Incidental music for a radio production of William Shakespeare\'s play. Composed by Ralph Vaughan Williams (1872-1958). Full score. Promethean Editions #PME16S. Published by Promethean Editions

(Full Score). By Michael Daugherty (1954-). Full Score. Peermusic Classical. 76 pages. Peermusic #61933-856. Published by Peermusic

By Michael Lawrence. Modern Christian and Sacred. Orchestration- Stand Alone. Published by Word Music.

3rd Movement. Composed by Ludwig van Beethoven (1770- 1827). Arranged by Richard Meyer. Full Orchestra; Masterworks; Part(s); Score. Highland/Etling First Philharmonic. Form: Scherzo. Classical; Masterwork Arrangement; Romantic. 190 pages. Published by Highland/Etling

Orchestra (Score)

SKU: HL.14028679

Composed by Esa-Pekka Salonen. Music Sales America. Score. Composed 2006. 116 pages. Chester Music #CH69663. Published by Chester Music (HL.14028679).

ISBN 9781847725684. 9.75x13.5x0.395 inches.

In the words of the composer Insomnia was written between March and November 2002. Technically speaking, it is a set of variations based on a harmonic model separated by a Ritornello-like section, which is essentially a pedal point on the note e. The sound of Insomnia is darker and deeper than that of some of my other orchestral works. I decided to add a quartet of Wagner Tubas to the brass section for the very particular sonority only these rare and weird instruments can produce..

Orchestra (Full Score)

SKU: HL.1283364

For Orchestra. Composed by William Bolcom. Arranged by Edmund Cionek. LKM Music. Classical. Softcover. Duration 480 seconds. Edward B. Marks Music #MP077085. Published by Edward B. Marks Music (HL.1283364).

UPC: 196288166641.

Dedic ation for chamber orchestra by William Bolcom was written in 2021-2022, especially for the ROCO Chamber Orchestra. The commission was the result of a meeting between Alecia Lawyer and the composer at a Great American Songbook concert, hosted by Arthurand Shelley Gottschalk. Dedication is a concise but dramatic work. Its threepart is determined by tempo and motif. The work begins with Intro: Moderato. After a very soft ostinato sounds from the depths of the orchestra, two melodies emerge: the first in the Piccolo and Eb Clarinet, the second in the English Horn and Bassoon. They are complemented by strings in close harmony and lyrical muted brass. This is followed by Feroce! which engages the tutti ensemble in a cascade of brilliant fortissimo block harmonies. The next section, Allegro molto, is characterized by agile, virtuosic passage work and brash chords. Tempo I returns with familiar motifs wrapped in six sharps. Marked espressivo e cantabile, tutti strings provide an incandescent conclusion. Then soft string glissandi allow the music to fade back from wherever it came. Dedication is orchestrated by his former student Edmund Cionek.

Orchestra

SKU: PR.11641867S

Composed by William Kraft. Full score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867S. Published by Theodore Presser Company (PR.11641867S).

UPC: 680160683208.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

(for Orchestra Full Score). By Michael Daugherty (1954-). For Orchestra. Peermusic Classical. 48 pages. Peermusic #61934-856. Published by Peermusic

3rd Movement. Composed by Ludwig van Beethoven (1770- 1827). Arranged by Richard Meyer. Full Orchestra; Masterworks; Score. Highland/Etling First Philharmonic. Form: Scherzo. Classical; Masterwork Arrangement; Romantic. 24 pages. Published by Highland/Etling

Orchestra piccolo, English horn, B-clarinet, contrabassoon-4, 1-timpani-4 percussion-harp-piano-str ings

SKU: PE.EP73403

Liepaja Concerto No. 3 (Liepajas koncerts Nr. 3). Composed by Rihards Dubra. Orchestra. Edition Peters. Book. Duration 00:33:00. Edition Peters #98-EP73403. Published by Edition Peters (PE.EP73403).

ISBN 9790577018331. 297 x 420 mm inches. English.

Rihards Dubra (born Latvia, 1964) wrote his piano concerto – Liepaja Concerto No. 3 – in 2012. A 33-minute work for solo piano and symphony orchestra comprising triple wind and brass, percussion, harp and strings, the concerto starts with a mournful piano melody. It has an elemental beauty – we hear water in the sonorities of harps and chime-bells, earth in the rhythmic formulae, and fire in his colourful harmonic sequences – ending with a majestic and vibrant conclusion.

This full score (EP 73403) is now available as part of the Peters Baltic Library.

• Peter s Baltic Library is a new series of full scores of orchestral music by contemporary composers from the Baltic States.
• Published in partnership with the leading music publisher from the region: Musica Baltica.
• Peters Baltic Library presents a rich selection of compositions that demonstrates both the distinctiveness and the variety of stylistic approaches adopted by the region's most prominent composers.

< br>This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

Natural horn brass band - Grade 3

SKU: RM.LANT07760-BA

Composed by Alain Lantin. Large orchestra. Orchestra. Full set. Editions Robert Martin #LANT07760-BA. Published by Editions Robert Martin (RM.LANT07760-BA).

