Composed by George Benjamin. Full Orchestra (Full Score); Performance Music En...(+)
Composed by George
Benjamin.
Full Orchestra (Full
Score);
Performance Music
Ensemble.
20th Century; Adult
Contemporary. Score.
Faber
Music #12-0571542530.
Published by Faber Music
Alla Danza Tedesca Orchestre [Conducteur et Parties séparées] - Facile Kendor Music Inc.
String Orchestra - Grade 2.5 SKU: KN.8893 Composed by Ludwing Van Beethov...(+)
String Orchestra - Grade
2.5
SKU: KN.8893
Composed by Ludwing Van
Beethoven. Arranged by
Deborah Baker Monday.
Voyager String Orchestra.
Score and set of parts.
Kendor Music Inc #8893.
Published by Kendor Music
Inc (KN.8893).
UPC:
822795088939.
This
German dance is the 4th
of 6 movements in
Beethoven's final
quartet, composed the
year before his death. As
with most string quartet
music there is lots of
interest in parts as they
weave back and forth with
imitative motives. The
dynamics are exquisite
and make a great teaching
point as well as the 3
beat slurs which occur in
all parts. Duration
3:00.
Orchestra - Grade 2.5 SKU: AP.48076S Composed by Richard Meyer. MakeMusic...(+)
Orchestra - Grade 2.5
SKU: AP.48076S
Composed by Richard
Meyer. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Multicultural;
Novelty. Score. 16 pages.
Duration 3:00. Alfred
Music #00-48076S.
Published by Alfred Music
(AP.48076S).
ISBN
9781470658793. UPC:
038081554341.
English.
Take your
orchestra on a trip
around the world with
this fun medley of some
of the most famous
melodies ever written in
A Musical Passport by
Richard Meyer. Using 22
tunes from 17 different
countries, this is the
ultimate multi-cultural
experience for your
students and your
audience! The melodies
are tossed from section
to section so all the
instruments get a chance
in the spotlight, and the
quickly changing styles
will keep everyone on
their toes.
Songs
that are included in A
Musical Passport by
Richard Meyer are:
America, the Beautiful
(U.S.A.) * Rule,
Britannia (England) * The
Irish Washerwoman
(Ireland) * Scotland the
Brave (Scotland) * Roll
Out the Barrel
(Czechoslovakia/Germany)
* Funiculi, Funicula
(Italy) * Frere Jacques
(France) * Dark Eyes
(Russia) * Jasmine Flower
Song (China) * Arirang
(Korea) * Sakura (Japan)
* Obwisana (Ghana) *
Siyahamba (We Are
Marching) (South Africa
[Zulu]) * Waltzing
Matilda (Australia) * La
Cumparsita (South America
[Uruguay]) * Las
Chiapanecas (Mexico) *
Cielito Lindo (Mexico) *
O Canada (Canada) * Oh!
Susanna (U.S.A.) *
Camptown Races (U.S.A.) *
America, the Beautiful
(U.S.A.) * Home, Sweet
Home (U.S.A.) * The
Star-Spangled Banner
(U.S.A.) * America, the
Beautiful (U.S.A.).
Correlates with Sound
Innovations for String
Orchestra, Book 2, Level
6. (3:00) This title
available in MakeMusic
Cloud.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: LO.30-3240L Choral, cantatas. Christmas. CD with printable...(+)
Orchestra
SKU:
LO.30-3240L
Choral,
cantatas. Christmas. CD
with printable parts.
Lorenz Publishing Company
#30/3240L. Published by
Lorenz Publishing Company
(LO.30-3240L).
UPC:
000308142419.
This
collaborative cantata
looks at the Christmas
story through the eyes of
first-hand witnesses, who
share their unique
perspectives on the
miraculous birth of
Jesus. Zechariah, Mary,
Joseph, a shepherd, a
wise man, and the aged
saint Simeon all share
their stories through
dramatic monologues. A
blend of original and
familiar carols provides
a dramatic sonic backdrop
for these inspiring
stories. Ed
Hogan’s stunning
orchestration makes this
piece a versatile work
that can be presented
equally well with piano
only or with full
orchestral accompaniment,
and the optional
inclusion of
congregational singing of
familiar carols ensures a
meaningful worship
experience for the
entirety of the
congregation.
