Orchestra (3(1).2 (English horn).2 (bass clarinet). 2 - 4.3.3.1 - timpani, 2 percussion, harp; strings)

SKU: SU.91510080

For Orchestra. Composed by Steven Mercurio. Orchestra. Study Score. Composed 1999. Duration 6'. Subito Music Corporation #91510080. Published by Subito Music Corporation (SU.91510080).

Composed in 1999. Duration 6'. 3(1) 2 eh, 2 bscl, 2; 4331; timp, 2 perc, hp; stgs. Published by Subito Music Publishing.Full Score & Parts: available on rental:.

Orchestra

SKU: HL.51489069

Study Score. Composed by Franz Joseph Haydn. Edited by Horst Walter. Henle Music Folios. Classical. Softcover. 93 pages. G. Henle #HN9069. Published by G. Henle (HL.51489069).

UPC: 840126951905. 6.75x9.5x0.291 inches.

Haydn arrived in London at the beginning of February 1794 for his second stay in England. By this time, he had completed three movements of the Symphony in D major Hob. I:101, and the finished work was premiered on 3 March. Even the members of the audience at the premiere took note of the pendulum-like accompanying figure in the second movement, which was in fact explicitly mentioned in a review: “The management of the accompaniments of the andante, though perfectly simple, was masterly.” The even tick-tock oscillations sparked the imagination of listeners so much, apparently, that the nickname “Clock” came into use later in the nineteenth century. And while this name may have nothing to do with Haydn, is it even possible to listen to the famous second movement today without making the association? To everyone wishing to become more acquainted with this symphony, let this inexpensive study edition be commended - with reliable commentaries on its genesis, sources, and edition as well as an unassailable musical text taken from the Haydn Complete Edition.

Orchestra - Grade 3

SKU: AP.49936

Composed by Richard Meyer. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score and Part(s). Duration 4:40. Highland/Etling #00-49936. Published by Highland/Etling (AP.49936).

ISBN 9781470657741. UPC: 038081575605. English.

Give your young string orchestra a chance to learn the all-important skills needed to accompany a soloist with this compact, one-movement work that features a soloist playing ANY string or band instrument: oboe, viola, tuba---you name it! A Chameleon Concerto, by Richard Meyer, has catchy melodies that explore various moods. The constant give-and-take between the soloist and strings keeps every section of your group active. There is even a short cadenza toward the end of the piece to offer everyone on stage a complete concerto learning experience. (4:40).

Orchestra - Grade 3

SKU: AP.49936S

Composed by Richard Meyer. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. Duration 4:40. Highland/Etling #00-49936S. Published by Highland/Etling (AP.49936S).

ISBN 9781470657758. UPC: 038081575612. English.

Give your young string orchestra a chance to learn the all-important skills needed to accompany a soloist with this compact, one-movement work that features a soloist playing ANY string or band instrument: oboe, viola, tuba---you name it! A Chameleon Concerto, by Richard Meyer, has catchy melodies that explore various moods. The constant give-and-take between the soloist and strings keeps every section of your group active. There is even a short cadenza toward the end of the piece to offer everyone on stage a complete concerto learning experience. (4:40).

(Orchestra)

SKU: HP.C6075O

Composed by Mary McDonald. Piano with Optional Orchestra. Palm Sunday, Sacred. Set of Instrumental Parts. Hope Publishing Company #C6075O. Published by Hope Publishing Company (HP.C6075O).

UPC: 763628260750. Rose Aspinall.

Original Palm Sunday anthem This original Palm Sunday anthem is brimming with rhythmic energy as it portrays the events of Jesus, the Blessed Messiah, entering into Jerusalem. The text explores the many questions that were asked of who he was and if he really was the Son of God. The powerful conclusion exclaims in affirmation, You are the way, the truth, and the life, Son of God, Blessed One! Messiah! This comes from Mary McDonald's musical My Savior's Love, code no. 8701. Orchestrations: Conductor's Score, Flute, Oboe (or Soprano Sax or Clarinet), Clarinet, Horn in F (or Alto Sax or Clarinet), 2 Trumpets (or Alto Sax), 2 Trombones (or Baritone T. C. or Tenor Sax), Percussion 1 & 2, Piano, Synth, Electric Bass, 2 Violins, Cello/Bassoon (or Bass Clarinet), String Reduction.

Orchestra (Fl-Picc, Fl, Trp, V, Va, timpani, bassoon, Vc, double bass, Continuo)

SKU: BA.BA07569

Ballet héroïque in one prologue and three entrées. Composed by Jean-Philippe Rameau. Edited by Thomas Soury. This edition: urtext edition. Paperback. Symphonies. Score, anthology. Baerenreiter Verlag #BA07569_00. Published by Baerenreiter Verlag (BA.BA07569).

