By Andre J. Thomas. For 3-part mixed choir and piano (with optional full orchest...(+)
By Andre J. Thomas. For
3-part mixed choir and
piano (with optional full
orchestra (concert
band)). Concert,
Patriotic. Octavo.
Published by Heritage
Music Press
Full orchestra SKU: LO.30-3538L Composed by Mary McDonald. Choral, cantat...(+)
Full orchestra
SKU:
LO.30-3538L
Composed
by Mary McDonald. Choral,
cantatas. Eastertide,
Holy Week. Full score and
parts, plus CD with
printable parts. Lorenz
Publishing Company
#30/3538L. Published by
Lorenz Publishing Company
(LO.30-3538L).
UPC:
000308148961.
The
resurrection of Jesus
changed the world and
continues to change the
world today. Jesus! The
Resurrection of the
Messiah tells the
intimate story of the
grief, the fear, the
hope, the love, the
tenderness, and the
longing of God for His
children expressed
through the life, death,
and resurrection of
Jesus. Mary McDonald and
Rose Aspinall combined
their talents to create a
compelling musical that
will take you through the
emotions of the Triumphal
Entry, the raising of
Lazarus, the Last Supper,
the moment in the garden
when Jesus is arrested,
the Crucifixion, and
finally to the joyous
Resurrection. This work
may be programmed in its
entirety or presented in
segments during Palm
Sunday, Holy Week, and
Resurrection Sunday
worship settings. It may
be done with choir and
piano alone or can
include the optional
orchestrations created by
Michael Lawrence and Ed
Hogan. This powerful
worship tool is an
inspiring reminder of the
life-changing impact of
this Deliverer, Redeemer,
and
Savior….Jesus!
Full orchestra SKU: LO.30-3537L Composed by Mary McDonald. Choral, cantat...(+)
Full orchestra
SKU:
LO.30-3537L
Composed
by Mary McDonald. Choral,
cantatas. Eastertide,
Holy Week. CD with
printable parts. Lorenz
Publishing Company
#30/3537L. Published by
Lorenz Publishing Company
(LO.30-3537L).
UPC:
000308148930.
The
resurrection of Jesus
changed the world and
continues to change the
world today. Jesus! The
Resurrection of the
Messiah tells the
intimate story of the
grief, the fear, the
hope, the love, the
tenderness, and the
longing of God for His
children expressed
through the life, death,
and resurrection of
Jesus. Mary McDonald and
Rose Aspinall combined
their talents to create a
compelling musical that
will take you through the
emotions of the Triumphal
Entry, the raising of
Lazarus, the Last Supper,
the moment in the garden
when Jesus is arrested,
the Crucifixion, and
finally to the joyous
Resurrection. This work
may be programmed in its
entirety or presented in
segments during Palm
Sunday, Holy Week, and
Resurrection Sunday
worship settings. It may
be done with choir and
piano alone or can
include the optional
orchestrations created by
Michael Lawrence and Ed
Hogan. This powerful
worship tool is an
inspiring reminder of the
life-changing impact of
this Deliverer, Redeemer,
and
Savior….Jesus!
Choir Sacred Children's
choir, SATB choir, and
Orchestra
SKU:
PE.EP72565B
For
Children's Choir, SATB
Choir, and Orchestra
(2014). Composed by
Jonathan Dove. Choral
Works (inc. Oratorios).
Edition Peters. Modern.
Book. 72 pages. Duration
00:15:00. Edition Peters
#98-EP72565B. Published
by Edition Peters
(PE.EP72565B).
ISBN
9790577008219.
English.
Commiss
ioned by The Bach Choir
in memory of Leopold de
Rothschild (1927-2012), a
singing member of the
Choir for 50 years and
Chairman for 23 years.
