Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
Orchestra SKU: HL.14019145 Composed by Magnus Lindberg. Music Sales Ameri...(+)
Orchestra
SKU:
HL.14019145
Composed
by Magnus Lindberg. Music
Sales America. Classical.
Book [Softcover]. 48
pages. Music Sales
#KP00119. Published by
Music Sales
(HL.14019145).
ISBN
9788759860625.
12.0x16.5x0.436 inches.
English.
This work
was written with a mix
between computer
technology and the more
traditional orchestra,
the piece was composed in
such a way that it would
support its own
acoustics. Lindberg
worked with amplification
of instruments and
electronically
transformed sounds thus
producing greater
possibilities to abandon
acoustic limits. In order
for the piece to be
supported by it's own
acoustics, the piece had
to be written in terms of
foreground and background
harmony, every foreground
chord would always have
it's background, a shadow
existing without it's
main chord. Another theme
to the piece is that of
textural motion as rapid
gestures and motions are
a big part of the
composer's interest.
Static repitions seemed
to limit the piece
however so they were
compensated for on
another level, so with a
repetitive rhythmic
pattern, the harmonic
material changes rapidly
or when a chain of chords
is static the rhythmic
and timbral qualities
vary frequently. Work for
orchestra commissioned by
the Finnish Broadcasting
Company.
A Quiet Peace Orchestre [Conducteur] - Facile Alfred Publishing
Orchestra - Grade 2 SKU: AP.49930S Composed by Richard Meyer. MakeMusic C...(+)
Orchestra - Grade 2
SKU: AP.49930S
Composed by Richard
Meyer. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Form: Chorale.
Lyrical. Score. Duration
4:15. Alfred Music
#00-49930S. Published by
Alfred Music (AP.49930S).
ISBN 9781470662431.
UPC: 038081579634.
English.
Give your
students a well-needed
break from the chaos and
noise of today's world
with this gentle,
introspective, hymn-like
composition. Richard
Meyer's A Quiet Peace
uses suspensions,
dissonances, and ninth
and seventh chords, which
lend a mature sound to
the piece. The notes and
ranges keep it well
within reach of the young
orchestra. An excellent
way for your students to
express sensitivity and
grace while developing
their emotive playing
skills. (4:15).
Orchestra - Grade 2 SKU: AP.49930 Composed by Richard Meyer. MakeMusic Cl...(+)
Orchestra - Grade 2
SKU: AP.49930
Composed by Richard
Meyer. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Form: Chorale.
Lyrical. Score and
Part(s). Alfred Music
#00-49930. Published by
Alfred Music (AP.49930).
ISBN 9781470662424.
UPC: 038081579627.
English.
Give your
students a well-needed
break from the chaos and
noise of today's world
with this gentle,
introspective, hymn-like
composition. Richard
Meyer's A Quiet Peace
uses suspensions,
dissonances, and ninth
and seventh chords, which
lend a mature sound to
the piece. The notes and
ranges keep it well
within reach of the young
orchestra. An excellent
way for your students to
express sensitivity and
grace while developing
their emotive playing
skills. (4:15) Correlates
to Sound Innovations,
Book 2, Level 2.
St John Passion Orchestre [Conducteur d'étude / Miniature] Boosey and Hawkes
Baritone, Choral, Orchestra (Study Score) SKU: HL.48024806 The Passion...(+)
Baritone, Choral,
Orchestra (Study Score)
SKU: HL.48024806
The Passion of our
Lord Jesus Christ
according to John Study
Score. Composed by
James Macmillan. Boosey &
Hawkes Scores/Books.
Classical, Sacred.
Softcover. 380 pages.
Boosey & Hawkes
#M060134470. Published by
Boosey & Hawkes
(HL.48024806).
ISBN
9781784543792. UPC:
888680978648. 8.25x11.75
inches.
Scored for
baritone solo, small
'narrator' chorus, large
chorus and orchestra,
MacMillan's first Passion
setting was composed in
2007. Lasting 87 minutes
the work is divided into
two parts, with 10
movements overall. As
Paul Spicer has
commented, “The
originality of the St
John Passion lies in
MacMillan's ability to
mix old with new, rather
in the manner of Bach in
his day. There are
passages of sumptuous
polyphony and there is a
fresh look at the text
where passages of Latin
are interspersed with the
Gospel story in English.
