By Andre J. Thomas. For 3-part mixed choir and piano (with optional full orchestra (concert band)). Concert, Patriotic. Octavo. Published by Heritage Music Press

Full orchestra

SKU: LO.30-3538L

Composed by Mary McDonald. Choral, cantatas. Eastertide, Holy Week. Full score and parts, plus CD with printable parts. Lorenz Publishing Company #30/3538L. Published by Lorenz Publishing Company (LO.30-3538L).

UPC: 000308148961.

The resurrection of Jesus changed the world and continues to change the world today. Jesus! The Resurrection of the Messiah tells the intimate story of the grief, the fear, the hope, the love, the tenderness, and the longing of God for His children expressed through the life, death, and resurrection of Jesus. Mary McDonald and Rose Aspinall combined their talents to create a compelling musical that will take you through the emotions of the Triumphal Entry, the raising of Lazarus, the Last Supper, the moment in the garden when Jesus is arrested, the Crucifixion, and finally to the joyous Resurrection. This work may be programmed in its entirety or presented in segments during Palm Sunday, Holy Week, and Resurrection Sunday worship settings. It may be done with choir and piano alone or can include the optional orchestrations created by Michael Lawrence and Ed Hogan. This powerful worship tool is an inspiring reminder of the life-changing impact of this Deliverer, Redeemer, and Savior….Jesus!

Full orchestra

SKU: LO.30-3537L

Composed by Mary McDonald. Choral, cantatas. Eastertide, Holy Week. CD with printable parts. Lorenz Publishing Company #30/3537L. Published by Lorenz Publishing Company (LO.30-3537L).

UPC: 000308148930.

The resurrection of Jesus changed the world and continues to change the world today. Jesus! The Resurrection of the Messiah tells the intimate story of the grief, the fear, the hope, the love, the tenderness, and the longing of God for His children expressed through the life, death, and resurrection of Jesus. Mary McDonald and Rose Aspinall combined their talents to create a compelling musical that will take you through the emotions of the Triumphal Entry, the raising of Lazarus, the Last Supper, the moment in the garden when Jesus is arrested, the Crucifixion, and finally to the joyous Resurrection. This work may be programmed in its entirety or presented in segments during Palm Sunday, Holy Week, and Resurrection Sunday worship settings. It may be done with choir and piano alone or can include the optional orchestrations created by Michael Lawrence and Ed Hogan. This powerful worship tool is an inspiring reminder of the life-changing impact of this Deliverer, Redeemer, and Savior….Jesus!

Choir Sacred Children's choir, SATB choir, and Orchestra

SKU: PE.EP72565B

For Children's Choir, SATB Choir, and Orchestra (2014). Composed by Jonathan Dove. Choral Works (inc. Oratorios). Edition Peters. Modern. Book. 72 pages. Duration 00:15:00. Edition Peters #98-EP72565B. Published by Edition Peters (PE.EP72565B).

ISBN 9790577008219. English.

Commiss ioned by The Bach Choir in memory of Leopold de Rothschild (1927-2012), a singing member of the Choir for 50 years and Chairman for 23 years. Following his resignation as a singer Leo became the Choir's President, a position he held until his death; over this extraordinary period of devotion to the Choir he became a friend to vast numbers of his fellow singers, and gave unstintingly of his time and wisdom

First performance 10 June 2014 in the Royal Festival Hall, London, by The Bach Choir, the Philharmonia Orchestra, and The Young Singers, a choir formed by The Bach Choir in partnership with the Tri-borough Music Hub, conducted by David Hill.

Full Orchestra (Print) Choir (Orchestra Accompaniment)

SKU: HL.35032262

Composed by Heather Sorenson and Joseph M. Martin. Shawnee Sacred. Advent, Cantata, Christmas, Christmas/Advent Sacred, General Worship, Sacred. Softcover. Duration 3360 seconds. Published by Shawnee Press (HL.35032262).

ISBN 9781540027139. UPC: 888680746728. 9.0x13.5x2.261 inches. Joseph M. Martin/Heather Sorenson.

