Orchestra 2.2.2.2:
4Sax(opt.; AATB; all
dCl): 2.3.3.0: Perc(1):
Hp(or Pno): Gtr: Str
(9-8-7-6-5 in set)
SKU: AP.36-A601290
Composed by Morton Gould.
Full Orchestra;
Performance Music
Ensemble. Kalmus
Orchestra Library.
Masterwork. Score and
Part(s). LudwigMasters
Publications #36-A601290.
Published by
LudwigMasters
Publications
(AP.36-A601290).
UPC:
676737533533.
English.
Morton
Gould, equally
comfortable in the worlds
of both serious and light
music, presented his
symphonettes (an
Americanization of the
term sinfonietta, much
like kitchenette and
dinette) as works of a
truly American
vernacular, drawing on
popular culture as well
as classical forms. His
American Symphonette No.
2 was the work that first
made Gould a name among
the American public
through radio, with the
second movement (Pavanne)
a pop orchestra standard
to this day.
Instrumentation: 2.2.2.2:
4Sax(opt.; AATB; all
dCl): 2.3.3.0: Perc(1):
Hp(or Pno): Gtr: Str
(9-8-7-6-5 in set). The
original condensed score
is included with this
set, but the full score
has been extracted from
the complete work and
also included.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra 2.2.2.2:
4Sax(opt.; AATB; all
dCl): 2.3.3.0: Perc(1):
Hp(or Pno): Gtr: Str
(9-8-7-6-5 in set)
SKU: AP.36-A601201
Composed by Morton Gould.
Full Orchestra;
Performance Music
Ensemble. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A601201.
Published by
LudwigMasters
Publications
(AP.36-A601201).
ISBN
9798888522431. UPC:
676737534301.
English.
Morton
Gould (1913-1996),
equally comfortable in
the worlds of both
serious and light music,
presented his
symphonettes (an
Americanization of the
term sinfonietta, much
like kitchenette and
dinette) as works of a
truly American
vernacular, drawing on
popular culture as well
as classical forms. His
American Symphonette No.
2 was the work that first
made Gould a name among
the American public
through radio, with the
second movement (Pavanne)
a pop orchestra standard
to this day.
Instrumentation: 2.2.2.2:
4Sax(opt.; AATB; all
dCl): 2.3.3.0: Perc(1):
Hp(or Pno): Gtr: Str
(9-8-7-6-5 in set). The
original condensed score
is included with this
set, but the full score
has been extracted from
the complete work and
also included.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra 2.2.2.2:
4Sax(opt.; AATB; all
dCl): 2.3.3.0: Perc(1):
Hp(or Pno): Gtr: Str
(9-8-7-6-5 in set)
SKU: AP.36-A601299
Composed by Morton Gould.
Full Orchestra;
Performance Music
Ensemble. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A601299.
Published by
LudwigMasters
Publications
(AP.36-A601299).
ISBN
9798888522424. UPC:
676737533847.
English.
Morton
Gould, equally
comfortable in the worlds
of both serious and light
music, presented his
symphonettes (an
Americanization of the
term sinfonietta, much
like kitchenette and
dinette) as works of a
truly American
vernacular, drawing on
popular culture as well
as classical forms. His
American Symphonette No.
2 was the work that first
made Gould a name among
the American public
through radio, with the
second movement (Pavanne)
a pop orchestra standard
to this day.
Instrumentation: 2.2.2.2:
4Sax(opt.; AATB; all
dCl): 2.3.3.0: Perc(1):
Hp(or Pno): Gtr: Str
(9-8-7-6-5 in set). The
original condensed score
is included with this
set, but the full score
has been extracted from
the complete work and
also included.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra - intermediate SKU: HL.49002101 Set of String Parts. Com...(+)
Orchestra - intermediate
SKU: HL.49002101
Set of String
Parts. Composed by
Paul Hindemith. Arranged
by Franz Willms. Sheet
music. Concertino
(Chamber Orchestra).
Classical. Set of
supplemental string
parts. Composed 1925.
Duration 20'. Schott
Music #CON77-60.
Published by Schott Music
(HL.49002101).
ISBN
9790001022484. UPC:
884088477974.
8.0x11.75x0.248
inches.
This suite
has been taken from the
music of the Christmas
tale of the same name.
