alfred Publishing.
Level: 2.5 (grade
2.5).
Arranged by Sandra
Dackow. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Folk; Traditional. Score
and Part(s). 148 pages.
Duration 2:15. Alfred
Music #00-45817.
Published by Alfred Music
(AP.45817).
UPC:
038081525501. English.
Traditional Irish
Tune.
All in first
position with
straightforward rhythms
and thematic parts for
everyone, this poignant
song arranged by Sandra
Dackow will be a
wonderful addition to any
concert. The Girl I Left
Behind Me first appears
in 18th century Ireland,
often known as Brighton
Camp. It emigrated to the
United States along with
many other
Anglo/Scots/Irish folk
tunes and became a
popular marching song for
soldiers. During the
American Civil War,
soldiers in both the
Confederate and Union
armies sang it. A number
of cultures have embraced
this song, adding their
own local lyrics. (2:15)
This title is available
in MakeMusic Cloud.
About
Orchestra
Expressions
<
p>Play great songs such
as Over the Rainbow,
Batman, This Land Is Your
Land, and Star Wars (Main
Title). Listen to and
play a variety of styles
of music: popular,
traditional, classical,
folk and patriotic. Read
and write music; compose
and improvise. Perform in
a concert and play for
your family and friends.
Be a conductor of the
orchestra. Learn about
composers, such as
Antonin Dvorak, Johann
Pachelbel, Jacques
Offenbach, Pytor Ilyich
Tchaikovsky, Giuseppe
Verdi, George M. Cohan,
George Frideric Handel,
Ludwig van Beethoven,
Johann Sebastian Bach,
Wolfgang Amadeus Mozart,
Giacomo Puccini, Georges
Bizet, Neal Hefti, and
John Williams. Discover
how music and art are
related. Learn about a
variety of musical
ensembles including
string orchestra, full
orchestra, mariachi band,
steel drum band,
dixieland jazz band, rock
band, and more. Play
music from around the
world, including North
America, Europe, Latin
America, Asia, and
Africa.
Arranged by Sandra
Dackow. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Folk; Traditional. Score.
8 pages. Duration 2:15.
Alfred Music #00-45817S.
Published by Alfred Music
(AP.45817S).
UPC:
038081525518. English.
Traditional Irish
Tune.
All in first
position with
straightforward rhythms
and thematic parts for
everyone, this poignant
song arranged by Sandra
Dackow will be a
wonderful addition to any
concert. The Girl I Left
Behind Me first appears
in 18th century Ireland,
often known as Brighton
Camp. It emigrated to the
United States along with
many other
Anglo/Scots/Irish folk
tunes and became a
popular marching song for
soldiers. During the
American Civil War,
soldiers in both the
Confederate and Union
armies sang it. A number
of cultures have embraced
this song, adding their
own local lyrics. (2:15)
This title is available
in MakeMusic Cloud.
About
Orchestra
Expressions
<
p>Play great songs such
as Over the Rainbow,
Batman, This Land Is Your
Land, and Star Wars (Main
Title). Listen to and
play a variety of styles
of music: popular,
traditional, classical,
folk and patriotic. Read
and write music; compose
and improvise. Perform in
a concert and play for
your family and friends.
Be a conductor of the
orchestra. Learn about
composers, such as
Antonin Dvorak, Johann
Pachelbel, Jacques
Offenbach, Pytor Ilyich
Tchaikovsky, Giuseppe
Verdi, George M. Cohan,
George Frideric Handel,
Ludwig van Beethoven,
Johann Sebastian Bach,
Wolfgang Amadeus Mozart,
Giacomo Puccini, Georges
Bizet, Neal Hefti, and
John Williams. Discover
how music and art are
related. Learn about a
variety of musical
ensembles including
string orchestra, full
orchestra, mariachi band,
steel drum band,
dixieland jazz band, rock
band, and more. Play
music from around the
world, including North
America, Europe, Latin
America, Asia, and
Africa.
Fete with a Prologue and 3 Acts. Composed by Jean- Philippe Rameau (1683-1764)....(+)
Fete with a Prologue and
3
Acts. Composed by Jean-
Philippe Rameau
(1683-1764).
Edited by Julien
Dubruque.
This edition: urtext
edition.
Paperback. Symphonies /
Versions of 1746 and
1745.
