Orchestra (Score)

SKU: HL.50571073

Composed by Claude Arrieu. Amphion. Contemporary Music. Study Score. Composed 2001. Amphion #DA168. Published by Amphion (HL.50571073).

Symphony orchestra

SKU: RM.RUBIN5075-CO

Composed by Felix Ibarrondo. Symphonic orchestra. Orchestra. Conductor's score. Duration 14'. Editions Robert Martin #RUBIN5075-CO. Published by Editions Robert Martin (RM.RUBIN5075-CO).

Orchestra

SKU: B9.526-SS

A fanfare for orchestra. Composed by D.J. Sparr. This edition: coil bound. Study score. 20 pages. Duration ca. 3 minutes, 30 seconds. Bill Holab Music #526-ss. Published by Bill Holab Music (B9.526-SS).

8.5 x 14 inches.

A fanfare for orchestra
duration: ca. 3.5 minutes
Commissione d by the Richmond Symphony
Study Score, legal size.

Parts on rental from the publisher.

Composed by Soon Hee Newbold. For full orchestra. Orchestra. FJH Full Orchestra. Grade 3. Score only. Duration 4 minutes, 30 seconds. Published by The FJH Music Company Inc

Orchestra

SKU: PR.41641576L

For Really Big Orchestra. Composed by PDQ Bach. Edited by Peter Schickele. Large Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576L. Published by Theodore Presser Company (PR.41641576L).

UPC: 680160636549. 11 x 17 inches.

The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.

Orchestra (2.2.2.2/2.2.3.0,timp,per c,str,2 violin soli)

SKU: TM.00461SET

Composed by Pablo de Sarasate. Set Type: D. Set of parts. Lucks Music Library #A6792. Published by Lucks Music Library (TM.00461SET).

Solo/pf. No score - conduct from pf reduction.

Orchestra - Grade 4

SKU: AP.38497S

Prague. Composed by Wolfgang Amadeus Mozart. Arranged by Todd Parrish. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Form: Transcription. Classical; Masterwork Arrangement. Score. 36 pages. Highland/Etling #00-38497S. Published by Highland/Etling (AP.38497S).

UPC: 038081436845. English.

Celebrate the spirit of Bohemia at your next festival or concert with this acclaimed masterpiece. This arrangement uses material from the Allegro section of the first movement in the original key of D. The fugal nature of this movement gives each section a chance to play melodic passages. Care has been taken to preserve the energy of the original while seamlessly transferring wind and brass parts into the string section. Advanced shifting is required, along with the ability to perform syncopation and spiccato.

Orchestra - Grade 3.5

SKU: AP.43783

Fanna XI, No. 4. Composed by Antonio Vivaldi. Arranged by Jan Farrar-Royce. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Form: Concerto. Baroque; Masterwork Arrangement. Score and Part(s). 124 pages. Duration 3:45. Belwin Music #00-43783. Published by Belwin Music (AP.43783).

UPC: 038081496573. English.

A challenge they will love, this piece is almost aerobic in its constant motion! It goes together more easily than it appears and will become a favorite. (3:45).

By Helmut Lachenmann. For orchestra. Breitkopf Full Scores. Published by Breitkopf and Haertel (German import).

Orchestra - Grade 1.5

SKU: AP.45819

From the Holberg Suite. Composed by Edvard Grieg. Arranged by Jan Farrar-Royce. MakeMusic Cloud; Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Beginning String Orchestra. Form: Dance. Masterwork Arrangement; Romantic. Score and Part(s). 72 pages. Duration 2:10. Belwin Music #00-45819. Published by Belwin Music (AP.45819).

UPC: 038081523279. English.

Transcribe d from the original piano version for string orchestra by the composer himself, this suite is a staple of string ensemble repertoire. Perfectly set for young players, this will become a classic for your library. (2:10) This title is available in MakeMusic Cloud.

Orchestra (2.2.2.2/2.2.0.0,timp,per c,str)

SKU: TM.01704SC

Composed by Juan C. Arriaga. Score. Lucks Music Library #A3560. Published by Lucks Music Library (TM.01704SC).

Two Groups of 2 oboes, 2 bassoon, 2 horns. 5 movement version ed. by Kogel (does not match the original 6 movement). Pomposo, Allegro, A tempo ordinario, Largo, Allegro.

Orchestra - Grade 3

SKU: AP.49897S

Composed by Anthony Granata. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Score. Duration 3:00. Belwin Music #00-49897S. Published by Belwin Music (AP.49897S).

ISBN 9781470657307. UPC: 038081575452. English.

A Utopian Fantasia, by Anthony Granata, depicts a beautifully majestic and serene landscape shrouded in mystery and wonder. Set in the key of E minor, the opening features a rich legato ballad with an eerily somber melody passing through each section of the orchestra. The mood abruptly shifts to a jarring and heavily accented six-note motif. Reminiscent of Classical literature, a small contrapuntal passage develops this motif, interspersed with the original opening melody. Inversions of the theme finally give way to a call-and-response dialogue within the different sections of the orchestra before finally ending quietly and slowly with a subtle hint to the opening. (3:00).

Orchestra (Score)

SKU: HL.50578257

Composed by Isaac Albeniz. Max Eschig. Study Score. Composed 2001. Hal Leonard #ME2793. Published by Hal Leonard (HL.50578257).