The instrumentation can
be easily realized with
four woodwind
instruments, two brass
instruments, timpani and
strings. The 'Tanz der
Holzpuppen', a foxtrot,
is suitable as encore
showing the humorous
musician Hindemith who,
in 1920, wrote to the
Schott publishing house
with a wink: 'Can you
also make use of
foxtrots, Bos-tons, rags
and other kitsch?
Whenever I cannot think
of decent music, I write
such stuff.'.
Orchestra (Parts) - intermediate SKU: HL.49002100 Set of Parts. Co...(+)
Orchestra (Parts) -
intermediate
SKU:
HL.49002100
Set of
Parts. Composed by
Paul Hindemith. Arranged
by Franz Willms. Sheet
music. Concertino
(Chamber Orchestra).
Classical. Set of Parts.
Composed 1925. 158 pages.
Duration 20'. Schott
Music #CON77-50.
Published by Schott Music
(HL.49002100).
ISBN
9790001022477. UPC:
073999293265.
9.25x12.0x0.431
inches.
This suite
has been taken from the
music of the Christmas
tale of the same name.
The instrumentation can
be easily realized with
four woodwind
instruments, two brass
instruments, timpani and
strings. The 'Tanz der
Holzpuppen', a foxtrot,
is suitable as encore
showing the humorous
musician Hindemith who,
in 1920, wrote to the
Schott publishing house
with a wink: 'Can you
also make use of
foxtrots, Bos-tons, rags
and other kitsch?
Whenever I cannot think
of decent music, I write
such stuff.'.
Score. Composed by
Paul Hindemith. Arranged
by Franz Willms. This
edition: Paperback/Soft
Cover. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Score. Composed 1925. 62
pages. Duration 20'.
Schott Music #CON77.
Published by Schott Music
(HL.49002099).
ISBN
9790001022460. UPC:
884088054267.
9.0x12.0x0.228
inches.
This suite
has been taken from the
music of the Christmas
tale of the same name.
The instrumentation can
be easily realized with
four woodwind
instruments, two brass
instruments, timpani and
strings. The 'Tanz der
Holzpuppen', a foxtrot,
is suitable as encore
showing the humorous
musician Hindemith who,
in 1920, wrote to the
Schott publishing house
with a wink: 'Can you
also make use of
foxtrots, Bos-tons, rags
and other kitsch?
Whenever I cannot think
of decent music, I write
such stuff.'.
Orchestra (Full Score) SKU: HL.244904 For Orchestra. Composed by B...(+)
Orchestra (Full Score)
SKU: HL.244904
For Orchestra.
Composed by Bryce
Dessner. Music Sales
America. Classical.
Softcover. Composed 2017.
64 pages. Duration 1020
seconds. Chester Music
#CH83985. Published by
Chester Music
(HL.244904).
8.25x12.0x0.508
inches.
Quilting,
co-commissioned by the
BBC Symphony Orchestra
and the Los Angeles
Philharmonic, is my first
stand alone work for
orchestraand is loosely
inspired by the American
tradition of quilt
making. I composed
Quilting while living
most of last year in
Paris.During my time
there, I thought a lot
about what it means to
compose symphonic music
as a young American in
the 21st century, when so
many of the many
masterworks which are
programmed year in and
out by orchestras across
the country are European.
I considered which
artistic traditions
defined the American
19th-century. I began to
think of the American
crafts-tradition of
quilting as a foilto the
high-art tradition of
European orchestral
composition. As the score
for my new work began to
take shape, I started
thinking about the
manuscript itself as an
object, its vertical and
horizontal planes create
a kind of patterned
geometry of their own.
Visually the way a
musical score is woven
together like patchwork
brought to mind quilts
and the great American
tradition of quilting. I
imagined about how
conducting an orchestra
can feellike stitching a
piece together, or sewing
together a large number
of musical ideas and
musicians into a coherent
and transcendent whole.
Quilting was an integral
part of American
vernacular in the 18th
and 19th centuries, the
African-American quilting
tradition is especially
fascinating, and the
quilts tell the stories
of the women and
communities who made
them. The names of the
quilt patterns themselves
can have their own sense
of narrative: 'jacobs
ladder', 'drunkards
path', 'solomon's
puzzle', and (my favorite
for its relevance to this
piece) 'the road to
California. - Bryce
Dessner.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Vocal
score. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140203. Published by
Carus Verlag
(CA.3140203).