In movement seven ('Jesus
and his Mother'),
MacMillan introduces not
only part of the Stabat
Mater but also his own
words ('Lully, lulla, my
dear darling'). The final
movement, which is purely
orchestral, is a kind of
via doloroso march with a
Scots lament over quite
brass chords. The string
writing here, with its
elegiac cello lines, is
deeply reminiscent of the
early 20th-century
English school. This
should be the War Requiem
of the 21st
century.&rdquo.
Orchestra Piano Solo:
2.2.2.2: Saxes(AAT, opt):
4.3.3.0: Bells: Str
(9-8-7-6-5 in set)
SKU: AP.36-A604290
Composed by Leroy
Anderson. Arranged by
Walter Damrosch. Full
Orchestra. Edwin F.
Kalmus. Score and
Part(s). LudwigMasters
Publications #36-A604290.
Published by
LudwigMasters
Publications
(AP.36-A604290).
UPC:
654690665539.
English.
First
published and recorded in
1954 (only included at
the time on the album
"A Leroy Anderson
Pops' Concert"),
this lovely piano
instrumental was released
as a UK single in 1957
and hit the charts in
early summer. Decca
then issued the track on
45 in the U.S. which
enjoyed a moderate
success. Anderson
later recorded stereo
version of Forgotten
Dreams in 1959. The
composition features a
haunting, romantic melody
and its performance is
within the reach of most
late-intermediate
pianists. Written in D
major, it contains
expressive tempo
variations, an animated B
section, and arpeggiated
chords which require a
bit of stretching.
Instrumentation: Piano
Solo: 2.2.2.2: Saxes(AAT,
opt): 4.3.3.0: Bells: Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra SKU: HH.HH268-FSC Composed by Timothy Raymond. Orchestral. Full...(+)
Orchestra
SKU:
HH.HH268-FSC
Composed
by Timothy Raymond.
Orchestral. Full score.
Duration 10 minutes.
Edition HH Music
Publishers #HH268-FSC.
Published by Edition HH
Music Publishers
(HH.HH268-FSC).
ISBN
9790708092209.
The
musical material derives
from transformations of
the carol melody, which
only appears with any
degree of literalness in
a dream like passage
close to the beginning
and vanishes –
though, in some sense,
its dna is present in
every bar. The piece is
through composed and
consists of slow –
at times, elegiac
– music flanking
fast central episodes.
Two chords, which seem to
signify a kind of
question at the very
beginning, return twice,
later in the work.
Dedication Orchestre Edward B. Marks Music Company
Orchestra (Full Score) SKU: HL.1283364 For Orchestra. Composed by ...(+)
Orchestra (Full Score)
SKU: HL.1283364
For Orchestra.
Composed by William
Bolcom. Arranged by
Edmund Cionek. LKM Music.
Classical. Softcover.
Duration 480 seconds.
Edward B. Marks Music
#MP077085. Published by
Edward B. Marks Music
(HL.1283364).
UPC:
196288166641.
Dedic
ation for chamber
orchestra by William
Bolcom was written in
2021-2022, especially for
the ROCO Chamber
Orchestra. The commission
was the result of a
meeting between Alecia
Lawyer and the composer
at a Great American
Songbook concert, hosted
by Arthurand Shelley
Gottschalk. Dedication is
a concise but dramatic
work. Its threepart is
determined by tempo and
motif. The work begins
with Intro: Moderato.
After a very soft
ostinato sounds from the
depths of the orchestra,
two melodies emerge: the
first in the Piccolo and
Eb Clarinet, the second
in the English Horn and
Bassoon. They are
complemented by strings
in close harmony and
lyrical muted brass. This
is followed by Feroce!
which engages the tutti
ensemble in a cascade of
brilliant fortissimo
block harmonies. The next
section, Allegro molto,
is characterized by
agile, virtuosic passage
work and brash chords.
Tempo I returns with
familiar motifs wrapped
in six sharps. Marked
espressivo e cantabile,
tutti strings provide an
incandescent conclusion.
Then soft string
glissandi allow the music
to fade back from
wherever it came.
Dedication is
orchestrated by his
former student Edmund
Cionek.