ISBN 9790006523375. 32.9 x 23.9 cm inches. Text Language: French/German. Preface: Soury, Thomas. Louis de Cahusac.

Rameau's “Les Fêtes de l'Hymen et de l'Amour” was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as “Zaïs”, “Zoroastre” and “Les Borades”. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from “Aruris”, a scoring found nowhere else in his uvre.

For the first time, this scholarly-critical edition of “Les Fêtes de l'Hymen et de l'Amour” presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Acadmie Royale de Musique in 1748.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By John Williams. Arranged by Jerry Brubaker. Music by John Williams / arr. Jerry Brubaker. For Full Orchestra. Full Orchestra. Pop Concert Full Orchestra. Movie. Conductor Score & Parts. Published by Alfred Publishing.
Level: 3.5 (grade 3.5).

Composed by David Levenson. For full orchestra. String Tracks. Grade 4. Score and parts. Published by Neil A. Kjos Music Company

(Instrumental Accompaniments for Ecumenical Hymns). Composed by James Engebretson. Sacred. Score and CD-Rom. 116 pages. Published by Augsburg Fortress

Full orchestra

SKU: LO.30-3606MD

Composed by Marty Parks. Arranged by Mary McDonald. Choral. Sacred Anthem. Orchestral score and parts. Medallion Music #30/3606MD. Published by Medallion Music (LO.30-3606MD).

UPC: 000308150872.

Orche stral Score and Parts for He Lifted Me (10/5177MD) This anthem has it all: traditional text, inspired music, and a gorgeous choral arrangement. Charles H. Gabriel’s traditional hymn lyrics are set to original music by Marty Parks and arranged by Mary McDonald for SATB choirs. It even has an optional orchestration by Ed Hogan.

Orchestra

SKU: BR.PB-5432

Composed by Helmut Lachenmann. Orchestra; stapled. Partitur-Bibliothek (Score Library).

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

New music (post-2000). Full score. Composed 2016/17/20. 48 pages. Duration 8'. Breitkopf and Haertel #PB 5432. Published by Breitkopf and Haertel (BR.PB-5432).

ISBN 9790004212790. 10 x 12.5 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.

Orchestra (2.2.cor ang.2.2 - 4.2.3.1 - timp.perc(4) - cel.jeu de timbres - 2hp - str)

SKU: BR.PB-5539

Urtext. Composed by Maurice Ravel. Edited by Jean-Francois Monnard. Orchestra; Softcover. Partitur-Bibliothek (Score Library).

A l'exemple de Schubert - Ravel re-invents the waltz, inspired by Liszt, Chopin, Schumann and Chabrier, transforming the rhapsodic gyrations of the dance and sending it whirling into the 20th century.

Have a look into ISBN 9790004213490. 10 x 12.5 inches.

Ravel needed only two weeks of intensive concentration to orchestrate his piano suite Valses nobles et sentimentales, which was given its premiere performance in March 1911. Consisting of seven waltzes and one epilogue, the work stamped Ravel as a creative personality whose masterpiece breathed an unbelievably new kind of musicality and incredibly intensive poetry. Let us not forget that this was twelve years before La Valse, with which it shares a number of similarities. The new edition of the complete performance material in Breitkopf's Urtext series was prepared by the Ravel expert Jean-Francois Monnard.

A l'exemple de Schubert - Ravel re-invents the waltz, inspired by Liszt, Chopin, Schumann and Chabrier, transforming the rhapsodic gyrations of the dance and sending it whirling into the 20th century.

Orchestra

SKU: FG.55011-652-8

Composed by Antti Auvinen. Study score. Fennica Gehrman #55011-652-8. Published by Fennica Gehrman (FG.55011-652-8).

ISBN 9790550116528.

Himm el Punk was born out of social commentary. It addresses narrow-mindedness manifesting itself in the rejection of particular values on religous grounds. Piety turns to hypocrisy as those who think otherwise are branded as an inferior caste, thereby even justifying the denial of human rights to them.

By Joseph M. Martin. Chamber Orchestra. Harold Flammer Easter. Published by Shawnee Press

Oratorio Study Score. By Sir Michael Tippett. Study Score. 176 pages. Published by Eulenburg London (Schott).

Critical Edition by Alessandro Borin. Composed by Antonio Vivaldi (1678-1741). Edited by Alessandro Borin. Orchestra. Classical. Softcover. 132 pages. Ricordi #PR1431. Published by Ricordi (HL.50600716).

