Orchestra - Grade 4 SKU: AP.38451S Op. 162. Composed by Robert She...(+)
Orchestra - Grade 4
SKU: AP.38451S
Op. 162. Composed
by Robert Sheldon. Full
Orchestra; Performance
Music Ensemble; Single
Titles. Belwin Concert
Full Orchestra. Score. 32
pages. Belwin Music
#00-38451S. Published by
Belwin Music (AP.38451S).
UPC: 038081438795.
English.
A
fantastic original piece
for full orchestra,
players and audiences
will delight in this new
work. Perfect for any
occasion, this is a
celebratory piece
expressing the joy and
exhilaration of a new
beginning.
Composed by Doug Spata.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Christmas;
Light Concert; Novelty;
Winter. Score and
Part(s). 126 pages.
Duration 3:00.
Highland/Etling
#00-29724. Published by
Highland/Etling
(AP.29724).
UPC:
038081320069.
English.
With
jubilant melodies and a
light, festive style,
this wonderful new
composition is the
perfect selection for
your holiday concert!
Students and audiences
alike will thrill to the
brisk, joyful style while
teachers will appreciate
how their students
receive valuable
experience with basic
shifting, syncopation and
part independence.
Everyone gets a turn at
the carefree melodies and
a sleigh bell part is
included for extra
holiday color.
(3:00).
Textcritical
Edition. Composed by
Gustav Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
First
edition based on the copy
of the score revised by
Mahler Hamburg 1893
Symphony; Romantic;
Late-romantic. Full
score. 28 pages. Duration
8'. Breitkopf and Haertel
#PB 5642. Published by
Breitkopf and Haertel
(BR.PB-5642).
ISBN
9790004215395. 10.5 x 14
inches.
The Blumine
movement included in the
original five-movement
version of Mahler's
Symphony No. 1 was long
considered lost. Composed
as early as 1884 for a
theater piece, Mahler
inserted it into the
symphony as its second
movement in 1888. After
three performances, he
turned his back on this
Love Episode, calling the
sentimental, gushing
movement a youthful
folly, and removed it.
Mahler's Hamburg
autograph score was only
rediscovered in 1966.
Benjamin Britten gave the
Blumine movement a new
hearing at the 1967
Aldeburgh Festival. The
critical new edition is
based for the first time
on the autograph score,
together with the
meanwhile rediscovered
score copy with Mahler's
last revisions.The
cloth-bound volume PB
5661 contains next to the
final version of the
four-movement Symphony,
the Blumine
movement.
First
edition based on the copy
of the score revised by
Mahler Hamburg 1893.
Orchestra (4(2picc).3(cor
ang).heck.Eb-clar.2.Bb-cl
ar(clar).4(dble bsn) -
8(4T-tuba).2alphn.4.4.2 -
org.cel -
2hp.2timp.perc(6).wind
m.thunder m - str - off
stage: 12hn.2trp.2tbne)
SKU: BR.PB-5710
Tone Poem -
Urtext. Composed by
Richard Strauss. Edited
by Nick Pfefferkorn.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Symphonic poem;
Late-romantic; Early
modern. Sheet Music. 204
pages. Duration 50'.
Breitkopf and Haertel #PB
5710. Published by
Breitkopf and Haertel
(BR.PB-5710).
ISBN
9790004216477. 10.5 x 14
inches.
Richard
Strauss's last completed
tone poem is regarded as
the pinnacle of his art
of orchestration: Now
I've finally learned to
orchestrate, he himself
is once supposed to have
said about it after the
dress rehearsal. The
single-movement Alpine
symphony that we know
today ultimately evolved
- over almost 15 years -
from the original drafts
of an artist's tragedy,
titled Der Antichrist.
Eine Alpensinfonie [The
Antichrist. An Alpine
Symphony] up to the stage
of the last sketches.
With unprecedented
plasticity, the work
showcases a
(metaphysical?) mountain
hike with stops in the
forest, at the waterfall,
on the alpine pasture
and, of course, at the
summit. Apropos alpine
pastures: up to the
score's fair copy stage,
Strauss envisaged a high
and a low alphorn for the
section Auf der Alm [On
the Alpine Pasture] and
the well-known Dulioh
theme, though for various
reasons first detailed in
our new Urtext edition,
these exotic instruments
did not find their way
into the printed version.