The Christmas story is told with fresh perspective in this collaborative cantata from Joseph Martin and Heather Sorenson. Throughout time, God has touched and motivated hearts through dreams and visions. Christmas Dreams visits these moments in scripture and connects the experiences of ancient times with our modern journey of faith, pointing to Christ, in whose birth the hopes, yearnings and dreams of all the world are fulfilled. Using traditional carols, newly composed seasonal selections and thoughtful narration, this rich work delivers a tapestry of sound and emotion. Share this cantata with your people and help them discover God's graceful touch in their lives! Songs include: Christmas Dreams Overture; Advent Dreams; The Promise and the Prayer; A New Morning of Promise; Zechariah's Song; Mary's Dream; All Through the Night; Hark! The Herald Angels Sing; The Magi's Epiphany; Christmas Dreams; A Gentle Christmas Blessing.

Full orchestra

SKU: LO.30-3708MD

Composed by Marty Parks. Choral. Sacred Anthem, Christmas. Orchestral score and CD with printable parts. Medallion Music #30/3708MD. Published by Medallion Music (LO.30-3708MD).

UPC: 000308154146.

Orche stral Score and CD with Printable Parts for 10/5316MD Marty Parks gives us a high-energy arrangement of the always-popular traditional French carol “Sing We Now of Christmas.” Written in the style of Mannheim Steamroller, it is the perfect anthem to open worship. Fun and festive throughout, it will inspire your choir to sing of Christmas as they never have before!

By Mark Hayes. Orchestra. For SATB divisi Choir, Solo Quartet, flute/piccolo, oboe/english horn, clarinet, bassoon, horn, trumpet, percussion, harp, piano (for rehearsal only), violin 1 and 2, viola, cello, bass (with optional orchestra: Flute/Piccolo, Oboe/English Horn, Clarinet, Bassoon, Horn, Trumpet, Percussion, Harp, Piano (for rehearsal only), Violin 1 and 2, Viola, Cello, Bass). Christmas, General. Orchestral Score and Parts. Published by Roger Dean Publishing

Orchestra

SKU: LO.30-3174H

Composed by Cynthia Gray. Arranged by Mark T. Barnard. Conductor's score. Concert, Festival. Orchestral score and CD with printable parts. Heritage Music Press #30/3174H. Published by Heritage Music Press (LO.30-3174H).

UPC: 000308139655.

Espec ially effective with combined choirs, this piece celebrates music in a unique way, starting with the silence of the earth before music. The optional orchestration is designed with versatility in mind, as the full instrumentation is not required to be effective.

Full orchestra

SKU: LO.30-3663MD

Composed by Mary McDonald. Arranged by Ed Hogan. Choral. Sacred Anthem. Orchestral score and parts. Medallion Music #30/3663MD. Published by Medallion Music (LO.30-3663MD).

UPC: 000308152937.

Orche stral Score and Parts for 10/5291MD While written for the Kentucky All-State Youth Choir, this energetic anthem based on Psalm 100 is suitable for choirs of all ages and skill levels. It’s supported by a strong piano accompaniment and includes an optional full orchestration by Ed Hogan. An inspiring choice for worship services or concerts.

By Michael W. Smith and Joanna Carlson. Arranged by Lloyd Larson. For Orchestra. Call To Worship, Children, Hymntune, Contemporary, Hymntune and Sacred. Print Music Single (Orchestration). Published by Hope Publishing Company.

For 2 Sopranos, Mixed Chorus and Orchestra. Composed by Anders Hillborg (1954-). Full Orchestra (Full Score); Masterworks; Performance Music Ensemble; Single Titles. Faber Edition. 20th Century; Masterwork. Score. Faber Music #12-0571539939. Published by Faber Music (AP.12-0571539939).

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score)

SKU: HL.49018099

Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099).

ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German.

On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009.

Orchestra - Grade 1.5

SKU: AP.40414S

An Orchestral Exordium. Arranged by Andrew H. Dabczynski. Performance Music Ensemble; Sing-Along; Single Titles; String Orchestra. Belwin Beginning String Orchestra. Traditional. Score. 12 pages. Belwin Music #00-40414S. Published by Belwin Music (AP.40414S).

UPC: 038081453361. English. Traditional Austrian Round.

A light-hearted piece for introducing, recruiting, or simply featuring string players, every section is highlighted---even the second violins! This arrangement of an old favorite Austrian round is perfect for students within their first two years of study. Reproducible optional music pages allow for a sing-along with the audience or a choir. For the perfect exordium (introduction), Strings All Around is the right selection!