Following his resignation
as a singer Leo became
the Choir's President, a
position he held until
his death; over this
extraordinary period of
devotion to the Choir he
became a friend to vast
numbers of his fellow
singers, and gave
unstintingly of his time
and wisdom
First
performance 10 June 2014
in the Royal Festival
Hall, London, by The Bach
Choir, the Philharmonia
Orchestra, and The Young
Singers, a choir formed
by The Bach Choir in
partnership with the
Tri-borough Music Hub,
conducted by David
Hill.
Full orchestra SKU: LO.30-1493L An Easter Cantata For Choir And Worshi...(+)
Full orchestra
SKU:
LO.30-1493L
An
Easter Cantata For Choir
And Worship Leader.
Composed by Gregg Sewell.
Choral, cantatas.
Eastertide, Sacred.
Orchestration. Lorenz
Publishing Company
#30/1493L. Published by
Lorenz Publishing Company
(LO.30-1493L).
UPC:
000308074642.
John'
s Gospel is the basis for
an innovative new musical
setting of the timeless
Easter story. The
composer weaves striking
new melodies and
traditional hymn tunes
together to produce a
vibrant, energetic work
of meditation and praise.
The congregation is
called on to sing with
the choir in a sensitive
setting of When I Survey
the Wondrous Cross and a
rousing arrangement of
Crown Him With Many
Crowns. New settings of
What Wondrous Love Is
This? and O Sacred Head,
Now Wounded are
ingeniously intertwined
with new anthems. An
inspirational and deeply
moving experience for
choir and congregation
alike. Performance time:
approx. 25 minutes. Flute
1 & 2, Violin 2, Viola,
Cello, Double Bass, Oboe
1 & 2, Horn, Trumpet 1 &
2, Trombone 1 & 2, Tuba,
Percussion (Windchimes,
Suspended Cymbal)
Glockenspiel,Triangle,Chi
mes, Snare Drum,Timpani,
Harp, Violin 1.
Full Orchestra (Print) Choir (Orchestra Accompaniment) SKU: HL.35032262 C...(+)
Full Orchestra (Print)
Choir (Orchestra
Accompaniment)
SKU:
HL.35032262
Composed
by Heather Sorenson and
Joseph M. Martin. Shawnee
Sacred. Advent, Cantata,
Christmas,
Christmas/Advent Sacred,
General Worship, Sacred.
Softcover. Duration 3360
seconds. Published by
Shawnee Press
(HL.35032262).
ISBN
9781540027139. UPC:
888680746728.
9.0x13.5x2.261 inches.
Joseph M. Martin/Heather
Sorenson.
The
Christmas story is told
with fresh perspective in
this collaborative
cantata from Joseph
Martin and Heather
Sorenson. Throughout
time, God has touched and
motivated hearts through
dreams and visions.
Christmas Dreams visits
these moments in
scripture and connects
the experiences of
ancient times with our
modern journey of faith,
pointing to Christ, in
whose birth the hopes,
yearnings and dreams of
all the world are
fulfilled. Using
traditional carols, newly
composed seasonal
selections and thoughtful
narration, this rich work
delivers a tapestry of
sound and emotion. Share
this cantata with your
people and help them
discover God's graceful
touch in their lives!
Songs include: Christmas
Dreams Overture; Advent
Dreams; The Promise and
the Prayer; A New Morning
of Promise; Zechariah's
Song; Mary's Dream; All
Through the Night; Hark!
The Herald Angels Sing;
The Magi's Epiphany;
Christmas Dreams; A
Gentle Christmas
Blessing.
Full orchestra SKU: LO.30-3708MD Composed by Marty Parks. Choral. Sacred ...(+)
Full orchestra
SKU:
LO.30-3708MD
Composed
by Marty Parks. Choral.
Sacred Anthem, Christmas.
Orchestral score and CD
with printable parts.
Medallion Music
#30/3708MD. Published by
Medallion Music
(LO.30-3708MD).
UPC:
000308154146.