In the new edition, the
editor, Nick Pfefferkorn,
reproduces the alphorn
passages in small print,
also adding two alphorn
parts to the performance
material, besides
evaluating the
corrections made by
Walter Seifert at
Strauss's
request.
First
Urtext edition since the
first editionEvaluation
of all available sources,
including sketches and
the score corrected by
Walter Seifert Extensive
preface on the work's
compositional history and
receptionDetailed
Critical ReportFacsimile
pages.
Composed by Ralph Vaughan
Williams. Edited by
Graham Parlett. Study
score. 144 pages.
Duration 45'. Oxford
University Press
#9780193533578. Published
by Oxford University
Press (OU.9780193533578).
ISBN 9780193533578. 10
x 7 inches.
For
full orchestra. For this
comprehensive new
edition, the editor
Graham Parlett has drawn
on all available sources,
providing an
authoritative full score
with critical commentary.
This edition also makes
available new materials
for the version for
string orchestra and
piano, and a new vocal
score.
Orchestra SKU: HL.50510026 Score. By Gabor Darvas. By Peter Ilyich...(+)
Orchestra
SKU:
HL.50510026
Score. By Gabor
Darvas. By Peter Ilyich
Tchaikovsky. Arranged by
Gabor Darvas. Romantic.
EMB. Score Only. 112
pages. Editio Musica
Budapest #Z40072.
Published by Editio
Musica Budapest
(HL.50510026).
ISBN
9790080400722. UPC:
073999679762.
5.5x8.0x0.326 inches.
Gabor
Darvas.
Inspired by
his friend, the composer
Balakirev Tchaikovsky
decided in 1869 to write
an overture to
Shakespeare's drama Romeo
and Juliet. The work was
completed the same year
and received its premiere
soon thereafter, on March
4th, 1870 in Moscow under
the direction of Nikolay
Rubinstein. Following the
performance the composer
worked over the piece
again at Balakirev's
instigation: he wrote a
new introduction and
altered the return and
the end, too. The new
version was first
performed under the baton
of Napravnik in St
Petersburg on February
5th, 1872. By that time
it had become clear that
the composition was
closer to the genre of
symphonic poem than to
that of a theatrical
preludewhich is also
indicated by the
subtitle: 'fantasy
overture'. In the 1880s
Tchaikovsky carried out
further changes in the
score and thus the third
version of Romeo and
Juliet emerged that was
first performed by
Ippolitov-Ivanov as
conductor in Tbilisi on
April 19th, 1886.
Featuring: Harvey Two-Face / Introduce a Little Anarchy / A Dark Knight. By Hans...(+)
Featuring: Harvey
Two-Face / Introduce a
Little Anarchy / A Dark
Knight. By Hans Zimmer
And James Newton Howard.
Arranged by Douglas E.
Wagner. For Full
Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Movie. Level:
2.5 (grade 2.5).
Conductor Score and
Parts. 248 pages.
Published by Alfred
Publishing.
(Featuring: Harvey Two-Face / Introduce a Little Anarchy / Like a Dog Chasing Ca...(+)
(Featuring: Harvey
Two-Face / Introduce a
Little Anarchy / Like a
Dog Chasing Cars). By
Hans Zimmer and James
Newton Howard. Arranged
by Victor Lopez. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Light
Concert. 3.5 (grade 3.5).
Conductor Score and
Parts. 252 pages
(Feast Overture / Festouverture). Composed by Peter Ilyich Tchaikovsky (1840-189...(+)
(Feast Overture /
Festouverture). Composed
by Peter Ilyich
Tchaikovsky (1840-1893).
Edited by Polina Vajdman.
For orchestra. This
edition: Urtext. Full
score. 72 pages.
Published by Breitkopf
and Haertel
Orchestra - all SKU: PR.816600040 Composed by Wolfgang Amadeus Mozart. CD...(+)
Orchestra - all
SKU:
PR.816600040
Composed
by Wolfgang Amadeus
Mozart. CD Sheet Music
(Version 1). Full Scores
to all of the major works
for orchestra by Mozart -
parts not included.
Classical Period. CD
Sheet Music. 2000
printable pages.
Published by Theodore
Presser Company
(PR.816600040).
