Orchestra

SKU: SU.50007580

For Orchestra. Composed by Jacques De Vos Malan. Orchestra. Score. Seesaw Music Corp #50007580. Published by Seesaw Music Corp (SU.50007580).

Set of Parts: available on rental Published by: Seesaw Music.

Study Score. By Virgil Thomson. (score). Study Score. Published by G. Schirmer, Inc.

Orchestra (2.2.2.2/4.2.3.1,timp,per c,str)

SKU: TM.07279SET

Composed by Ernst Pepping. Set Type: D. Set of parts. Lucks Music Library #A6991. Published by Lucks Music Library (TM.07279SET).

Intro, Dance of Birds, Cortege Dance of Bouffons. Chorus I = Soprano; Chorus II = Alto.

Orchestra

SKU: AP.1-ADV40020

For Soloist and String Orchestra. Composed by Mike Curtis. Performance Music Ensemble; Single Titles; String Orchestra. Advance Music. Multicultural. Score and Part(s). Advance Music #01-ADV40020. Published by Advance Music (AP.1-ADV40020).

UPC: 805095400205. English.

Sketches of China features mostly original writing and five highly descriptive movements. The solo part in C treble clef is playable by oboe or flute, and the string parts incorporate a variety of arco, pizzicato, and spiccato techniques.

Titles include: Good Earth * Dance * Birds * River Song * Pagoda.

Orchestra

SKU: PR.41641576L

For Really Big Orchestra. Composed by PDQ Bach. Edited by Peter Schickele. Large Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576L. Published by Theodore Presser Company (PR.41641576L).

UPC: 680160636549. 11 x 17 inches.

The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.

Orchestra

SKU: AY.OR3568PM

Composed by Jacobo Duran-Loriga. Ensembles - Orchestra. Conductor Score. Duration 15'. Periferia Publishing #OR3568PM. Published by Periferia Publishing (AY.OR3568PM).

ISBN 9790543574168.

Benn u is the Egyptian God whose sing gave birth to the Time. It had the shape of a birth and today is known as the Phoenix. This symphonic poem is a new meditation of Duran-Loriga about the musical time. It is instrumented in families and it alternates parts with superimposition of dense chords with dense awakenings of birds. Bennu is an assignment by the Orquesta Nacional de Espana for the 27th Music Festival of Alicante.

Orchestra (Orchestra)

SKU: HL.48184896

Composed by Olivier Messiaen. Leduc. Classical. Softcover. 162 pages. Alphonse Leduc #AL28226. Published by Alphonse Leduc (HL.48184896).

UPC: 888680859565. 9.5x12.5x0.471 inches.

Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms, harmony, melodies and his passion for ornithology, his Illuminations of the Beyond for Orchestra is no exception to the composer's popular, distinctive style. Composed between 1987-1991, Illuminations of the Beyond was one of the composer's last works, with the premiere occuring six months after his death. The work includes Messiaen's popular compositional techniques, such as his modes of limited transposition, and the use of birdsong. Messiaen's piece for orchestra is divided in to eleven movements and a typical performance lasts about one hour. Illuminations of the Beyond is essential to all advanced orchestras seeking to expand and vary their repertoire..

Orchestra

SKU: HL.48182754

Composed by Olivier Messiaen. Leduc. Post-1900. Softcover. 442 pages. Alphonse Leduc #AL24364. Published by Alphonse Leduc (HL.48182754).

UPC: 888680948856. 12.5x16.5 inches.

“Oliv ier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms, harmony, melodies and his passion for ornithology, his The Transfiguration of Our Lord Jesus Christ for Choir, Seven solo instruments and Orchestra is no exception to the composer's popular, distinctive style. Composed between 1965-1969, The Transfiguration of Our Lord Jesus Christ is based on the account of Jesus' Transfiguration, found in the Gospels of Matthew, Mark and Luke. The work requires a huge 200 performers and with 14 movements, a typical performance lasts about an hour and a half. The Transfiguration of Our Lord Jesus Christ incorporates Messiaen's popular compositional techniques, such as his modes of limited transposition, and the use of birdsong. Texts are largely based on the Bible. The Transfiguration of Our Lord Jesus Christ is essential to all advanced musicians seeking to expand and vary their ensemble repertoire on a large-scale.&rdquo.

By Igor Stravinsky. Arranged by Merle J. Isaac. By Igor Stravinsky / arr. Merle Isaac. For Full Orchestra. Full Orchestra. Belwin Concert Full Orchestra. Level: 5 (Blue) (grade 5 Blue). Conductor Score and Parts. 210 pages. Published by Alfred Publishing.

(Berceuse and Finale). Composed by Igor Stravinsky (1882-1971). Arranged by Jack Bullock. Orchestra. Full Orchestra; Masterworks; Part(s); Score; SmartMusic. Belwin Intermediate Full Orchestra. Form: Transcription. 20th Century; Masterwork Arrangement. Grade 3. 152 pages. Published by Belwin Music

Orchestra

SKU: BT.YKM570369188

Composed by Jo Kondo. Contemporary Music. Score Only. Composed 2019. 37 pages. University of York Music Press #YKM570369188. Published by University of York Music Press (BT.YKM570369188).

By Igor Stravinsky (1882-1971). Orchestra. For [2d1, 2d1, 2, 2 - 4, 2, 3, 1], timpani, percussion, harp, piano in set, strings. This edition: Paperback. Ballet/Suites, Original Works. 20th Century; Mythology/Legends, Russian. Study Score. 84 pages. Publis

By Igor Stravinsky. Arranged by Merle J. Isaac. By Igor Stravinsky / arr. Merle Isaac. For Full Orchestra. Full Orchestra. Belwin Concert Full Orchestra. Level: grade 5 Blue. Conductor Score. 20 pages. Published by Alfred Publishing.

Composed by Igor Stravinsky (1882-1971). Miniature score for orchestra (with percussion). Series: Miniature score. Composed 1910. 78 pages. Published by Edwin F. Kalmus.

Composed by Igor Stravinsky (1882-1971). Orchestra. Full Orchestra (Full Score); Larger Works; Masterworks; Score. Dover Edition. 20th Century; Masterwork. Published by Dover Publications

Original Version. By Igor Stravinsky. Arranged by Herbert Schneider. (Study Score). Schott. 220 pages. Published by Eulenburg.

Orchestra (Score)

SKU: HL.49004866

L'Oiseau bleu / Bluebird. Composed by Igor Stravinsky. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Composed 1941. 36 pages. Duration 6'. Schott Music #ED4409. Published by Schott Music (HL.49004866).

ISBN 9790001051774. UPC: 888680793111. 8.25x11.75x0.104 inches.

((Value Pak - 37 Part Books/Conductor/CD)). Kit of score and part books. Essential Elements Band Folios. Grade 2