The Masterworks Library. By Igor Stravinsky. (Score). Boosey and Hawkes Scores ...(+)
The Masterworks Library.
By Igor Stravinsky.
(Score). Boosey and
Hawkes Scores and Books.
Book only. Size 9x12
inches. 75 pages.
Published by Boosey and
Hawkes.
Study Score.
Composed by James
Macmillan. Boosey &
Hawkes Scores/Books.
Classical. Softcover. 80
pages. Duration 900
seconds. Boosey & Hawkes
#M060136009. Published by
Boosey & Hawkes
(HL.48024880).
ISBN
9781784545154. UPC:
840126918670.
7.25x10.25x0.319
inches.
This
publication presents
under one cover various
short works for sundry
orchestral scorings.
Larghetto for Orchestra
is MacMillan's
orchestration (2017) of
his celebrated Miserere
for a cappella mixed
choir (2009), a setting
in Latin of Psalm 51,
'Have mercy upon me, O
God, according to thy
great mercy', the
penitential text famously
set in the 17th century
by Gregorio Allegri. The
Larghetto orchestration
was commissioned by the
Pittsburgh Symphony
Orchestra in celebration
of Manfred Honeck's 10th
Anniversary as Music
Director. Memoire
imperiale is one of a
number of variations on
General John Reids march
tune Old Gaul
commissioned from
Scottish composers to
mark the centenary in
1994 of the Faculty of
Music at Edinburgh
University. The Faculty
was established following
a bequest by General Reid
(1721-1807), a former law
student at the University
and a renowned flute
player and composer of
marches for the
BritishArmy, and he asked
that an annual concert be
organised at which one or
more of his compositions
be played. Composed in
2012 for the Britten
Sinfonia, One is a monody
in which a single line is
passed around the
instruments, painting it
with different colours as
it emerges and develops.
Lasting only a few
minutes, its singularity
is maintained until
blossoming in the lastfew
bars. For Sonny (2011,
orch 2013) and Ein
Lamplein verlosch (2018,
orch 2019) are short,
private memorial tributes
originally for string
quartet and here rescored
for string orchestra.
Hirta was composed in
2016 as part of Deccas
The Lost Songs of St
Kilda project. Nearly a
century ago, the last 36
residents were evacuated
from the most remote part
of the British Isles, St
Kilda, an isolated
archipelago off the
beautiful and rugged
western coast of
Scotland. After 86 years,
the music of St Kilda was
rediscovered, recorded in
a Scottish care home by
Trevor Morrison, an
elderly man who had been
taught piano by an
inhabitant of St Kilda.
The songs were
'reimagined' for the
Decca album by
various.
Composed by Jean Sibelius (1865-1957). Edited by Ulrich Mahlert. This edition: u...(+)
Composed by Jean Sibelius
(1865-1957). Edited by
Ulrich Mahlert. This
edition: urtext.
Partitur-Bibliothek
(Score Library). Study
score. 116 pages.
Published by Breitkopf
and Haertel
(BR.PB-5564-07).
Feria Orchestre [Conducteur d'étude / Miniature] Boosey and Hawkes
Orchestra (Study Score) SKU: HL.48024527 Orchestra HPS 1330 Study Scor...(+)
Orchestra (Study Score)
SKU: HL.48024527
Orchestra HPS 1330
Study Score. Composed
by Magnus Lindberg.
Boosey & Hawkes
Scores/Books. Classical.
Softcover. 80 pages.
Duration 1020 seconds.
Boosey & Hawkes
#M060135293. Published by
Boosey & Hawkes
(HL.48024527).
ISBN
9781784544591. 8.0x11.75
inches.
17-minute
work for full orchestra
commissioned by the
Finnish Broadcasting
Company. First performed
by the Finnish Radio
Symphony Orchestra at the
BBC Proms in August 1997.