Score, anthology. RCT 59.
Baerenreiter Verlag
#BA07563.
Published by Baerenreiter
Verlag
Orchestra SKU: BA.BA10986 Composed by Franz Joseph Haydn. Edited by Sonja...(+)
Orchestra
SKU:
BA.BA10986
Composed
by Franz Joseph Haydn.
Edited by Sonja Gerlach
and Sterling E. Murray.
This edition: urtext
edition. Stapled. Score.
Hob. I:77. Baerenreiter
Verlag #BA10986_00.
Published by Baerenreiter
Verlag (BA.BA10986).
ISBN 9790006569106. 31
x 24.3 cm inches. Key:
B-flat major. Preface:
Andreas
Friesenhagen.
Haydn
composed his Symphony No.
77 along with his
Symphonies Nos. 76 and 78
for a planned journey to
England that never took
place. Nonetheless, H.C.
Robbins Landon calls
these works the
“English
symphonies†as they
are stylistically closely
linked to the
“London
Bachâ€, Johann
Christian Bach. Haydn
himself, in a letter of
1783 to his Parisian
publisher Charles-Georges
Boyer, described the
symphonies as
‘Leicht und nicht
vil Concertirendâ€,
meaning that they were
light in spirit and did
not contain extensive
solo passages but rather
a clear sense of
classical
form.
Continuing
the cooperation between
Bärenreiter and the G.
Henle publisher regarding
Haydn’s
large-scale choral works,
operas and symphonies,
this edition is based on
the G. Henle Complete
Edition of the
“Works of Joseph
Haydnâ€. The
Bärenreiter catalogue
now includes the complete
performance material for
several “Sturm und
Drang†symphonies
as well as all the London
and Paris
symphonies.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra SKU: BA.BA10985 Composed by Franz Joseph Haydn. Edited by Sonja...(+)
Orchestra
SKU:
BA.BA10985
Composed
by Franz Joseph Haydn.
Edited by Sonja Gerlach
and Sterling E. Murray.
This edition: urtext
edition. Stapled. Score.
Hob. I:78. Baerenreiter
Verlag #BA10985_00.
Published by Baerenreiter
Verlag (BA.BA10985).
ISBN 9790006568123. 31
x 24.3 cm inches. Key: C
minor. Preface: Andreas
Friesenhagen.
Along
with Symphonies Nos. 76
and 77 Haydn composed
Symphony No. 78 for a
journey to England that
never took place.
Nonetheless, H. C.
Robbins Landon referred
to these works as the
“English
Symphonies†as they
are stylistically closely
linked to “the
London Bachâ€,
Johann Christian Bach. In
a letter Haydn wrote to
his Paris publisher
Charles-Georges Boyer in
1783, he described the
works as “Leicht
und nicht vil
Concertirendâ€,
meaning they were light
in spirit and did not
contain extensive solo
passages but rather a
clear sense of classical
form.
Continuing
the cooperation between
Bärenreiter and the G.
Henle publishing company
regarding Haydn’s
large-scale choral works,
operas, and symphonies,
this edition is based on
the G. Henle Complete
Edition of the
“Works of Joseph
Haydnâ€. To date,
Bärenreiter has
published the complete
performance material for
several of Haydn’s
“Sturm und
Drang†symphonies
as well as the complete
London and Paris
symphonies.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Franz Joseph
Haydn. Edited by Andreas
Friesenhagen. This
edition: urtext edition.
Stapled. Score. Hob.
I:90. Baerenreiter Verlag
#BA10981_00. Published by
Baerenreiter Verlag
(BA.BA10981).
ISBN
9790006564620. 31 x 24.3
cm inches. Key: C major.
Preface: Andreas
Friesenhagen.
Haydn
’s Symphony in C
major Hob. I: 90, dated
1788 in the autograph,
belongs to a group of
works that he composed
between the Paris
symphonies (Hob. I:
82–87) and the
London symphonies (Hob.
I: 93–104). It
thus belongs to the last
symphonies he wrote
before his journeys to
England in 1791–92
and 1794–95.
Continuing the
collaboration between
Bärenreiter and the G.
Henle publishing company
regarding Haydn's
large-scale choral works,
operas and symphonies,
this edition is based on
the G. Henle Complete
Edition of the Works of
Joseph Haydn. With
Symphony No. 90,
Bärenreiter has now
published the complete
performance material for
all the symphonies from
Nos. 82 to 104 as well as
several Sturm und Drang
symphonies.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed
by Franz Joseph Haydn.
