By Ludwig van Beethoven. Arranged by Vernon Leidig. By Ludwig van Beethoven / ar...(+)
By Ludwig van Beethoven.
Arranged by Vernon
Leidig. By Ludwig van
Beethoven / arr. By
Vernon Leidig. For Full
Orchestra. Full
Orchestra. Full
Orchestra. Level: 3
(grade 3). Conductor
Score and Parts.
Published by Alfred
Publishing.
The Winds of Poseidon Orchestre [Conducteur et Parties séparées] - Avancé Alfred Publishing
By Robert W. Smith. By Robert W. Smith. For Full Orchestra. Full Orchestra. Belw...(+)
By Robert W. Smith. By
Robert W. Smith. For Full
Orchestra. Full
Orchestra. Belwin Concert
Full Orchestra. Level: 5
(Blue) (grade 5 Blue).
Conductor Score and
Parts. Published by
Alfred Publishing.
Featuring Theme from New York, New York, Forty-Second Street, Lullaby of Broadwa...(+)
Featuring Theme from New
York, New York,
Forty-Second Street,
Lullaby of Broadway, and
New York, New York.
Arranged by Calvin
Custer. Arr. Calvin
Custer. For Full
Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Conductor
Score and Parts. 264
pages. Duration 6:48.
Published by Alfred
Publishing. Level:
2.5 (grade 2.5).
Full orchestra SKU: LO.30-3260L Composed by Thomas Fettke. Arranged by Th...(+)
Full orchestra
SKU:
LO.30-3260L
Composed
by Thomas Fettke.
Arranged by Thomas
Grassi. Choral. Sacred
Anthem, Christmas.
Orchestral score and CD
with printable parts.
Lorenz Publishing Company
#30/3260L. Published by
Lorenz Publishing Company
(LO.30-3260L).
UPC:
000308142075.
This
superb setting of a
German carol opens with a
jubilant fanfare.
Excitement escalates as
the carol appears,
modulating up with the
second and third verses,
and the concluding
fanfare provides a
thrilling close. From the
Celtic-inspired cantata,
Stars of Glory
(SATB—65/2066L),
this piece is great for
holiday concerts or
Christmas worship.
East Of The Sun Orchestre [Conducteur et Parties séparées] Jazz Lines Publications
By Charlie Parker With Strings. Edited by Rob Duboff and Jeffrey Sultanof. Arran...(+)
By Charlie Parker With
Strings. Edited by Rob
Duboff and Jeffrey
Sultanof. Arranged by Joe
Lipman. For studio
orchestra (Alto
Saxophone, Oboe/English
Horn, Horn in F, 4
Violins, 2 Violas, Cello,
Harp, Guitar,
Piano/Celeste, Bass,
Drums). Recorded by
Charlie Parker with
Strings. Swing. Medium.
Score and parts.
Published by Jazz Lines
Publications
Canon Noel Orchestre [Conducteur et Parties séparées] Carl Fischer
Composed by Traditional. Arranged by Deborah Baker Monday. Set of Score and P...(+)
Composed by Traditional.
Arranged by Deborah Baker
Monday. Set of Score and
Parts. 8 8 2 5 5 5 8
pages.
Duration 2:30. Carl
Fischer
Music #YAS218. Published
by
Carl Fischer Music
Arranged by Sandra Dackow. Conductor's score and set of performance parts for st...(+)
Arranged by Sandra
Dackow. Conductor's score
and set of performance
parts for string
orchestra (8 - 1st
violin, 8 - 2nd violin, 5
- 3rd violin/viola
(treble clef), 5 - viola,
5 - cello, 5 - string
bass, 1 - piano
accompaniment). Series:
Orchestra Expressions
Series. Published by
Alfred Publishing.
Orchestra SKU: BT.DVPF-21061 Pian & Forte Vol. 113. By Antonio Fri...(+)
Orchestra
SKU:
BT.DVPF-21061
Pian
& Forte Vol. 113. By
Antonio Frige. By
Giuseppe Sammartini.
Opera or Operetta. Set
(Score & Parts). Composed
2019. 192 pages. Da Vinci
Publishing #DVPF 21061.
Published by Da Vinci
Publishing
(BT.DVPF-21061).
By Peter Ilyich Tchaikovsky. Arranged by Merle J. Isaac. By Peter I. Tchaikovsky...(+)
By Peter Ilyich
Tchaikovsky. Arranged by
Merle J. Isaac. By Peter
I. Tchaikovsky / arr.
Merle Isaac. For Full
Orchestra. Full
Orchestra. Concert Full
Orchestra. Level: 3.5
(grade 3.5). Conductor
Score and Parts. 176
pages. Duration 2:38.