Orchestration by Ed Hogan
for 2 Fl, Ob (sub S Sax
or Cl), 2 Cl, Bsn (sub
Bass Cl), 2 Hn (sub 2 A
Sax or Cl), Tpt 1, Tpt
2–3 (sub 2 A Sax),
2 Tbn (sub 2 T Sax),
Tuba, 2 Perc, Timp, Harp,
Pno, 2 Vln, Vla (sub Cl),
Cello, Bass, Digital
Strings.
5 soloists (SSATB),
speaker, 3 mixed choirs
and orchestra
SKU:
HL.49045487
For 5
soloists (SSATB),
narrator, 3 mixed choirs
and orchestra.
Composed by Krzysztof
Penderecki. This edition:
Saddle stitching. Sheet
music. Study Score. Das
grosse Vokalwerk wurde
1995 zum 3000-jahrigen
Bestehen Jerusalems
komponiert. Der Zahl
sieben hat darin eine
besondere Bedeutung:
sieben Satzen, die fur
die sieben Tore stehen,
sieben gewaltige
Fortissimo-Akkorde, die
das Oratorium
beschliessen. Softcover.
Composed 1996. 158 pages.
Duration 68'. Schott
Music #ED20533. Published
by Schott Music
(HL.49045487).
ISBN
9790001157179. UPC:
888680747992.
8.25x11.75x0.41 inches.
Latin -
German.
Deeply
moved by his first visit
to the city of Jerusalem
with its seven gates,
Krzysztof Penderecki
composed this major vocal
work to celebrate the
city's 3,000th
anniversary in 1995. Two
years later, it was
premiered as Symphony No.
7 in which the magic
number seven has a
special meaning: From the
seven movements
representing the seven
gates to the seven
powerful fortissimo
chords concluding the
oratorio, the biblical
number runs through the
entire work.
4 (3.
u. 4. auch Picc.) * 3 *
Engl. Hr. * 3 (3. auch
Es-Klar.) * Bassklar. * 3
* Kfg. - 4 * 3 * 4 (3.
auch Basstrp.) * 1 - S.
(I.: P. * Beckenpaar * 2
Tamt. (t.) * Rohrengl. *
gr. Tr. m. Beck. *
Crotalenbaum * 5 Tomt. *
Marimba * Bin-Sasara *
kl. Tr. * Ruhrtr.; II.:
Trgl.-baum * 4 hg. Beck.
* Tamt. (t.) * Rohrengl.
* Kirchengl. * Tubaphon *
Glsp. * Xyl. * Vibr. *
Ruhrtr. * Tempelbl. * 2
Gongs; III.: 3 hg. Beck.
* Mil. Tr. * Tubaphon *
Kuhgl. * Tempelbl. * 2
Gongs; IV.: P. * hg.
Beck. * 2 Tamt. *
Beckenpaar * 5 Tomt. *
gr. Tr. * Ruhrtr. *
Bin-Sasara) (12 Spieler)
- Cel. * Klav. * Org. ad
lib. - Str. Im Saal: 0
* 0 * 3 * Bassklar. (auch
Es-Klar.) * 3 * Kfg. - 4
* 3 * 4 * 1.
ISBN 9790006523375.
32.9 x 23.9 cm inches.
Text Language:
French/German. Preface:
Soury, Thomas. Louis de
Cahusac.
Rameau's
“Les Fêtes de
l'Hymen et de
l'Amour†was long
considered second-rate
because its première
was associated with a
political event. Yet this
ballet abounds in novel
dramaturgical effects
that foreshadow his later
operas, such as
“Zaïsâ€,
“Zoroastreâ€
and “Les
Boradesâ€. Working
together with his
librettist Cahusac,
Rameau sought to weave
the dance numbers,
choruses and stage
machinery more tightly
into the main plot. He
also experimented with
stylistic devices unique
to this work, the most
famous being
unquestionably the scene
in which the Nile
overflows its banks (an
impressive ten-voice
double chorus with solo
voices and orchestra) and
the sextet from
“Arurisâ€, a
scoring found nowhere
else in his
uvre.