Edited by Andreas
Friesenhagen. This
edition: urtext edition.
Stapled. Score. Hob.
I:88. Duration 23
minutes. Baerenreiter
Verlag #BA10980_00.
Published by Baerenreiter
Verlag (BA.BA10980).
ISBN 9790006562831. 31
x 24.3 cm inches. Key: G
major. Text Language:
German, English. Preface:
Andreas
Friesenhagen.
This
edition clarifies a
performance aspect of
Haydn’s Symphony
in G major that has long
been misunderstood: in m.
1 of the second movement
(Largo) the viola,
violoncello and several
wind instrument parts are
marked
“soloâ€,
indicating that they play
important motifs or
themes and ought to stand
out. Contrary to
other editions, the
“soloâ€
marking in the
violoncello should not be
construed as indicating a
solo instrument with the
remaining cellos doubling
the basses. Rather, the
cellos should play as a
section so as to stand
out all the more
clearly.
Continuin
g the collaboration
between Bärenreiter
and the Henle publishing
company in large-scale
choral works, operas and
symphonies, this edition
is based on the Henle
Complete Edition of the
“Works of Joseph
Haydnâ€. The
complete performance
material for several
“Sturm und
Drang†symphonies
and all of the London and
Paris symphonies is now
available from
Bärenreiter.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Romantic opera in
three acts. Composed
by Franz Schubert. Edited
by Walther Durr. This
edition: complete
edition, urtext edition.
Linen. New Schubert
Edition (Neue Ausgabe
samtlicher Werke) Series
II, Volume 6. 3 part
volumes. Opern, dt.
(German Opera). Complete
edition, Score. D 732.
Duration 2 hours, 30
minutes. Baerenreiter
Verlag #BA05540_00.
Published by Baerenreiter
Verlag (BA.BA05540).
ISBN 9790006497126. 33
x 26 cm inches. Text:
Franz von
Schober.
In late
September or early
October 1821 Schubert and
his close friend, Franz
von Schober, vacationed
in the countryside of
Lower Austria. Their
first stopover was at
Ochsenburg Castle, which
belonged to the Bishop of
St. Pölten (a close
relative of
Schober’s), after
which they moved on to
St. Pölten itself.
Roughly a year earlier,
two stage works by
Schubert had been
performed in Vienna: the
one-act singspiel Die
Zwillingsbrüder and
the melodrama Die
Zauberharfe. The
librettos were both
written by the seasoned
Viennese playwright Georg
von Hofmann, who blamed
the press for the
indifferent reception the
two works were given by
the audience. Schubert
and Schober now decided,
it would seem, to write a
grand romantic opera
uninfluenced by the
workaday world of the
theatre and beholden
solely to their own ideas
of what an opera should
be.
Not until 24
June 1854 was the opera
finally performed in
Weimar, under the baton
of Franz Liszt. It only
achieved success,
however, in an
arrangement by Johann
Nepomuk Fuchs that was
staged on many German and
Austrian stages in
1881–2, allegedly
with brilliant
acclaim.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Chamber orchestra (Orchestra) SKU: BA.BA10974 Composed by Franz Joseph Ha...(+)
Chamber orchestra
(Orchestra)
SKU:
BA.BA10974
Composed
by Franz Joseph Haydn.
Edited by Carl-Gabriel
Stellan Mörner. This
edition: urtext edition.
Stapled. Score. Hob.
I:46. Duration 19
minutes. Baerenreiter
Verlag #BA10974_00.
Published by Baerenreiter
Verlag (BA.BA10974).
ISBN 9790006522767. 31
x 24.3 cm inches. Key:
B-flat major. Language:
German/English. Preface:
Andreas
Friesenhagen.
Haydn
’s “Sturm
und Drangâ€
symphonies along with the
London and the Paris
symphonies belong to his
most popular works today.
The “Sturm und
Drang†works
contain not only
masterpieces such as the
already published
“Farewell-Symphony
€ and the
“Maria
Theresia†symphony
but also gems such as the
recently published
“La Passioneâ€
symphony (2013) and now
the Symphony in B major
No. 46.