Published by Alfred
Publishing.
Arranged by Jack Bullock. Arr. Jack Bullock. For Full Orchestra. Full Orchestra....(+)
Arranged by Jack Bullock.
Arr. Jack Bullock. For
Full Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Level: 3
(grade 3). Conductor
Score and Parts. 260
pages. Duration 4:29.
Published by Alfred
Publishing.
Second Edition. Composed by Danny Elfman. This edition: Paperback/Softcover. S...(+)
Second Edition. Composed
by
Danny Elfman. This
edition:
Paperback/Softcover.
Sheet
music. Study score.
Composed
1989. 392 pages. Omni
Music
Publishing #OMNI 50797.
Published by Omni Music
Publishing
By Robert W. Smith. By Robert W. Smith. For Full Orchestra. Full Orchestra. Belw...(+)
By Robert W. Smith. By
Robert W. Smith. For Full
Orchestra. Full
Orchestra. Belwin Concert
Full Orchestra. Level:
Medium Easy (grade III).
Conductor Score, Parts &
CD. Duration 4:29.
Published by Alfred
Publishing.
Tatarian Dances Orchestre [Conducteur et Parties séparées] - Intermédiaire/avancé Alfred Publishing
Arranged by Elena Roussanova Lucas. Traditional. For Full Orchestra. Full Orches...(+)
Arranged by Elena
Roussanova Lucas.
Traditional. For Full
Orchestra. Full
Orchestra. Belwin Concert
Full Orchestra. Level: 5
(grade 5). Conductor
Score and Parts. 324
pages. Published by
Alfred Publishing.
Military Symphony Orchestre [Conducteur et Parties séparées] - Facile Alfred Publishing
(Second Movement). By Franz Joseph Haydn (1732-1809). Arranged by Richard Meyer....(+)
(Second Movement). By
Franz Joseph Haydn
(1732-1809). Arranged by
Richard Meyer. Orchestra.
Full Orchestra;
Masterworks; Part(s);
Score. Highland First
Philharmonic. Form:
Transcription. Classical;
Masterwork Arrangement.
Grade 2. 194 pages.
Published by Alfred Music
Publishing
By Ludwig van Beethoven (1770-1827). Arranged by Vernon Leidig. Orchestra. Full ...(+)
By Ludwig van Beethoven
(1770-1827). Arranged by
Vernon Leidig. Orchestra.
Full Orchestra;
Masterworks. Full
Orchestra. Classical;
Masterwork Arrangement;
Romantic. Grade 3.
Conductor Score and
Parts. 178 pages.
Published by Alfred Music
Publishing
By Robert W. Smith. By Robert W. Smith. For Full Orchestra. Full Orchestra. Belw...(+)
By Robert W. Smith. By
Robert W. Smith. For Full
Orchestra. Full
Orchestra. Belwin
Intermediate Full
Orchestra. Level: Easy to
Medium Easy (grade
II-III). Conductor Score
& Parts. 142 pages.
Published by Alfred
Publishing.
Orchestra SKU: BT.DVPF-20293 Pian & Forte Vol. 015. By Antonio Fri...(+)
Orchestra
SKU:
BT.DVPF-20293
Pian
& Forte Vol. 015. By
Antonio Frige. By Nicola
Porpora. Opera or
Operetta. Set (Score &
Parts). Composed 2017. 88
pages. Da Vinci
Publishing #DVPF 20293.
Published by Da Vinci
Publishing
(BT.DVPF-20293).
Orchestra SKU: BT.DVPF-20330 Pian & Forte Vol. 034. By Antonio Fri...(+)
Orchestra
SKU:
BT.DVPF-20330
Pian
& Forte Vol. 034. By
Antonio Frige. By
Giuseppe Matteo Alberti.
Opera or Operetta. Set
(Score & Parts). Composed
2017. 136 pages. Da Vinci
Publishing #DVPF 20330.
Published by Da Vinci
Publishing
(BT.DVPF-20330).
Composed by Soon Hee Newbold. Arranged by Carl Rydlund. For full orchestra. Grad...(+)
Composed by Soon Hee
Newbold. Arranged by Carl
Rydlund. For full
orchestra. Grade 3. Score
only. Duration 5 minutes,
15 seconds. Published by
The FJH Music Company Inc
(Orchestra) SKU: HL.14072877 Composed by Wolfgang Amadeus Mozart. Instrum...(+)
(Orchestra)
SKU:
HL.14072877
Composed
by Wolfgang Amadeus
Mozart. Instrumental.
