Le DOWANI 3 Tempi jouer long est une méthode efficace et plication des praticiens qui offre plus que des éditions classiques de play-long. Le DOWANI 3 Tempi jouer long vous permet d'apprendre une oeuvre systématiquement et avec l'accompagnement à différents tempos. La première chose que vous entendez sur le CD est la version de concert dans une première classe d'enregistrement avec l'instrument solo et orchestre, continuo ou accompagnement au piano. L'accompagnement piano ou clavecin suit alors dans un tempo lent et moyen à des fins pratiques, avec l'instrument solo entendu doucement à l'arrière-plan à tempo lent. Enfin, vous pouvez jouer sur le tempo original à l'accompagnement d'un orchestre, piano ou basse continue. Toutes les versions figurant sur le CD ont été enregistrées en direct par les accompagnateurs, des orchestres et des solistes de renommés. Il n'y a aucune sons résumées dans une édition de DOWANI ! / Orchestre / Partition + Cd

Par HAYDN JOSEPH. According to his dating of the autograph, Haydn composed the Symphony no. 89 in F major in 1787, just one year after the six so-called Paris symphonies. It was written, together with its sister work, the G-major Symphony no. 88, for the violinist Johann Tost, who sold it to the Parisian publisher Sieber. In both works, Haydn continues the compositional achievements of the Paris symphonies: mastery of orchestration, richness of musical ideas and details, and an idiosyncratic, multicoloured use of the wind section (which still makes do without Clarinets). In contrast to the buoyant G-major symphony, the F-major symphony possesses a ratherpastoral, sweet character, which in parts can nevertheless soar to dramatic heights. This study edition reproduces the musical text of the Haydn Complete Edition, which is a guarantor of the finest scholarship. An informative preface and a brief critical report make this handy score an ideal companion for all Haydn fans, both present and future. / Friesenhagen, Andreas / Répertoire / Orchestre

La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz '. Le succès sans précédent de cet opéra a éclipsé tous ses autres travaux et a contribué à leur chute croissante dans l'oubli. Certaines oeuvres telles que , Preciosa ' , Oberon ', et , Euryanthe ', les ouvertures , concertos en solo et sonates pour piano , des lieder et Chamber Works jouissait d'une grande popularité et ont été largement connu en Allemagne et à l'étranger aussi tard que la deuxième moitié de la 19e siècle . Cependant, toute chance d'une renaissance de Weber influents etoeuvre considérable a été gaspillé dans les années 1920 , quand une édition complète - commencé par Hans Joachim Moser et avec les contributeurs potentiels, dont Wilhelm Kempff , Hans Pfitzner , Max von Schillings, Fritz Stein et Richard Strauss - a échoué après le troisième volume.Depuis , il ya eu de nombreuses tentatives pour relancer une édition complète des oeuvres de Weber , mais comme ce genre de projet , il aurait fallu la collaboration de chercheurs des deux côtés de la frontière inter -allemande, la situation politique après 1945 n'était pas propice à une telle entreprise . Négociations approfondies ont conduit aux premières étapes tangibles dans les années 1980. L'intention , dès le début , était de placer l'oeuvre de Weber dans son contexte, et de ne pas séparer sa production musicale de son travail influent comme un écrivain , critique et organisateur dans le domaine musical , mais de publier ses compositions avec ses lettres, journaux intimes et autre production littéraire comme le meilleur moyen de documenter la fertilisation croisée entre ses activités musicales , littéraires et pratique. / Score

Leichte Ensembleliteratur Für Den Unterricht. Par DIVERS AUTEURS (ARR.MARTIN TOURISH). Recueils de musique celtique arrangée pour ensemble, Ils couvrent l'Irlande, l'Ecosse, le Pays de Galles, la Cornouailles et la Bretagne. edition with CD, 1st part in C (violin, flute, recorder, tin whistle)1st part in Bb (clarinet, trumpet)2nd part in C (violin, flute, recorder, tin whistle)2nd part in Bb (clarinet, trumpet)piano/harpbass-part (cello, bassoon, double bass, e-bass)percussion (drum, Bodhrán).The parts are included on the MP3-CD as digital files to enable an easier and more flexible usage./ Recueil / Ensemble Flexible