The
publication of this
symphony represents a
continuation of the
collaboration between
Bärenreiter and the
Henle publishing company
in the areas of large
vocal compositions,
operas and symphonic
works. The Symphony in B
major is based on the
Henle Complete Edition of
the “Works of
Joseph Haydn†and
is published with a full
score and large format
performing material on
sale.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra SKU: BA.BA10992 Composed by Franz Joseph Haydn. Edited by Andre...(+)
Orchestra
SKU:
BA.BA10992
Composed
by Franz Joseph Haydn.
Edited by Andreas
Friesenhagen and Ulrich
Wilker. This edition:
urtext edition.
Paperback. Score.
Baerenreiter Verlag
#BA10992. Published by
Baerenreiter Verlag
(BA.BA10992).
ISBN
9790006577514. 31 x 24.3
cm inches. Key: C
major.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra SKU: BA.BA10993 Composed by Franz Joseph Haydn. Edited by Wolfg...(+)
Orchestra
SKU:
BA.BA10993
Composed
by Franz Joseph Haydn.
Edited by Wolfgang
Stockmeier. This edition:
urtext edition. Stapled.
Score. Baerenreiter
Verlag #BA10993.
Published by Baerenreiter
Verlag (BA.BA10993).
ISBN 9790006578153. 1
x 24.3 cm inches. Key: F
major. Preface: Andreas
Friesenhagen.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra
SKU:
BA.BA06861
Sinfonie
(1923-1928). Composed
by Leos Janacek. Arranged
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek H/3.
Complete edition, Score,
Set of parts. Duration 40
minutes. Baerenreiter
Verlag #BA06861_00.
Published by Baerenreiter
Verlag (BA.BA06861).
ISBN 9790260104211.
34.3 x 27 cm
inches.
Leoš
Janácek’s
symphonic fragment Dunaj
(The Danube) dates from
the period of the
composition of
“Katya
Kabanovaâ€. The
composer was not
concerned with a
musical-picturesque
description of a river
landscape, but with the
mythical link between
women’s destinies
and
water.
“Pale
green waves of the
Danube! There are so many
of you, and one followed
by another. You remain
interlocked in a
continuous flow. You
surprise yourselves where
you ended up – on
the Czech shores! Look
back downstream and you
will have an impression
of what you have left
behind in your haste. It
pleases you here. Here I
will rest with my
symphony.†Thus
Leoš Janácek
described the idea behind
the composition project
which occupied him in
1923/24. However, after
further work, it remained
incomplete in 1926. His
“symphonyâ€
entitled Dunaj has
survived as a
continuously-notated,
four-movement bundle of
sketches in score form.
It is one of the works
which occupied him until
his death. The scholarly
reconstruction by the two
Brno composers Miloš
Štedron and Leoš
Faltus closely follows
the original
manuscript.
A
whole conglomeration of
motifs stands behind the
incomplete work. What at
first seems like a
counterpart to
Smetana’s Vltava,
in fact doesn’t
turn out to be a musical
depiction of the Danube.
On the contrary, the
fateful link between the
destiny of women, water
and death permeates the
range of motifs found in
the work. It seems to be
no coincidence that
Janácek, whilst
working on the opera
Katya Kabanova, in which
the Volga, as the river
bringing death plays an
almost mythical role,
planned a Danube
symphony, and that its
content was linked with
the destiny of women: in
the sketches, two poems
were found which may have
provided the stimulus for
several movements of the
symphony. He copied a
poem by Pavla
Kriciková into the
second movement, in which
a girl remarks that
whilst bathing in a pond,
she was observed by a
man. Filled with shame,
the young naked woman
jumps into the water and
drowns. The outer
movements likewise draw
on the poem
“Lola†by the
Czech writer Sonja
Špálová,
published under the
pseudonym Alexander
Insarov. This is about a
prostitute who asks for
her heart’s
desire: she is given a
palace, but then goes on
a long search for it and
is finally no longer
wanted by anyone. She
suffers, feels cold and
just wants a warm fire.
Janácek adds his
remark “she jumps
into the Danube†to
the inconclusive
ending.
To these
tangible literary models
is added Adolf
Veselý’s verbal
account which reports
that the composer wanted
to portray “in the
Danube, the female sex
with all its passions and
driving forcesâ€.
The third movement is
said to characterise the
city of Vienna in the
form of a
woman.