Full orchestra

SKU: LO.30-4038L

Composed by Pepper Choplin. Arranged by Michael Lawrence. Choral, cantatas. Christmas. Instrumental parts. Lorenz Publishing Company #30/4038L. Published by Lorenz Publishing Company (LO.30-4038L).

UPC: 000308159974.

Balla ds have been used throughout history to tell a story through music. Pepper Choplin has long used his signature musical voice to tell the meaningful stories of our faith, so itâ??s especially fitting that heâ??s brought the timeless story of Christmas alive once more with The Ballad of Bethlehem. Available for SATB or SAB choirs with rehearsal aids and accompaniment options ranging from piano only to a thrilling full orchestra written by Michael Lawrence to recorded tracks, this stunning cantata dramatically moves from a recollection of ancient prophecies through the quiet manger scene to its joyous conclusion featuring a rousing call to â??Shout with the Shepherds!â? This season, let the folk-like energy of Pepper Choplinâ??s unique voice bring The Ballad of Bethlehem to you and your listeners. â??O sing a ballad of Bethlehem. I want to hear it once more. I love that story so often told to generations before.â?.

Full orchestra

SKU: LO.30-3586L

Composed by Lloyd Larson. Arranged by Ed Hogan. Choral, cantatas. Advent, Christmas, Sacred. Instrumental parts. Lorenz Publishing Company #30/3586L. Published by Lorenz Publishing Company (LO.30-3586L).

UPC: 000308150292.

The glory of Christmas comes to life in this inspiring musical by Lloyd Larson. Through a blend of familiar carols and original songs, choirs and congregations alike will experience the beauty of the incarnation story as if they’re experiencing it for the first time. This versatile work may be presented in multiple segments over the Sundays of Advent or as a single presentation, and will be equally effective with piano accompaniment or the full orchestra option (live instruments or accompaniment track). The script for two narrators is scripturally based and seamlessly weaves in and out of the music to provide an inspiring worship experience. Opportunities for the congregation to sing familiar carols as well as the availability of both SATB and SAB editions ensure that this resource is suitable for choirs large or small.

Orchestra

SKU: SU.91580100

For Orchestra. Composed by Steven Mercurio. Vocal/Choral, Opera. CD (Audio). Subito Music Corporation #91580100. Published by Subito Music Corporation (SU.91580100).

A Grateful Tail - Movement by Movement Siriusly, Dog Star Sirius, the brightest star in the night sky, has been used by travelers and navigators for thousands of years as a guiding star and so it is here as the opening movement for the symphony. Sirius, the cornerstone to the constellation Canis Maggiore or Big Dog sits at the foot of Orion, the hunter, leading the way. Highly cinematic, the movement evokes both a musical and visual sense of the mythological and mysterious elements of Sirius and its Dog Godstar secrets. From the clarion call of the opening, Sirius theme, the sound is buoyant and frisky emulating the nature of doggy playtime. Puppy pleasures abound as a doggy four-step, my turn on the traditional American two-step dance, is introduced. The movement transforms into an actual orchestrated frolic of small, large and medium dog barks beginning with the winds (smaller dogs) and ultimately, the big dog, brass. The movement climaxes with the coda or, Dog Park, where the winds and the brass bark and play together over the, doggy ostinato four-step rhythm, culminating with the final call of the Sirius theme. Let Sleeping Dogs Lie, Peacefully It's all in a dog's day and life. Tranquility presides over this supremely gentle, intermezzo-like movement. After a day of play, every dog needs rest. Let Sleeping Dogs Lie, is a lyrical andante inspired by the profound serenity and beauty of a dog at rest. The Last Will and Testament of Silverdene Emblem O'Neill Based on a powerful piece of prose written by the American playwright, Eugene O'Neill this text was intended as a consolation piece for Carlotta, his wife, who had become grief-stricken over the loss of their beloved dog, the Dalmatian known as Blemie.Written for a singing actor who personifies the role of Blemie, a dog at the end of his life, the movement plays like a one act, musical drama as we follow Blemie through a wonderfully three-dimensional, emotional and psychological journey writing his Last Will and Testament, for those who have loved him. Wagging the Tail: Ossia Fido's Lament A life-affirming rumba/samba using Blemie's final words from O'Neill's text, this final movement employs the most unique American musical invention, the gospel choir. In order to make the dances come alive, this movement also calls upon the colors of a rhythm section. Creating the spirit of an Irish Funeral, the movement is a joyful and revival-like celebration of a dog's life as its spirit lives on forever in the hearts and minds of dog lovers everywhere. Remember Me, remember me! My spirit is wagging a grateful tail. Published by: Subito Music Publishing Release Date: July 9, 2013.