ISBN
9790007295080.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140212. Published by
Carus Verlag
(CA.3140212).
ISBN
9790007301590.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140211. Published by
Carus Verlag
(CA.3140211).
ISBN
9790007301583.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140249. Published by
Carus Verlag
(CA.3140249).
ISBN
9790007301620.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Single
Part, viola. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140213. Published by
Carus Verlag
(CA.3140213).
ISBN
9790007301606.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Choral
Score. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140205. Published by
Carus Verlag
(CA.3140205).
ISBN
9790007295097.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Carus
digital: Extra digital
products. Full Score.
Composed 1728/1729. BWV
197a / 197.1. Duration 25
minutes. Carus Verlag
#3140200. Published by
Carus Verlag
(CA.3140200).
ISBN
9790007295066.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Set of
Orchestra Parts. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140209. Published by
Carus Verlag
(CA.3140209).
ISBN
9790007301576.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Set of
Orchestra Parts. Composed
1728/1729. BWV 197a /
197.1. Duration 25
minutes. Carus Verlag
#3140219. Published by
Carus Verlag
(CA.3140219).
ISBN
9790007300258.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Pieter Dirksen. Single
Part, basso continuo.
Composed 1728/1729. BWV
197a / 197.1. Duration 25
minutes. Carus Verlag
#3140214. Published by
Carus Verlag
(CA.3140214).
ISBN
9790007301613.
German/English. Text:
Henrici (Picander),
Christian
Friedrich.
Only the
text and the last page of
the autograph score of
the Christmas Cantata
“Ehre sei Gott in
der Höhe†BWV
197.1 (197a) have
survived, beginning with
the end of the 2nd aria.
This, along with the
complete surviving 3rd
aria are found in parody
versions in the Wedding
Cantata BWV 197 / BWV3
197.2, from which this
cantata takes its BWV
number. For a long time
there has been a
fascinating theory about
the missing opening
chorus: could this have
been the parody source
for the Gloria in the
Mass in B minor?
The musicologist
and organist Pieter
Dirksen has pursued this,
creating a four-part
choral version largely
derived from corrections
made in the autograph of
the Mass in B minor. He
has underlaid this with
the text of the opening
chorus (the German
translation of the
Gloria). What results is
a convincing version of
the Christmas Cantata
– with one of
Bach’s best-known
choruses as the prominent
opening chorus and
plausible solutions for
the other sections
missing in the
autograph.
Orchestra (Study Score) SKU: HL.51489059 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489059
Study Score.
Composed by Franz Joseph
Haydn. Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 58 pages. G.
Henle #HN9059. Published
by G. Henle
(HL.51489059).
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra (Study Score) SKU: HL.51489060 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489060
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 64 pages. G.
Henle #HN9060. Published
by G. Henle
(HL.51489060).
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
For 2
Natural Trumpets,
Percussion (2 players)
and String Orchestra.
Composed by Bernhard
Gander. Chamber
Orchestra. Form: March.
Contemporary; Funeral.
Score. 24 pages. Edition
Peters #98-EP14361.
Published by Edition
Peters (PE.EP14361).
ISBN 9790014133177.
German.
Maximal
Funeral by Bernhard
Gander is a 13-minute
work for two natural
trumpets, percussion (two
players) and string
orchestra. The piece is a
long funeral march and
was inspired by the fact
that years before his
death Emperor Maximilian
always took a coffin with
him on his travels to be
prepared for
it.
Maximal Funeral
was made possible by the
Hilde Zach Scholarship
2017 by the City of
Innsbruck. The premiere
performance by the
Tiroler Kammerorchester
InnStrumenti conducted by
Gerhard Sammer took place
on 9 March 2019 at the
Canisianum, Innsbruck
(Austria).
The full
score (EP 14361) is
available for sale as
part of the Peters
Contemporary Library. The
performance material can
be hired.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite
retailer.
A Celtic Christmas
Medley (Featuring: The
Sussex Carol / Good
Christian Men, Rejoice /
A Merry Christmas).
Composed by David
Giardiniere. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Form: Medley.
Christmas; Folk; Sacred;
Winter. Score. 16 pages.
Belwin Music #00-40503S.
Published by Belwin Music
(AP.40503S).
UPC:
038081478678.
English.
