Arranged by Sandra Dackow. Conductor's score and set of performance parts for st...(+)
Arranged by Sandra
Dackow. Conductor's score
and set of performance
parts for string
orchestra (8 - 1st
violin, 8 - 2nd violin, 5
- 3rd violin/viola
(treble clef), 5 - viola,
5 - cello, 5 - string
bass, 1 - piano
accompaniment). Series:
Orchestra Expressions
Series. Published by
Alfred Publishing.
The Masterworks Library. By Richard Strauss. (Score). Boosey and Hawkes Scores ...(+)
The Masterworks Library.
By Richard Strauss.
(Score). Boosey and
Hawkes Scores and Books.
Book only. Size 9x12
inches. 208 pages.
Published by Boosey and
Hawkes.
Orchestra SKU: FG.55011-315-2 Composed by Kalevi Aho. Study score. Fennic...(+)
Orchestra
SKU:
FG.55011-315-2
Composed by Kalevi Aho.
Study score. Fennica
Gehrman #55011-315-2.
Published by Fennica
Gehrman (FG.55011-315-2).
ISBN
9790550113152.
The
Sieidi concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normal
ly, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time.
The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell.
The Sieidi
concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normally, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time.
The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell.
The Sieidi
concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normally, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time.
The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell.
The Sieidi
concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normally, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time.
The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell.
Orchestra (Full Score) SKU: HL.14043216 Orchestra Full Score. Comp...(+)
Orchestra (Full Score)
SKU: HL.14043216
Orchestra Full
Score. Composed by
Michael Nyman. Music
Sales America. Classical,
Contemporary. Softcover.
160 pages. Chester Music
#CH60952. Published by
Chester Music
(HL.14043216).
ISBN
9781783056200.
English.
Mic
hael Nyman's
Musique A Grande
Vitesse
(MGV)
translates as ‘high
speed music’ and
was commissioned by the
Festival de Lille for the
inauguration of the TGV
North EuropeanParis-Lille
line in 1993.
This
piece of sheet music runs
continuously, but was
conceived as an abstract,
imaginary journey; or
rather five
inter-connected journeys,
each ending with a slow,
mainly stepwise melody
which isonly heard in its
'genuine' form when the
piece reaches its
destination.
Thematic
'transformation' is a key
to MGV
as a whole. Throughout
the piece ideas -
rhythmic, melodic,
harmonic, motivic,
textural -constantly
change their identity as
they pass through
different musical
'environments'.
The opening bars
establish both a
recurrent rhythmic
principle - 9, 11, or
13-beat rhythmic cycles
heard against a regular 8
- and aharmonic process -
chord sequences (mainly
over C and E) which have
the note E in common.
(Coincidentally,
MGV
begins in C and ends in
E). A later scalic,
syncopated figure (again
first heard over C, E and
A)begins the second
section, featuring Brass,
in D flat.
The
topography of
MGV
should be experienced
without reference to
planning, description or
timetables. Its tempo
changes and unpredictable
slowings downbear no
logical relation to the
high speed of the
Paris-Lille journey,
while the temptation to
treat
MGV as a
concerto grosso, with the
Michael Nyman
band as the ripeno, was
resisted: more suitably
theband (amplified in
live performance) lays
down the tracks on which
MGV
runs.
(Orchestral Suite from the Opera). By Aaron Copland (1900-1990). Score. This edi...(+)
(Orchestral Suite from
the Opera). By Aaron
Copland (1900-1990).
Score. This edition:
M051092277. Boosey and
Hawkes Scores and Books.
Softcover. 92 pages
Featuring: El Juego Chirimbolo / Quando, Quando, Quando / Beautiful Maria of My ...(+)
Featuring: El Juego
Chirimbolo / Quando,
Quando, Quando /
Beautiful Maria of My
Soul / La Bamba. Arranged
by Victor Lopez. For Full
Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Latin. Level:
3 (grade 3). Score. 36
pages. Published by
Alfred Publishing.