UPC:
680160600045. 5.5x5
inches.
This disk
contains study scores of
all 41 of Mozart's
Symphonies, as well as
Concertos for Winds and
Strings (Piano Concertos
are on a companion
CD-ROM), Serenades, Opera
Overtures, Divertimentos,
and other works.
About CD Sheet
Music (Version
1)
CD
Sheet Music (Version 1)
was the initial CD Sheet
Music series distributed
by Theodore Presser. The
CDs include thousands of
pages of music that are
viewable and printable on
Mac or PC. Version 1
titles are a great value
at 40% off, as we make
room in our warehouse for
the newly enhanced CD
Sheet Music (Version 2.0)
series.
Orchestra SKU: HL.14028038 Composed by Poul Ruders. Music Sales America. ...(+)
Orchestra
SKU:
HL.14028038
Composed
by Poul Ruders. Music
Sales America. Classical.
Score. 95 pages. Music
Sales #KP00294. Published
by Music Sales
(HL.14028038).
ISBN
9788759854730.
12.0x16.5x0.3 inches.
English.
The word
GONG is saturated with
associations: the
splendour of the Orient,
mysticism, drama, loud
metallic clangour,
violent impact, etc. The
present piece draws upon
all those connotations,
but it is primarily a
symphonic drama about the
life and behaviour of the
sun, our closest star and
prime source of life on
Earth. Describing the sun
in music is not a new
idea, of course; during a
visit to Greece, Carl
Nielsen was inspired by
the orbit of the sun and
its very un-Danish
ferocity and thus wrote
the Helios Overture. GONG
is a Helios Overture too,
of sorts, albeit more
abstract. Recent
astronomical research
shows, that the surface
of the sun reverberates
like a gong, in four
different, simultaneous
tempi (not directly
depicted in the score,
though); the sun looks
like a GONG, - the O in
the written work looks
like the sun; there is
even a solar research
group called GONG (Global
Oscillation Network
Group). Formally the
composition follows the
life and fate of the sun,
from the initial
explotional birth through
the hyper-activity as
energy source as we know
it today to the final,
predicted flaring up and
collapse into a so-called
white dwarf. But - being
a musical composition,
not an astrophysical
thesis - GONG is brought
to its compositional
conclusion by a real
concert-ending, a chord
taken from the middle of
the piece and sustained
over several bars, from
virtual nothingness to
full force.
Facade Entertainments by William Walton (1902-1983). Arranged by David Lloyd-Jon...(+)
Facade Entertainments by
William Walton
(1902-1983). Arranged by
David Lloyd-Jones.
Narrator, flute (
piccolo), clarinet (
bass clarinet), alto
saxophone, trumpet in C,
percussion, cello (1-2
players); Percussion:
snare drum, cymbal,
triangle, Chinese block,
castanets, tambourine,
jingles). Scores. William
Walton Edition. Walton
Edition. Full score. 272
pages. Duration 50'.
Published by Oxford
University Press
Orchestra Voice SKU: AP.12-057154309X Composed by George Benjamin and Mar...(+)
Orchestra Voice
SKU:
AP.12-057154309X
Composed by George
Benjamin and Martin
Crimp. This edition:
Limited. Full Orchestra;
Larger Works; Performance
Music Ensemble. Form:
Opera. Living Composer.
Book; Score. 112 pages.
Faber Music
#12-057154309X. Published
by Faber Music
(AP.12-057154309X).
ISBN 9780571543090.
English.
Picture a
Day Like This is the
fourth operatic
collaboration between
George Benjamin and
Martin Crimp, whose
acclaimed partnership
produced Written on Skin,
Lessons in Love and
Violence, and Into the
Little Hill. This limited
edition of the full score
is one of only 150,
presented in a
cloth-bound hard cover.
It is signed by George
Benjamin and Martin Crimp
and includes facsimile
reproductions of pages
from the manuscript,
sketches by Benjamin and
Crimp, and a photograph
of Benjamin, Crimp, and
directors Daniel
Jeanneteau and
Marie-Christine Soma in
rehearsal at the
Aix-en-Provence Festival.
In this
bittersweet fable of
grief and renewal.