The composer comments:
The word Feria is Spanish
for an outdoor festival
or fair, the exuberance
of which is alluded to in
this work. In the fast
opening section the
explosive, rhythmic
ideas, especially the
trumpet fanfares which
are a recurring motif in
the piece, herald a
lively public spectacle.
The mainly slower-paced
central section reaches a
focal point which may
well be recognised as a
chord progression from
Monteverdi's
“Lasciatemi
morire†(Lament of
Arianna).
Orchestra SKU: CF.PO192S On We Wish You a Merry Christmas. Compose...(+)
Orchestra
SKU:
CF.PO192S
On We
Wish You a Merry
Christmas. Composed
by Robert B. Brown.
Condensed score. Carl
Fischer Music #PO192S.
Published by Carl Fischer
Music (CF.PO192S).
ISBN 9781491157367.
UPC:
680160915927.
Progr
am note: Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas. The Composer:
Dr. Robert Bennett Brown
has devoted much of his
professional teaching
career to musical
compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation. At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee. To the
Conductor: You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability.
 . Program
note:Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas.The
Composer:Dr. Robert
Bennett Brown has devoted
much of his professional
teaching career to
musical compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation.At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee.To the
Conductor:You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability. .
Orchestra SKU: CF.PO192F On We Wish You a Merry Christmas. Compose...(+)
Orchestra
SKU:
CF.PO192F
On We
Wish You a Merry
Christmas. Composed
by Robert B. Brown. Full
score. Carl Fischer Music
#PO192F. Published by
Carl Fischer Music
(CF.PO192F).
ISBN
9781491157374. UPC:
680160915934.
Progr
am note: Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas. The Composer:
Dr. Robert Bennett Brown
has devoted much of his
professional teaching
career to musical
compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation. At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee. To the
Conductor: You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability.
 . Program
note:Christmas Fugue,
like the charming English
folk tune on which it is
based, is full of the
spirit and fun that is
Christmas. After a slow
shimmering introduction
which imparts an
impression of Christmas
morning, the fugue
subject is abruptly
introduced. The fugue
subject: We Wish You a
Merry Christmas. The work
develops through a series
of playful musical
episodes which afford
satisfying opportunities
for the various sections
of the orchestra. The
fugue culminates in a
combination of motifs
which find the brass
heralding the
unmistakable arrival of
Christmas.The
Composer:Dr. Robert
Bennett Brown has devoted
much of his professional
teaching career to
musical compositions and
arrangements for young
orchestral enthusiasts.
Christmas Fugue, like
other of Dr. Drown's
published works, was
written in and for the
actual teaching
situation.At the present
time, Robert Bennett
Brown is District
Supervisor of Music for
the Levittown, N.Y.
Public Schools.
Previously, for some
nineteen years, he taught
in Bronxville, N.Y.
where, as Chairman of
Music, he brought about
an extremely high level
of school orchestral
achievement. he was
educated at New York
University and Teachers
College, Columbia
University. He has served
as a field supervisor of
student teaching for New
York University and as a
general music consultant.
For the past two years he
has been a member of the
New York State Music
Regents Committee.To the
Conductor:You will find
this work to be the
conductor's dream. Parts
are easy but impressive
sounding. The total
effect will give your
orchestra that typical
classical sound so
satisfying to performer
and listener alike. Full
or exact instrumentation
is not a must; cross-cues
will carry critical areas
where a specified
instrument may be
lacking. Piano, tuba, and
saxophone parts are
written to accommodate
those players where they
exist. These parts are
not essential to the
instrumentation. Though
Christmas Fugue is well
suited to the interests
of high school orchestra
pursuits, its grade of
difficulty is easily
handled by any junior
high school group of
average ability. .
French Horn; Orchestra (Study Score) SKU: HL.51487253 Hornkonzert Nr. ...(+)
French Horn; Orchestra
(Study Score)
SKU:
HL.51487253
Hornkonzert Nr. 1
Es-Dur Opus 11 Study
Score. Composed by
Richard Strauss. Edited
by Peter Damm. Henle
Study Scores. Classical.