Orchestra (Soli SATB, Coro SATB, Fl, Ob, Clt, Fg, Cor, Tr, Trb, Timp, 2 Vl, Va, Vc, Cb, [Org]) - Level 3

SKU: CA.4012950

Arrangement for chamber orchestra (arr. J. Linckelmann). Composed by Felix Bartholdy Mendelssohn. Arranged by Joachim Linckelmann. Carus digital: Extra digital products. Full Score. MWV A 14. Duration 145 minutes. Carus Verlag #4012950. Published by Carus Verlag (CA.4012950).

ISBN 9790007254650. German/English.

Men delssohn's St. Paul with just seven instead of the usual 18 wind instruments? Thanks to this arrangement for chamber orchestra, a performance with smaller forces is now possible, and presents an attractive alternative for performing Mendelssohn's first oratorio - not only in times of Corona. For it is often considerations of space, a limited budget, or the size of the chorus which call for flexibility in scoring.
The arrangement is based on the Carus Urtext edition. By reducing the symphonic wind and brass in particular, the volume of sound is more restrained, but nevertheless the symphonic character and a wide dynamic range are retained. All the vocal parts (soloists and chorus) are identical with the original version, so that the vocal scores, choral scores, and practice aids of the existing Carus edition can still be used.

Major oratorio can also be performed by smaller choirs
Wind and brass parts of the original version reduced to just seven single instruments
vocal scores and choral scores from the original version can be used
carus plus: the work (original version) is available in carus music, the Choir Coach, and in the Carus Choir Coach (Audio only) series.
. Score available separately - see item CA.4012900.

Orchestra (Soli MsTB, Coro SATB (divisi), Semicoro SATB (divisi), 2 Fl, Pic, 2 Ob, Eh, 2 Clt, Clt basso, 2 Fg, Cfg, 4 Cor, 3 Tr, 3 Trb, Tuba, Timp, Perc, 2 Arpe, Org, 2 Vl, Va, Vc, Cb) - 5

SKU: CA.2300400

Composed by Edward Elgar. Edited by Barbara Mohn. Carus digital: Extra digital products. Full Score. Composed 1900. Op. 38. Duration 100 minutes. Carus Verlag #2300400. Published by Carus Verlag (CA.2300400).

ISBN 9790007240783. English/German. Text: Newman, John Henry.

This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar's moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of the listeners, a musical image of the soul is created which flies past mocking demons to God with its protecting angel at its side, is allowed to look at God briefly, then faces the purgatory confident and comforted. The work is a real rarity in the history of oratorio, and for large choirs it is a thrilling alternative to the established repertoire of Requiem settings. Its popularity is thanks to the suggestive, often sensuous power of the music, the great choral scenes of the demons and the angels, and the three impressive solo parts.All previous editions were reprints based on the historic first printed materials, which are inconsistent. By contrast, Carus has produced a modern, newly-engraved edition, compatible in all sections, which takes all the sources into consideration and evaluates the autograph manuscript in detail. For this edition the complete orchestral material is available on sale, and the vocal score and full score contain both English and German singing texts. The full score is also available digitally.*,A milestone of late Romantic choral music, and a standard work in Great Britain*,First modern score with a full Critical Report and complete performance material- English and german singing texts

Orchestra (Soli MsTB, Coro SATB (divisi), Semicoro SATB (divisi), 2 Fl, Pic, 2 Ob, Eh, 2 Clt, Clt basso, 2 Fg, Cfg, 4 Cor, 3 Tr, 3 Trb, Tuba, Timp, Perc, 2 Arpe, Org, 2 Vl, Va, Vc, Cb) - 5

SKU: CA.2300403

Composed by Edward Elgar. Edited by Barbara Mohn. Vocal score. Composed 1900. Op. 38. Duration 100 minutes. Carus Verlag #2300403. Published by Carus Verlag (CA.2300403).

