Orchestra (Study Score)

SKU: HL.51489819

Study Score. Composed by Ludwig van Beethoven. Edited by Beate Angelika Kraus. Henle Study Scores. Classical. Softcover. 266 pages. G. Henle #HN9819. Published by G. Henle (HL.51489819).

UPC: 840126932737. 6.75x9.5x0.712 inches.

After the first sketches had been put to paper in 1815, Beethoven only finally put the finishing touches to his last completed symphony in 1824. With its extended finale in which soloists and choir perform, building the bridge to the symphonic cantata with their invocation of fraternity, it marks a caesura in the history of the symphony that echoed long into the nineteenth century. The main theme of the ode “To Joy” by Friedrich Schiller, set to music in the final movement, has become one of the most popular melodies in all of classical music and today serves as the official anthem of Europe. Based on the musical text of the Beethoven Complete Edition and furnished with a new preface, this recently prepared edition reflects the latest in Beethoven scholarship. Now,in this study edition, it is available to everyone at a reasonable price and in a handy format.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Score and Critical Commentary (Complete Edition) Orchestra (Score)

SKU: HL.49045936

Oper in 7 Bildern Score and Critical Commentary (Complete Edition. Composed by Paul Hindemith. Edited by Giselher Schubert. Study Score. Classical. Hardcover. 268 pages. Schott Music #PHA109-30. Published by Schott Music (HL.49045936).

UPC: 196288056669.

The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but as work cycles with different functional relationships. These contrasting pieces complement each other if experienced as part of the overall structure. Hindemith himself not only wanted a complete edition of his collected works but had begun planning it; at his death he left a detailed list of 'Unpublished pieces for an eventual complete edition'. The Complete Works contain all finished works in all extant versions, newly engraved for the edition. Sketches and fragments are published in appendices of the relevant volume, and are evaluated in the Introduction and Critical Commentary by the respective volume editor. Each volume contains a preface by the editorial directors and an introduction by the volume editor, delineating the genesis and performance history of the work, with authentic performance instructions, an evaluation of extant recordings by Paul Hindemith himself and a Critical Commentary. The Complete Works of Paul Hindemith are thus presented in a critical, scholarly edition which is equally appropriate for study and performance. Hindemith researchers will welcome the numerous first publications of works by the composer, and practical musicians will appreciate the newly prepared, philologically ordered performance material.

Orchestra

SKU: BA.BA09189

Composed by Wolfgang Amadeus Mozart. Edited by H. C. Robbins Landon and Ulrich Konrad. This edition: urtext edition. Stapled. Original scoring (Mozart) / Later scoring (Mozart) / Posthumous double scoring. Score. Baerenreiter Verlag #BA09189. Published by Baerenreiter Verlag (BA.BA09189).

ISBN 9790006577828. 31 x 24.3 cm inches. Preface: Konrad, Ulrich.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Christmas Mass (Liturgical). By Marc-Antoine Charpentier. Arranged by Jean-Paul Montagnier. (Study Score). Schott. Size 7.5x10.5 inches. 71 pages. Published by Eulenburg.

Orchestra

SKU: BA.BA10984

Composed by Franz Joseph Haydn. Edited by Sonja Gerlach and Sterling E. Murray. This edition: urtext edition. Stapled. Score. Hob. I:79. Baerenreiter Verlag #BA10984_00. Published by Baerenreiter Verlag (BA.BA10984).

ISBN 9790006567294. 31 x 24.3 cm inches. Key: F major. Preface: Armin Raab.

Along with Symphonies Nos. 80 and 81, Haydn’s Symphony in F major Hob. I:79 belongs to a group of works that he composed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy who wished to be entertained with new music. The symphonies were tailored for the twenty-five to thirty musicians who were in the prince’s court orchestra.

Continu ing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the “Works of Joseph Haydn”. Bärenreiter has already published the complete performance material for several “Sturm und Drang” symphonies and all the Paris and London symphonies.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra

SKU: BR.SON-620

Okeaniden, Tapiola. Composed by Jean Sibelius. Edited by Kari Kilpelainen. Linen. Complete Works.