Orche
stral Score and CD with
Printable Parts for
10/5316MD Marty Parks
gives us a high-energy
arrangement of the
always-popular
traditional French carol
“Sing We Now of
Christmas.†Written
in the style of Mannheim
Steamroller, it is the
perfect anthem to open
worship. Fun and festive
throughout, it will
inspire your choir to
sing of Christmas as they
never have before!
By Mark Hayes. Orchestra. For SATB divisi Choir, Solo Quartet, flute/piccolo, ob...(+)
By Mark Hayes. Orchestra.
For SATB divisi Choir,
Solo Quartet,
flute/piccolo,
oboe/english horn,
clarinet, bassoon, horn,
trumpet, percussion,
harp, piano (for
rehearsal only), violin 1
and 2, viola, cello, bass
(with optional orchestra:
Flute/Piccolo,
Oboe/English Horn,
Clarinet, Bassoon, Horn,
Trumpet, Percussion,
Harp, Piano (for
rehearsal only), Violin 1
and 2, Viola, Cello,
Bass). Christmas,
General. Orchestral Score
and Parts. Published by
Roger Dean Publishing
Orchestra SKU: LO.30-3174H Composed by Cynthia Gray. Arranged by Mark T. ...(+)
Orchestra
SKU:
LO.30-3174H
Composed
by Cynthia Gray. Arranged
by Mark T. Barnard.
Conductor's score.
Concert, Festival.
Orchestral score and CD
with printable parts.
Heritage Music Press
#30/3174H. Published by
Heritage Music Press
(LO.30-3174H).
UPC:
000308139655.
Espec
ially effective with
combined choirs, this
piece celebrates music in
a unique way, starting
with the silence of the
earth before music. The
optional orchestration is
designed with versatility
in mind, as the full
instrumentation is not
required to be
effective.
Full orchestra SKU: LO.30-3663MD Composed by Mary McDonald. Arranged by E...(+)
Full orchestra
SKU:
LO.30-3663MD
Composed
by Mary McDonald.
Arranged by Ed Hogan.
Choral. Sacred Anthem.
Orchestral score and
parts. Medallion Music
#30/3663MD. Published by
Medallion Music
(LO.30-3663MD).
UPC:
000308152937.
Orche
stral Score and Parts for
10/5291MD While written
for the Kentucky
All-State Youth Choir,
this energetic anthem
based on Psalm 100 is
suitable for choirs of
all ages and skill
levels. It’s
supported by a strong
piano accompaniment and
includes an optional full
orchestration by Ed
Hogan. An inspiring
choice for worship
services or concerts.
Christmastime Orchestre [Set de Parties séparées] Hope Publishing Company
By Michael W. Smith and Joanna Carlson. Arranged by Lloyd Larson. For Orchestra....(+)
By Michael W. Smith and
Joanna Carlson. Arranged
by Lloyd Larson. For
Orchestra. Call To
Worship, Children,
Hymntune, Contemporary,
Hymntune and Sacred.
Print Music Single
(Orchestration).
Published by Hope
Publishing Company.
Featuring: Gloria /
From Heaven Above to
Earth I Come / For Unto
Us a Child Is Born /
Hallelujah Chorus.
Arranged by Douglas E.
Wagner. Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Christmas;
Light Concert; Masterwork
Arrangement; Sacred;
Winter. Score. 16 pages.
Belwin Music #00-38437S.
Published by Belwin Music
(AP.38437S).
UPC:
038081432328.
English.
This
versatile arrangement can
be combined with choir
and/or concert band to
make a brilliant program
finale. Technical
accommodations make this
piece very playable.
Excerpts from three
Baroque Christmas
masterworks come together
in this festive musical
celebration of the
season. Titles included
are Gloria by Vivaldi,
From Heaven Above to
Earth I Come by J. S.
Bach, and two movements
from Handel's
Messiah.
