SATB Choir, Orchestra (Study Score)

SKU: HL.14026108

Composed by Zbigniew Preisner. Music Sales America. Post-1900. Sheet Music, Score. With Text language: Greek / Latin / Polish. Chester Music #CH61497. Published by Chester Music (HL.14026108).

UPC: 884088811266. 0.408 inches.

Composer's Note Once, we had a joint conception to create a concert telling a life story. The premiere was planned to take place on the Acropolis in Athens. It was intended to be a large event, a hybrid of a mystery play and an opera. Krzysztof Kieslowski would be the director, Krzysztof Piesiewicz was responsible for the script, and I was planning to compose the music. We thought it might be the first of a series of musical performances, to be developed in various interesting places around the world in the next few years. But it was life that authored a different ending: Krzysztof Kieslowski died in March of 1996. The first part of Requiem for My Friend is meant as a farewell to Krzysztof Kieslowski. I dedicate this music to him. Zbigniew Preisner.

(Master Score). Composed by Various. For Score. Disney Master Score. Hardcover. 208 pages. Published by Hal Leonard

Orchestra

SKU: BR.PB-5432

Composed by Helmut Lachenmann. Orchestra; stapled. Partitur-Bibliothek (Score Library).

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

New music (post-2000). Full score. Composed 2016/17/20. 48 pages. Duration 8'. Breitkopf and Haertel #PB 5432. Published by Breitkopf and Haertel (BR.PB-5432).

ISBN 9790004212790. 10 x 12.5 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.

Orchestra

SKU: LM.JJ08798

Composed by Antoine Tisne. Classical: 20th Century (Contemporary). Score. Editions Jobert #JJ08798. Published by Editions Jobert (LM.JJ08798).

ISBN 9790230808798.

Orchestra

SKU: LM.JJ08781

Composed by Antoine Tisne. Classical: 20th Century (Contemporary). Score. Editions Jobert #JJ08781. Published by Editions Jobert (LM.JJ08781).

ISBN 9790230808781.

For Full Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. Novelty. Level: 3 (grade 3). Score. 36 pages. Published by Alfred Publishing.

Orchestra - Grade 4

SKU: BT.WH31338

Composed by Erik Axel Wessberg. Book Only. Composed 2012. Edition Wilhelm Hansen #WH31338. Published by Edition Wilhelm Hansen (BT.WH31338).

ISBN 9788759822715. Danish.

I Hvem har skrevet noderne? forsøger Erik Axel Wessberg at rette lidt op på den kollektive forsømmelse af anerkendelsen af den musikalske arrangørs arbejde og trække ham og hans bidrag til vores kulturhistorie ud af den anonymitet, hvor det hidtil har befundet sig.Bogen henvender sig både til musikstuderende og professionelle musikere og arrangører men også til den almindelige musikinteresserede.En række nodeeksempler samt henvisninger til indspilninger af de analyserede arrangementer tilfører fremstillingen en ekstra dimension.

Featuring "Mickey Mouse March," "The Great Outdoors," "It's a Small World," "You Can Fly! You Can Fly! You Can Fly!," "The Best Time of Your Life," and "Yo Ho (A Pirate's Life for Me)". Arranged by Michael Story. For Full Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. Novelty. Level: 3 (grade 3). Conductor Score and Parts. 160 pages. Published by Alfred Publishing.

(Orchestral Score). By Steven Stucky (1949-). Orchestra. For 3 Flutes (3. Doubles Piccolo), 3 Oboes (3. Doubles English Horn), 3 Clarinets in Bb (3. Doubles Bass Clarinet), 2 Bassoons, Contrabassoon, 4 Horns in F, 3 Trumpets in C, 3 Trombones, Tuba, Percussion (3 Players):, Crotales, Chimes, Glockenspiel, Xylophone. World Premiere: Los Angeles Philharmonic Orchestra, conducted by Esa-Pekka Salonen, Walt Disney Concert Hall, Los Angeles, CA.. Contemporary. Full score (study). Standard notation. Composed JANUARY 23 2007. 55 pages. Duration 17 minutes. Published by Theodore Presser Company

From Encanto. Composed by Lin- Manuel Miranda (1980-). Arranged by Robert Longfield. Easy Pop Specials For Strings. Disney, Movies. Softcover. Duration 180 seconds. Published by Hal Leonard

Full Orchestra (Score) - Grade 4

SKU: HL.4491497

Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Bob Krogstad. HL Full Orchestra. Disney, Movies. 28 pages. Published by Hal Leonard (HL.4491497).

UPC: 888680022037. 9.0x12.0x0.069 inches.

Includes: Do You Want to Build a Snowman?, For the First Time in Forever, Frozen Heart, In Summer, Let It Go. Click to view score with recording.

From Encanto. Composed by Lin- Manuel Miranda. Arranged by Paul Murtha. Discovery Plus Concert Band. Disney, Movies, Musicals. Softcover. Duration 369 seconds. Published by Hal Leonard

Score and Parts. Composed by Lin-Manuel Miranda (1980-). Arranged by Larry Moore. Pop Specials for Strings. Disney, Movies. Softcover. Duration 160 seconds. Published by Hal Leonard

WALT DISNEY CLASSICS (for String Orchestra) [arr. Philip Gordon]. By Alonso de Alba. ORCHESTRA. Published by Bourne Music Co.

WALT DISNEY CLASSICS (for String Orchestra) [arr. Philip Gordon]. By Alonso de Alba. ORCHESTRA. Published by Bourne Music Co.

For full orchestra. Band/Orchestra. Level: grade level 3. Published by Alfred Publishing

By Steven Stucky. Orchestra. First Performance: March 12, 2004, Walt Disney Concert HAll, Los Angeles. Full Score - Study. Composed 2003. 189 pages. Duration 26:00:00. Published by Theodore Presser Company.

Full Score. Composed by Lin- Manuel Miranda. Arranged by Larry Moore. Pop Specials for Strings. Disney, Movies. Softcover. Duration 160 seconds. Published by Hal Leonard

Beauty and the Beast by Alan Menken and Howard Ashman. Arranged by Bruce Chase. For Orchestra (Score and Parts). Discovery Strings. Grade 2. Published by Hal Leonard