Orchestra - Grade 1-2

SKU: AP.49072

Composed by Mark Wood. Performance Music Ensemble; Single Titles; String Orchestra. Mark Wood Series. Pop/Rock; Rock. Score and Part(s). Duration 3:00. Alfred Music #00-49072. Published by Alfred Music (AP.49072).

ISBN 9781470647780. UPC: 038081567006. English.

This multi-level piece includes a full set of parts for grade 1 as well as a full set for grade 2 ensembles. Mix and match the parts as you need---perfect for mixed-ability ensembles!

Representing one of Mark Wood's favorite places to visit, Arizona Sun was inspired by the sheer beauty and power of the American southwest, specifically that of the Grand Canyon State. The work is in the key of A major, and based on a traditional blues progression that can be found in early rock and roll. Arizona Sun features two sections that allow the players to improvise. For string orchestra with optional rock rhythm section parts. (3:00)

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(Orchestra)

SKU: BA.BA11902

Composed by Ludwig van Beethoven. Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Score. Opus 43. Baerenreiter Verlag #BA11902_00. Published by Baerenreiter Verlag (BA.BA11902).

ISBN 9790006573417. 32.5 x 25.5 cm inches.

Beethoven composed the ballet music “Die Geschöpfe des Prometheus” during 1800–01, commissioned by the ballet master Salvatore Viganò for performances with his Viennese company. Although the ballet was initially quite successful, with almost thirty continuous performances, it did not enjoy a sustained performance tradition. Its overture, however, was a different matter: considered almost a symphonic movement in terms of orchestration, style and structure, it was often performed on its own even during Beethoven’s lifetime.

In general, previous editions of this overture relied on the first print as the main source. However, the authenticity of this source cannot be convincingly proven. For this new edition, Beethoven specialist Jonathan Del Mar incorporates various manuscript sources, including a set of parts from 1803/4 that has never been considered before. In this way, numerous discrepancies could be clarified.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(Orchestra)

SKU: HP.8335

Composed by Allen Pote. Christmas, choral cantata. Christmas Musicals. Christmas, Sacred. Value Pack (10 Listening CDs). Hope Publishing Company #8335. Published by Hope Publishing Company (HP.8335).

UPC: 763628183356. Tom S. Long.

Christmas Musical This adult Christmas cantata comes from the writing team of Tom Long and Allen Pote. Traditional carols, original music, lyrics, and scripture from the gospels of Luke and Matthew are all used to tell the Christmas story. Options are provided for using candles and actor tableaux to embellish the performance. The performance time of 25 minutes makes this ideal for use as part of the worship service. The orchestration is by Joel Raney, which includes a Conductor's Score as well as Percussion (windchimes, chime, suspended cymbal, orchestra bells, timpani, snare drum, tambourine, triangle, bell tree), Flute, Oboe, Trumpet in B-flat, Horn in F, Cello, and Electric Bass.

(Orchestra)

SKU: HP.8332

Composed by Allen Pote. Christmas, choral cantata. Christmas Musicals. Christmas, Sacred. Listening CD. Hope Publishing Company #8332. Published by Hope Publishing Company (HP.8332).

UPC: 763628983321. Tom S. Long.

Christmas Musical This adult Christmas cantata comes from the writing team of Tom Long and Allen Pote. Traditional carols, original music, lyrics, and scripture from the gospels of Luke and Matthew are all used to tell the Christmas story. Options are provided for using candles and actor tableaux to embellish the performance. The performance time of 25 minutes makes this ideal for use as part of the worship service. The orchestration is by Joel Raney, which includes a Conductor's Score as well as Percussion (windchimes, chime, suspended cymbal, orchestra bells, timpani, snare drum, tambourine, triangle, bell tree), Flute, Oboe, Trumpet in B-flat, Horn in F, Cello, and Electric Bass.

Orchestra

SKU: PR.416415760

For Really Big Orchestra. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Study Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576. Published by Theodore Presser Company (PR.416415760).

UPC: 680160636532. 9 x 12 inches.

The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.

Orchestra

SKU: PR.41641576L

For Really Big Orchestra. Composed by PDQ Bach. Edited by Peter Schickele. Large Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576L. Published by Theodore Presser Company (PR.41641576L).

UPC: 680160636549. 11 x 17 inches.

The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.

Orchestra

SKU: LO.30-3240L

Choral, cantatas. Christmas. CD with printable parts. Lorenz Publishing Company #30/3240L. Published by Lorenz Publishing Company (LO.30-3240L).