Softcover. 83 pages. G.
Henle #HN7253. Published
by G. Henle
(HL.51487253).
UPC:
840126933048.
6.75x9.5x0.245
inches.
With his
first horn concerto, the
merely eighteen-year-old
Richard Strauss succeeded
in producing a
captivating masterstroke.
To this day, the concerto
is beloved throughout the
world (not only) by horn
players, and together
with Mozart's
masterworks, numbers
among the essential
pieces in the
instrument's repertoire.
Peter Damm, former
principal horn for the
Staatskapelle Dresden and
world-class soloist, has
not only performed the
concerto publicly over
170 times himself, but
has also presented
pivotal research findings
and publications on its
genesis. Prepared after
reviewing all surviving
sources, the Urtext
edition he has edited may
thus been regarded as the
edition of reference. The
orchestral score,
available in a practical
study edition, eliminates
innumerable errors from
the first edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Pastoral Symphony -
Urtext based on the new
Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by Jens
Dufner. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
The
study score
(,,Studien-Edition) is
available at G. Henle
Verlag
Symphony;
Classical. Full score.
112 pages. Duration 40'.
Breitkopf and Haertel #PB
14616. Published by
Breitkopf and Haertel
(BR.PB-14616).
ISBN
9790004214916. 10 x 12.5
inches.
It was only
shortly after the 5th
Symphony that Beethoven
completed the Pastoral
Symphony. The two formed
a complementary work
pair, consigned together
to a patron in June 1808,
publicly premiered in
Vienna in December 1808,
and published by
Breitkopf & Hartel in the
spring of 1809. During
this period, Beethoven
revised the symphony
several times. Only in
the course of preparing
for publication did
Beethoven send Breitkopf
& Hartel a letter,
together with a list of
corrections, disclosing
the title that he
desired, Pastoral
Symphony or recollections
of country life. More an
expression of feeling
than painting. The
Pastoral with its
tone-painting elements
gives evidence of
Beethoven's closeness to
nature, characterizing in
five movements his
various experiences and
images of nature. Based
on the music text of the
Beethoven Complete
Edition, the new
performance material of
this recently published
edition presents the
current, authoritative
status of Beethoven
research for this
work.
(Clarinet, Bassoon, Horn, Violin, Viola, Cello, and Double Bass Set of Parts). B...(+)
(Clarinet, Bassoon, Horn,
Violin, Viola, Cello, and
Double Bass Set of
Parts). By Ludwig van
Beethoven (1770-1827).
Edited by Egon Voss.
Henle Music Folios.
Softcover
Score and Parts Concert Band; Wind Ensemble - Grade 5 For Wind Orchestra Score ...(+)
Score and Parts Concert
Band;
Wind Ensemble - Grade 5
For Wind Orchestra Score
and
Parts. Composed by Johan
De
Meij. Amstel Music.
Concert.
Softcover. Duration 2580
seconds. Amstel Music
#AM200-
010. Published by Amstel
Music
Complete Edition
Clothbound. Composed
by Paul Hindemith. Edited
by Giselher Schubert,
Ludwig Finscher, and
Luitgard Schader. Edition
Schott. Classical,
Critical Edition.
Hardcover. 216 pages.
Schott Music #PHA208.
Published by Schott Music
(HL.49041351).
The work of
Paul Hindemith is
encyclopedic in nature.
From the outset, he
worked in all musical
genres and devised
several of his musical
ideas and projects not as
individual,
self-contained works but
as work cycles with
different functional
relationships. These
contrasting pieces
complement each other if
experienced as part of
the overall structure.
Hindemith himself not
only wanted a complete
edition of his collected
works but had begun
planning it; at his death
he left a detailed list
of 'Unpublished pieces
for an eventual complete
edition'. The Complete
Works contain all
finished works in all
extant versions, newly
engraved for the edition.