Benjamin and Crimp tell
the story of a woman who
has lost her child: if,
before nightfall, she
meets one truly happy
person and cuts a button
from their sleeve, her
child will live again. In
her search she meets a
pair of lovers, a
composer and their
assistant, an artisan,
collector, and, in a
beautiful garden, the
mysterious Zabelle.
Benjamin proves
with this taut, sharp
miniature that he is the
finest opera composer of
todayâ¦a work of
depth of feeling,
humanistic artistry, and
expressive rigorâ¦a
drama that is
miraculously condensed.
-- Süddeutsche
Zeitung (Reinhard J.
Brembeck) 9 July
2023.
Wonderful Worlds Orchestre [Conducteur] - Facile Alfred Publishing
Orchestra - Grade 3 SKU: AP.48065S Featuring: What a Wonderful World /...(+)
Orchestra - Grade 3
SKU: AP.48065S
Featuring: What a
Wonderful World / (What
a) Wonderful World.
By Bob Thiele, George
David Weiss, Herb Alpert,
Lou Adler, and Sam Cooke.
Arranged by Victor Lopez.
Full Orchestra;
Performance Music
Ensemble; Single Titles.
Pop Concert Full
Orchestra. Light Concert;
Pop/Rock. Score. 20
pages. Duration 4:00.
Alfred Music #00-48065S.
Published by Alfred Music
(AP.48065S).
ISBN
9781470655655. UPC:
038081559186. English.
Words; music for What a
Wonderful World by George
David Weiss; Bob Thiele;
Words; music for (What a)
Wonderful World by Sam
Cooke; Herb Alpert; Lou
Adler.
A true
musical showcase from
jazz legend Louis
Armstrong and pop artist
Sam Cooke arranged by
Victor López. Fresh
harmonies and a new
rendition of two classic
hits from the sixties
that will certainly be
memorable and a real joy
for your students and
audience. Includes an
optional part for a male
or female vocalist.
(4:00).
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Arranged by Vince Gassi.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Christmas;
Sacred; Traditional;
Winter. Score and
Part(s). 126 pages.
Duration 2:45.
Highland/Etling
#00-44846. Published by
Highland/Etling
(AP.44846).
UPC:
038081518480. English.
Traditional.
Nothin
g says Noel better than a
16th century courtly
dance. Also known as Un
Flambeau, Jeanette,
Isabelle, this piece was
originally performed for
the French nobility. The
variations in this new
setting by Vince Gassi
will lift your spirits as
they pass from a joyous
opening, through a brief
moment of reflection, and
on to a jubilant ending.
This little bit of
effervescence is a great
addition to any part of
your Christmas program.
(2:45).
Arranged by Vince Gassi.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Christmas;
Sacred; Traditional;
Winter. Score. 12 pages.
Duration 2:45.
Highland/Etling
#00-44846S. Published by
Highland/Etling
(AP.44846S).
UPC:
038081518497. English.
Traditional.
Nothin
g says Noel better than a
16th century courtly
dance. Also known as Un
Flambeau, Jeanette,
Isabelle, this piece was
originally performed for
the French nobility. The
variations in this new
setting by Vince Gassi
will lift your spirits as
they pass from a joyous
opening, through a brief
moment of reflection, and
on to a jubilant ending.
This little bit of
effervescence is a great
addition to any part of
your Christmas program.
(2:45).
Orchestra SKU: HL.14026868 Composed by Thea Musgrave. Music Sales America...(+)
Orchestra
SKU:
HL.14026868
Composed
by Thea Musgrave. Music
Sales America. Classical.
Studyscore. 68 pages.
Music Sales #NOV360013.
Published by Music Sales
(HL.14026868).
8.25x11.75x0.312
inches.
Written for
orchestra. Commissioned
by the City of Glasgow to
mark the opening of a new
International Concert
hall on 19 October 1990,
and to celebrate the city
as cultral capital of
Europe. Rainbow is a
soundscape in both a
literal and a figurative
sense. In nature, of
course, a rainbow heralds
the end of a storm and
the reappearance of the
sun.
Orchestra - Grade 3 SKU: AP.48065 Featuring: What a Wonderful World / ...(+)
Orchestra - Grade 3
SKU: AP.48065
Featuring: What a
Wonderful World / (What
a) Wonderful World.
By Bob Thiele, George
David Weiss, Herb Alpert,
Lou Adler, and Sam Cooke.