For 2 Sopranos, Mixed Chorus and Orchestra. Composed by Anders Hillborg (...(+)
For 2 Sopranos, Mixed
Chorus and Orchestra.
Composed by Anders
Hillborg (1954-). Full
Orchestra (Full Score);
Masterworks; Performance
Music Ensemble; Single
Titles. Faber Edition.
20th Century; Masterwork.
Score. Faber Music
#12-0571539939. Published
by Faber Music
(AP.12-0571539939).
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Orchestra - Grade 1.5 SKU: AP.40414S An Orchestral Exordium. Arran...(+)
Orchestra - Grade 1.5
SKU: AP.40414S
An Orchestral
Exordium. Arranged by
Andrew H. Dabczynski.
Performance Music
Ensemble; Sing-Along;
Single Titles; String
Orchestra. Belwin
Beginning String
Orchestra. Traditional.
Score. 12 pages. Belwin
Music #00-40414S.
Published by Belwin Music
(AP.40414S).
UPC:
038081453361. English.
Traditional Austrian
Round.
A
light-hearted piece for
introducing, recruiting,
or simply featuring
string players, every
section is
highlighted---even the
second violins! This
arrangement of an old
favorite Austrian round
is perfect for students
within their first two
years of study.
Reproducible optional
music pages allow for a
sing-along with the
audience or a choir. For
the perfect exordium
(introduction), Strings
All Around is the right
selection!
Full orchestra SKU: LO.30-4038L Composed by Pepper Choplin. Arranged by M...(+)
Full orchestra
SKU:
LO.30-4038L
Composed
by Pepper Choplin.
Arranged by Michael
Lawrence. Choral,
cantatas. Christmas.
Instrumental parts.
Lorenz Publishing Company
#30/4038L. Published by
Lorenz Publishing Company
(LO.30-4038L).
UPC:
000308159974.
Balla
ds have been used
throughout history to
tell a story through
music. Pepper Choplin has
long used his signature
musical voice to tell the
meaningful stories of our
faith, so itâ??s
especially fitting that
heâ??s brought the
timeless story of
Christmas alive once more
with The Ballad of
Bethlehem. Available for
SATB or SAB choirs with
rehearsal aids and
accompaniment options
ranging from piano only
to a thrilling full
orchestra written by
Michael Lawrence to
recorded tracks, this
stunning cantata
dramatically moves from a
recollection of ancient
prophecies through the
quiet manger scene to its
joyous conclusion
featuring a rousing call
to â??Shout with the
Shepherds!â? This
season, let the folk-like
energy of Pepper
Choplinâ??s unique voice
bring The Ballad of
Bethlehem to you and your
listeners. â??O sing a
ballad of Bethlehem. I
want to hear it once
more. I love that story
so often told to
generations
before.â?.
Full orchestra SKU: LO.30-3586L Composed by Lloyd Larson. Arranged by Ed ...(+)
Full orchestra
SKU:
LO.30-3586L
Composed
by Lloyd Larson. Arranged
by Ed Hogan. Choral,
cantatas. Advent,
Christmas, Sacred.
Instrumental parts.
Lorenz Publishing Company
#30/3586L. Published by
Lorenz Publishing Company
(LO.30-3586L).
UPC:
000308150292.
The
glory of Christmas comes
to life in this inspiring
musical by Lloyd Larson.
Through a blend of
familiar carols and
original songs, choirs
and congregations alike
will experience the
beauty of the incarnation
story as if
they’re
experiencing it for the
first time. This
versatile work may be
presented in multiple
segments over the Sundays
of Advent or as a single
presentation, and will be
equally effective with
piano accompaniment or
the full orchestra option
(live instruments or
accompaniment track). The
script for two narrators
is scripturally based and
seamlessly weaves in and
out of the music to
provide an inspiring
worship experience.
Opportunities for the
congregation to sing
familiar carols as well
as the availability of
both SATB and SAB
editions ensure that this
resource is suitable for
choirs large or
small.