For the
first time, this
scholarly-critical
edition of “Les
Fêtes de l'Hymen et de
l'Amour†presents a
reference version of the
work that is based on all
the major sources for
both the libretto and the
music, including two
recent musical
discoveries. As most of
the performance material
for the première has
vanished, our edition is
based on the version
prepared for the Acadmie
Royale de Musique in
1748.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (Orchestra) SKU: BA.BA04558-01 Composed by Wolfgang Amadeus Moz...(+)
Orchestra (Orchestra)
SKU: BA.BA04558-01
Composed by Wolfgang
Amadeus Mozart. Edited by
Christoph Hellmut Mahling
and Friedrich Schnapp.
This edition: complete
edition, urtext edition.
Linen. New Mozart Edition
(Neue Mozart Ausgabe -
NMA) Series IV, Volume
11, No. 6. Klassik
(Classical). Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA04558_01.
Published by Baerenreiter
Verlag (BA.BA04558-01).
ISBN 9790006450619. 33
x 26 cm inches.
The
New Mozart Edition offers
researchers a
musicologically
unimpeachable text based
on all the available
sources (first and
foremost Mozart's
autograph manuscripts).
At the same time, it also
serves as an aid to
authentic
performances.
The
principal Series I to IX,
containing Mozart's
actual oeuvre, appeared
between 1956 and 1991.
They are regarded as a
supreme achievement of
Mozart scholarship in our
time; modern performances
of Mozart's music are
unthinkable without them.
The important
supplementary volumes
shed fresh and
illuminating light on
neglected aspects of
Mozart's creative work,
such as his activities as
a teacher or as an
arranger of other
composer's works.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra SKU: BT.YKM570369270 Composed by Robert Saxton. Score Only. Com...(+)
Orchestra
SKU:
BT.YKM570369270
Composed by Robert
Saxton. Score Only.
Composed 2021. 70 pages.
University of York Music
Press #YKM570369270.
Published by University
of York Music Press
(BT.YKM570369270).
A Hymn to the
Thames was commissioned
by James Turnbull and the
Music Director of the St
Paul’s Sinfonia, Andrew
Morley. It was begun in
2019 and completed early
in 2020. There are four
movements played without
a break, which follow the
Thames from its Cotswold
source to the North Sea.
As the first performance
took place in St
ALfege’s Church,
Greenwich, this seemed
appropriate. The solo
oboe represents both a
wanderer along the river
path and the spirit of
the river. The pitch
centres of the movements
spell out the musical
letters of the river
(tHAmES—B natural, A, E
and E flat) so that the
river’s name is
projected across the
whole work. In addition,
the musical letters found
in James Turnbull, Andrew
Morley and my wife,
Teresa Cahill ( who was
born in Maidenhead and
brought up by the river
in Rotherhithe) are
entwined in various
guises. The first
movement grows from the
depths, the soloist
entering with
fanfare-like gestures,
followed by lyrical music
and breaks into a dance
as the river gathers
momentum. The third
movement is slow and
sustained and
geographically the Thames
flows through Oxford. The
music is based on the
well-known In Nomine
‘head motif’ from the
Gloria tibi Trinitas Mass
by the early Tudor
composer, John Taverner,
who was the first
Director of Music at
Christ Church, Oxford.
The orchestra provides a
screen or veil above
which the solo oboe
dreams and ruminates.
This leads directly into
the fourth and final
movement which begins in
the depths once more,
interrupting the oboe’s
held note from the end of
the third movement. The
waters’ increasing
intensity and power are
represented throughout by
a moto perpetuo of quick,
steady semiquavers. Near
the close, the woodwind
play O Nata Lux by Thomas
Tallis, the great Tudor
composer who, with his
wife Joan, is buried in
St Alfege’s. Beneath
this, the lower strings
continue the fast
semiquaver movement of
the river and, above, the
violins are heard as a
halo of harmonics. At the
close, the oboe rises,
opening out to the
future, and celebrating
its voyage, while the
orchestra fades as the
river meets the sea. A
Hymn to the Thames lasts
approximately 17
minutes.
Full orchestra SKU: LO.30-3640H Composed by Andre J. Thomas. Arranged by ...(+)
Full orchestra
SKU:
LO.30-3640H
Composed
by Andre J. Thomas.