The American tone poems

Late-romantic; Early modern. Complete Works. 228 pages. Breitkopf and Haertel #SON 620. Published by Breitkopf and Haertel (BR.SON-620).

ISBN 9790004803226. 10 x 12.5 inches.

Jean Sibelius wrote his last two tone poems Aallottaret op. 73 and Tapiola op. 112 as commissions for the United States. Aallottaret is the original Finnish title of op. 73, as is found on the autograph. Discreetly concealed behind this title, however, is the title The Oceanides, which also stems from Sibelius, and which Breitkopf & Hartel gladly placed in first position for the first edition of 1915, thus facilitating the diffusion of the work. The previously unpublished early version of Aallottaret is also presented in the volume of the Complete Edition; it had been hastily rejected shortly before the world premiere. Compared with this genesis, the origin of Tapiola , Sibelius last great symphonic poem, is relatively unspectacular: though he was under pressure to write and publish the work, Sibelius produced no different versions. There was only one printed edition from Breitkopf and no further revisions. Thanks are given to Professor Nors S. Josephson for his valuable work on this volume, the editing of which he began.

Orchestra

SKU: PD.PIL1384

Composed by Jose Lazaro. Duration 16:00. Published by Piles Editorial de Musica (PD.PIL1384).

Orchestra (Fl, 2 Ob, 2 bassoon, 2 Hn, 2 V, Va, Bassi)

SKU: BA.BA10983

Composed by Franz Joseph Haydn. Edited by Sonja Gerlach and Sterling E. Murray. This edition: urtext edition. Stapled. Score. Hob. I:81. Duration 12 hours. Baerenreiter Verlag #BA10983_00. Published by Baerenreiter Verlag (BA.BA10983).

ISBN 9790006565573. 31 x 24.3 cm inches. Key: G major. Preface: Armin Raab.

Haydn’ s Symphony in G major Hob. I:81 comes from a series of three symphonies completed in late 1784 (nos. 81, 80 and 79, presumably in that order). No autograph score survives for Hob. I:81, thus our Urtext edition is based on copyists’ manuscripts and first editions. As with so many of his symphonies, Haydn wrote this one to provide new music for his employer, Prince Nikolaus Esterházy.

Cont inuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn’s large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has now published the complete performance material for several Sturm und Drang symphonies and all the London and Paris symphonies (Nos. 81 to 104).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra (2 Fl, Ob, 2 Hn, 2 V, 2 Va, Vc, double bass, bassoon ad lib.)

SKU: BA.BA05356

Composed by Wolfgang Amadeus Mozart. Edited by Gerhard Allroggen. This edition: urtext edition. Stapled. Barenreiter Urtext. Score. K. 114, No. 14. 20 pages. Duration 14 minutes. Baerenreiter Verlag #BA05356_00. Published by Baerenreiter Verlag (BA.BA05356).

ISBN 9790006468997. 31 x 24.3 cm inches. Key: A major. Language: German/English. Preface: Gerhard Allroggen.

Urtext der Neuen Mozart-Ausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra

SKU: BA.BA08889

Opéra in five acts. Composed by Jean-Philippe Rameau. Edited by Graham Sadler. This edition: urtext edition. Paperback. Symphonies / Versions from 1749 and 1756. Score. Baerenreiter Verlag #BA08889_00. Published by Baerenreiter Verlag (BA.BA08889).

ISBN 9790006575213. 33 x 24 cm inches. Text Language: French. Louis de Cahusac.

This collection of the instrumental numbers from Zoroastre, a Tragdie in five acts includes the movements and dances of all the original versions, i.e. those of January and February 1756 (found in the Opera Omnia Rameau volume IV.26, BA08867-01) as well as those of 1749. Orchestras can compile a suite to meet precisely their own needs. For this purpose, the index includes a separate overview sorted by key. The performance material of the Symphonies is available on hire reflecting the high standard of Opera Omnia.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra

SKU: BR.SON-627

Ouverture JS 145, Baletscen JS 163. Composed by Jean Sibelius. Edited by Tuija Wicklund. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 196 pages. Breitkopf and Haertel #SON 627. Published by Breitkopf and Haertel (BR.SON-627).