This
festive medley combines
three joyful melodies
into a cheerful Celtic
tapestry. Centering on
The Sussex Carol, it also
takes the listener on a
colorful romp through
Good Christian Men,
Rejoice, as well as an
Irish fiddle tune
entitled A Merry
Christmas. The work can
be performed with strings
alone, but the addition
of hand drum, guitar, and
whistle give a
distinctive fiddle band
sound without
significantly increasing
rehearsal preparation.
This title is available
in MakeMusic Cloud.
Orchestra (Study Score) SKU: HL.51489058 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489058
Study Score.
Composed by Franz Joseph
Haydn. Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 63 pages. G.
Henle #HN9058. Published
by G. Henle
(HL.51489058).
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Arizona Sun Orchestre - Débutant Alfred Publishing
Orchestra - Grade 1-2 SKU: AP.49072S Composed by Mark Wood. Performance M...(+)
Orchestra - Grade 1-2
SKU: AP.49072S
Composed by Mark Wood.
Performance Music
Ensemble; Single Titles;
String Orchestra. Mark
Wood Series. Pop/Rock;
Rock. Score. Duration
3:00. Alfred Music
#00-49072S. Published by
Alfred Music (AP.49072S).
ISBN 9781470647797.
UPC: 038081567013.
English.
This
multi-level piece
includes a full set of
parts for grade 1 as well
as a full set for grade 2
ensembles. Mix and match
the parts as you
need---perfect for
mixed-ability ensembles!
Representing one
of Mark Wood's favorite
places to visit, Arizona
Sun was inspired by the
sheer beauty and power of
the American southwest,
specifically that of the
Grand Canyon State. The
work is in the key of A
major, and based on a
traditional blues
progression that can be
found in early rock and
roll. Arizona Sun
features two sections
that allow the players to
improvise. For string
orchestra with optional
rock rhythm section
parts. (3:00)
Arizona Sun Orchestre - Débutant Alfred Publishing
Orchestra - Grade 1-2 SKU: AP.49072 Composed by Mark Wood. Performance Mu...(+)
Orchestra - Grade 1-2
SKU: AP.49072
Composed by Mark Wood.
Performance Music
Ensemble; Single Titles;
String Orchestra. Mark
Wood Series. Pop/Rock;
Rock. Score and Part(s).
Duration 3:00. Alfred
Music #00-49072.
Published by Alfred Music
(AP.49072).
ISBN
9781470647780. UPC:
038081567006.
English.
This
multi-level piece
includes a full set of
parts for grade 1 as well
as a full set for grade 2
ensembles. Mix and match
the parts as you
need---perfect for
mixed-ability ensembles!
Representing one
of Mark Wood's favorite
places to visit, Arizona
Sun was inspired by the
sheer beauty and power of
the American southwest,
specifically that of the
Grand Canyon State. The
work is in the key of A
major, and based on a
traditional blues
progression that can be
found in early rock and
roll. Arizona Sun
features two sections
that allow the players to
improvise. For string
orchestra with optional
rock rhythm section
parts. (3:00)
(Orchestra) SKU: BA.BA11902 Composed by Ludwig van Beethoven. Edited by J...(+)
(Orchestra)
SKU:
BA.BA11902
Composed
by Ludwig van Beethoven.
Edited by Jonathan Del
Mar. This edition: urtext
edition. Stapled. Score.
Opus 43. Baerenreiter
Verlag #BA11902_00.
Published by Baerenreiter
Verlag (BA.BA11902).
ISBN 9790006573417.
32.5 x 25.5 cm
inches.
Beethoven
composed the ballet music
“Die Geschöpfe
des Prometheusâ€
during 1800–01,
commissioned by the
ballet master Salvatore
Viganò for
performances with his
Viennese company.
Although the ballet was
initially quite
successful, with almost
thirty continuous
performances, it did not
enjoy a sustained
performance tradition.
Its overture, however,
was a different matter:
considered almost a
symphonic movement in
terms of orchestration,
style and structure, it
was often performed on
its own even during
Beethoven’s
lifetime.
In
general, previous
editions of this overture
relied on the first print
as the main source.
However, the authenticity
of this source cannot be
convincingly proven. For
this new edition,
Beethoven specialist
Jonathan Del Mar
incorporates various
manuscript sources,
including a set of parts
from 1803/4 that has
never been considered
before. In this way,
numerous discrepancies
could be
clarified.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Orchestra) SKU: HP.8335 Composed by Allen Pote. Christmas, choral cantat...(+)
(Orchestra)
SKU:
HP.8335
Composed by
Allen Pote. Christmas,
choral cantata. Christmas
Musicals. Christmas,
Sacred. Value Pack (10
Listening CDs). Hope
Publishing Company #8335.