Orchestra (Full Score)

SKU: HL.14042350

Full Score. Composed by Sø and ren Nils Eichberg. Music Sales America. Classical, Contemporary. Softcover. Composed 2013. Edition Wilhelm Hansen #WH31627. Published by Edition Wilhelm Hansen (HL.14042350).

ISBN 9788759826164.

S øren Nils Eichberg's Morpheus - Concerto for Orchestra (2013). Commissioned by The Danish National Symphony Orchestra / DR.

Parts are available on hire: hire@ewh.dk

Programme note

Morpheus in the Greek mythology is the most powerful of the Oneroi, the gods of dreams. He is the one who sends us our dreams and he may appear to us within the dreams in disguise.

Analogous to the logic of dreams, in Morpheus everything is interwoven, as chains of associations appear to logically lead us from one line of thought to another. Everything seems strangelyfamiliar. But the logic is treacherous and we already feel, it may only be valid within the dream. Nothing that appears similar is actually ever really the same.

Half awakening, we struggle to hold on to a vanishing world we felt we were on the verge of understanding, but which we already know will eventually escape us when we fully awake.

Everything remains a mystery until the end.

 

The seven movements/dreamscapes are:

 

1. Vortex
2. Trees and Walls
3. Escher (Toccata)
4. Crystal
5. Into the Cloud
6. Non-Euclid
7. Arctica

Orchestra - Grade 3.5

SKU: AP.49053

Composed by Mark Wood. Performance Music Ensemble; Single Titles; String Orchestra. Mark Wood Series. Pop/Rock; Rock. Score and Part(s). Duration 3:10. Alfred Music #00-49053. Published by Alfred Music (AP.49053).

ISBN 9781470647865. UPC: 038081567082. English.

The traditional bolero is a moderately slow dance in triple meter which originated in late-18th century Spain. Since then it has spread to other countries and become transformed in the process. The Cuban bolero became a bit faster in tempo and duple in meter. In the U.S. it became a staple of competitive ballroom dancing, even faster and in 4/4 time. Maurice Ravel's Boléro for orchestra harkens back to the slower Spanish dance in three. Wood's Bolero by Mark Wood, on the other hand, focuses on the American version but maintains elements of the dance's origins and first iterations. For string orchestra with optional rock rhythm section parts. (3:10)

Download Play-Along Track

Orchestra - Grade 2-4

SKU: AP.49064

Composed by Mark Wood. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Mark Wood Series. Pop/Rock; Rock. Score and Part(s). Duration 4:30. Alfred Music #00-49064. Published by Alfred Music (AP.49064).

ISBN 9781470647841. UPC: 038081567068. English.

This multi-level piece includes a full set of parts for grade 2 as well as a full set for grade 4 ensembles. Mix and match the parts as you need---perfect for mixed-ability ensembles!

The traditional bolero is a moderately slow dance in triple meter which originated in late 18th century Spain. Since then it has spread to other countries and become transformed in the process. The Cuban bolero became a bit faster in tempo and duple in meter. In the U.S. it became a staple of competitive ballroom dancing, even faster and in 4/4 time. Maurice Ravel's Boléro for orchestra harkens back to the slower Spanish dance in three. Wood's Bolero by Mark Wood, on the other hand, focuses on the American version but maintains elements of the dance's origins and first iterations. For string orchestra with optional rock rhythm section parts. (4:30)

Download Play-Along Track

Orchestra - Grade 3.5

SKU: AP.49053S

Composed by Mark Wood. Performance Music Ensemble; Single Titles; String Orchestra. Mark Wood Series. Pop/Rock; Rock. Score. Duration 3:10. Alfred Music #00-49053S. Published by Alfred Music (AP.49053S).

ISBN 9781470647872. UPC: 038081567099. English.

The traditional bolero is a moderately slow dance in triple meter which originated in late-18th century Spain. Since then it has spread to other countries and become transformed in the process. The Cuban bolero became a bit faster in tempo and duple in meter. In the U.S. it became a staple of competitive ballroom dancing, even faster and in 4/4 time. Maurice Ravel's Boléro for orchestra harkens back to the slower Spanish dance in three. Wood's Bolero by Mark Wood, on the other hand, focuses on the American version but maintains elements of the dance's origins and first iterations. For string orchestra with optional rock rhythm section parts. (3:10)

Download Play-Along Track

Orchestra - Grade 2-4

SKU: AP.49064S

Composed by Mark Wood. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Mark Wood Series. Pop/Rock; Rock. Score. Duration 4:30. Alfred Music #00-49064S. Published by Alfred Music (AP.49064S).

ISBN 9781470647858. UPC: 038081567075. English.

This multi-level piece includes a full set of parts for grade 2 as well as a full set for grade 4 ensembles. Mix and match the parts as you need---perfect for mixed-ability ensembles!