ISBN 9790004803295. 10 x 12.5 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts … are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. … In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. … For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. … JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

Orchestra (Study Score)

SKU: HL.51489817

Orchestra Study Score. Composed by Ludwig van Beethoven. Edited by Ernst Herttrich. Henle Study Scores. Classical. Softcover. 120 pages. G. Henle #HN9817. Published by G. Henle (HL.51489817).

UPC: 840126932782. 6.75x9.5x0.341 inches.

The premiere of this work in December 1813 ranks among the greatest successes Beethoven ever celebrated in public as a composer. One reviewer wrote at the time that in its themes the new symphony was “so favourable and easily comprehensible that every music lover falls for the powerful allure of its beauty.” The incisiveness of the themes is fundamentally related to the basic ostinato rhythms, which help shape each movement’s distinctive character. Richard Wagner even called the composition, with its ecstatic finale, an “apotheosis of the dance.” Based on the musical text of the Beethoven Complete Edition and furnished with a new preface, this recently prepared edition reflects the latest in Beethoven scholarship. Now, in this study edition, it is available to everyone at a reasonable price and in a handy format.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Chamber orchestra (Orchestra)

SKU: BA.BA05366

Composed by Wolfgang Amadeus Mozart. Edited by Gerhard Allroggen. This edition: urtext edition. Stapled. Barenreiter Urtext. Score. K. 74, No. 10. 16 pages. Duration 12 minutes. Baerenreiter Verlag #BA05366_00. Published by Baerenreiter Verlag (BA.BA05366).

ISBN 9790006469543. 31 x 24.3 cm inches. Key: G major.

Urtext der Neuen Mozart-Ausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra

SKU: BA.BA08869-01

Acte de ballet. Composed by Jean-Philippe Rameau. Edited by Thomas Soury. This edition: complete edition, urtext edition. Linen. Complete edition, Score. Baerenreiter Verlag #BA08869-01. Published by Baerenreiter Verlag (BA.BA08869-01).

ISBN 9790006577255. 33.5 x 25.6 cm inches. Text Language: French. Preface: Sylvie Bouissou. Anonymus.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra (Orchestra)

SKU: BA.BA04597-01

Composed by Wolfgang Amadeus Mozart. Edited by Gerhard Allroggen. This edition: complete edition, urtext edition. Linen. New Mozart Edition (Neue Mozart Ausgabe - NMA) Series IV, Volume 11, No. 2. Musikwissenschaft, Klassik (Critical Commentary, Classical). Complete edition, Score, anthology. Baerenreiter Verlag #BA04597_01. Published by Baerenreiter Verlag (BA.BA04597-01).

ISBN 9790006451456. 33 x 26 cm inches.

Urtext der Neuen Mozart-Ausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra (Fl,2Ob,2bassoon,2Hn,2V,V a,Bassi)

SKU: BA.BA10982

Composed by Franz Joseph Haydn. Edited by Sonja Gerlach and Sterling E. Murray. This edition: urtext edition. Stapled. Urtext from: Joseph Haydn Werke, G. Henle Verlag Munchen. Score. Hob. I:80. Duration 00:21:00. Baerenreiter Verlag #BA10982_00. Published by Baerenreiter Verlag (BA.BA10982).

ISBN 9790006565504. 31 x 24.3 cm inches. Key: D minor. Preface: Armin Raab.

Along with Symphonies Nos. 79 and 81, Haydn’s D-minor Symphony Hob. I:80 belongs to a set of symphonies that he completed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy, his task being to entertain the prince with new music. The symphonies had to be suitable for the twenty-five to thirty musicians who were in the prince’s orchestra.

Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn’s large choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the “Works of Joseph Haydn”.

B� �renreiter has already published the complete performance material for several “Sturm und Drang” symphonies and all the London and Paris symphonies.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra (Orchestra)

SKU: BA.BA05559

Composed by Franz Schubert. Edited by Michael Kube. This edition: complete edition, urtext edition. Linen. New Schubert Edition V, 6. Complete edition, Score, anthology. Baerenreiter Verlag #BA05559_00. Published by Baerenreiter Verlag (BA.BA05559).