It is
evident that in his
composition, Janácek
was not striving for a
simple, natural lyricism.
The River Danube is
masculine in the Slavic
language –
“ten Dunajâ€
– and assumes an
almost mythical
significance in the
national character,
indeed often also a role
bringing death. The four
movements are motivically
conceived. Elements of
sound painting, small
wave-like figures in the
first movement, motoric,
driving movements in the
third are obvious
evocations of water. And
the content and the
literary level are easy
to discover. The
“tremolo of the
four timpaniâ€,
which was amongst
Janácek’s first
inspirations, appears in
the second movement. It
is not difficult to
retrace in it the fate of
the drowning bather. The
oboe enters lamentoso
towards the end of the
movement over timpani
playing tremolo, its
descending figure is
taken over by the flute,
then upper strings and
intensified considerably.
The motif of drowning
– Lola’s
despair – returns
again in the fourth
movement in the clarinet,
before the work ends
abruptly and
dramatically.
One
special effect is the use
of a soprano voice in the
motor-driven third
movement. The singer
vocalises mainly in
parallel with the solo
oboe, but also in
dialogue with other parts
such as the viola
d’amore, which
Janácek used in
several late works as a
sort of “voice of
loveâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed
by Franz Joseph Haydn.
Edited by Sonja Gerlach
and Sterling E. Murray.
This edition: urtext
edition. Stapled. Score.
Hob. I:81. Duration 12
hours. Baerenreiter
Verlag #BA10983_00.
Published by Baerenreiter
Verlag (BA.BA10983).
ISBN 9790006565573. 31
x 24.3 cm inches. Key: G
major. Preface: Armin
Raab.
Haydn’
s Symphony in G major
Hob. I:81 comes from a
series of three
symphonies completed in
late 1784 (nos. 81, 80
and 79, presumably in
that order). No autograph
score survives for Hob.
I:81, thus our Urtext
edition is based on
copyists’
manuscripts and first
editions. As with so many
of his symphonies, Haydn
wrote this one to provide
new music for his
employer, Prince Nikolaus
Esterházy.
Cont
inuing the collaboration
between Bärenreiter
and the G. Henle
publishing company
regarding Haydn’s
large-scale choral works,
operas and symphonies,
this edition is based on
the G. Henle Complete
Edition of the Works of
Joseph Haydn.
Bärenreiter has now
published the complete
performance material for
several Sturm und Drang
symphonies and all the
London and Paris
symphonies (Nos. 81 to
104).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra SKU: BA.BA10984 Composed by Franz Joseph Haydn. Edited by Sonja...(+)
Orchestra
SKU:
BA.BA10984
Composed
by Franz Joseph Haydn.
Edited by Sonja Gerlach
and Sterling E. Murray.
This edition: urtext
edition. Stapled. Score.
Hob. I:79. Baerenreiter
Verlag #BA10984_00.
Published by Baerenreiter
Verlag (BA.BA10984).
ISBN 9790006567294. 31
x 24.3 cm inches. Key: F
major. Preface: Armin
Raab.
Along with
Symphonies Nos. 80 and
81, Haydn’s
Symphony in F major Hob.
I:79 belongs to a group
of works that he composed
in late 1784. He wrote
them for his employer
Prince Nikolaus
Esterházy who wished
to be entertained with
new music. The symphonies
were tailored for the
twenty-five to thirty
musicians who were in the
prince’s court
orchestra.
Continu
ing the cooperation
between Bärenreiter
and the G. Henle
publishing company
regarding Haydn's
large-scale choral works,
operas and symphonies,
this edition is based on
the G. Henle Complete
Edition of the
“Works of Joseph
Haydnâ€.
Bärenreiter has
already published the
complete performance
material for several
“Sturm und
Drang†symphonies
and all the Paris and
London
symphonies.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (Fl,2Ob,2bassoon,2Hn,2V,V a,Bassi) SKU: BA.BA10982 Composed by ...(+)
Orchestra
(Fl,2Ob,2bassoon,2Hn,2V,V
a,Bassi)
SKU:
BA.BA10982
Composed
by Franz Joseph Haydn.
Edited by Sonja Gerlach
and Sterling E. Murray.
This edition: urtext
edition. Stapled. Urtext
from: Joseph Haydn Werke,
G. Henle Verlag Munchen.
Score. Hob. I:80.