Orchestra SKU: HL.51489062 Study Score. Composed by Franz Joseph H...(+)
Orchestra
SKU:
HL.51489062
Study
Score. Composed by
Franz Joseph Haydn.
Edited by Robert v. Zahn.
Henle Music Folios.
Classical. Softcover. 66
pages. G. Henle #HN9062.
Published by G. Henle
(HL.51489062).
UPC:
840126951950.
6.75x9.5x0.263
inches.
The twelve
“London
Symphoniesâ€
comprise the sublime
final statement of
Haydn's symphonic oeuvre.
They were written for the
London impresario Johann
Peter Salomon, and Haydn
himself conducted their
premieres during his
lengthy stays in the
English metropolis in
1791/92 and 1794/95. To
this day, the G-major
symphony, first performed
in March 1792, numbers
among Haydn's most
popular works. It owes
its English nickname
“Surprise†to
the striking tutti chords
in the Andante, which
apparently caught the
audience off guard. Haydn
had consciously
incorporated this effect
at a later stage - and
was thus subsequently
also perfectly willing to
authorize this nickname
that had been dreamt up
by a London musician.
This popular work also
spread rapidly through
German-speaking
countries, where it is
still firmly established
in the repertoire as the
“symphony with the
drumbeat.†This
study edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy score an
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra - Grade 1.5 SKU: AP.38481S Composed by Susan H. Day. MakeMusic ...(+)
Orchestra - Grade 1.5
SKU: AP.38481S
Composed by Susan H. Day.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score. 8
pages. Highland/Etling
#00-38481S. Published by
Highland/Etling
(AP.38481S).
UPC:
038081431703.
English.
This piece
was inspired by a visit
to London's Buckingham
Palace, with its colorful
tradition of the changing
of the guards. Set in the
key of D Major, the
chordal harmonies and
dotted quarter rhythms
bring a picture of
royalty to mind. Other
main teaching points are
lift signs, a round
section, and the use of
high 3rd fingers to
attain great in-tune
chords. Interesting parts
for all sections with
many learning
opportunities---a perfect
choice! This title is
available in MakeMusic
Cloud.
Classic Rock for the String Orchestra (Teacher's Score). Arranged by Bob ...(+)
Classic Rock for the
String Orchestra
(Teacher's Score).
Arranged by Bob Phillips
and Daryl Silberman.
Book; CD; Play-Along;
String Orchestra
Collection. Rock. 48
pages. Published by
Alfred Music (AP.40742).
Composed by
Traditional. Arranged by
Robert S. Frost. Solo or
Ensemble. Voyager String
Orchestra. Score and set
of parts. Duration 2
minutes, 15 seconds.
Kendor Music Inc #9464.
Published by Kendor Music
Inc (KN.9464).
UPC:
822795094640.
Of
all Shaker hymns, this is
undoubtedly the best
known because it served
as the basis for
Copland's ballet,
Appalachian Spring.
Arranged here for
strings, it combines
simple pentatonic
melodies with memorable
rhythms. Harmonics,
tremolo and strummed
chords in the keys of G
and D add flair, and the
score contains an
excellent synopsis of
Shaker life for students
and audiences. Duration
2:15.
Orchestra - Grade 1.5 SKU: AP.38481 Composed by Susan H. Day. MakeMusic C...(+)
Orchestra - Grade 1.5
SKU: AP.38481
Composed by Susan H. Day.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Programmatic.
Score and Part(s). 62
pages. Highland/Etling
#00-38481. Published by
Highland/Etling
(AP.38481).
UPC:
038081431697.
English.
This piece
was inspired by a visit
to London's Buckingham
Palace, with its colorful
tradition of the changing
of the guards. Set in the
key of D Major, the
chordal harmonies and
dotted quarter rhythms
bring a picture of
royalty to mind. Other
main teaching points are
lift signs, a round
section, and the use of
high 3rd fingers to
attain great in-tune
chords. Interesting parts
for all sections with
many learning
opportunities---a perfect
choice! This title is
available in MakeMusic
Cloud.
Orchestra SKU: AY.OR3568PM Composed by Jacobo Duran-Loriga. Ensembles - O...(+)
Orchestra
SKU:
AY.OR3568PM
Composed
by Jacobo Duran-Loriga.
Ensembles - Orchestra.