Arranged by Robert Elhai.
Conductor's score. Major
Work. Orchestral score
and parts. Heritage Music
Press #30/3640H.
Published by Heritage
Music Press
(LO.30-3640H).
UPC:
000308154870.
Orche
stral Score and Parts for
45/1635H A true testament
to his strength and skill
as a composer, Andre
Thomas's Mass combines
the power of love and joy
with the beauty and
sophistication of
top-tier choral music.
Written in five
movements, the Mass can
be performed in its
entirety or as separate
selections. This
gospel-style work may be
performed with piano,
piano with bass and
drums, or with full
orchestra. Also available
is a piano accompaniment
CD (99/3967H). The Mass
is dedicated to the
Tallahassee Community
Chorus.
Soli, Choir and Orchestra SKU: HL.49013489 Oper in einem Akt. Comp...(+)
Soli, Choir and Orchestra
SKU: HL.49013489
Oper in einem Akt.
Composed by Krzysztof
Penderecki. This edition:
Saddle stitching. Book.
Edition Schott.
Classical. Text
book/libretto. Composed
1984-1986. 52 pages.
Duration 100'. Schott
Music #BN 3651-10.
Published by Schott Music
(HL.49013489).
ISBN
9783795736514.
German.
Wortlich
ubersetzt ist das
Libretto ein 'kleines
Buch', ein 'Buchlein'.
Doch nicht irgendein
Buchlein. Seit es Opern
gibt, gibt es die
Textbucher dazu. Oft
erzahlen die
Universalsprache Musik
und der Ausdruck der
Darsteller die
Geschichte, auch wenn man
die Worte nicht versteht.
Trotzdem ist ein Libretto
sehr hilfreich fur das
Verstandnis der Details.
Gerade dann, und das fast
immer, wenn die Oper in
der Originalsprache
aufgefuhrt wird. In den
Libretti ist in der Regel
das Original der
Ubersetzung
gegenubergestellt. Sie
konnen so problemlos
parallel Handlung und
Inhalt folgen. In den
meisten Fallen existiert
das Textbuch Oper bevor
die Musik dazu komponiert
wird. Spannende und
dramatische Geschichten
bilden die Grundlage fur
faszinierende
Opernkompositionen. 3 (3. auch Picc.) * 2 *
Engl. Hr. * 3 * Bassklar.
* Sopr.-Sax. * 2 Alt-Sax.
* 2 * Kfg. - 4 * 3 * 3 *
1 - P. S. (Trgl.-Set *
Bell tree * Gl. *
Crotales * 2 Gongs * hg.
Beck. * Beck. * Tamb. *
Mil. Tr. * Ruhrtr. * 6
Tomt. * Rototom * 6 Timb.
* kl. Tr. * gr. Tr. *
Guiro * Sage * Flex. * 3
Tamt. * Rohrengl. *
Turmgl. * Lotosfl. *
Kast. * Peitsche * Glspl.
* Xyl. * Vibr. * Marimba)
(2 Spieler) - Cel. * Org.
- StrBuhnenmusik: 2 Picc.
* SAT Blfl. * 2 Klar. in
Es - 0 * 3 * 3 * 0 - S.
(Tamb. * 2 Mil. Tr. *
Ruhrtr. * kl. Tr. * 2
Ratschen * Kast. *
Schellen * Holzbl. *
Vibraslap * Timb.) -
Cemb. - Vlc.
3 (3.
auch Picc.) * 2 * Engl.
Hr. * 3 * Bassklar. *
Sopr.-Sax. * 2 Alt-Sax. *
2 * Kfg. - 4 * 3 * 3 * 1
- P. S. (Trgl.-Set * Bell
tree * Gl. * Crotales * 2
Gongs * hg. Beck. * Beck.
* Tamb. * Mil. Tr. *
Ruhrtr. * 6 Tomt. *
Rototom * 6 Timb. * kl.
Tr. * gr. Tr. * Guiro *
Sage * Flex. * 3 Tamt. *
Rohrengl. * Turmgl. *
Lotosfl. * Kast. *
Peitsche * Glspl. * Xyl.