Original Version. By Igor Stravinsky. Arranged by Herbert Schneider. (Study Score). Schott. 220 pages. Published by Eulenburg.

Full orchestra

SKU: TI.TR01523

Composed by Juli Garreta. Score. Trito Ediciones #TR01523. Published by Trito Ediciones (TI.TR01523).

Orchestra INTERMEDIATE A Guide to the Development of the Symphony Through the 18th and 19th Centuries. Composed by Christopher Tarrant and Natalie Wild. Reference Textbooks; Textbook - General; Theory. Classical. Book. Faber Music #12-0571542409. Published by Faber Music

For Narrator and Orchestra. By Vincent Persichetti. Orchestra. For Piccolo, Flute, Oboe, English Horn, Clarinet, Bass Clarinet, Bassoon, Bassoon, Horn, Trumpet (in C), Tenor, Tuba, Timpani, Snare Drum, Suspended Cymbal, Chimes, Tenor Drum, Bass Drum (Head Up), Suspended Cymbal II, Violin I, Violin II, Viola, Cello, Contrabass. The world premiere was given on January 25, 1973 in St. Louis, Missouri by the St. :ouis Symphony Orchestra, Walter Susskind conducting and narrated by William Warfield. Classical. Full Score - Study. Opus 124. 35 pages. Published by Theodore Presser Company.

Orchestra

SKU: BT.MUSM570209934

Composed by Ed Hughes. Score Only. University of York Music Press #MUSM570209934. Published by University of York Music Press (BT.MUSM570209934).

English.

For Flute, Clarinet, Percussion, Piano, Strings, Tape. Published 2007. commissioned by Glyndebourne Opera, Photoworks and De La Warr Pavillion. for the film Auditorium, by Sophie Rickett First performance: 17 November 2007, Glyndebourne Opera House, Sussex Downs Youth Orchestra cond. Malcolm Warnes.

Orchestra (2222 - 2200 - timpani - strings)

SKU: TI.TR00281

Composed by J. C. de Arriaga. Classical. Duration 120 minutes. Trito Ediciones #TR00281. Published by Trito Ediciones (TI.TR00281).

ISBN 9790692048022.

(Fanna XI, No. 4). Composed by Antonio Vivaldi (1678-1741). Arranged by Jan Farrar-Royce. Orchestra. Masterworks; Score; String Orchestra. Belwin Concert String Orchestra. Form: Concerto. Baroque; Masterwork Arrangement. Grade 3.5. 12 pages. Published by Belwin Music

Orchestra

SKU: HL.14027398

Music Sales America. 20th Century. Edition Wilhelm Hansen #WH55140. Published by Edition Wilhelm Hansen (HL.14027398).

Full orchestra

SKU: LO.30-3489MD

Composed by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. Full score and parts, plus CD with printable parts. Medallion Music #30/3489MD. Published by Medallion Music (LO.30-3489MD).

UPC: 000308147704.

And It Came to Pass, Emmanuel: A compelling musical triumph that invites the listener on a journey that ultimately leads to worship of the Christ Child. The text of the Christmas story blends seamlessly with original narrative and exquisite lyric writing from Rose Aspinall, and Jay Rouse's incredible ability to fashion original melodies and arrange Christmas favorites with nuance and passion is on full display. The musical opens with an ethereal underscore that leads effortlessly into a 6/8 interpretation of Adeste Fideles, followed directly by the theme song and anchor ballad for the musical, And It Came to Pass. Also included are a song written specifically for this work that gives voice to Joseph's fears and longings; a traditional gospel setting of the all-time favorite Jesus, What a Wonderful Child; a syncopated, upbeat angel and shepherd announcement song titled Fire in the Sky; and a tender worship moment at the manger called Jesus, Prince of Peace. With a little something for everyone, this creative work is sure to be an important part of your Christmas season.

Arranged by Tim McCarrick. Orchestra. Score; String Orchestra. Belwin Beginning String Orchestra. Folk; Light Concert; World. Grade 2.5. 12 pages. Published by Belwin Music

By Percy Aldridge Grainger (1882-1961). Orchestra. For [2 1, 2, 1( hph), 2 1, 2 1 - 6, 4, 3, 1], timpani, percussion, 2 harps, celeste, (3 pianos), strings. This edition: Paperback. Ballet, Original Works. 20th Century; English, Australia/Oceania. Study

Orchestra (2.2.2.2/2.2.3.0,timp,per c,str,2 violin soli)

SKU: TM.00461SC

Composed by Pablo de Sarasate. Score. Lucks Music Library #A6792. Published by Lucks Music Library (TM.00461SC).

Solo/pf. No score - conduct from pf reduction.

Orchestra

SKU: HL.50495840

Per Trio E Orchestra - Partitura. Composed by Salvatore Sciarrino. MGB. Contemporary Music. Score Only. Composed 2007. Ricordi #NR139086. Published by Ricordi (HL.50495840).

PER TRIO E ORCHESTRA - PARTITURA.

Ur Bergakungen, Svit for orkester. Composed by Hugo Alfven (1872-1960). Summer Rain from The Mountain King, Suite for Orchestra. Score. Op. 37a:3. Duration 3 minutes. Published by Gehrmans Musikforlag (GH.CG-6283P).