Conductor Score. Duration
15'. Periferia Publishing
#OR3568PM. Published by
Periferia Publishing
(AY.OR3568PM).
ISBN
9790543574168.
Benn
u is the Egyptian God
whose sing gave birth to
the Time. It had the
shape of a birth and
today is known as the
Phoenix. This symphonic
poem is a new meditation
of Duran-Loriga about the
musical time. It is
instrumented in families
and it alternates parts
with superimposition of
dense chords with dense
awakenings of birds.
Bennu is an assignment by
the Orquesta Nacional de
Espana for the 27th Music
Festival of Alicante.
5 soloists (SSATB),
speaker, 3 mixed choirs
and orchestra
SKU:
HL.49045487
For 5
soloists (SSATB),
narrator, 3 mixed choirs
and orchestra.
Composed by Krzysztof
Penderecki. This edition:
Saddle stitching. Sheet
music. Study Score. Das
grosse Vokalwerk wurde
1995 zum 3000-jahrigen
Bestehen Jerusalems
komponiert. Der Zahl
sieben hat darin eine
besondere Bedeutung:
sieben Satzen, die fur
die sieben Tore stehen,
sieben gewaltige
Fortissimo-Akkorde, die
das Oratorium
beschliessen. Softcover.
Composed 1996. 158 pages.
Duration 68'. Schott
Music #ED20533. Published
by Schott Music
(HL.49045487).
ISBN
9790001157179. UPC:
888680747992.
8.25x11.75x0.41 inches.
Latin -
German.
Deeply
moved by his first visit
to the city of Jerusalem
with its seven gates,
Krzysztof Penderecki
composed this major vocal
work to celebrate the
city's 3,000th
anniversary in 1995. Two
years later, it was
premiered as Symphony No.
7 in which the magic
number seven has a
special meaning: From the
seven movements
representing the seven
gates to the seven
powerful fortissimo
chords concluding the
oratorio, the biblical
number runs through the
entire work.
4 (3.
u. 4. auch Picc.) * 3 *
Engl. Hr. * 3 (3. auch
Es-Klar.) * Bassklar. * 3
* Kfg. - 4 * 3 * 4 (3.
auch Basstrp.) * 1 - S.
(I.: P. * Beckenpaar * 2
Tamt. (t.) * Rohrengl. *
gr. Tr. m. Beck. *
Crotalenbaum * 5 Tomt. *
Marimba * Bin-Sasara *
kl. Tr. * Ruhrtr.; II.:
Trgl.-baum * 4 hg. Beck.
* Tamt. (t.) * Rohrengl.
* Kirchengl. * Tubaphon *
Glsp. * Xyl. * Vibr. *
Ruhrtr. * Tempelbl. * 2
Gongs; III.: 3 hg. Beck.
* Mil. Tr. * Tubaphon *
Kuhgl. * Tempelbl. * 2
Gongs; IV.: P. * hg.
Beck. * 2 Tamt. *
Beckenpaar * 5 Tomt. *
gr. Tr. * Ruhrtr. *
Bin-Sasara) (12 Spieler)
- Cel. * Klav. * Org. ad
lib. - Str. Im Saal: 0
* 0 * 3 * Bassklar. (auch
Es-Klar.) * 3 * Kfg. - 4
* 3 * 4 * 1.
Orchestra (Orchestra) SKU: HL.14019146 Composed by Magnus Lindberg. Music...(+)
Orchestra (Orchestra)
SKU: HL.14019146
Composed by Magnus
Lindberg. Music Sales
America. Classical.
Score. 170 pages. Music
Sales #KP00137. Published
by Music Sales
(HL.14019146).
ISBN
9788759855775.
12.0x16.5x0.525 inches.
English.
The
harmonic model for this
piece is based on a
subdivision of pitches in
primary and secondary
notes, in principle any
chord can be viewed from
it's structural qualities
including interval
content and symmetry, but
it might also be
conceived from a more
acoustical point of view.
The parallel basis for
this work is a sequence
of 12-tone chords
repeated as a chaconne,
every chord has it's
Alter-Ego, an overtone
series the fundamentals
of which together form a
bass line. By
articulating the cycle
differently, with always
varied diagonal paths
between two layers
Lindberg has aimed to
give the music some
direction despite it's
vague repetitive
structure. Work for
Orchestra premiered at
the Queen Elizabeth Hall,
London, by the London
Sinfonietta under the
direction of Esa-Pekka
Salonen, April 1990.