* Vibr. * Marimba) (2
Spieler) - Cel. * Org. -
Str Buhnenmusik: 2
Picc. * SAT Blfl. * 2
Klar. in Es - 0 * 3 * 3 *
0 - S. (Tamb. * 2 Mil.
Tr. * Ruhrtr. * kl. Tr. *
2 Ratschen * Kast. *
Schellen * Holzbl. *
Vibraslap * Timb.) -
Cemb. - Vlc.
Orchestra - Grade 2.5 SKU: AP.48086 A Pirate's Tale. Composed by A...(+)
Orchestra - Grade 2.5
SKU: AP.48086
A
Pirate's Tale.
Composed by Anthony
Granata. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Light Concert.
Score and Part(s). 62
pages. Duration 1:40.
Highland/Etling
#00-48086. Published by
Highland/Etling
(AP.48086).
UPC:
038081554372.
English.
Not to be
confused with the
nautical term Ahoy!, the
phrase All hands hoay!
actually means all hands
on deck for some serious
work! In other words,
string players, it's time
to get those fingers
moving with this simple,
rugged, and modal
seafaring melody. Written
in the often-inaccessible
key of F-sharp natural
minor, this fun musical
pirate's tale will have
your students' little
fingers stretching
nonstop. The melody is
evenly passed around,
with a middle section
featuring your violas and
a jaunty contrapuntal
ending. Younger
orchestras will have a
blast with this exciting
original, All Hands Hoay!
by Anthony Granata, as
they get right down to
work! (1:40) This title
is available in MakeMusic
Cloud.
One Foot Orchestre [Conducteur] - Facile Alfred Publishing
Orchestra - Grade 2.5 SKU: AP.46696S As Performed by Walk the Moon...(+)
Orchestra - Grade 2.5
SKU: AP.46696S
As Performed by Walk
the Moon. Composed by
Ben Berger, Eli Maiman,
Kevin Ray, Nicholas
Petricca, Ryan McMahon,
Ryan Rabin, and Sean
Waugman. Arranged by
Victor Lopez. Performance
Music Ensemble; Single
Titles; String Orchestra.
Pop Intermediate String
Orchestra. Light Concert;
Pop; Rock. Score. 12
pages. Alfred Music
#00-46696S. Published by
Alfred Music (AP.46696S).
UPC: 038081541525.
English.
Shout
along, stomp along, or
just plain enjoy! This
infectious, rhythmic song
will keep the students
engaged and be fun to
play. The groove is easy
to learn, even by ear.
One Foot, arranged by
veteran writer Victor
López, is the lead
single for Walk the
Moon's fourth studio LP
What if Nothing. This
dynamic American rock and
roll band has once again
delivered a high-energy
pop song, which hit No. 1
on Billboard's
Alternative Songs. One
Foot follows the band's
breakout hit Shut Up and
Dance, which also hit No.
1 at Alternative Radio.
Enjoy the disco-like
groove with a tribal
chant chorus custom-made
for shouting along, which
has become the group's
signature foot-stomping
sound.
Orchestra; Score (Study Score) SKU: HL.49010113 Composed by Johannes Brah...(+)
Orchestra; Score (Study
Score)
SKU:
HL.49010113
Composed
by Johannes Brahms.
Edited by Richard Clarke.
Arranged by Wilhelm
Altmann. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Complete revised edition
in a reader-friendly
format with new notation
and foreword by Klaus
Doge. Classical,
Romantic. Study Score.
Op. 81. 56 pages.
Eulenburg Edition
#ETP657. Published by
Eulenburg Edition
(HL.49010113).
ISBN
9783795769130. UPC:
841886000926.
5.25x7.5x0.19
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Study Score/CD Pack Score (Study Score) SKU: HL.49017980 Eulenburg Aud...(+)
Study Score/CD Pack Score
(Study Score)
SKU:
HL.49017980
Eulenburg Audio+Score
Series, Vol. 54 Study
Score/CD Pack.
Composed by Johannes
Brahms. Edited by Richard
Clarke. This edition:
Paperback/Soft Cover.
Sheet music with CD.
Eulenberg Audio plus
Score. Classical.
Softcover with CD.
Composed 1876. Op. 68.