ISBN 9790007240790. English/German. Text: Newman, John Henry.

This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar's moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of the listeners, a musical image of the soul is created which flies past mocking demons to God with its protecting angel at its side, is allowed to look at God briefly, then faces the purgatory confident and comforted. The work is a real rarity in the history of oratorio, and for large choirs it is a thrilling alternative to the established repertoire of Requiem settings. Its popularity is thanks to the suggestive, often sensuous power of the music, the great choral scenes of the demons and the angels, and the three impressive solo parts.All previous editions were reprints based on the historic first printed materials, which are inconsistent. By contrast, Carus has produced a modern, newly-engraved edition, compatible in all sections, which takes all the sources into consideration and evaluates the autograph manuscript in detail. For this edition the complete orchestral material is available on sale, and the vocal score and full score contain both English and German singing texts. The full score is also available digitally.*,A milestone of late Romantic choral music, and a standard work in Great Britain*,First modern score with a full Critical Report and complete performance material- English and german singing texts

Chamber Orchestra; Orchestra; String Orchestra (Study Score)

SKU: HL.48024880

Study Score. Composed by James Macmillan. Boosey & Hawkes Scores/Books. Classical. Softcover. 80 pages. Duration 900 seconds. Boosey & Hawkes #M060136009. Published by Boosey & Hawkes (HL.48024880).

ISBN 9781784545154. UPC: 840126918670. 7.25x10.25x0.319 inches.

This publication presents under one cover various short works for sundry orchestral scorings. Larghetto for Orchestra is MacMillan's orchestration (2017) of his celebrated Miserere for a cappella mixed choir (2009), a setting in Latin of Psalm 51, 'Have mercy upon me, O God, according to thy great mercy', the penitential text famously set in the 17th century by Gregorio Allegri. The Larghetto orchestration was commissioned by the Pittsburgh Symphony Orchestra in celebration of Manfred Honeck's 10th Anniversary as Music Director. Memoire imperiale is one of a number of variations on General John Reids march tune Old Gaul commissioned from Scottish composers to mark the centenary in 1994 of the Faculty of Music at Edinburgh University. The Faculty was established following a bequest by General Reid (1721-1807), a former law student at the University and a renowned flute player and composer of marches for the BritishArmy, and he asked that an annual concert be organised at which one or more of his compositions be played. Composed in 2012 for the Britten Sinfonia, One is a monody in which a single line is passed around the instruments, painting it with different colours as it emerges and develops. Lasting only a few minutes, its singularity is maintained until blossoming in the lastfew bars. For Sonny (2011, orch 2013) and Ein Lamplein verlosch (2018, orch 2019) are short, private memorial tributes originally for string quartet and here rescored for string orchestra. Hirta was composed in 2016 as part of Deccas The Lost Songs of St Kilda project. Nearly a century ago, the last 36 residents were evacuated from the most remote part of the British Isles, St Kilda, an isolated archipelago off the beautiful and rugged western coast of Scotland. After 86 years, the music of St Kilda was rediscovered, recorded in a Scottish care home by Trevor Morrison, an elderly man who had been taught piano by an inhabitant of St Kilda. The songs were 'reimagined' for the Decca album by various.

Orchestra - Grade 1

SKU: AP.44841S

Composed by Susan H. Day. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Fall; Halloween. Score. 12 pages. Duration 2:35. Highland/Etling #00-44841S. Published by Highland/Etling (AP.44841S).

UPC: 038081518411. English.

Perfect for your fall concert, here is a piece that has spooky lyrics to teach the rhythms in the easy melodic line. Upper string parts are doubled, and the cello part doubles the bass line. Everyone gets to do glissando in this original by Susan Day. The piano part is integral to the piece. Feature some of your orchestra members singing the lyrics together with the orchestra, or invite members of the choir to join with the orchestra! Great fun for all, especially at Halloween, this one will stick in their heads. Find out who is this ghost in the living room! (2:35).

(A Christmas Worship Experience of the Christ-Light). By Mary Mcdonald. Arranged by Laura Kathryn Rosser. For full orchestra. Cantatas. Christmas. Orchestral score and parts. Published by Monarch Music