Orchestra - Grade 5 SKU: AP.43857 Composed by Bruce W. Tippette. Full Orc...(+)
Orchestra - Grade 5
SKU: AP.43857
Composed by Bruce W.
Tippette. Full Orchestra;
Performance Music
Ensemble; Single Titles.
Highland/Etling Full
Orchestra. Score and
Part(s). 256 pages.
Duration 5:15.
Highland/Etling
#00-43857. Published by
Highland/Etling
(AP.43857).
UPC:
038081507002.
English.
This
original composition
first fell upon the ears
of excited, rambunctious,
elementary-aged children
as part of an educational
concert series geared
toward teaching the
sections of the
orchestra. The room
quickly grew silent and
the audience was
captivated by the
haunting melodies and
clashes of bold chords,
intertwined with moments
of tranquility and
wonder. Each and every
section of the orchestra
will feel equally
important as it tackles
this challenging, yet
appealing piece!
(5:15).
By Felix Alexandre Guilmant (1837-1911). Arranged by Rick England. Orchestra. Fu...(+)
By Felix Alexandre
Guilmant (1837-1911).
Arranged by Rick England.
Orchestra. Full
Orchestra; Masterworks.
Highland Full Orchestra.
Form: Transcription.
Masterwork Arrangement;
Romantic. Grade 3.
Conductor Score and
Parts. 198 pages.
Published by Alfred Music
Publishing
Orchestra - Grade 3 SKU: AP.31613S Composed by Felix Alexandre Guilmant. ...(+)
Orchestra - Grade 3
SKU: AP.31613S
Composed by Felix
Alexandre Guilmant.
Arranged by Rick England.
Full Orchestra;
Masterworks; Performance
Music Ensemble; Single
Titles. Highland/Etling
Full Orchestra. Form:
Transcription. Masterwork
Arrangement; Romantic.
Score. 24 pages.
Highland/Etling
#00-31613S. Published by
Highland/Etling
(AP.31613S).
UPC:
038081354750.
English.
Are you
looking for a big,
bombastic opener or
closer for your next
symphony orchestra
concert? Do you need a
contrasting piece to a
delicate Debussy
impression and want to
stay French? Are you too
pooped to Pomp? This
composition, in a bold
march style with a short
fugal exposition in the
middle, will work for
you. Your students will
enjoy the opportunity for
their sections to shine
and your audience will
remember the energetic
build to the final
climactic chords.
Orchestra - Grade 3 SKU: AP.49898 From African Suite. Composed by ...(+)
Orchestra - Grade 3
SKU: AP.49898
From African
Suite. Composed by
Samuel Coleridge-Taylor.
Arranged by Kirk Moss.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Concert String Orchestra.
Form: Dance. Masterwork
Arrangement. Score and
Part(s). Duration 3:00.
Belwin Music #00-49898.
Published by Belwin Music
(AP.49898).
ISBN
9781470657314. UPC:
038081575469.
English.
Originally
composed for piano as the
final movement of African
Suite, Danse begins with
two introductory chords
followed by energetic
swinging rhythms and
repeated angular
melodies. Students will
love the moods in this
festive overture,
evocative of later
Broadway musicals. The
artistic turning point of
Samuel Coleridge-Taylor's
career happened in his
twenties when he met the
African-American poet
Paul Laurence Dunbar.
Dunbar influenced the
young composer to
concentrate on his
African heritage. Born in
suburban London to Alice
Martin, an Englishwoman
and the daughter of a
blacksmith, his father,
Dr. Daniel Peter Hughes
Taylor, was a Creole of
Sierra Leone who
qualified as a Member of
the Royal College of
Surgeons (MRCS) and
returned to Africa before
his son's birth. Called
Coleridge by his family,
he was raised in Croydon,
Surrey, by his mother and
her father, Benjamin
Holmans, who taught him
the violin. (3:00).
Composed by Kirt Mosier.
Performance Music
Ensemble; String
Orchestra.
Highland/Etling String
Orchestra. Latin. Score.
Duration 3:40.
Highland/Etling
#00-49937S. Published by
Highland/Etling
(AP.49937S).