198 pages. Duration 45'.
Eulenburg Edition
#EAS154. Published by
Eulenburg Edition
(HL.49017980).
ISBN
9783795765545. UPC:
841886012783.
6.5x9.0x0.458
inches.
The
Eulenburg Audio+Score
Series contains the
orchestral world's
treasures from the
baroque, classical and
romantic repertoire.
Volumes 54 and 55 each
include a Naxos CD with
performances by the
London Philharmonic
Orchestra conducted by
Marin Alsop.
Soloists, children's choir and chamber orchestra (Study Score) SKU: HL.490326...(+)
Soloists, children's
choir and chamber
orchestra (Study Score)
SKU: HL.49032629
Rundfunkoper auf die
Erzahlung von Franz Kafka
(revidierte Fassung
1994). Composed by
Hans Werner Henze. Sheet
music. Edition Schott.
Softcover. Composed
1951/1994. 80 pages.
Duration 40'. Schott
Music #ED8481. Published
by Schott Music
(HL.49032629).
ISBN
9790001112840.
8.25x11.75x0.242 inches.
German.
Choir, Orchestra (Full Score) SKU: HL.238318 Full Score. Composed ...(+)
Choir, Orchestra (Full
Score)
SKU:
HL.238318
Full
Score. Composed by
Michael Nyman. Music
Sales America. Classical.
Softcover. Composed 2017.
140 pages. Schott Music
#CH78089. Published by
Schott Music (HL.238318).
UPC: 888680888480.
12x16.75 inches.
English.
Nyman's
2011 The Prologue to
'Dido and Aeneas' is a
prologue to Henry
Purcell's opera on a
libretto by Nahum Tate.
The libretto is based on
Book IV of Virgil's
Aeneid. It recounts the
love of Dido, Queen of
Carthage, for the Trojan
hero Aeneas, and her
despair when he abandons
her. This edition of the
work is scored for SATB,
String section and
Harpsichord.
Orchestra - Grade 2.5 SKU: AP.49014 As Recorded by The Weeknd. Com...(+)
Orchestra - Grade 2.5
SKU: AP.49014
As Recorded by The
Weeknd. Composed by
Abel Tesfaye, Ahmad
Balshe, Jason
Quenneville, Max Martin,
and Oscar Holter.
Arranged by Michael
Kamuf. MakeMusic Cloud;
Performance Music
Ensemble; String
Orchestra. Pop
Intermediate String
Orchestra. Pop. Score and
Part(s). 96 pages.
Duration 2:45. Belwin
Music #00-49014.
Published by Belwin Music
(AP.49014).
ISBN
9781470645366. UPC:
038081563947.
English.
Canadian
singer The Weeknd's hit
Blinding Lights rose to
number one on the charts
in 34 countries including
the U.S. and Canada.
Taken from his fourth
album After Hours and
performed at the 2021
Super Bowl, the singer
combines elements of pop
music along with the
synth-pop era of the
1980s. This piece is the
perfect vehicle to
reinforce syncopation
while having fun!
Arranged by Michael
Kamuf, the infectious
groove will make this a
favorite of students and
audience alike! (2:45)
This title is available
in MakeMusic Cloud.
All Hands Hoay! Orchestre [Conducteur] - Facile Highland/Etling
Orchestra - Grade 2.5 SKU: AP.48086S A Pirate's Tale. Composed by ...(+)
Orchestra - Grade 2.5
SKU: AP.48086S
A Pirate's Tale.
Composed by Anthony
Granata. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Light Concert.
Score. 12 pages. Duration
1:40. Highland/Etling
#00-48086S. Published by
Highland/Etling
(AP.48086S).
UPC:
038081554389.
English.
Not to be
confused with the
nautical term Ahoy!, the
phrase All hands hoay!
actually means all hands
on deck for some serious
work! In other words,
string players, it's time
to get those fingers
moving with this simple,
rugged, and modal
seafaring melody. Written
in the often-inaccessible
key of F-sharp natural
minor, this fun musical
pirate's tale will have
your students' little
fingers stretching
nonstop. The melody is
evenly passed around,
with a middle section
featuring your violas and
a jaunty contrapuntal
ending. Younger
orchestras will have a
blast with this exciting
original, All Hands Hoay!
by Anthony Granata, as
they get right down to
work! (1:40) This title
available in MakeMusic
Cloud.