ISBN 9790006497270. 24.6 x 33.3 cm inches. Language: German. Preface: Michael Kube.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra (Orchestra)

SKU: BA.BA05804

Ballet pantomimes. Composed by Christoph Willibald Von Gluck. Edited by Irene Brandenburg and Sibylle Dahms. This edition: complete edition, urtext edition. Linen. Christoph Willibald Gluck. Complete Works. Series II, Volume 2. Complete edition, Score, anthology. Duration 20 minutes. Baerenreiter Verlag #BA05804_00. Published by Baerenreiter Verlag (BA.BA05804).

ISBN 9790006495559. 33 x 25.5 cm inches. Language: German. Preface: Irene Brandenburg/Sibylle Dahms.

Choreography by Gasparo Angiolini; Continuo realization: Thomas Hauschka.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra (P+KRB)

SKU: HL.49041350

Composed by Paul Hindemith. Edited by Giselher Schubert. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 258 pages. Schott Music #PHA206. Published by Schott Music (HL.49041350).

ISBN 9783795794729. 11.0x15.25x0.988 inches. German.

The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but as work cycles with different functional relationships. These contrasting pieces complement each other if experienced as part of the overall structure. Hindemith himself not only wanted a complete edition of his collected works but had begun planning it; at his death he left a detailed list of ‚Unpublished pieces for an eventual complete edition‘.The Complete Works contain all finished works in all extant versions, newly engraved for the edition. Sketches and fragments are published in appendices of the relevant volume, and are evaluated in the Introduction and Critical Commentary by the respective volume editor.Each volume contains a preface by the editorial directors and an introduction by the volume editor, delineating the genesis and performance history of the work, with authentic performance instructions, an evaluation of extant recordings by Paul Hindemith himself and a Critical Commentary.The Complete Works of Paul Hindemith are thus presented in a critical, scholarly edition which is equally appropriate for study and performance. Hindemith researchers will welcome the numerous first publications of works by the composer, and practical musicians will appreciate the newly prepared, philologically ordered performance material.

Chamber orchestra (Orchestra)

SKU: BA.BA05377

Composed by Wolfgang Amadeus Mozart. This edition: urtext edition. Stapled. Barenreiter Urtext. Score. K. 97 (73m), No. 47. Duration 9 minutes. Baerenreiter Verlag #BA05377_00. Published by Baerenreiter Verlag (BA.BA05377).

ISBN 9790006501526. 30 x 23 cm inches. Key: D major. Gerhard Allroggen.

Urtext der Neuen Mozart-Ausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra

SKU: BA.BA09168

Composed by Wolfgang Amadeus Mozart. Edited by Gerhard Allroggen. This edition: urtext edition. Stapled. Barenreiter Urtext. Score. K. 43, No. 6. 16 pages. Baerenreiter Verlag #BA09168_00. Published by Baerenreiter Verlag (BA.BA09168).

ISBN 9790006528257. 30 x 23 cm inches. Key: F major.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra

SKU: PD.PIL1388

Composed by Jose Lazaro. Full score (A4). Duration 16 minutes. Published by Piles Editorial de Musica (PD.PIL1388).

Orchestra (Orchestra)

SKU: BA.BA05560

Composed by Franz Schubert. Edited by Michael Kube. This edition: complete edition, urtext edition. Linen. New Schubert Edition (Neue Ausgabe samtlicher Werke) Series V, Volume 7. Complete edition, Score, anthology. Baerenreiter Verlag #BA05560_00. Published by Baerenreiter Verlag (BA.BA05560).

ISBN 9790006497287. 33 x 26 cm inches.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra (Orchestra)

SKU: BA.BA04522-01

Composed by Wolfgang Amadeus Mozart. Edited by Hermann Beck. This edition: complete edition, urtext edition. Linen. New Mozart Edition (Neue Mozart Ausgabe - NMA) Series IV, Volume 11, No. 4. Musikwissenschaft, Klassik (Critical Commentary, Classical). Complete edition, Score, anthology. Baerenreiter Verlag #BA04522_01. Published by Baerenreiter Verlag (BA.BA04522-01).