UPC: 000308142419.

This collaborative cantata looks at the Christmas story through the eyes of first-hand witnesses, who share their unique perspectives on the miraculous birth of Jesus. Zechariah, Mary, Joseph, a shepherd, a wise man, and the aged saint Simeon all share their stories through dramatic monologues. A blend of original and familiar carols provides a dramatic sonic backdrop for these inspiring stories. Ed Hogan’s stunning orchestration makes this piece a versatile work that can be presented equally well with piano only or with full orchestral accompaniment, and the optional inclusion of congregational singing of familiar carols ensures a meaningful worship experience for the entirety of the congregation. Orchestration by Ed Hogan for 2 Fl, Ob (sub S Sax or Cl), 2 Cl, Bsn (sub Bass Cl), 2 Hn (sub 2 A Sax or Cl), Tpt 1, Tpt 2–3 (sub 2 A Sax), 2 Tbn (sub 2 T Sax), Tuba, 2 Perc, Timp, Harp, Pno, 2 Vln, Vla (sub Cl), Cello, Bass, Digital Strings.

Orchestra (pic(fl).1.2.2.1.cbsn-2.2 .0.0-str(12-14.10-12.8-10 .6-8.4-6))

SKU: HL.49019158

For orchestra. Composed by Ryan Wigglesworth. This edition: Saddle stitching. Sheet music. Edition Schott. Softcover. Composed 2010. 60 pages. Duration 9'. Schott Music #ED13471. Published by Schott Music (HL.49019158).

ISBN 9790220133206. 8.25x11.75x0.222 inches.

Written in 2010 for the Royal Liverpool Philharmonic, Wigglesworth's nine-minute work explores the idea of perpetuum mobile (continuous movement) in seven connected, miniature inventions. A regular pulse forms the work's core, with elaborations of the central musical idea shifting constantly around it in jagged rhythms and sumptuous orchestration. The composer writes, The seven sections can very briefly be described thus: 1) an active, miniature 'theme and variations'; 2) the juxtaposition of various fragmentary two-part inventions; 3) a tremolo string ostinato with woodwind interjections, building towards the first climax; 4) an ostinato passing between horns and muted trumpets together with a dialogue for high woodwind and low strings; 5) a very slow canon for string harmonics and pizzicato double basses; 6) a fast, one-part invention beginning with solo piccolo, and gradually leading to the second climax; 7) chorale.This is a lively orchestral miniature which gives the impression of a kaleidoscope, with short musical ideas cutting across each other in quick succession.

By Joseph M. Martin. Chamber Orchestra. Harold Flammer Easter. Published by Shawnee Press

Orchestra

SKU: PR.41641530L

For Suona And Orchestra. Composed by Narong Prangcharoen. Large Score. 58 pages. Duration 15 minutes. Theodore Presser Company #416-41530L. Published by Theodore Presser Company (PR.41641530L).

UPC: 680160625925.

The Respiration of the Earth is inspired by the breathing motion. The music focuses on the tension of the air of breathing. There are many different types of breathing such as slow breath, long breath, short breath, holding breath, uneven breath, etc. The shape of the music is created by the inhale and exhale motion. The piece starts with a long holding breath, gradually create a tension until one can't hold that breath and release the air out. The Suona is acting as the motion of the air so the orchestra has to follow. This piece ends with the chaotic motion so the audiences can feel the tension as if they are running out of breath. It's a main concern about the environment of the Earth so this piece is a message to people to keep the environment clean so the Earth can breath for a longer time. Respiration of the Earth is commissioned and dedicated to Mr. Shi Haibin with the gracious support from John Simon Guggenheim Foundation.
The Respiration of the Earth is inspired by the breathing motion. The music focuses on the tension of the air of breathing. There are many different types of breathing such as slow breath, long breath, short breath, holding breath, uneven breath, etc. The shape of the music is created by the inhale and exhale motion. The piece starts with a long holding breath, gradually create a tension until one can’t hold that breath and release the air out. The Suona is acting as the motion of the air so the orchestra has to follow. This piece ends with the chaotic motion so the audiences can feel the tension as if they are running out of breath. It’s a main concern about the environment of the Earth so this piece is a message to people to keep the environment clean so the Earth can breath for a longer time.Respiration of the Earth is commissioned and dedicated to Mr. Shi Haibin with the gracious support from John SimonGuggenheim Foundation.