Arranged by Victor Lopez.
Full Orchestra;
Performance Music
Ensemble; Single Titles.
Pop Concert Full
Orchestra. Light Concert;
Pop/Rock. Score and
Part(s). 222 pages.
Duration 4:00. Alfred
Music #00-48065.
Published by Alfred Music
(AP.48065).
ISBN
9781470655648. UPC:
038081559179. English.
George David Weiss; Bob
Thiele; Sam Cooke; Herb
Alpert; Lou
Adler.
A true
musical showcase from
jazz legend Louis
Armstrong and pop artist
Sam Cooke arranged by
Victor López. Fresh
harmonies and a new
rendition of two classic
hits from the sixties
that will certainly be
memorable and a real joy
for your students and
audience. Includes an
optional part for a male
or female vocalist.
(4:00).
Eulenburg Audio Score Series. By Ludwig van Beethoven. This edition: EAS115. Eul...(+)
Eulenburg Audio Score
Series. By Ludwig van
Beethoven. This edition:
EAS115. Eulenburg Audio
Score (Pocket Scores
CD). Study score and CD.
142 pages. Published by
Eulenburg.
Schott. BOOK W/CD. Published by Hal LeonardEulenburg Audio Score Series. By Rich...(+)
Schott. BOOK W/CD.
Published by Hal
LeonardEulenburg Audio
Score Series. By Richard
Wagner. This edition:
EAS148. Eulenburg Audio
Score (Pocket Scores
CD). Study score and CD.
101 pages. Published by
Eulenburg.
Rockin' 67 Blues Orchestre [Conducteur] - Facile Highland/Etling
Orchestra - Grade 3 SKU: AP.48094S Composed by Bob Phillips. MakeMusic Cl...(+)
Orchestra - Grade 3
SKU: AP.48094S
Composed by Bob Phillips.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Light Concert;
Masterwork Arrangement.
Score. 20 pages. Duration
3:50. Highland/Etling
#00-48094S. Published by
Highland/Etling
(AP.48094S).
UPC:
038081559209.
English.
Starting
with a slow, hypnotic
rock ballad with
beautiful melodic lines
and then moving into a
high-energy, bluesy Rock
section, this piece by
Bob Phillips will be a
great opener or closer.
Two soaring violin
features appear in the
second section and can be
performed solo or soli. A
repetitive, driving,
never-stopping rock
groove moves throughout
this original piece and
the soaring violin
solo/soli part.
Optimistic and powerful,
Rockin' 67 Blues is sure
to be a new classic.
(3:50) This title
available in MakeMusic
Cloud.
Eulenburg Audio Score Series. By Georges Bizet. This edition: EAS105. Eulenburg ...(+)
Eulenburg Audio Score
Series. By Georges Bizet.
This edition: EAS105.
Eulenburg Audio Score
(Pocket Scores CD).
Study score and CD. 176
pages. Published by
Eulenburg.
Eulenburg Audio Score 72. Composed by Nikolay Andreyevich Rimsky-Korsakov (1844-...(+)
Eulenburg Audio Score 72.
Composed by Nikolay
Andreyevich
Rimsky-Korsakov
(1844-1908). Sheet music
with CD. Eulenberg Audio
plus Score. Jetzt neu:
Studienpartitur plus
Audio-CD zum gunstigen
Preis. In bewahrter
Qualitat:
lesefreundliches Format,
ausgezeichnetes
Druckbild, hochwertiges
Papier. Classical.
Softcover with CD. 272
pages. Eulenburg Edition
#EAS172. Published by
Eulenburg Edition
Eulenburg Audio Score Series. By Antonin Dvorak. This edition: EAS132. Eulenburg...(+)
Eulenburg Audio Score
Series. By Antonin
Dvorak. This edition:
EAS132. Eulenburg Audio
Score (Pocket Scores
CD). Study score and CD.
152 pages. Published by
Eulenburg
Eulenburg Audio Score Series. By Johann Sebastian Bach. This edition: EAS103. Eu...(+)
Eulenburg Audio Score
Series. By Johann
Sebastian Bach. This
edition: EAS103.
Eulenburg Audio Score
(Pocket Scores CD).
Study score and CD. 164
pages. Published by
Eulenburg.