Published by Hope
Publishing Company
(HP.8335).
UPC:
763628183356. Tom S.
Long.
Christmas
Musical This adult
Christmas cantata comes
from the writing team of
Tom Long and Allen Pote.
Traditional carols,
original music, lyrics,
and scripture from the
gospels of Luke and
Matthew are all used to
tell the Christmas story.
Options are provided for
using candles and actor
tableaux to embellish the
performance. The
performance time of 25
minutes makes this ideal
for use as part of the
worship service. The
orchestration is by Joel
Raney, which includes a
Conductor's Score as well
as Percussion
(windchimes, chime,
suspended cymbal,
orchestra bells, timpani,
snare drum, tambourine,
triangle, bell tree),
Flute, Oboe, Trumpet in
B-flat, Horn in F, Cello,
and Electric Bass.
(Orchestra) SKU: HP.8332 Composed by Allen Pote. Christmas, choral cantat...(+)
(Orchestra)
SKU:
HP.8332
Composed by
Allen Pote. Christmas,
choral cantata. Christmas
Musicals. Christmas,
Sacred. Listening CD.
Hope Publishing Company
#8332. Published by Hope
Publishing Company
(HP.8332).
UPC:
763628983321. Tom S.
Long.
Christmas
Musical This adult
Christmas cantata comes
from the writing team of
Tom Long and Allen Pote.
Traditional carols,
original music, lyrics,
and scripture from the
gospels of Luke and
Matthew are all used to
tell the Christmas story.
Options are provided for
using candles and actor
tableaux to embellish the
performance. The
performance time of 25
minutes makes this ideal
for use as part of the
worship service. The
orchestration is by Joel
Raney, which includes a
Conductor's Score as well
as Percussion
(windchimes, chime,
suspended cymbal,
orchestra bells, timpani,
snare drum, tambourine,
triangle, bell tree),
Flute, Oboe, Trumpet in
B-flat, Horn in F, Cello,
and Electric Bass.
(Tanzstunden I)
Tanzschauspiel. Libretto
frei nach Moliere.
Composed by Hans Werner
Henze. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed
1949/1995. 172 pages.
Duration 35'. Schott
Music #ED 9456. Published
by Schott Music
(HL.49013033).
ISBN
9790001131919.
8.25x11.75x0.462
inches.
Bei der
Neuschrift des Stucks im
Winter 1995-96, funfzig
Jahre nach seiner
Entstehung (als
Buhnenmusik zu Molieres
Comedie ballet Georges
Dandin, aus der
anschliessend ein Ballett
wurde mit dem englischen
Clown Jack Pudding in der
Titelrolle), ist es mir
darum gegangen, den alten
Notentext auszulosen und
sein thematisches und
harmonisches Material
nach Kriterien zu ordnen
und zu entwickeln, die
mir seinerzeit noch nicht
zur Verfugung standen,
und die recht
skizzenhafte Anlage des
Urtexts in eine Klangwelt
heruberzutragen, die
meinen heutigen
Vorstellungen und
Wertbegriffen von Theater
und Musik entspricht und
die gleichzeitig das
heutige kulturelle Klima
Neapels widerspiegelt und
damit eine besondere Art
von Wirklichkeit, die
mich einmal so sehr
gefangengenommen,
bezaubert und beeinflusst
hat.- Hans Werner
Henze
: 1 (auch
Picc.) * 1 * 1 * 1 - 1 *
1 * 1 * 0 - P. S. (3
Trgl. * Crot. * Rohrengl.
* Trinidad steel drum * 3
hg. Beck. * 3 Tamt. * 3
Tomt. * Schellentr. * kl.
Tr. * gr. Tr. [m. u. o.
Beck.] * Bongo * Guiro *
Kast. * Ratsche *
Peitsche * Lotosfl. *
Cuica * Mar. * Putipu
[neap. Brummtopf]*
Scetavajasse [neap.
Schrapstock mit Schellen]
* Flex. * Vibr. *
Marimba) (3 Spieler) -
Klav. (auch Cel. und Akk.
ad lib.) - Str.