The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, known under the name “Fantasia Concertante”, was to be Martinu’s very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work. The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composer’s own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre

Facsimile of the autograph score in the British Library, London. Par HAENDEL GEORG FRIEDRICH. The first performance of George Frideric Handel’s oratorio “Messiah” on 13 April 1742 in Dublin aroused unqualified rapture. A newspaper report a few days later declared that it combined “the Sublime, the Grand, and the Tender”. Its success has remained undiminished ever since, and the “Messiah” has taken its place in musical life. In 2009, to mark the 250th anniversary of Handel’s death, the British Library and Bärenreiter joined forces and made the autograph score of the “Messiah” available to the public in a meticulously reproduced, lavishly published facsimile. The renowned Handel scholar Donald Burrows introduces the characteristics of Handel’smanuscript, describes the history of the work’s composition, and explains the differences between later versions of the “Messiah”, as reflected in the conducting scores. A two-page sketch from the Fitzwilliam Museum Cambridge completes the publication. Facsimile of the autograph in the British Library. 282 + 2 pages of facsimile and 55 pages of introduction (English/German/Japanese) half-linen, hardback / Oratorio / Répertoire / Divers

Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the 'Paris? symphonies (Hob. I:82-87) and their 'London? counterparts (Hob. I: 93-104) - the last ones he wrote before his trips to England in 1791-92 and 1794-95. The Symphony in F major is dated 1787 in the autograph score. In this work Haydn borrowed two movements from an earlier piece, possibly owing to deadline pressure. The second and fourth movements are arrangements of movements 2 and 3 from his Concerto in F major Hob. VIIh:5 for two 'lire organizzate? and orchestra. The fact that he also arranged movements from his other lire concertos suggests that he regarded them as a sort of musical quarry. This at least allowed him to recycle parts of these works after his patron had probably prohibited him from offering them commercially.This edition continues the collaboration with the Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies. It is based on the Henle Complete Edition of the 'Works of Joseph Haydn?. The complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies is now available from Bärenreiter. o Based on the Henle Complete Edition of the 'Works of Joseph Haydn?o Orchestral parts in a large format (25.5 x 32.5 cm) / Orchestre

The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. Each volume is clearly-presented with authoritative scores, informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra.NEW: This box-set of 25 masterpieces in a handy slipcase containing volumes 51-75 in the series is amazing value: almost 50% cheaper than buying each volume separately!This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focusing on the fields of opera, orchestral music, chamber music and vocal music, it is the favoured by conductors, orchestral musicians, soloists, students, teachers and music-lovers generally. The more you read, the more you hear! / Tout Instrument

This four-movement work with a slow introduction is Haydn's last symphony for 'small' orchestra, i.e. without trumpets and timpani.However it has long passages for solo violoncello and is also scored for two bassoons.The editor of this edition recommends a performance with low horns (additionally included in the wind set) to prevent the musical character of the 'Andante? from being compromised by the predominantly high registers.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large choral works, operas and symphonies, this edition is appearing, based on the Henle Complete Edition of the 'Works of Joseph Haydn?.The complete performance material for several of Haydn's 'Sturm und Drang? symphonies and all the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the 'Works of Joseph Haydn?- Orchestral parts in a large format (25.5 × 32.5 cm) / Conducteur

Par HAYDN FRANZ JOSEF. Les douze «Symphonies de Londres» constituent le sublime accord final dans l’œuvre symphonique de Haydn. Elles furent composées pour l’impresario londonien Johann Peter Salomon, et Haydn lui-même en dirigea les créations alors qu’il demeurait pour un certain temps dans la métropole anglaise dans les années 1791-92 et 1794-95. La Symphonie n° 96 en Ré majeur de 1791 fait partie des premières symphonies conçues à Londres, pour Londres. Elle a été postérieurement surnommée «Le miracle», mais ce surnom lui a été affecté par erreur car si un miracle a bien eu lieu, épargnant les auditeurs lors de la chute d’un lourd candélabre sans que personne de l’assistance ne fût blessé, ce fut à l’occasion d’un concert où était jouée une autre symphonie de Haydn. Elle n’en reste pas moins un miracle d’esprit musical: du raffinement des rapports harmoniques des motifs en accords parfaits par lesquels commence chacun des quatre mouvements, jusqu’aux changements d’atmosphère virtuoses résultant de surprenantes modulations harmoniques, Haydn livre ici une véritable parade démonstrative du développement de ses idées musicales. L’édition d’étude reprend le texte de l’édition complète des œuvres de Haydn, garantissant ainsi la plus haute qualité scientifique. Une préface informative et un bref commentaire critique font de cette partition en format maniable un accompagnateur idéal pour tous les fans de Haydn, ainsi que tous ceux qui souhaitent le devenir./ Répertoire / Orchestre Symphonique