Sketches and fragments
are published in
appendices of the
relevant volume, and are
evaluated in the
Introduction and Critical
Commentary by the
respective volume editor.
Each volume contains a
preface by the editorial
directors and an
introduction by the
volume editor,
delineating the genesis
and performance history
of the work, with
authentic performance
instructions, an
evaluation of extant
recordings by Paul
Hindemith himself and a
Critical Commentary. The
Complete Works of Paul
Hindemith are thus
presented in a critical,
scholarly edition which
is equally appropriate
for study and
performance. Hindemith
researchers will welcome
the numerous first
publications of works by
the composer, and
practical musicians will
appreciate the newly
prepared, philologically
ordered performance
material.
Score and Critical Commentary (Complete Edition) Orchestra (Score) SKU: HL.49...(+)
Score and Critical
Commentary (Complete
Edition) Orchestra
(Score)
SKU:
HL.49045936
Oper
in 7 Bildern Score and
Critical Commentary
(Complete Edition.
Composed by Paul
Hindemith. Edited by
Giselher Schubert. Study
Score. Classical.
Hardcover. 268 pages.
Schott Music #PHA109-30.
Published by Schott Music
(HL.49045936).
UPC:
196288056669.
The
work of Paul Hindemith is
encyclopedic in nature.
From the outset, he
worked in all musical
genres and devised
several of his musical
ideas and projects not as
individual,
self-contained works but
as work cycles with
different functional
relationships. These
contrasting pieces
complement each other if
experienced as part of
the overall structure.
Hindemith himself not
only wanted a complete
edition of his collected
works but had begun
planning it; at his death
he left a detailed list
of 'Unpublished pieces
for an eventual complete
edition'. The Complete
Works contain all
finished works in all
extant versions, newly
engraved for the edition.
Sketches and fragments
are published in
appendices of the
relevant volume, and are
evaluated in the
Introduction and Critical
Commentary by the
respective volume editor.
Each volume contains a
preface by the editorial
directors and an
introduction by the
volume editor,
delineating the genesis
and performance history
of the work, with
authentic performance
instructions, an
evaluation of extant
recordings by Paul
Hindemith himself and a
Critical Commentary. The
Complete Works of Paul
Hindemith are thus
presented in a critical,
scholarly edition which
is equally appropriate
for study and
performance. Hindemith
researchers will welcome
the numerous first
publications of works by
the composer, and
practical musicians will
appreciate the newly
prepared, philologically
ordered performance
material.
Orchestra (P+KRB) SKU: HL.49041350 Composed by Paul Hindemith. Edited by ...(+)
Orchestra (P+KRB)
SKU:
HL.49041350
Composed
by Paul Hindemith. Edited
by Giselher Schubert.
This edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 258
pages. Schott Music
#PHA206. Published by
Schott Music
(HL.49041350).
ISBN
9783795794729.
11.0x15.25x0.988 inches.
German.
The work of
Paul Hindemith is
encyclopedic in nature.
From the outset, he
worked in all musical
genres and devised
several of his musical
ideas and projects not as
individual,
self-contained works but
as work cycles with
different functional
relationships. These
contrasting pieces
complement each other if
experienced as part of
the overall structure.
Hindemith himself not
only wanted a complete
edition of his collected
works but had begun
planning it; at his death
he left a detailed list
of ‚Unpublished
pieces for an eventual
complete
edition‘.The
Complete Works contain
all finished works in all
extant versions, newly
engraved for the edition.
Sketches and fragments
are published in
appendices of the
relevant volume, and are
evaluated in the
Introduction and Critical
Commentary by the
respective volume
editor.Each volume
contains a preface by the
editorial directors and
an introduction by the
volume editor,
delineating the genesis
and performance history
of the work, with
authentic performance
instructions, an
evaluation of extant
recordings by Paul
Hindemith himself and a
Critical Commentary.The
Complete Works of Paul
Hindemith are thus
presented in a critical,
scholarly edition which
is equally appropriate
for study and
performance. Hindemith
researchers will welcome
the numerous first
publications of works by
the composer, and
practical musicians will
appreciate the newly
prepared, philologically
ordered performance
material.