Orchestra SKU: SU.91580100 For Orchestra. Composed by Steven Mercu...(+)
Orchestra
SKU:
SU.91580100
For
Orchestra. Composed
by Steven Mercurio.
Vocal/Choral, Opera. CD
(Audio). Subito Music
Corporation #91580100.
Published by Subito Music
Corporation
(SU.91580100).
A Grateful Tail
- Movement by Movement
Siriusly, Dog Star
Sirius, the brightest
star in the night sky,
has been used by
travelers and navigators
for thousands of years as
a guiding star and so it
is here as the opening
movement for the
symphony. Sirius, the
cornerstone to the
constellation Canis
Maggiore or Big Dog sits
at the foot of Orion, the
hunter, leading the way.
Highly cinematic, the
movement evokes both a
musical and visual sense
of the mythological and
mysterious elements of
Sirius and its Dog
Godstar secrets. From the
clarion call of the
opening, Sirius theme,
the sound is buoyant and
frisky emulating the
nature of doggy playtime.
Puppy pleasures abound as
a doggy four-step, my
turn on the traditional
American two-step dance,
is introduced. The
movement transforms into
an actual orchestrated
frolic of small, large
and medium dog barks
beginning with the winds
(smaller dogs) and
ultimately, the big dog,
brass. The movement
climaxes with the coda
or, Dog Park, where the
winds and the brass bark
and play together over
the, doggy ostinato
four-step rhythm,
culminating with the
final call of the Sirius
theme. Let Sleeping Dogs
Lie, Peacefully It's all
in a dog's day and life.
Tranquility presides over
this supremely gentle,
intermezzo-like movement.
After a day of play,
every dog needs rest. Let
Sleeping Dogs Lie, is a
lyrical andante inspired
by the profound serenity
and beauty of a dog at
rest. The Last Will and
Testament of Silverdene
Emblem O'Neill Based on a
powerful piece of prose
written by the American
playwright, Eugene
O'Neill this text was
intended as a consolation
piece for Carlotta, his
wife, who had become
grief-stricken over the
loss of their beloved
dog, the Dalmatian known
as Blemie.Written for a
singing actor who
personifies the role of
Blemie, a dog at the end
of his life, the movement
plays like a one act,
musical drama as we
follow Blemie through a
wonderfully
three-dimensional,
emotional and
psychological journey
writing his Last Will and
Testament, for those who
have loved him. Wagging
the Tail: Ossia Fido's
Lament A life-affirming
rumba/samba using
Blemie's final words from
O'Neill's text, this
final movement employs
the most unique American
musical invention, the
gospel choir. In order to
make the dances come
alive, this movement also
calls upon the colors of
a rhythm section.
Creating the spirit of an
Irish Funeral, the
movement is a joyful and
revival-like celebration
of a dog's life as its
spirit lives on forever
in the hearts and minds
of dog lovers everywhere.
Remember Me, remember me!
My spirit is wagging a
grateful tail. Published
by: Subito Music
Publishing Release Date:
July 9, 2013.
Arrangement for
chamber orchestra (arr.
J. Linckelmann).
Composed by Felix
Bartholdy Mendelssohn.
Arranged by Joachim
Linckelmann. Carus
digital: Extra digital
products. Full Score. MWV
A 14. Duration 145
minutes. Carus Verlag
#4012950. Published by
Carus Verlag
(CA.4012950).
ISBN
9790007254650.
German/English.
Men
delssohn's St. Paul with
just seven instead of the
usual 18 wind
instruments? Thanks to
this arrangement for
chamber orchestra, a
performance with smaller
forces is now possible,
and presents an
attractive alternative
for performing
Mendelssohn's first
oratorio - not only in
times of Corona. For it
is often considerations
of space, a limited
budget, or the size of
the chorus which call for
flexibility in
scoring. The
arrangement is based on
the Carus Urtext edition.