Orchestra SKU: HL.14025900 Composed by Bernard Herrmann. Music Sales Amer...(+)
Orchestra
SKU:
HL.14025900
Composed
by Bernard Herrmann.
Music Sales America.
Classical. Studyscore.
Music Sales #NOV750028.
Published by Music Sales
(HL.14025900).
0.453
inches.
Herrmann
wanted to write a musical
portrait of his friend
and colleague Alfred
Hitchcok, so choose
motifs from the movie The
Trouble With Harry, one
of Hitchcock's more
personal and humorous
films. This
single-movement work for
Orchestra employs some of
the more familiar
elements of Herrmann's
compositional style:
short musical phrases
repeated and then
repeated again in other
positions, sharp use of
dynamics among them. From
the first note, the
creepiness begins.Bernard
Herrmann was among the
very greatest of all
composers of music for
cinema and there are many
who avow that he was the
greatest of all. A very
short list of the films
for which this
award-winning
composercreated
soundtracks includes
Citizen Kane, The Man Who
Knew Too Much, Vertigo,
Jason and Argonauts,
Fahrenheit 451, Obsession
and Taxi Driver. He had a
long and fertile
association with Alfred
Hitchcock during the most
productive period of
Hitchcock's career and
with Orson Welles from
the time of the Mercury
Theatre on the Air. In
addition to his
conducting and composing
work for the
entertainment world,
Herrmann wrote concert
pieces, including a
symphony, opera and
cantata.
By Pepper Choplin. Arranged by Michael Lawrence. For orchestra. Sacred Anthem, A...(+)
By Pepper Choplin.
Arranged by Michael
Lawrence. For orchestra.
Sacred Anthem, Advent,
Christmas. Orchestral
score and parts.
Published by Lorenz
Publishing Company
Orchestra Violin SKU: PE.0014017504 Composed by Johannes Brahms. Orchestr...(+)
Orchestra Violin
SKU:
PE.0014017504
Composed by Johannes
Brahms. Orchestra.
Edition Peters. Romantic.
Part(s). 12 pages.
Edition Peters
#98-0014017504. Published
by Edition Peters
(PE.0014017504).
Orchestra (2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.PB-5745 First Versi...(+)
Orchestra (2.2.2.2 -
4.2.3.0 - timp - str)
SKU: BR.PB-5745
First Version of 1841
- Urtext. Composed by
Robert Schumann. Edited
by Jon Finson. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
Symphony; Romantic. Sheet
Music. Duration 26'.
Breitkopf and Haertel #PB
5745. Published by
Breitkopf and Haertel
(BR.PB-5745).
ISBN
9790004217078. 10 x 12.5
inches.
Immediately
after finishing his First
Symphony in B flat major
op. 38, Robert Schumann
wrote the present D minor
Symphony in 1841. Despite
its successful world
premiere at the Leipzig
Gewandhaus on 4 December
1841, this first version
remained unpublished
during the composer's
lifetime. It took the
great Johannes Brahms
himself to recognize its
qualities and commit
himself actively and
successfully to a renewed
performance in 1889. We
owe it to the many
supporters of the two
versions that they
practically stand on an
equal footing today, and
are both often heard in
the concert hall.
By Johannes Brahms (1833-1897). Arranged by Vernon Leidig. Orchestra. Full Orche...(+)
By Johannes Brahms
(1833-1897). Arranged by
Vernon Leidig. Orchestra.
Full Orchestra;
Masterworks; Part(s);
Score. Highland Full
Orchestra. Form:
Transcription. Masterwork
Arrangement; Romantic.
Grade 3. 184 pages.
Published by Alfred Music
Publishing
Orchestra Violin SKU: PE.0014017512 Composed by Johannes Brahms. Orchestr...(+)
Orchestra Violin
SKU:
PE.0014017512
Composed by Johannes
Brahms. Orchestra.
Edition Peters. Romantic.
Part(s). 12 pages.
Edition Peters
#98-0014017512. Published
by Edition Peters
(PE.0014017512).