Orchestra (Score) SKU: HL.49045561 Richard Strauss Werke Complete Edit...(+)
Orchestra (Score)
SKU:
HL.49045561
Richard Strauss Werke
Complete Edition Score
Band 4. Composed by
Richard Strauss. Edited
by Stefan Schenk and
Walter Werbeck. This
edition: Hardback/Hard
Cover. Sheet music.
Edition Schott.
Classical. Hardcover.
Composed 1888-1891. Op.
23. 236 pages. Duration
18'. Schott Music
#RSW304. Published by
Schott Music
(HL.49045561).
ISBN
9783901974045.
Stra
uss's first tone poem
distinguishes itself from
all other subsequent
orchestral compositions
in its existence in three
different versions. Even
among the operas and
other compositions in his
hand there is no other
work with a comparable
history of origin and
publication. What is
more, the final version
of Macbeth is the only
valid form of the work
and the only variant with
further sources (cf.
Critical Report) in
addition to the autograph
score. In contrast, the
second version has only
been preserved in an
autograph score and
autograph piano reduction
(the orchestral parts
which must have existed
have obviously not
survived). This was never
printed and was replaced
by the published third
version. The two
surviving versions should
therefore not be
considered to be of equal
status. Unlike the case
of Ariadne auf Naxos in
which the earlier version
was for a time the sole
valid alternative and was
yet never completely
displaced by the soon
dominating later version
of the opera, only the
final third version of
Macbeth is considered as
valid. Right from the
outset, it was a matter
of course for the editors
of the present volume to
include the second
version as a first
publication (in addition
to the above-mentioned
surviving pages of the
first version), albeit in
different forms. The
surviving pages of the
first version are
reproduced in facsimile
and the second version,
as a subordinate form of
the work, appears
alongside Strauss's piano
reduction in a modified
source edition, i.e.
without intervention on
the part of the editors.
The ultimate third
version is published as a
full edition (please
refer to the Critical
Report for further
details). In order to
facilitate a comparative
study of the second and
third versions, the
relevant page numbers of
the score are placed
opposite one another (the
autograph piano reduction
of the second version is
included at the end of
the music section of the
volume). The editors hope
that this synoptic
representation will
prompt interest in
further studies on
Strauss's art of
orchestration: a field of
research which has still
remained insufficiently
examined. A study of
Macbeth namely
illuminates as clearly as
could be wished how much
significance Strauss
allotted to sound
alongside form. The
subjects were not merely
intended to generate an
individual figure, but
also specific tonal
colours, and the
instrumentation was
simultaneously designed
to provide an optimal
communication of
thematic-motivic texture
to the audience. The 'new
path' threw up
consequences which caused
Strauss a considerable
amount of difficulty. He
was however a fast
learner and had already
swum free with Don Juan
and all the more with Tod
und Verklarung.
Final Version 1911 -
Textcritical Edition.
Composed by Gustav
Mahler. Edited by
Christian Rudolf Riedel.
Voice; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Late-romantic.
Set of parts. 1076 pages.
Duration 55'. Breitkopf
and Haertel #OB 5634-60.
Published by Breitkopf
and Haertel
(BR.OB-5634-60).
ISBN
9790004345085. 10.5 x 14
inches.
Of all his
symphonies, Mahler gave
the Fourth, his favorite
and problem child, his
most particular
attention. The Heavenly
Life, a humoresque
composed in 1892 for
soprano and piano, which
he already wanted to use
in the final movement of
the Third Symphony under
the title What the Child
Tells Me, ultimately
became the nucleus and
final movement of the
Fourth. Even after
publication in 1901,
Mahler kept repeatedly
refining the
orchestration. His maxim
not without my retouching
led to a whole series of
revised reprints. It is
probably no coincidence
that Mahler performed
especially the Fourth
Symphony in his last two
New York concerts in
February 1911, using this
opportunity to review
once again the score and
parts. This performance
material with his
retouching served as the
main source for the new
edition. Furthermore,
included for the first
time were corrections and
annotations in
conjunction with
performances of the
Fourth, which Mahler
entered into the scores
of conductors such as
Mengelberg and
Wickenhauser. PB 5664 has
been awarded the Presto
Sheet Music Award
2020.