By reducing the symphonic
wind and brass in
particular, the volume of
sound is more restrained,
but nevertheless the
symphonic character and a
wide dynamic range are
retained. All the vocal
parts (soloists and
chorus) are identical
with the original
version, so that the
vocal scores, choral
scores, and practice aids
of the existing Carus
edition can still be
used.
Major
oratorio can also be
performed by smaller
choirs Wind and brass
parts of the original
version reduced to just
seven single instruments
vocal scores and
choral scores from the
original version can be
used carus plus: the
work (original version)
is available in carus
music, the Choir Coach,
and in the Carus Choir
Coach (Audio only)
series. . Score
available separately -
see item CA.4012900.
Composed by Edward Elgar.
Edited by Barbara Mohn.
Carus digital: Extra
digital products. Full
Score. Composed 1900. Op.
38. Duration 100 minutes.
Carus Verlag #2300400.
Published by Carus Verlag
(CA.2300400).
ISBN
9790007240783.
English/German. Text:
Newman, John
Henry.
This is the
best of me, wrote Edward
Elgar after the final
measure of his Dream of
Gerontius. Premiered in
1900, in Great Britain
the work has long been a
standard work in the
repertoire of large
oratorio choirs. Elgar's
moving, poetic setting of
the eponymous poem by
Cardinal John Henry
Newman is about a dying
man and his journey
beyond death to God.
Before the eyes of the
listeners, a musical
image of the soul is
created which flies past
mocking demons to God
with its protecting angel
at its side, is allowed
to look at God briefly,
then faces the purgatory
confident and comforted.
The work is a real rarity
in the history of
oratorio, and for large
choirs it is a thrilling
alternative to the
established repertoire of
Requiem settings. Its
popularity is thanks to
the suggestive, often
sensuous power of the
music, the great choral
scenes of the demons and
the angels, and the three
impressive solo
parts.All
previous editions were
reprints based on the
historic first printed
materials, which are
inconsistent. By
contrast, Carus has
produced a modern,
newly-engraved edition,
compatible in all
sections, which takes all
the sources into
consideration and
evaluates the autograph
manuscript in detail. For
this edition the complete
orchestral material is
available on sale, and
the vocal score and full
score contain both
English and German
singing texts. The full
score is also available
digitally.*,A milestone of late
Romantic choral music,
and a standard work in
Great Britain*,First
modern score with a full
Critical Report and
complete performance
material- English and
german singing
texts
Composed by Edward Elgar.
Edited by Barbara Mohn.
Vocal score. Composed
1900. Op. 38. Duration
100 minutes. Carus Verlag
#2300403. Published by
Carus Verlag
(CA.2300403).
ISBN
9790007240790.
English/German. Text:
Newman, John
Henry.
This is the
best of me, wrote Edward
Elgar after the final
measure of his Dream of
Gerontius. Premiered in
1900, in Great Britain
the work has long been a
standard work in the
repertoire of large
oratorio choirs. Elgar's
moving, poetic setting of
the eponymous poem by
Cardinal John Henry
Newman is about a dying
man and his journey
beyond death to God.
Before the eyes of the
listeners, a musical
image of the soul is
created which flies past
mocking demons to God
with its protecting angel
at its side, is allowed
to look at God briefly,
then faces the purgatory
confident and comforted.
The work is a real rarity
in the history of
oratorio, and for large
choirs it is a thrilling
alternative to the
established repertoire of
Requiem settings. Its
popularity is thanks to
the suggestive, often
sensuous power of the
music, the great choral
scenes of the demons and
the angels, and the three
impressive solo
parts.All
previous editions were
reprints based on the
historic first printed
materials, which are
inconsistent. By
contrast, Carus has
produced a modern,
newly-engraved edition,
compatible in all
sections, which takes all
the sources into
consideration and
evaluates the autograph
manuscript in detail. For
this edition the complete
orchestral material is
available on sale, and
the vocal score and full
score contain both
English and German
singing texts. The full
score is also available
digitally.*,A milestone of late
Romantic choral music,
and a standard work in
Great Britain*,First
modern score with a full
Critical Report and
complete performance
material- English and
german singing
texts
Study Score.