Composed by Joel Raney. Arranged by Joel Raney. Christmas. Score and instrument parts. Published by Hope Publishing Company

Full orchestra

SKU: LO.30-3538L

Composed by Mary McDonald. Choral, cantatas. Eastertide, Holy Week. Full score and parts, plus CD with printable parts. Lorenz Publishing Company #30/3538L. Published by Lorenz Publishing Company (LO.30-3538L).

UPC: 000308148961.

The resurrection of Jesus changed the world and continues to change the world today. Jesus! The Resurrection of the Messiah tells the intimate story of the grief, the fear, the hope, the love, the tenderness, and the longing of God for His children expressed through the life, death, and resurrection of Jesus. Mary McDonald and Rose Aspinall combined their talents to create a compelling musical that will take you through the emotions of the Triumphal Entry, the raising of Lazarus, the Last Supper, the moment in the garden when Jesus is arrested, the Crucifixion, and finally to the joyous Resurrection. This work may be programmed in its entirety or presented in segments during Palm Sunday, Holy Week, and Resurrection Sunday worship settings. It may be done with choir and piano alone or can include the optional orchestrations created by Michael Lawrence and Ed Hogan. This powerful worship tool is an inspiring reminder of the life-changing impact of this Deliverer, Redeemer, and Savior….Jesus!

Full orchestra

SKU: LO.30-3653L

Composed by Pepper Choplin. Arranged by Michael Lawrence. Choral, cantatas. Eastertide, Holy Week. Score and parts, plus CD with printable parts. Lorenz Publishing Company #30/3653L. Published by Lorenz Publishing Company (LO.30-3653L).

UPC: 000308152227.

Score and parts plus CD with printable parts for The Body of Christ (55/1197L) Pepper Choplin beautifully and creatively crafted this telling of the final days of Jesus’ life, focusing on the meaning of His words and actions leading to the cross. With stunning melodies and a powerful orchestration by Michael Lawrence, we reflect on the feet that walked the earth, the hands that touched and healed, the voice that spoke the Word of God, and the head that bore a crown of thorns as Jesus was sacrificed. From the worshipful opener, We Behold His Glory, to the meditative and stunningly powerful path to the cross, O Sacred Journey, the importance of Christ’s body remains the center point of this work. The final number, We Are the Body of Christ, is a benediction that can be presented immediately following the preceding number or after closing remarks from a speaker. For Christ is our head and though we are many, His Spirit will make us one…Go now as the body of Christ..

Full orchestra

SKU: LO.30-3650L

Composed by Pepper Choplin. Arranged by Michael Lawrence. Choral, cantatas. Eastertide, Holy Week. Full score. Lorenz Publishing Company #30/3650L. Published by Lorenz Publishing Company (LO.30-3650L).

UPC: 000308152197.

Full score for The Body of Christ (55/1197L) Pepper Choplin beautifully and creatively crafted this telling of the final days of Jesus’ life, focusing on the meaning of His words and actions leading to the cross. With stunning melodies and a powerful orchestration by Michael Lawrence, we reflect on the feet that walked the earth, the hands that touched and healed, the voice that spoke the Word of God, and the head that bore a crown of thorns as Jesus was sacrificed. From the worshipful opener, We Behold His Glory, to the meditative and stunningly powerful path to the cross, O Sacred Journey, the importance of Christ’s body remains the center point of this work. The final number, We Are the Body of Christ, is a benediction that can be presented immediately following the preceding number or after closing remarks from a speaker. For Christ is our head and though we are many, His Spirit will make us one…Go now as the body of Christ..

Full orchestra

SKU: LO.30-3651L

Composed by Pepper Choplin. Arranged by Michael Lawrence. Choral, cantatas. Eastertide, Holy Week. Instrumental parts. Lorenz Publishing Company #30/3651L. Published by Lorenz Publishing Company (LO.30-3651L).

UPC: 000308152203.

Set of parts for The Body of Christ (55/1197L) Pepper Choplin beautifully and creatively crafted this telling of the final days of Jesus’ life, focusing on the meaning of His words and actions leading to the cross. With stunning melodies and a powerful orchestration by Michael Lawrence, we reflect on the feet that walked the earth, the hands that touched and healed, the voice that spoke the Word of God, and the head that bore a crown of thorns as Jesus was sacrificed. From the worshipful opener, We Behold His Glory, to the meditative and stunningly powerful path to the cross, O Sacred Journey, the importance of Christ’s body remains the center point of this work. The final number, We Are the Body of Christ, is a benediction that can be presented immediately following the preceding number or after closing remarks from a speaker. For Christ is our head and though we are many, His Spirit will make us one…Go now as the body of Christ..