ISBN
9781470662295. UPC:
038081579498.
English.
Tango
Traicionero, by Kirt
Mosier, means treacherous
tango. The tango is a
Latin dance that first
developed in Buenos
Aires, Argentina, in the
mid-19th century. Imagine
a gathering of bohemian
nomads and workers having
a dance party in the
streets. There is a
natural tension in this
tango which mirrors the
intoxicating nighttime
atmosphere. All orchestra
sections work together to
perform slides and shifts
between notes of the
melodic figures to add
intrigue to the sound. A
lively middle section
builds to a key change
and recapitulation. The
work culminates with
tense chords to an
exciting finish.
(3:40).
Orchestra - Grade 2 SKU: AP.49463 Arranged by Jim Palmer (ASCAP). MakeMus...(+)
Orchestra - Grade 2
SKU: AP.49463
Arranged by Jim Palmer
(ASCAP). MakeMusic Cloud;
Single Titles; String
Orchestra. Sound
Innovations for String
Orchestra. Folk;
Traditional. Score and
Part(s). Duration 2:25.
Alfred Music #00-49463.
Published by Alfred Music
(AP.49463).
ISBN
9781470650247. UPC:
038081571027.
English.
The Last
Rose of Summer is a
traditional Irish tune
arranged by Jim Palmer.
The beautiful melody,
rich harmonies, and
interesting accompaniment
will help your young
orchestra sound mature.
The long phrases are
highlighted with
beautiful slurs and a
variety of dynamics.
Pizzicato, slurs and ties
create the interesting
accompaniments.
Well-developed phrases
and unexpected chords
provide opportunities for
artistic expression. A
perfect choice to teach a
broad range of musical
ideas. Correlated to
Sound Innovations, Book
2, Level 2. (2:25) This
title is available in
MakeMusic Cloud.
Orchestra - Grade 5 SKU: AP.43857S Composed by Bruce W. Tippette. Full Or...(+)
Orchestra - Grade 5
SKU: AP.43857S
Composed by Bruce W.
Tippette. Full Orchestra;
Performance Music
Ensemble; Single Titles.
Highland/Etling Full
Orchestra. Score. 32
pages. Duration 5:15.
Highland/Etling
#00-43857S. Published by
Highland/Etling
(AP.43857S).
UPC:
038081507019.
English.
This
original composition
first fell upon the ears
of excited, rambunctious,
elementary-aged children
as part of an educational
concert series geared
toward teaching the
sections of the
orchestra. The room
quickly grew silent and
the audience was
captivated by the
haunting melodies and
clashes of bold chords,
intertwined with moments
of tranquility and
wonder. Each and every
section of the orchestra
will feel equally
important as it tackles
this challenging, yet
appealing piece!
(5:15).
Orchestra - Grade 2 SKU: AP.49463S Arranged by Jim Palmer (ASCAP). Series...(+)
Orchestra - Grade 2
SKU: AP.49463S
Arranged by Jim Palmer
(ASCAP). Series; Single
Titles; String Orchestra.
Sound Innovations for
String Orchestra. Folk;
Traditional. Score.
Duration 2:25. Alfred
Music #00-49463S.
Published by Alfred Music
(AP.49463S).
ISBN
9781470650254. UPC:
038081571034.
English.
The Last
Rose of Summer is a
traditional Irish tune
arranged by Jim Palmer.
The beautiful melody,
rich harmonies, and
interesting accompaniment
will help your young
orchestra sound mature.
The long phrases are
highlighted with
beautiful slurs and a
variety of dynamics.
Pizzicato, slurs and ties
create the interesting
accompaniments.
Well-developed phrases
and unexpected chords
provide opportunities for
artistic expression. A
perfect choice to teach a
broad range of musical
ideas. Correlated to
Sound Innovations, Book
2, Level 2. (2:25).
Composed
by Lloyd Conley. Easy
Music For Strings.
Published by Hal Leonard
(HL.4490769).
UPC:
884088256265. 9x12
inches.
Long known
for his inventive
teaching pieces, Lloyd
Conley has devised a
clever tune to introduce
tetrachords to beginning
players. The special
notation along with the
approachable use of meter
(3/4 and 4/4) and keys (G
and C) make this a great
connector to the
“math” of
music. Duration:
2:00.