ISBN 9790006449682. 33 x 26.5 cm inches.

Urtext der Neuen Mozart-Ausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra

SKU: SU.50026260

For Orchestra. Composed by Thomas Rice. Orchestra. Study Score. Seesaw Music Corp #50026260. Published by Seesaw Music Corp (SU.50026260).

Parts available on rental.Copryight 1976. Published by: Seesaw Music.

Orchestra

SKU: BA.BA06861

Sinfonie (1923-1928). Composed by Leos Janacek. Arranged by Leoš Faltus and Miloš Štedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek H/3. Complete edition, Score, Set of parts. Duration 40 minutes. Baerenreiter Verlag #BA06861_00. Published by Baerenreiter Verlag (BA.BA06861).

ISBN 9790260104211. 34.3 x 27 cm inches.

Leoš Janácek’s symphonic fragment Dunaj (The Danube) dates from the period of the composition of “Katya Kabanova”. The composer was not concerned with a musical-picturesque description of a river landscape, but with the mythical link between women’s destinies and water.

“Pale green waves of the Danube! There are so many of you, and one followed by another. You remain interlocked in a continuous flow. You surprise yourselves where you ended up – on the Czech shores! Look back downstream and you will have an impression of what you have left behind in your haste. It pleases you here. Here I will rest with my symphony.” Thus Leoš Janácek described the idea behind the composition project which occupied him in 1923/24. However, after further work, it remained incomplete in 1926. His “symphony” entitled Dunaj has survived as a continuously-notated, four-movement bundle of sketches in score form. It is one of the works which occupied him until his death. The scholarly reconstruction by the two Brno composers Miloš Štedron and Leoš Faltus closely follows the original manuscript.

A whole conglomeration of motifs stands behind the incomplete work. What at first seems like a counterpart to Smetana’s Vltava, in fact doesn’t turn out to be a musical depiction of the Danube. On the contrary, the fateful link between the destiny of women, water and death permeates the range of motifs found in the work. It seems to be no coincidence that Janácek, whilst working on the opera Katya Kabanova, in which the Volga, as the river bringing death plays an almost mythical role, planned a Danube symphony, and that its content was linked with the destiny of women: in the sketches, two poems were found which may have provided the stimulus for several movements of the symphony. He copied a poem by Pavla Kriciková into the second movement, in which a girl remarks that whilst bathing in a pond, she was observed by a man. Filled with shame, the young naked woman jumps into the water and drowns. The outer movements likewise draw on the poem “Lola” by the Czech writer Sonja Špálová, published under the pseudonym Alexander Insarov. This is about a prostitute who asks for her heart’s desire: she is given a palace, but then goes on a long search for it and is finally no longer wanted by anyone. She suffers, feels cold and just wants a warm fire. Janácek adds his remark “she jumps into the Danube” to the inconclusive ending.

To these tangible literary models is added Adolf Veselý’s verbal account which reports that the composer wanted to portray “in the Danube, the female sex with all its passions and driving forces”. The third movement is said to characterise the city of Vienna in the form of a woman.

It is evident that in his composition, Janácek was not striving for a simple, natural lyricism. The River Danube is masculine in the Slavic language – “ten Dunaj” – and assumes an almost mythical significance in the national character, indeed often also a role bringing death. The four movements are motivically conceived. Elements of sound painting, small wave-like figures in the first movement, motoric, driving movements in the third are obvious evocations of water. And the content and the literary level are easy to discover. The “tremolo of the four timpani”, which was amongst Janácek’s first inspirations, appears in the second movement. It is not difficult to retrace in it the fate of the drowning bather. The oboe enters lamentoso towards the end of the movement over timpani playing tremolo, its descending figure is taken over by the flute, then upper strings and intensified considerably. The motif of drowning – Lola’s despair – returns again in the fourth movement in the clarinet, before the work ends abruptly and dramatically.

One special effect is the use of a soprano voice in the motor-driven third movement. The singer vocalises mainly in parallel with the solo oboe, but also in dialogue with other parts such as the viola d’amore, which Janácek used in several late works as a sort of “voice of love”.

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