Full Orchestra (Print) Choral (Orchestra Accompaniment) SKU: HL.323200 (+)
Full Orchestra (Print)
Choral (Orchestra
Accompaniment)
SKU:
HL.323200
Lessons
for Lent. Composed by
Joseph M. Martin. Shawnee
Sacred. Cantata, Easter,
General Worship, Holy
Week, Lent, Sacred.
Softcover. Duration 2100
seconds. Published by
Shawnee Press
(HL.323200).
ISBN
9781540070487. UPC:
888680978266.
8.5x11.0x1.334
inches.
Presented
in a new edition for the
20th anniversary of its
publication, this seminal
cantata is rich with
musical and spiritual
potential. Using simple
symbols of worship,
expressive music and a
sensitive narration by
Pamela Stewart, this work
is an unforgettable
experience for Holy Week.
A new SAB version and
special anniversary
consort orchestration
join the original
products to open the work
to groups of every size.
Only 30 minutes long, the
cantata is easily learned
and with Brant Adams'
gentle yet dramatic
orchestrations, Colors of
Grace will become a
treasured part of your
Holy Week commemoration.
Songs include: Prologue;
Take My Yoke Upon You; A
Servant's Song (The Basin
and Towel); Take My Yoke
Upon You (Lesson 1:
Service); Underscore: The
Cup; A Shadow Fell on
Sharon's Rose; Take My
Yoke Upon You (Lesson 2:
Obedience); Underscore:
The Crown of Thorns; O
Gentle Jesus; Take My
Yoke Upon You (Lesson 3:
Humility); Come to the
Cross; Epilogue. Score
and Parts for Orchestra
(fl 1-2, ob/eng hn, cl
1-2, bn, hn 1-2,
timp/bass dm, perc 1-2,
hp, pno, vn 1-2, va, vc,
db) available as Printed
Edition and as a digital
download. Consort Score
and Parts (fl, cl, hn,
perc, pno, hp, vn, vc)
available as a digital
download.
Mladi - Die Jugend Orchestre [Conducteur d'étude / Miniature] Barenreiter
(Blasersextett). By Leos Janacek (1854-1928). Edited by Jan Dolezal. For Flute (...(+)
(Blasersextett). By Leos
Janacek (1854-1928).
Edited by Jan Dolezal.
For Flute (including
piccolo) Oboe, Clarinet,
Horn, Bassoon,
Bass-Clarinet. Study
Score (paperbound).
Published by Baerenreiter
Verlag
Fete with a Prologue and 3 Acts. Composed by Jean- Philippe Rameau (1683-1764)....(+)
Fete with a Prologue and
3
Acts. Composed by Jean-
Philippe Rameau
(1683-1764).
Edited by Julien
Dubruque.
This edition: urtext
edition.
Paperback. Symphonies /
Versions of 1746 and
1745.
Score, anthology. RCT 59.
Baerenreiter Verlag
#BA07563.
Published by Baerenreiter
Verlag
Urtext from the new Complete Edition (G. Henle Verlag). Composed by Ludwig van...(+)
Urtext from the new
Complete
Edition (G. Henle
Verlag).
Composed by Ludwig van
Beethoven (1770-1827).
Edited
by Ernst Herttrich.
Score.
Breitkopf and Haertel #PB
14617. Published by
Breitkopf
and Haerte
Ouverture JS 145,
Baletscen JS 163.
Composed by Jean
Sibelius. Edited by Tuija
Wicklund. Linen. Complete
Works. Late-romantic;
Early modern. Complete
Works. 196 pages.
