Composed by Erica
Donahoe. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Patriotic.
Score and Part(s).
Duration 2:20.
Highland/Etling
#00-49932. Published by
Highland/Etling
(AP.49932).
ISBN
9781470657826. UPC:
038081575681.
English.
With
driving bass lines and
sweeping melodies, this
piece captures the
warrior ethos of our many
service members and
veterans of the United
States Air Force.
Students will love the
rhythmic drive of the low
string parts, and all
performers get a chance
to shine in the melodic
sections. Written by USAF
veteran (and veteran
orchestra director) Erica
Donahoe, Air Warriors is
a great way to honor the
veterans in your
community! (2:20).
Composed by Erica
Donahoe. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland String Orchestra
(HSO). Programmatic.
Score and Part(s).
Duration 3:30.
Highland/Etling
#00-49466. Published by
Highland/Etling
(AP.49466).
ISBN
9781470650186. UPC:
038081570969.
English.
Students
will love Shipwreck
Coast---a dark and stormy
piece by Erica Donahoe!
Cello and string bass
players will enjoy
digging into the opening
melody, and all members
of the orchestra will be
challenged with an
exciting and rewarding
musical journey.
(3:30).
Orchestra (Parts) SKU: HL.14042094 Parts. Composed by Carl August ...(+)
Orchestra (Parts)
SKU:
HL.14042094
Parts. Composed by
Carl August Nielsen.
Music Sales America.
Classical. Softcover.
Edition Wilhelm Hansen
#WH31596A. Published by
Edition Wilhelm Hansen
(HL.14042094).
ISBN
9788759879610.
Part
s. Score also available
(14042093).
Instrumentation: Flute
1-2 / Oboe 1-2 / Clarinet
1-2 / Bassoon 1-2 / Horn
1-4 / Trumpet 1-2 /
Trombone 1-2 / Timpani /
Percussion / Piano /
Violin 1 x 8 / Violin 2 x
7 / Viola x 6 / Cello x 5
/ Double Bass x 4.
The Sea Hawk Orchestre [Conducteur et Parties séparées] - Intermédiaire/avancé Alfred Publishing
(Suite for Orchestra). By Erich Wolfgang Korngold (1897-1957). Arranged by Jerry...(+)
(Suite for Orchestra). By
Erich Wolfgang Korngold
(1897-1957). Arranged by
Jerry Brubaker.
Orchestra. For full
(vibraphone, timp, snare,
bass,
crashcym/triangle/tamb,
suscym/tamtam, harp).
Full Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Movie. Grade
4. 226 pages. Published
by Alfred Music
Publishing
Orchestra - intermediate SKU: HL.49027838 Set of Solo Parts. Compo...(+)
Orchestra - intermediate
SKU: HL.49027838
Set of Solo Parts.
Composed by Francesco
Durante. Edited by Erich
Doflein. This edition:
Saddle stitching. Sheet
music. Concertino
(Chamber Orchestra).
Classical. Set of solo
parts. 20 pages. Duration
12'. Schott Music #CON
47-71. Published by
Schott Music
(HL.49027838).
Score. Composed by
Francesco Durante. Edited
by Erich Doflein. This
edition: Saddle
stitching. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Score. 24 pages. Duration
12'. Schott Music #CON
47. Published by Schott
Music (HL.49002021).
Orchestra (Study Score) SKU: HL.14032844 Composed by John Tavener. Music ...(+)
Orchestra (Study Score)
SKU: HL.14032844
Composed by John Tavener.
Music Sales America.
Classical. Book
[Softcover]. Composed
1999. 96 pages. Chester
Music #CH55636. Published
by Chester Music
(HL.14032844).
7.0x10.0x0.262
inches.
A complete
musical setting of the
Russian poetess Anna
Akhmatova's Requiem using
the original Russian
text, to which some
prayers from the Russian
Orthodox funeral service
have been added by the
composer. Duration c.
50mins. Instrumentation:;
SOLO SOPRANO; SOLO BASS;
3 HORNS IN F; 3 TRUMPETS
IN C; 3 BASS TROMBONES;
TIMPANI (2 SETS);
PERCUSSION (5 PLAYERS);
CELESTE; STRINGS.
Orchestra SKU: HL.14035756 Composed by Per Norgard. Music Sales America. ...(+)
Orchestra
SKU:
HL.14035756
Composed
by Per Norgard. Music
Sales America. Classical.
Book [Softcover]. 16
pages. Music Sales
#KP00298. Published by
Music Sales
(HL.14035756).
ISBN
9788759868294.
English.
Wenn Die Rose Sich
Selbst Schmückt,
Schmückt Sie Auch
Den Garten (When
The Rose Beautifies
Itself, It Beautifies The
Garden ) was composed by
Per
Nørgård
in 1971.