Duration 00:21:00.
Baerenreiter Verlag
#BA10982_00. Published by
Baerenreiter Verlag
(BA.BA10982).
ISBN
9790006565504. 31 x 24.3
cm inches. Key: D minor.
Preface: Armin
Raab.
Along with
Symphonies Nos. 79 and
81, Haydn’s
D-minor Symphony Hob.
I:80 belongs to a set of
symphonies that he
completed in late 1784.
He wrote them for his
employer Prince Nikolaus
Esterházy, his task
being to entertain the
prince with new music.
The symphonies had to be
suitable for the
twenty-five to thirty
musicians who were in the
prince’s
orchestra.
Continuing the
cooperation between
Bärenreiter and the G.
Henle publishing company
regarding Haydn’s
large choral works,
operas and symphonies,
this edition is based on
the G. Henle Complete
Edition of the
“Works of Joseph
Haydnâ€.
BÃ
renreiter has already
published the complete
performance material for
several “Sturm und
Drang†symphonies
and all the London and
Paris
symphonies.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra SKU: BA.BA10989 Laudon. Composed by Franz Joseph Haydn. ...(+)
Orchestra
SKU:
BA.BA10989
Laudon. Composed
by Franz Joseph Haydn.
Edited by Sonja Gerlach
and Wolfgang Stockmeier.
This edition: urtext
edition. Stapled. Score.
Baerenreiter Verlag
#BA10989_00. Published by
Baerenreiter Verlag
(BA.BA10989).
ISBN
9790006575534. 31 x 24.3
cm inches. Key: C
major.
Letters of
the composer have come
down to us only on a few
of Haydn’s
symphonies, amongst them
the “Laudonâ€
Symphony Hob. I:69. In
one of these letters,
Haydn agrees to the
publisher’s
suggestion to name the
symphony after the widely
known and favoured
general Gideon Ernst von
Laudon (1717-1790). By
using this name, both
composer and publisher
hoped to increase the
commercial success of the
work which possibly
deserved a military
eponym considering its
instrumentation with
timpani and trumpets.
Also, the symphony
requires two bassoons,
but no flutes,
corresponding with the
available musicians at
the court of Esterházy
between 1775 and 1776.
In continuation
of the collaboration
between Bärenreiter
and G. Henle Verlag, this
edition is based on the
Urtext of the Complete
Edition “Joseph
Haydn Worksâ€
published by G. Henle
Verlag.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (Orchestra) SKU: BA.BA04597-01 Composed by Wolfgang Amadeus Moz...(+)
Orchestra (Orchestra)
SKU: BA.BA04597-01
Composed by Wolfgang
Amadeus Mozart. Edited by
Gerhard Allroggen. This
edition: complete
edition, urtext edition.
Linen. New Mozart Edition
(Neue Mozart Ausgabe -
NMA) Series IV, Volume
11, No. 2.
Musikwissenschaft,
Klassik (Critical
Commentary, Classical).
Complete edition, Score,
anthology. Baerenreiter
Verlag #BA04597_01.
Published by Baerenreiter
Verlag (BA.BA04597-01).
ISBN 9790006451456. 33
x 26 cm
inches.
Urtext der
Neuen Mozart-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (Orchestra) SKU: BA.BA04502-01 Composed by Wolfgang Amadeus Moz...(+)
Orchestra (Orchestra)
SKU: BA.BA04502-01
Composed by Wolfgang
Amadeus Mozart. Edited by
Wilhelm Fischer. This
edition: complete
edition, urtext edition.
Linen. New Mozart Edition
(Neue Mozart Ausgabe -
NMA) Series IV, Volume
11, No. 3. Klassik
(Classical). Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA04502_01.
Published by Baerenreiter
Verlag (BA.BA04502-01).
ISBN 9790006449132. 33
x 26 cm inches. Language:
German. Preface: Ernst
Fritz Schmid / Wilhelm
Fischer.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (Orchestra) SKU: BA.BA04522-01 Composed by Wolfgang Amadeus Moz...(+)
Orchestra (Orchestra)
SKU: BA.BA04522-01
Composed by Wolfgang
Amadeus Mozart. Edited by
Hermann Beck. This
edition: complete
edition, urtext edition.