General Merchandise.
Duration 240 seconds.
Music Sales #SP19424.
Published by Music Sales
(HL.14072877).
First flute, second flute, first oboe (oboe-dam), second oboe, Ob 3, first basso...(+)
First flute, second
flute, first oboe
(oboe-dam), second oboe,
Ob 3, first bassoon,
second bassoon,
Cor-daccordion, first
trumpet, second trumpet,
third trumpet, timpani
(1. Flute, 2. Flute, 1.
Oboe (Oboe d´amore),
2. Oboe, 3. Oboe, 1.
Bassoon, 2. Bassoon,
Corno da caccia, 1.
Trumpet, 2. Trumpet, 3.
Trumpet, Timpani)
SKU:
BA.BA05293-65
Missa BWV 230I
(version of 1733). Credo
in unum Deum BVW II/1
(early version in G maj).
Sanctus BWV 232III
(version of 1724).
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Set
of wind parts. BWV 230,
BWV 232. Baerenreiter
Verlag #BA05293_65.
Published by Baerenreiter
Verlag (BA.BA05293-65).
ISBN 9790006532674.
32.5 x 25.5 cm inches.
Key: B minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen. This...(+)
Composed by Franz Joseph
Haydn (1732-1809). Edited
by Andreas Friesenhagen.
This edition: urtext
edition. Stapled. Urtext
from: Joseph Haydn Werke,
G. Henle Verlag Munchen.
Score. Hob. I:89.
Duration 22 minutes.
Published by Baerenreiter
Verlag (BA.BA10979).
Orchestra (Score) SKU: HL.49045561 Richard Strauss Werke Complete Edit...(+)
Orchestra (Score)
SKU:
HL.49045561
Richard Strauss Werke
Complete Edition Score
Band 4. Composed by
Richard Strauss. Edited
by Stefan Schenk and
Walter Werbeck. This
edition: Hardback/Hard
Cover. Sheet music.
Edition Schott.
Classical. Hardcover.
Composed 1888-1891. Op.
23. 236 pages. Duration
18'. Schott Music
#RSW304. Published by
Schott Music
(HL.49045561).
ISBN
9783901974045.
Stra
uss's first tone poem
distinguishes itself from
all other subsequent
orchestral compositions
in its existence in three
different versions. Even
among the operas and
other compositions in his
hand there is no other
work with a comparable
history of origin and
publication. What is
more, the final version
of Macbeth is the only
valid form of the work
and the only variant with
further sources (cf.
Critical Report) in
addition to the autograph
score. In contrast, the
second version has only
been preserved in an
autograph score and
autograph piano reduction
(the orchestral parts
which must have existed
have obviously not
survived). This was never
printed and was replaced
by the published third
version. The two
surviving versions should
therefore not be
considered to be of equal
status. Unlike the case
of Ariadne auf Naxos in
which the earlier version
was for a time the sole
valid alternative and was
yet never completely
displaced by the soon
dominating later version
of the opera, only the
final third version of
Macbeth is considered as
valid. Right from the
outset, it was a matter
of course for the editors
of the present volume to
include the second
version as a first
publication (in addition
to the above-mentioned
surviving pages of the
first version), albeit in
different forms. The
surviving pages of the
first version are
reproduced in facsimile
and the second version,
as a subordinate form of
the work, appears
alongside Strauss's piano
reduction in a modified
source edition, i.e.
without intervention on
the part of the editors.
The ultimate third
version is published as a
full edition (please
refer to the Critical
Report for further
details). In order to
facilitate a comparative
study of the second and
third versions, the
relevant page numbers of
the score are placed
opposite one another (the
autograph piano reduction
of the second version is
included at the end of
the music section of the
volume). The editors hope
that this synoptic
representation will
prompt interest in
further studies on
Strauss's art of
orchestration: a field of
research which has still
remained insufficiently
examined. A study of
Macbeth namely
illuminates as clearly as
could be wished how much
significance Strauss
allotted to sound
alongside form. The
subjects were not merely
intended to generate an
individual figure, but
also specific tonal
colours, and the
instrumentation was
simultaneously designed
to provide an optimal
communication of
thematic-motivic texture
to the audience. The 'new
path' threw up
consequences which caused
Strauss a considerable
amount of difficulty. He
was however a fast
learner and had already
swum free with Don Juan
and all the more with Tod
und Verklarung.