Chamber
Cantata for four
performers
Scored
for Soprano, Alto Flute,
Double Bass and
Percussion (all playing
also Crotales).
Composed for and
dedicated to Dorothy
Dorrow.
Parts
available: KP01092
Preface /
Programme
Note
The title of the
work is borrowed from a
fragment by the German
poet Friedrich
Rückert. This
fragment, this short
sentence (which
Rückert apparently
neverelaborated upon) is
the entire basis of the
work. I was inspired by
the meaning as well as
the sound of these
words. I perceive the
meaning of the sentence
as being a defence for
the refinement of an
individual’s
personal gifts - far from
the present hostility
toward individuality and
the senseless praise of
impersonal success in
society. Personal
refinement can, so the
fragment in my
interpretation, at its
best be accompanied by a
deep sense of
responsibility, and
become an active and
positive influence in
society. The sound,
the timbre, of the
individual words and
characters is employed
both
in straightforward
text-sequences, as well
as in the exploration of
individual vowels and
consonants as pure
sounds. The soprano is
often used purely
instrumentally, echoing
and pre-echoing
discreetly the notes of
the flute and the
harmonics of the double
bass, often imperceptably
stealing their notes and
altering them into human
sounds, which then
yet again are
absorbed into the
instrumental
tapestry.
Chorus; Orchestra; Score (Study Score) SKU: HL.49009343 O Light Everla...(+)
Chorus; Orchestra; Score
(Study Score)
SKU:
HL.49009343
O
Light Everlasting, BWV
34. Composed by
Johann Sebastian Bach.
Edited by Arnold
Schering. Arranged by
Arnold Schering. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
62 pages. Eulenburg
Edition #ETP 1013.
Published by Eulenburg
Edition (HL.49009343).
ISBN 9790200208573.
UPC: 884088050061.
5.25x7.5x0.174 inches.
German.
For 3
soloists, choir, and
orchestra. German
language. Study
score.
Orchestra - intermediate SKU: HL.49027848 Set of Solo Parts. Compo...(+)
Orchestra - intermediate
SKU: HL.49027848
Set of Solo Parts.
Composed by Francesco
Durante. Edited by Erich
Doflein. This edition:
Saddle stitching. Sheet
music. Concertino
(Chamber Orchestra).
Classical. Set of solo
parts. 18 pages. Duration
12'. Schott Music #CON
49-71. Published by
Schott Music
(HL.49027848).
ISBN
9790001021944.
8.5x11.75x0.052
inches.
The
four-part concertos of
the important Neapolitan
master Durante can be
performed by string
orchestras with or
without basso continuo,
the concertos in F minor
and E minor even with
string quartet.
Orchestra - intermediate SKU: HL.49002026 Set of Parts. Composed b...(+)
Orchestra - intermediate
SKU: HL.49002026
Set of Parts.
Composed by Francesco
Durante. Edited by Erich
Doflein. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Set of choral parts.
Duration 12'. Schott
Music #CON49-70.
Published by Schott Music
(HL.49002026).
ISBN
9790001021937. UPC:
073999966466.
8.25x11.75x0.196
inches.
The
four-part concertos of
the important Neapolitan
master Durante can be
performed by string
orchestras with or
without basso continuo,
the concertos in F minor
and E minor even with
string quartet.
Orchestra SKU: HL.14022923 Composed by Carl August Nielsen. Music Sales A...(+)
Orchestra
SKU:
HL.14022923
Composed
by Carl August Nielsen.
Music Sales America.
Classical. Set of Parts.
Composed 2007. 356 pages.
Edition Wilhelm Hansen
#WH30703A. Published by
Edition Wilhelm Hansen
(HL.14022923).
ISBN
9788759814413.
English.
Springtime
On Funen Op.42 by Carl
Nielsen for Soprano Solo,
Tenor Solo, Bass Baritone
Solo, SATB and Children's
choirs and Orchestra.
Orchestral parts.
Orchestra (Vocal Score) SKU: HL.14040288 Vocal Score. Composed by ...(+)
Orchestra (Vocal Score)
SKU: HL.14040288
Vocal Score.
Composed by Jean
Francaix. Music Sales
America. Classical. Book
Only. Editions Musicales
Transatlantiques
#ETR000840. Published by
Editions Musicales
Transatlantiques
(HL.14040288).
French.
Opera in
4 acts for Soprano, Alto,
2 Tenors, 2 Baritones, 2
Basses, chorus and
orchestra. Vocal
Score.
Orchestra (Orchestra) SKU: HL.14019146 Composed by Magnus Lindberg. Music...(+)
Orchestra (Orchestra)
SKU: HL.14019146
Composed by Magnus
Lindberg. Music Sales
America. Classical.