ISBN 9790231077605.

Natural horn brass band (drums and bugles) - Grade 1

SKU: RM.CAMP00175-CO

Composed by Bruno Camporelli. Tambours et clairons. Orchestra. Conductor's score. Editions Robert Martin #CAMP00175-CO. Published by Editions Robert Martin (RM.CAMP00175-CO).

Natural horn brass band - Grade 3

SKU: RM.DUPL06574-CO

Composed by Duplant. Batterie, clairons. Orchestra. Conductor's score. Editions Robert Martin #DUPL06574-CO. Published by Editions Robert Martin (RM.DUPL06574-CO).

Natural horn brass band - Grade 3

SKU: RM.BIGO07677-CO

Composed by Bigot/Goute. Large orchestra. Orchestra. Conductor's score. Editions Robert Martin #BIGO07677-CO. Published by Editions Robert Martin (RM.BIGO07677-CO).

Natural horn brass band - Grade 3

SKU: RM.STEC07759-PK

Composed by Marc Steckar. Large orchestra. Orchestra. Supplementary part. Editions Robert Martin #STEC07759-PK. Published by Editions Robert Martin (RM.STEC07759-PK).

Natural horn brass band - Grade 2

SKU: RM.COUR06994-CO

Composed by Alexandre Courtade. Batterie et trumpets. Orchestra. Conductor's score. Editions Robert Martin #COUR06994-CO. Published by Editions Robert Martin (RM.COUR06994-CO).

Natural horn brass band - Grade 1

SKU: RM.DEFR06274-BA

Composed by Defrance. Batterie, clairons. Orchestra. Full set. Editions Robert Martin #DEFR06274-BA. Published by Editions Robert Martin (RM.DEFR06274-BA).

ISBN 9790231062748.

Natural horn brass band - Grade 3

SKU: RM.STEC07762-CO

Composed by Marc Steckar. Large orchestra. Orchestra. Conductor's score. Editions Robert Martin #STEC07762-CO. Published by Editions Robert Martin (RM.STEC07762-CO).

Natural horn brass band - Grade 3

SKU: RM.DELB06034-BA

Composed by Laurent Delbecq. Large orchestra. Orchestra. Full set. Editions Robert Martin #DELB06034-BA. Published by Editions Robert Martin (RM.DELB06034-BA).

ISBN 9790231060348.

Orchestra full orchestra - Grade 4

SKU: KJ.O1082C

Composed by Jerry Smith. String Tracks. Score and parts. Neil A. Kjos Music Company #O1082C. Published by Neil A. Kjos Music Company (KJ.O1082C).

UPC: 8402701226.

South of the Border is a colorful five-movement suite featuring a Bossa Nova, Samba, Tango and other musical treats inherent of Latin American dances. This original work is designed to be played in its entirety, though single movements can be performed, with success, as well. The woodwind and brass parts are more challenging than the string parts.

Natural horn brass band - Grade 1

SKU: RM.COIT06244-BA

Composed by Francis Coiteux. Arranged by Andre Tremine. Batterie, clairons. Orchestra. Full set. Editions Robert Martin #COIT06244-BA. Published by Editions Robert Martin (RM.COIT06244-BA).

ISBN 9790231062441.

Natural horn brass band - Grade 3

SKU: RM.TOUR06771-CO

Composed by Tournel. Batterie, clairons. Orchestra. Conductor's score. Editions Robert Martin #TOUR06771-CO. Published by Editions Robert Martin (RM.TOUR06771-CO).

Natural horn brass band - Grade 4

SKU: RM.NAUL03012-BA

Composed by Jerome Naulais. Batterie-fanfare. Orchestra. Full set. Editions Robert Martin #NAUL03012-BA. Published by Editions Robert Martin (RM.NAUL03012-BA).

ISBN 9790231030129.

Mli I - Mli II - Mla - G - CR.

Prestige collection - Grade 4

SKU: RM.RAUB01004-BA

Composed by Francois Rauber. Prestige avec soliste. Prestige collection. Orchestra. Full set. Duration 14 minutes, 45 seconds. Editions Robert Martin #RAUB01004-BA. Published by Editions Robert Martin (RM.RAUB01004-BA).

ISBN 9790231010046.

Natural horn brass band

SKU: RM.CFBF009-BA

Large orchestra. Orchestra. Editions Robert Martin #CFBF009-BA. Published by Editions Robert Martin (RM.CFBF009-BA).

Natural horn brass band - Grade 1

SKU: RM.GOUT06661-BA

Composed by Robert Goute. Batterie, clairons. Orchestra. Full set. Editions Robert Martin #GOUT06661-BA. Published by Editions Robert Martin (RM.GOUT06661-BA).

ISBN 9790231066616.

Natural horn brass band - Grade 3

SKU: RM.DEVO07624-BA

Composed by Jacques Devogel. Large orchestra. Orchestra. Full set. Editions Robert Martin #DEVO07624-BA. Published by Editions Robert Martin (RM.DEVO07624-BA).

ISBN 9790231076240.