Breitkopf and Haertel
#SON 627. Published by
Breitkopf and Haertel
(BR.SON-627).
ISBN
9790004803295. 10 x 12.5
inches.
In 1998, at
the end of the 20th
century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts … are models
of scholarly editions,
and should be required
reading for all
bibliography and
music-editing courses.
… In sum, the JSW
is a remarkable project:
the scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. … For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. … JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.
Urtext from the new Complete Edition (G. Henle Verlag). Composed by Ludwig van...(+)
Urtext from the new
Complete
Edition (G. Henle
Verlag).
Composed by Ludwig van
Beethoven (1770-1827).
Edited
by Ernst Herttrich.
Breitkopf
and Haertel #OB 14617-30.
Published by Breitkopf
and
Haertel
Scenes
historiques op.25,
op.66. Composed by
Jean Sibelius. Edited by
Kari Kilpelainen. Linen.
Complete Works.
Late-romantic; Early
modern. Complete Works.
228 pages. Breitkopf and
Haertel #SON 625.
Published by Breitkopf
and Haertel (BR.SON-625).
ISBN 9790004803271. 10
x 12.5 inches.
In
1998, at the end of the
20th century, Breitkopf &
Hartel started the
publication of the
Complete Edition, which
is made possible thanks
to the cooperation of the
various Sibelius
publishers. The Editors
(Helsinki University
Library and The Sibelius
Society of Finland) and
the Editorial Committee
(Chairman: Timo Virtanen,
Helsinki) believe that
the volumes of JSW will
provide the basis for a
now conception of the
creative work of Jean
Sibelius.Reviews: One
immediately recognizes
the towering production
quality of these volumes
- a point that can be
extended to all volumes
thus far published in the
set. The music is a joy
to read; and the lucidity
and thoroughness of the
texts ... are models of
scholarly editions, and
should be required
reading for all
bibliography and
music-editing courses.
... In sum, the JSW is a
remarkable project: the
scholarship is
impeccable, the music
scores and texts are
simply a joy to study.
Edward Jurkowski, Notes
December 2011: 442-443At
the back of this
magnificent book are
pages of critical
commentary on a
bar-by-bar analysis of an
endless supply of musical
notation requiring
interpretation by the
editor. ... For the
general, non-musically
trained, purchaser of the
edition there is the
magisterial introduction
to read, and fascinating
reading it is. Edward W.
Clark, Sibelius Society
Newsletter 2009 The
Sibelius pieces, however,
are a revelation. I
opened this magnificently
produced volume -
complete with
multilingual critical
report and generous
facsimiles of original
manuscripts - expecting
Grieg-style
quasi-nationalistic
character pieces, and was
instead presented with an
incredible array of
styles, textures,
harmonic languages and
levels of difficulty.
Chris White, Piano
Professional Summer 2009:
2This is not only a
scholarly edition of one
of the composer's major
works, it is also a model
for the philological
editing of music in
general. ... JSW has
chosen to have the
emendations reflected in
two places, in certain
cases even in three: as
graphic indications in
the music text, in prose
form in the critical
commentary, and sometimes
also in the form of a
warning footnote on the
music page. There can be
no doubt that such a
procedure is very
user-friendly, but it
disturbs the appearance
of the music and may
mislead the user into
thinking that there are
two or more equally valid
readings. Niels Krabbe,
Fontes Artis Musicae
54/2, 2007: 248 Editorial
standards are high
throughout, and maintain
a careful balance between
the competing demands of
practical exigency and
the need to provide as
much scholarly evidence
of variants as possible.
The critical commentaries
provide concise and
effective descriptions of
the sources and, where
appropriate, information
on compositional genesis
and historical context.
The introduction to each
volume provide useful
background information on
historical reception,
including much new
material not previously
brought to light in
Tawaststjerna's
biography. Daniel M.
Grimley,
Nineteenth-Century Music
Review 2/2, 2005:
244.