Score. 170 pages. Music
Sales #KP00137. Published
by Music Sales
(HL.14019146).
ISBN
9788759855775.
12.0x16.5x0.525 inches.
English.
The
harmonic model for this
piece is based on a
subdivision of pitches in
primary and secondary
notes, in principle any
chord can be viewed from
it's structural qualities
including interval
content and symmetry, but
it might also be
conceived from a more
acoustical point of view.
The parallel basis for
this work is a sequence
of 12-tone chords
repeated as a chaconne,
every chord has it's
Alter-Ego, an overtone
series the fundamentals
of which together form a
bass line. By
articulating the cycle
differently, with always
varied diagonal paths
between two layers
Lindberg has aimed to
give the music some
direction despite it's
vague repetitive
structure. Work for
Orchestra premiered at
the Queen Elizabeth Hall,
London, by the London
Sinfonietta under the
direction of Esa-Pekka
Salonen, April 1990.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra (Full Score) SKU: HL.238319 (2008). Composed by Michael ...(+)
Orchestra (Full Score)
SKU: HL.238319
(2008). Composed
by Michael Nyman. Music
Sales America. Classical.
Softcover. Composed 2017.
324 pages. Chester Music
#CH74756. Published by
Chester Music
(HL.238319).
UPC:
888680888442. 9x12
inches.
Somethin
g Connected with
Energy was composed
in 2008 and was
commissioned by the
Festival Della Scienza
2008, Genova, Italy with
financial support by
ERG.
Scored for
Flute/Piccolo,
Clarinet/Bass Clarinet,
Alto/Tenor Saxophone,
Horn, Trumpet,
Vibraphone, Piano and
Strings. Duration is
approximately: 48
minutes.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: HL.14028645 Composed by Aulis Sallinen. Music Sales Americ...(+)
Orchestra
SKU:
HL.14028645
Composed
by Aulis Sallinen. Music
Sales America. 20th
Century. Book
[Softcover]. Music Sales
#NOV890196. Published by
Music Sales
(HL.14028645).
ISBN
9780853609674.
A
facsimile study score for
one of Sallinen's most
recent works, A Solemn
Overture. Orchestration:
3 flutes, 3 oboes, 3
clarinets in B flat, 3
bassoons, 4 horns in F, 3
trumpets in B flat, 3
trombones in C, Tuba,
Timpani, Harp and
Strings. Duration
approximately 10mins.
Orchestra SKU: HL.14020998 Composed by Sir Peter Maxwell Davies. Music Sa...(+)
Orchestra
SKU:
HL.14020998
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical. Book
[Softcover]. Composed
1999. 8 pages. Chester
Music #CH60356. Published
by Chester Music
(HL.14020998).
ISBN
9780711930766. UPC:
884088435059. 5.5x7.5
inches.
A short
piece for small
orchestra, written in
1989 when the composer
heard of Michael Vyner's
death. Premiered in
October 1989 at
Glyndebourne Sussex, by
the London Sinfonietta
and conducted by the
composer just six days
after Vyman's death.
Approximately six minutes
in duration, it is based
on the plainsong 'Cor
meum et caro mea
exultaverunt in Deum
vivum' and is scored for
two oboes, two bassoons,
two horns, two trumpets,
timpani and strings.
Orchestra SKU: HL.14023642 Composed by Michael Nyman. Music Sales America...(+)
Orchestra
SKU:
HL.14023642
Composed
by Michael Nyman. Music
Sales America. 20th
Century. Book
[Softcover]. Composed
1999. 54 pages. Chester
Music #CH61479. Published
by Chester Music
(HL.14023642).
ISBN
9780711978119.
9.0x12.0x0.243
inches.
This work
was written by Michael
Nyman towards the end of
1997, commissioned by the
English Sinfonia to
celebrate the orchestra's
taking up residence in
Stevenage, Hertfordshire.
The first performance was
given by the English
Sinfonia under Bramwell
Toevy at the Royal
Festival Hall, London, on
14 April 1998. Duration
c. 17mins.
Instrumentation:; 2
FLUTES; 2 OBOES; 2
CLARINETS IN Bb; 2
BASSOONS; 2 HORNS IN F; 2
TRUMPETS IN Bb; TIMPANI;
STRINGS.
(Bassoon Parts Edited By Donald Burrows). By George Frideric Handel (1685-1759)....(+)
(Bassoon Parts Edited By
Donald Burrows). By
George Frideric Handel
(1685-1759). Edited by
Donald Burrows. For
Orchestra. Music Sales
America. Softcover. 68
pages. Novello and Co
Ltd. #NOV09092611.
Published by Novello and
Co Ltd.