Composed by James
Macmillan. Boosey &
Hawkes Scores/Books.
Classical. Softcover. 80
pages. Duration 900
seconds. Boosey & Hawkes
#M060136009. Published by
Boosey & Hawkes
(HL.48024880).
ISBN
9781784545154. UPC:
840126918670.
7.25x10.25x0.319
inches.
This
publication presents
under one cover various
short works for sundry
orchestral scorings.
Larghetto for Orchestra
is MacMillan's
orchestration (2017) of
his celebrated Miserere
for a cappella mixed
choir (2009), a setting
in Latin of Psalm 51,
'Have mercy upon me, O
God, according to thy
great mercy', the
penitential text famously
set in the 17th century
by Gregorio Allegri. The
Larghetto orchestration
was commissioned by the
Pittsburgh Symphony
Orchestra in celebration
of Manfred Honeck's 10th
Anniversary as Music
Director. Memoire
imperiale is one of a
number of variations on
General John Reids march
tune Old Gaul
commissioned from
Scottish composers to
mark the centenary in
1994 of the Faculty of
Music at Edinburgh
University. The Faculty
was established following
a bequest by General Reid
(1721-1807), a former law
student at the University
and a renowned flute
player and composer of
marches for the
BritishArmy, and he asked
that an annual concert be
organised at which one or
more of his compositions
be played. Composed in
2012 for the Britten
Sinfonia, One is a monody
in which a single line is
passed around the
instruments, painting it
with different colours as
it emerges and develops.
Lasting only a few
minutes, its singularity
is maintained until
blossoming in the lastfew
bars. For Sonny (2011,
orch 2013) and Ein
Lamplein verlosch (2018,
orch 2019) are short,
private memorial tributes
originally for string
quartet and here rescored
for string orchestra.
Hirta was composed in
2016 as part of Deccas
The Lost Songs of St
Kilda project. Nearly a
century ago, the last 36
residents were evacuated
from the most remote part
of the British Isles, St
Kilda, an isolated
archipelago off the
beautiful and rugged
western coast of
Scotland. After 86 years,
the music of St Kilda was
rediscovered, recorded in
a Scottish care home by
Trevor Morrison, an
elderly man who had been
taught piano by an
inhabitant of St Kilda.
The songs were
'reimagined' for the
Decca album by
various.
Orchestra - Grade 1 SKU: AP.44841S Composed by Susan H. Day. Performance ...(+)
Orchestra - Grade 1
SKU: AP.44841S
Composed by Susan H. Day.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Fall;
Halloween. Score. 12
pages. Duration 2:35.
Highland/Etling
#00-44841S. Published by
Highland/Etling
(AP.44841S).
UPC:
038081518411.
English.
Perfect
for your fall concert,
here is a piece that has
spooky lyrics to teach
the rhythms in the easy
melodic line. Upper
string parts are doubled,
and the cello part
doubles the bass line.
Everyone gets to do
glissando in this
original by Susan Day.
The piano part is
integral to the piece.
Feature some of your
orchestra members singing
the lyrics together with
the orchestra, or invite
members of the choir to
join with the orchestra!
Great fun for all,
especially at Halloween,
this one will stick in
their heads. Find out who
is this ghost in the
living room! (2:35).
(A Christmas Worship Experience of the Christ-Light). By Mary Mcdonald. Arranged...(+)
(A Christmas Worship
Experience of the
Christ-Light). By Mary
Mcdonald. Arranged by
Laura Kathryn Rosser. For
full orchestra. Cantatas.
Christmas. Orchestral
score and parts.
Published by Monarch
Music