Linen. New Mozart Edition
(Neue Mozart Ausgabe -
NMA) Series IV, Volume
11, No. 4.
Musikwissenschaft,
Klassik (Critical
Commentary, Classical).
Complete edition, Score,
anthology. Baerenreiter
Verlag #BA04522_01.
Published by Baerenreiter
Verlag (BA.BA04522-01).
ISBN 9790006449682. 33
x 26.5 cm
inches.
Urtext der
Neuen Mozart-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
6 Tänze für
Orchester. Composed
by Leos Janacek. Edited
by Jarmil Burghauser and
Radomil Eliska. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek D/4.
Lachische
Tänze/Lachian Dances.
Tanz (Dance). Complete
edition, Score. Composed
1889/1927. Baerenreiter
Verlag #BA06845_00.
Published by Baerenreiter
Verlag (BA.BA06845).
ISBN 9790006483273.
34.3 x 27 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra SKU: BA.BA10991 Composed by Franz Joseph Haydn. Edited by Horst...(+)
Orchestra
SKU:
BA.BA10991
Composed
by Franz Joseph Haydn.
Edited by Horst Walter.
This edition: urtext
edition. Paperback.
Score. Baerenreiter
Verlag #BA10991.
Published by Baerenreiter
Verlag (BA.BA10991).
ISBN 9790006577453. 31
x 24.3 cm inches. Key:
E-flat major.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra - Grade 3.5 SKU: AP.7155EB7XC From the Motion Picture Rob...(+)
Orchestra - Grade 3.5
SKU: AP.7155EB7XC
From the Motion
Picture Robin Hood:
Prince of
Thieves. By Bryan
Adams, Michael Kamen, and
Robert John Mutt Lange.
Arranged by Bob Cerulli.
Full Orchestra;
Performance Music
Ensemble; Single Titles.
Pop Concert Full
Orchestra. Movie;
Pop/Rock. Score. 16
pages. Belwin Music
#00-7155EB7XC. Published
by Belwin Music
(AP.7155EB7XC).
UPC:
654979194309. English.
Bryan Adams; Robert John
Mutt Lange; Michael
Kamen.
From the
movie Robin Hood - Prince
of Thieves, this very
musical arrangement will
soothe your listeners.
Melodic content is fluid,
with a rich harmonic
foundation. A real
winner!
Composed
by Bedrich Smetana.
Edited by Hugh MacDonald.
This edition: urtext
edition. Paperback.
Barenreiter Urtext. From:
Má vlast / My Country.
Score. Baerenreiter
Verlag #BA11533_00.
Published by Baerenreiter
Verlag (BA.BA11533).
ISBN 9790260108059. 31
x 24.3 cm inches.
Preface: Mojzisova, Olga
/ Macdonald,
Hugh.
The first
four symphonic poems from
Smetanaâ??s six-part
cycle Má vlast (My
Country) were written in
1874â??75 and arranged
for piano duet shortly
after the completion of
the fourth part, From
Bohemiaâ??s Woods and
Fields. All six parts
were issued for the first
time by the publisher
Urbánek, beginning
with the piano duet
arrangements
(1879-80).
The
score of From
Bohemiaâ??s Woods and
Fields was published by
Urbánek in 1881. Owing
to its many misprints,
Hugh Macdonald has based
his new edition on the
autograph score while
consulting the first
edition as well as the
autograph and print of
the composerâ??s own
version for piano
duet.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(A Christmas Worship Experience of the Christ-Light). By Mary Mcdonald. Arranged...(+)
(A Christmas Worship
Experience of the
Christ-Light). By Mary
Mcdonald. Arranged by
Laura Kathryn Rosser. For
full orchestra. Cantatas.
Christmas. Orchestral
score and parts.
Published by Monarch
Music
Gershwin by George! Orchestre [Conducteur] - Intermédiaire Alfred Publishing
(Featuring: Strike Up the Band! / I Got Rhythm / Embraceable You / An American i...(+)
(Featuring: Strike Up the
Band! / I Got Rhythm /
Embraceable You / An
American in Paris /
Prelude II / Summertime /
Rhapsody in Blue).
Arranged by Jerry
Brubaker. Orchestra. Full
Orchestra; Score. Pop
Symphonic Full Orchestra.
Form: Medley. Jazz. Grade
4. 32 pages. Published by
Alfred Music