The traditional bolero is a moderately slow dance in triple meter which originated in late 18th century Spain. Since then it has spread to other countries and become transformed in the process. The Cuban bolero became a bit faster in tempo and duple in meter. In the U.S. it became a staple of competitive ballroom dancing, even faster and in 4/4 time. Maurice Ravel's Boléro for orchestra harkens back to the slower Spanish dance in three. Wood's Bolero by Mark Wood, on the other hand, focuses on the American version but maintains elements of the dance's origins and first iterations. For string orchestra with optional rock rhythm section parts. (4:30)

Download Play-Along Track

By George Frideric Handel (1685-1759). Arranged by Richard Meyer. Orchestra. Full Orchestra; Masterworks. First Philharmonic. Baroque; Masterwork Arrangement. Grade 2. Conductor Score and Parts. 102 pages. Published by Alfred Music Publishing

Orchestra

SKU: HL.14011919

Composed by Karsten Fundal. Music Sales America. Score. Music Sales #KP01477. Published by Music Sales (HL.14011919).

ISBN 9788759878644. English-Danish.

Orc hestration: 3(pic)(afl).2+ca.1+2bcl.2 +cbn/4.3.3.1/timp.2perc/h p/pf/strParts are for hire: hire@ewh.dkProgramnote Hush er et studie i morke og lys, kold og varm lyd. Jeg har ogsa i dette stykke forsogt at introducere staerke folelsesmaessige udtryk, ved brug af instrumentale farver og tonale virkemidler. Titlen Hush er forbundet med et slags indre digt jeg har haft i tankerne medens jeg komponerede. Da jeg jo ikke er digter i ord, er det ufuldstaendigt og utilstraekkeligt i sin form, men derfor alligevel meget godt beskrivende for stykkets vaesen. Det lyder nogenlunde sadan her i mit hoved:Hush little heart- hush.!!was time running too fast or did the hours sometimesseem long?,Were your beats too many or were they too few in the end?Hush little heart- hushdid you see too little or did you sometimes see too much?,was life too small or was it sometimes larger than life?was your thirst quenched or did you end up drained?hush, hush, little heart- hush!!,Don't be afraid, maybe you knew all the time:that one day you would have to be still-or maybe you didn't?Is that why you were beating so fast?hush, hush little heart-hush,- be comforted, 'cause even as you feel so small Your very existence is strange and beautiful - so, hush, hush, be comforted, be still my beating heart.

Orchestra

SKU: HH.HH458-CON

Composed by Stephen Pratt. Orchestra. Conducting score. Edition HH Music Publishers #HH458-CON. Published by Edition HH Music Publishers (HH.HH458-CON).

ISBN 9790708146650.

Symp honies of Time and Tide was written to be performed during the composer’s 70th birthday year and it is dedicated to members of the Royal Liverpool Philharmonic Orchestra and its remarkable chief conductor Vasily Petrenko. Despite the title, it is a single-movement work, conceived as a whole, with a somewhat traditional symphonic shape underpinning the seven sections. Listeners should have little difficulty in identifying, in particular a light and jazzy section (III), a ‘slow movement’ (IV and V) and a ‘finale’ (VI) and ‘coda’ (VII).

Orchestra - Grade 2.5

SKU: AP.38405S

Composed by Peter Ilyich Tchaikovsky. Arranged by Michael Story. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Orchestra Expressions. Form: Overture. Masterwork Arrangement; Romantic. Score. 8 pages. Alfred Music #00-38405S. Published by Alfred Music (AP.38405S).

UPC: 038081437378. English.

200 years after the event it commemorates, let's celebrate Tchaikovsky with a very playable reduction of his great overture. Perfect for festival or contest---or just for fun, using paper bags for the canon effect!

About Orchestra Expressions

< p>Play great songs such as Over the Rainbow, Batman, This Land Is Your Land, and Star Wars (Main Title). Listen to and play a variety of styles of music: popular, traditional, classical, folk and patriotic. Read and write music; compose and improvise. Perform in a concert and play for your family and friends. Be a conductor of the orchestra. Learn about composers, such as Antonin Dvorak, Johann Pachelbel, Jacques Offenbach, Pytor Ilyich Tchaikovsky, Giuseppe Verdi, George M. Cohan, George Frideric Handel, Ludwig van Beethoven, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Giacomo Puccini, Georges Bizet, Neal Hefti, and John Williams. Discover how music and art are related. Learn about a variety of musical ensembles including string orchestra, full orchestra, mariachi band, steel drum band, dixieland jazz band, rock band, and more. Play music from around the world, including North America, Europe, Latin America, Asia, and Africa.