By Felix Alexandre Guilmant (1837-1911). Arranged by Rick England. Orchestra. Fu...(+)
By Felix Alexandre
Guilmant (1837-1911).
Arranged by Rick England.
Orchestra. Full
Orchestra; Masterworks.
Highland Full Orchestra.
Form: Transcription.
Masterwork Arrangement;
Romantic. Grade 3.
Conductor Score and
Parts. 198 pages.
Published by Alfred Music
Publishing
For All Band Programs. By Tim Lautzenheiser and Charles Menghini. Essential Elem...(+)
For All Band Programs. By
Tim Lautzenheiser and
Charles Menghini.
Essential Elements.
CD-ROM only. Size 9x12
inches. 48 pages.
Published by Hal Leonard.
Coronation Anthem for
Choir and Orchestra.
Composed by George
Frideric Handel. Edited
by Damian Cranmer. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1727. 18 pages.
Duration 3'. Eulenburg
Edition #ETP1702.
Published by Eulenburg
Edition (HL.49009666).
ISBN 9790200211412.
UPC: 073999354386.
5.25x7.5x0.095 inches.
English.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Composed by Aaron Copland (1900-1990). For orchestra. Format: miniature score (s...(+)
Composed by Aaron Copland
(1900-1990). For
orchestra. Format:
miniature score (seperate
performance parts are not
available for this
edition). With full score
notation. 20th century.
153 pages. Published by
Boosey and Hawkes.
(Ouverture). By George Gershwin (1898-1937). Arranged by Desire Dondeyne. Arrang...(+)
(Ouverture). By George
Gershwin (1898-1937).
Arranged by Desire
Dondeyne. Arrangements of
Classical Compositions /
Arr.Classical Opera and
Operetta Overtures.
Classic Arrangement.
Score and set of parts.
Duration 6 minutes, 20
seconds
(The Journey from Darkness to Light). By Lloyd Larson. Arranged by Mary Mcdonald...(+)
(The Journey from
Darkness to Light). By
Lloyd Larson. Arranged by
Mary Mcdonald. Orchestra.
For Flute, Clarinet, 2
Trumpet, Horn, 2
Trombone, Percussion,
Piano, Synthesized
Strings. Cantata. Choral:
Advent. Orchestral Score
and Parts. Published by
Lorenz Publishing Company
The Masterworks Library. By Aaron Copland. (Score). Boosey and Hawkes Scores an...(+)
The Masterworks Library.
By Aaron Copland.
(Score). Boosey and
Hawkes Scores and Books.
Book only. Size 9x12
inches. 232 pages.
Published by Boosey and
Hawkes.
Orchestra (Score) SKU: HL.50562750 Score. Composed by Charles Koec...(+)
Orchestra (Score)
SKU:
HL.50562750
Score. Composed by
Charles Koechlin.
Editions Durand.
Classical. Study Score.
Composed 2001. Editions
Durand #ME7755. Published
by Editions Durand
(HL.50562750).
(Featuring: Hedwig?s
Theme / Obliviate / Dobby
/ Lovegood / Ministry of
Magic / Farewell to Dobby
/ The Elder Wand). By
Alexandre Desplat
(1961-). Arranged by
Michael Story and Michael
Story. Concert Band.
Concert Band; Score. Pop
Young Band. Form: Medley.
Movie; Pop. Grade 2. 36
pages. Published by
Alfred Music Publishing
Orchestra SKU: HL.14019800 Composed by Malcolm Arnold. Music Sales Americ...(+)
Orchestra
SKU:
HL.14019800
Composed
by Malcolm Arnold. Music
Sales America. Classical.
Studyscore. Composed
2002. 64 pages. Music
Sales #PAT60014.
Published by Music Sales
(HL.14019800).
ISBN
9780853609278.
8.5x11.75x0.435 inches.
English.
Writtend
for the 1956 Hoffnung
Festival this piece is
really the stuff of
legend. Features solo
efforts by 3 Vacuum
Cleaners, 1 lonely
Floor-Polisher and 4
Rifles.