Full orchestra

SKU: LO.30-3616MD

Composed by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. Instrumental parts. Medallion Music #30/3616MD. Published by Medallion Music (LO.30-3616MD).

UPC: 000308151015.

Behol d, A Savior! is a portrait of a promise and a portrait of the fulfillment of that promise. Throughout this musical, Jay Rouse and Rose Aspinall skillfully weave scripture and dramatic first-hand accounts of the birth of Jesus into beloved carols and original songs. Each monologue and song will take you on a journey—from the longing of Zechariah, the joy and acceptance of Mary, and the courage of Joseph to the accounts of the shepherds and wise men. Designed with flexibility in mind, these songs and stories can be presented individually across the Advent season or in their entirety for a special event. An optional introduction and closing narration, accessible solos, and gorgeous orchestrations add to the flexibility and will make this one of the most practical collections in your library.

Full orchestra

SKU: LO.30-3537L

Composed by Mary McDonald. Choral, cantatas. Eastertide, Holy Week. CD with printable parts. Lorenz Publishing Company #30/3537L. Published by Lorenz Publishing Company (LO.30-3537L).

UPC: 000308148930.

The resurrection of Jesus changed the world and continues to change the world today. Jesus! The Resurrection of the Messiah tells the intimate story of the grief, the fear, the hope, the love, the tenderness, and the longing of God for His children expressed through the life, death, and resurrection of Jesus. Mary McDonald and Rose Aspinall combined their talents to create a compelling musical that will take you through the emotions of the Triumphal Entry, the raising of Lazarus, the Last Supper, the moment in the garden when Jesus is arrested, the Crucifixion, and finally to the joyous Resurrection. This work may be programmed in its entirety or presented in segments during Palm Sunday, Holy Week, and Resurrection Sunday worship settings. It may be done with choir and piano alone or can include the optional orchestrations created by Michael Lawrence and Ed Hogan. This powerful worship tool is an inspiring reminder of the life-changing impact of this Deliverer, Redeemer, and Savior….Jesus!

Full orchestra

SKU: LO.30-3652L

Composed by Pepper Choplin. Arranged by Michael Lawrence. Choral, cantatas. Eastertide, Holy Week. CD with printable parts. Lorenz Publishing Company #30/3652L. Published by Lorenz Publishing Company (LO.30-3652L).

UPC: 000308152210.

CD with printable parts for The Body of Christ (55/1197L) Pepper Choplin beautifully and creatively crafted this telling of the final days of Jesus’ life, focusing on the meaning of His words and actions leading to the cross. With stunning melodies and a powerful orchestration by Michael Lawrence, we reflect on the feet that walked the earth, the hands that touched and healed, the voice that spoke the Word of God, and the head that bore a crown of thorns as Jesus was sacrificed. From the worshipful opener, We Behold His Glory, to the meditative and stunningly powerful path to the cross, O Sacred Journey, the importance of Christ’s body remains the center point of this work. The final number, We Are the Body of Christ, is a benediction that can be presented immediately following the preceding number or after closing remarks from a speaker. For Christ is our head and though we are many, His Spirit will make us one…Go now as the body of Christ..

Full orchestra

SKU: LO.30-3615MD

Composed by Jay Rouse. Choral, cantatas. Advent, Christmas, Sacred. Full score. Medallion Music #30/3615MD. Published by Medallion Music (LO.30-3615MD).

UPC: 000308151008.

Behol d, A Savior! is a portrait of a promise and a portrait of the fulfillment of that promise. Throughout this musical, Jay Rouse and Rose Aspinall skillfully weave scripture and dramatic first-hand accounts of the birth of Jesus into beloved carols and original songs. Each monologue and song will take you on a journey—from the longing of Zechariah, the joy and acceptance of Mary, and the courage of Joseph to the accounts of the shepherds and wise men. Designed with flexibility in mind, these songs and stories can be presented individually across the Advent season or in their entirety for a special event. An optional introduction and closing narration, accessible solos, and gorgeous orchestrations add to the flexibility and will make this one of the most practical collections in your library.

(study score). By Johannes Brahms (1833-1897). Edited by Hans Gal. For orchestra. Breitkopf Full Scores. Parts, Urtext. 104 pages

Orchestra

SKU: LM.VV117

Composed by Gilles Cantagrel. Classical. Book. Editions Van de Velde #VV117. Published by Editions Van de Velde (LM.VV117).

ISBN 9782858682133.