Hob I:81. Par HAYDN FRANZ JOSEF. Haydn' s Symphony in G major Hob. I:81 comes from a series of three symphonies completed in late 1784 (nos. 81, 80 and 79, presumably in that order). No autograph score survives for Hob. I:81, thus our Urtext edition is based on copyists' manuscripts and first editions. As with so many of his symphonies, Haydn wrote this one to provide new music for his employer, Prince Nikolaus Esterházy. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn' s large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has now published the complete performance material for several Sturm und Drang symphonies and all the London and Paris symphonies (Nos. 81 to 104). - Based on the G. Henle Complete Edition of the Works of Joseph Haydn - Orchestral parts in a large format (25.5 x 32.5 cm)/ Répertoire / Orchestre

Par JOSEF STOIBER FRANZ. This edition clarifies a performance aspect of Haydn’s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola, violoncello and several wind instrument parts are marked “solo”, indicating that they play important motifs or themes and ought to stand out. Contrary to other editions, the “solo” marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather, the cellos should play as a section so as to stand out all the more clearly. Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scalechoral works, operas and symphonies, this edition is based on the Henle Complete Edition of the “Works of Joseph Haydn ”. The complete performance material for several “Sturm und Drang” symphonies and all of the London and Paris symphonies is now available from Bärenreiter. Based on the Henle Complete Edition of the “Works of Joseph Haydn ” Orchestral parts in a large format (25. 5 cm x 32. 5 cm) Full score & performance material available for sale (BA10980)/ Répertoire / Orchestre

Par HAENDEL GEORG FRIEDRICH. ?Giulio Cesare in Egitto? is by far Handel?s most frequently performed opera owing its success not least to its subject matter, one of the best known love stories in world history. Already during Handel?s lifetime the popular work was often staged and therefore adapted by Handel for each of the performance conditions. The editor Hans Dieter Clausen has succeeded in editorially defining and practically presenting these adaptations ? essentially four versions ? on the basis of a meticulous study of the sources within the framework of the ?Halle Handel Edition?. The new edition allows for a performance of each of the four versions. The version of 1725 is particularly noteworthy because Handel newly devised the role of Sesto for the famous tenor Francesco Borosini. The libretto shows the Roman dictator Cesar in a friendly light. He instructs his enemy, the Egyptian tyrant Tolomeo, how to treat adversaries: he reconciles the widow and son of his enemy Pompeo who was murdered by Tolomeo: he is generous and just, hands on, but also diplomatic, thoughtful, aware of the limits of his power, and susceptible for art and nature. However, the actual protagonist of the opera is Cleopatra. In a masterly way Handel develops her character musically. In his extensive Foreword Hans Dieter Clausen not only decribes the genesis, historical background, reception and the edition of the opera, he also examines the musical and dramaturgical reworking of individual numbers in ?Giulio Cesare?. Handel was such an expert in adapting arias for new purposes and other characters that he did not only meet the needs at hand but often the new version surpassed the original. In this way, the reader gains, in passing, a well-founded insight into Handel?s work methods when designing and redevising his characters. The detailed Critical Commentary includes information on the comprehensive and highly complex source situation as well as on individual editorial decisions./ Répertoire / Chant et Orchestre

Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 80 and 81, Haydn's Symphony in F major Hob. I:79 belongs to a group of works that he composed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy who wished to be entertained with new music. The symphonies were tailored for the twenty-five to thirty musicians who were in the prince's court orchestra. Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the 'Works of Joseph Haydn”. Bärenreiter has already published the complete performance material for several 'Sturm und Drang” symphonies and all the Paris and London symphonies. / Date parution : 2019-06-20/ Répertoire / Orchestre